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Author: Thami Mnyele
Publisher: Jacana Media
ISBN: 1770096884
Category : Antiques & Collectibles
Languages : en
Pages : 217
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Book Description
The exhibition and book document a particular chapter in South Africa's struggle for democracy by telling the story of artist and activist Thami Mnyele and a group of cultural workers in exile in Botswana called Medu Art Ensemble. This is the first time that their history is being told.
Author: Thami Mnyele
Publisher: Jacana Media
ISBN: 1770096884
Category : Antiques & Collectibles
Languages : en
Pages : 217
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Book Description
The exhibition and book document a particular chapter in South Africa's struggle for democracy by telling the story of artist and activist Thami Mnyele and a group of cultural workers in exile in Botswana called Medu Art Ensemble. This is the first time that their history is being told.
Author: Jabulisile Mhlambi
Publisher: African Books Collective
ISBN: 1920690174
Category : Art
Languages : en
Pages : 478
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Book Description
Mintirho ya Vulavula: Arts, National Identities and Democracy examines the role of arts and culture in development, and specifically its value in consolidating our nascent democracy and in facilitating the transformation of South African society. Contributors to this edited volume interrogate the role of arts, culture and heritage from a transdisciplinary perspective, enriched by the cross-generational perspectives offered by young and older artists, cultural practitioners, activists and scholars. Authors also offer some policy recommendations on how the contribution of arts and culture to social cohesion and nation-building can be enhanced.
Author: Billy Keniston
Publisher: NYU Press
ISBN: 1776149025
Category : History
Languages : en
Pages : 368
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Book Description
Reveals the little known details of the assassination of an anti-apartheid activist by an apartheid spy and undercover police officer On 28 June 1984 a parcel bomb sent by the apartheid security police exploded in an apartment building in Lubango, Angola, killing 36-year-old Jeanette Schoon and her six-year-old daughter Katryn. The Schoons were members of the revolutionary underground, exiled from South Africa and committed to both the African National Congress and to socialism. What many political activists had feared or suspected at the time was confirmed during the 1990s Truth and Reconciliation Commission: the bomb targeting the Schoons was sent by Craig Williamson, an apartheid spy and high-ranking member of the South African security service. Apartheid Spies and the Revolutionary Underground is the first book-length account of the assassination of Jeanette and Katryn Schoon. Jeanette Curtis Schoon and Craig Williamson first met in 1973 on the Wits University campus. Jeanette was a passionate student radical and part of a network of white radicals fighting apartheid. Williamson had successfully infiltrated the student movement and rose within its ranks. He held positions of trust, first within the National Union of South African Students (NUSAS) and then, after pretending to ‘flee’ the country, as an office-bearer of the International Universities Exchange Fund in Sweden, which helped fund many South Africans in exile. The book uncovers how the lives of a group of white radicals intersected with and were impacted by the undercover security police and their operations both within and outside of South Africa. Intensifying political oppression caused many young radicals to flee South Africa in 1976; many of them, like Jeanette and her partner Marius Schoon, joined the African National Congress in exile. Williamson and the Schoons’ paths, and those of their comrades, continued to cross: he was a guest in their homes, a supplier of funds for their projects, a witness for the prosecution in political trials and, ultimately, the hand that directed targeted assassinations. Williamson received amnesty for his role in the Schoons’ murder, among other crimes. For the friends and family of the Schoons – and for all those seeking social justice – this was an unacceptable outcome and Williamson continues to walk a free man. This book attempts to show the limits of the TRC process to render healing from South Africa’s apartheid past. That justice has not been served to the Schoons remains a tragedy in this story of the struggle against apartheid.
Author: Tom Penfold
Publisher: Springer
ISBN: 3319579401
Category : Literary Criticism
Languages : en
Pages : 155
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Book Description
This book analyses Black Consciousness poetry and theatre from the 1970s through to the present. South Africa’s literature, like its history, has been beset by disagreement and contradiction, and has been consistently difficult to pin down as one, united entity. Much existing criticism on South Africa’s national literature has attempted to overcome these divisions by discussing material written from a variety of different subject positions together. This book argues that Black Consciousness desired a new South Africa where African and European cultures were valued equally, and writers could represent both as they wished. Thus, a body of literature was created that addressed a range of audiences and imagined the South African nation in different ways. This book explores Black Consciousness in order to demonstrate how South African writers have responded in various ways to the changing history and politics of their country.
Author: Christina Beyene
Publisher: Springer Nature
ISBN: 3031558022
Category :
Languages : en
Pages : 261
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Book Description
Author: Lifongo J. Vetinde
Publisher: Rowman & Littlefield
ISBN: 1498587577
Category : Art
Languages : en
Pages : 195
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Book Description
A broad range of cultural works produced in traditional and modern African communities shows a fundamental preoccupation with the concepts of communal solidarity and hospitality in societies driven by humanistic ideals. African Cultural Production and the Rhetoric of Humanism is an inaugural attempt to focus exclusively and extensively on the question of humanism in African art and culture. This collection brings together scholars from different disciplines who deftly examine the deployment of various forms of artistic production such as oral and written literatures, paintings, and cartoons to articulate an Afrocentric humanist discourse. The contributors argue that the artists, in their representation of civil wars, massive corruption, poverty, abuse of human rights, and other dehumanizing features of post-independence Africa, call for a return to the traditional African vision of humanism that is relentlessly being eroded by the realities of postcolonial nationhood.
Author: Antawan I. Byrd
Publisher: Yale University Press
ISBN: 0300254342
Category : Art
Languages : en
Pages : 161
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Book Description
A revelatory and informative presentation of the anti-apartheid posters created by Medu Art Ensemble Formed in the late 1970s, Medu Art Ensemble forcefully articulated a call to end the apartheid system’s racial segregation and violent injustice through posters that combined revolutionary imagery with bold slogans. Advocating for decolonization and majority (nonwhite) rule in South Africa and neighboring countries, Medu members were persecuted by the South African Defense Force and operated in exile across the border in Botswana. The People Shall Govern! features nearly all the surviving posters that Medu created between 1979 and 1985. These objects are exceedingly rare, as they were originally smuggled into South Africa and mounted in public places, where they were regularly confiscated or torn down on sight. Offering new insight into the conceptual framework of Medu’s working practice and featuring a beautiful silkscreened cover, this volume examines the continuing relevance and impact of its poster production.
Author: Judith B. Hecker
Publisher: The Museum of Modern Art
ISBN: 0870707566
Category : Art
Languages : en
Pages : 98
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Book Description
Encompassing black-and-white linoleum cuts made at community art centres in the 1960s and 1970s, resistance posters and other political art of the 1980s, and the wide variety of subjects and techniques explored by artists in printships over the last two decades, printmaking has been a driving force in contemporary South African artistic and political expression. Impressions from South Africa: 1965 to Now, published to accompany an exhibition at The Museum of Modern Art, introduces the vital role of printmaking through works by more than twenty artists in the Museum's collection. The volume features prints by John Muafangejo and Dan Rakgoathe, a selection of posters produced for anti-apartheid coalitions in the 1980s, and nuanced political work by SueWilliamson, Norman Catherine andWilliam Kentridge. The book features many more recent projects, demonstrating the contemporary relevance of the medium in South Africa today. The work, presented in a generous plate section, is contextualized in an introduction by Judith B. Hecker, and accompanied by brief biographies of the artists, a timeline of relevant events in South African history, and a selected bibliography.
Author: Daniel Magaziner
Publisher: Ohio University Press
ISBN: 0821445901
Category : History
Languages : en
Pages : 494
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Book Description
From 1952 to 1981, South Africa’s apartheid government ran an art school for the training of African art teachers at Indaleni, in what is today KwaZulu-Natal. The Art of Life in South Africa is the story of the students, teachers, art, and politics that circulated through a small school, housed in a remote former mission station. It is the story of a community that made its way through the travails of white supremacist South Africa and demonstrates how the art students and teachers made together became the art of their lives. Daniel Magaziner radically reframes apartheid-era South African history. Against the dominant narrative of apartheid oppression and black resistance, as well as recent scholarship that explores violence, criminality, and the hopeless entanglements of the apartheid state, this book focuses instead on a small group’s efforts to fashion more fulfilling lives for its members and their community through the ironic medium of the apartheid-era school. There is no book like this in South African historiography. Lushly illustrated and poetically written, it gives us fully formed lives that offer remarkable insights into the now clichéd experience of black life under segregation and apartheid.
Author: Amrita Pande
Publisher: NYU Press
ISBN: 1776147871
Category : Education
Languages : en
Pages : 271
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Book Description
This book addresses urgent current debates on decolonisation by offering reimagined teaching and learning interventions for obtaining greater epistemic justice in the contemporary postcolonial university. At a time when debates on decolonisation have gained urgency in academic, civic and public spaces, this interdisciplinary collection by authors based at the University of Cape Town, South Africa, serves as a valuable archive documenting and reflecting on a turbulent period in South African higher education. It is an important resource for academics looking to grasp debates on decoloniality both in South Africa, and in university and teaching spaces further afield. Calling for concerted and collaborative work towards greater epistemic justice across diverse disciplines, the book puts forward a new vision of the postcolonial university as one that enables excellent teaching and learning, undertaken in a spirit of critical consciousness and reciprocity.
