Author: Graham Holderness
Publisher: Univ of Hertfordshire Press
ISBN: 9781902806211
Category : Literary Criticism
Languages : en
Pages : 332
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Book Description
'Textual Shakespeare' reassesses the Bard as a writer in the light of the late-20th century revolution in bibliography and textual studies. Reviewing debates in textual theory and practice, Holderness concludes that 'Shakespeare' is not a writer but a collection of documents.
Author: Margaret Jane Kidnie
Publisher: Cambridge University Press
ISBN: 1107023742
Category : Literary Criticism
Languages : en
Pages : 483
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Book Description
A cutting-edge and comprehensive reassessment of the theories, practices and archival evidence that shape editorial approaches to Shakespeare's texts.
Author: John Jowett
Publisher: Oxford University Press
ISBN: 0192562614
Category : Literary Criticism
Languages : en
Pages : 283
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Book Description
Shakespeare and Text is built on the research and experience of a leading expert on Shakespeare editing and textual studies. The first edition has proved its value as an indispensable and unique guide to its topic. It takes Shakespeare readers to the very foundation of his work, explaining how his plays first took shape in the theatre where writing was part of a larger collective enterprise. The account examines the early modern printing industry that produced the earliest surviving texts of Shakespeare's plays. It describes the roles of publisher and printer, the controls exerted through the Stationers' Company, and the technology of printing. A chapter is devoted to the book that gathered Shakespeare's plays together for the first time, the First Folio of 1623. Shakespeare and Text goes on to survey the major developments in textual studies over the past century. It builds on the recent upsurge of interest in textual theory, and deals with issues such as collaboration, the instability of the text, the relationship between theatre culture and print culture, and the book as a material object. Later chapters examine the current critical edition, explaining the procedures that transform early texts in to a very different cultural artefact, the edition in which we regularly encounter Shakespeare. The new revised edition, which builds on Jowett's research for the New Oxford Shakespeare, engages with scholarship of the past decade, work that has transformed our understanding of textual versions, has opened up the taxonomy of Shakespeare's texts, and has significantly extended the picture of Shakespeare as a co-author. A new chapter describes digital text, digital editing, and their interface with the traditional media.
Author: David Scott Kastan
Publisher: Cambridge University Press
ISBN: 9780521786515
Category : Drama
Languages : en
Pages : 168
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Book Description
An account of Shakespeare's plays as they were transformed from scripts into books.
Author: William Shakespeare
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 304
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Book Description
Author: Louis B. Wright
Publisher: Associated University Presse
ISBN: 9780918016553
Category : Language Arts & Disciplines
Languages : en
Pages : 324
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Book Description
Author: Lene B. Petersen
Publisher: Cambridge University Press
ISBN: 0521765226
Category : Drama
Languages : en
Pages : 331
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Book Description
Using case studies of Hamlet, Romeo and Juliet and Titus Andronicus, this book examines what constitutes a 'Shakespearean text'.
Author: Margaret Jane Kidnie
Publisher: Cambridge University Press
ISBN: 1316351882
Category : Literary Criticism
Languages : en
Pages :
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Book Description
Shakespeare and Textual Studies gathers contributions from the leading specialists in the fields of manuscript and textual studies, book history, editing, and digital humanities to provide a comprehensive reassessment of how manuscript, print and digital practices have shaped the body of works that we now call 'Shakespeare'. This cutting-edge collection identifies the legacies of previous theories and places special emphasis on the most recent developments in the editing of Shakespeare since the 'turn to materialism' in the late twentieth century. Providing a wide-ranging overview of current approaches and debates, the book explores Shakespeare's poems and plays in light of new evidence, engaging scholars, editors, and book historians in conversations about the recovery of early composition and publication, and the ongoing appropriation and transmission of Shakespeare's works through new technologies.
Author: Adele Davidson
Publisher: Associated University Presse
ISBN: 9780874130478
Category : Drama
Languages : en
Pages : 332
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Book Description
The year 2008 marks the four hundredth anniversary of the first publication of King Lear, and for four centuries the play has remained a consummate bibliographical mystery. Winner of the 2007 Jay L. Halio prize for best manuscript in Shakespeare studies, Shakespeare in Shorthand demonstrates that many textual anomalies derive from the play's transcription in Elizabethan shorthand. The shorthand system of John Willis, Stenographie (1602), shows a high correlation with the unusual textual features found in the first quarto of Lear (1608). The patterns of variants in the quarto conform to Willis' rules regarding the reduction of diphthongs and digraphs and the omission of aspirated, doubled, or unsounded letters. In the past two decades the textual interrelation of quarto and folio (1623) Lear has proven one of the most contested issues in Shakespearean studies, and an examination of Stenographie reveals that some of these textual differences result not from authorial revision, but from transmission in abbreviated writing. Bibliographical evidence also indicates that some textual omissions from the folio version are neither authorial nor theatrical, but derive from the printing house.
Author: Gabriel Egan
Publisher: Cambridge University Press
ISBN: 1139493612
Category : Literary Criticism
Languages : en
Pages :
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Book Description
We know Shakespeare's writings only from imperfectly-made early editions, from which editors struggle to remove errors. The New Bibliography of the early twentieth century, refined with technological enhancements in the 1950s and 1960s, taught generations of editors how to make sense of the early editions of Shakespeare and use them to make modern editions. This book is the first complete history of the ideas that gave this movement its intellectual authority, and of the challenges to that authority that emerged in the 1980s and 1990s. Working chronologically, Egan traces the struggle to wring from the early editions evidence of precisely what Shakespeare wrote. The story of another struggle, between competing interpretations of the evidence from early editions, is told in detail and the consequences for editorial practice are comprehensively surveyed, allowing readers to discover just what is at stake when scholars argue about how to edit Shakespeare.
