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Author: Thomas Murray
Publisher: National Geographic Books
ISBN: 3791385208
Category : Design
Languages : en
Pages : 0
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Book Description
From rugged Japanese firemen's ceremonial robes and austere rural work-wear to colorful, delicately-patterned cotton kimonos, this lavishly illustrated volume explores Japan's rich tradition of textiles. Textiles are an eloquent form of cultural expression and of great importance in the daily life of a people, as well as in their rituals and ceremonies. The traditional clothing and fabrics featured in this book were made and used in the islands of the Japanese archipelago between the late 18th and the mid 20th century. The Thomas Murray collection featured in this book includes daily dress, work-wear, and festival garb and follows the Arts and Crafts philosophy of the Mingei Movement, which saw that modernization would leave behind traditional art forms such as the hand-made textiles used by country people, farmers, and fisherman. It presents subtly patterned cotton fabrics, often indigo dyed from the main islands of Honshu and Kyushu, along with garments of the more remote islands: the graphic bark cloth, nettle fiber, and fish skin robes of the aboriginal Ainu in Hokkaido and Sakhalin to the north, and the brilliantly colored cotton kimonos of Okinawa to the far south. Numerous examples of these fabrics, photographed in exquisite detail, offer insight into Japan's complex textile history as well as inspiration for today's designers and artists. This volume explores the range and artistry of the country's tradition of fiber arts and is an essential resource for anyone captivated by the Japanese aesthetic.
Author: Thomas Murray
Publisher: National Geographic Books
ISBN: 3791385208
Category : Design
Languages : en
Pages : 0
Get Book Here
Book Description
From rugged Japanese firemen's ceremonial robes and austere rural work-wear to colorful, delicately-patterned cotton kimonos, this lavishly illustrated volume explores Japan's rich tradition of textiles. Textiles are an eloquent form of cultural expression and of great importance in the daily life of a people, as well as in their rituals and ceremonies. The traditional clothing and fabrics featured in this book were made and used in the islands of the Japanese archipelago between the late 18th and the mid 20th century. The Thomas Murray collection featured in this book includes daily dress, work-wear, and festival garb and follows the Arts and Crafts philosophy of the Mingei Movement, which saw that modernization would leave behind traditional art forms such as the hand-made textiles used by country people, farmers, and fisherman. It presents subtly patterned cotton fabrics, often indigo dyed from the main islands of Honshu and Kyushu, along with garments of the more remote islands: the graphic bark cloth, nettle fiber, and fish skin robes of the aboriginal Ainu in Hokkaido and Sakhalin to the north, and the brilliantly colored cotton kimonos of Okinawa to the far south. Numerous examples of these fabrics, photographed in exquisite detail, offer insight into Japan's complex textile history as well as inspiration for today's designers and artists. This volume explores the range and artistry of the country's tradition of fiber arts and is an essential resource for anyone captivated by the Japanese aesthetic.
Author: Sunny Yang
Publisher: Kodansha
ISBN:
Category : Crafts & Hobbies
Languages : en
Pages : 154
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Book Description
Even in Japan, with its rich tradition of textile art, handcrafted textiles are rapidly becoming a rarity, as they are replaced by mass-produced bolts of cloth that can never duplicate the feel or vibrancy of those created by the personal touch of a master craftsman with an original idea. The importance of obtaining just the right shade of indigo blue, or artfully stenciling on a flower or a cloud, or weaving a fabric so that it appears as richly decorated as a tapestry all make for the allure of Japanese fabrics. Whether for a kimono, a sash, or a coat, cloth in Japan is woven, dyed, and embroidered with infinite care. The professional pride and craft techniques of the Japanese have resulted in visual and tactile masterpieces, and Japanese textile craftsmen are deservedly ranked among the most skilled in the world. Thankfully, even during the breathtaking modernization of Japan, a small number of artists and craftsmen are struggling to keep this ancient art alive. The Japanese have traditionally viewed textiles as an embodiment of no only beauty but as family heirlooms and repositories of history, making the study of Japanese fabric a door into another culture, another people, another time. In Textile Art of Japan, sunny Yang and Rochelle Narasin venture through that door, inviting the reader to follow them. They start with a brief but informative history of those most typical forms of Japanese dress, the kimono and the obi, and then move on to introduce the techniques of dyeing, weaving, and needlework that distinguish Japanese textiles, discussing their traditions, practical methods, and use of different types of fabric.
Author: 須藤玲子
Publisher:
ISBN: 9780500022689
Category : Business & Economics
Languages : en
Pages : 0
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Book Description
"Named with a word meaning 'cloth', NUNO is a Japanese textile-design company. Founded in 1984 by Junichi Arai and the company's current director, Reiko Sudo, NUNO is known for its innovations in textile production. NUNO designers are inspired by the past, present and future, integrating elements, such as paper or feathers or aluminium, with industrial methods, such as spatter-plating and chemical etching. All NUNO textiles - more than 2,500 have been created - are produced in Japan and are usually the handiwork of an individual craftsperson. Each bolt of cloth has a story to tell. Though their textiles appear regularly in books, textile exhibitions and museum collections, a comprehensive NUNO monograph has not existed - until now. Featuring influential or experimental fabrics, the book is organized into seven chapters, each based on a theme deriving from the onomatopoeic coupling in Japanese that defines a family of fabrics. For example, 'Shima Shima', meaning 'striped', presents striped designs ranging from bold and contrasting like zebra to subtly variegated like a tabby cat. Based on interviews, archival research and factory visits, the texts are illustrated with specially commissioned photos and drawings. Interspersed are essays by a wide range of contributors, from writer Haruki Murakami and architect Toyo Ito to curator Anna Jackson."--
Author: John E. Vollmer
Publisher: 5Continents
ISBN: 9788874397396
Category : Art
Languages : en
Pages : 0
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Book Description
Re-envisioning Japan is the first truly comprehensive book on Japanese export textiles of the Meiji period (1868-1912), featuring stunning examples from all over the country. Lavishly illustrated, the book features fabrics that explore the craftsmanship and remarkable talent of Meiji artists and artisans who produced goods for export markets. The makers of Meiji textiles sought to modernize traditional modes of visual representation, aspiring to create "paintings in silk thread," at times even replicating specific Western paintings. More often, they collaborated with contemporary Japanese painters to create dazzling new images that more than ever before realized the aesthetic potential of silk thread as an artistic medium. This book showcases these spectacular ornamental textiles in dazzling color reproductions and many close-up details.
Author: The Thomas Murray Collection
Publisher: National Geographic Books
ISBN: 3791387650
Category : Antiques & Collectibles
Languages : en
Pages : 0
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Book Description
Drawn from one of the world's leading textile collections, this magnificently presented array of traditional weavings from the Indonesian archipelago provides a unique window into the region's cultures, rites, and history. Gathered over the course of four decades, the Thomas Murray collection of Indonesian textiles is one of the most important privately owned collections of its type in the world. The objects comprise ritual clothing and ceremonial cloths that tell us much about the traditions of pre-Islamic Indonesian cultures, as well as about the influences of regional trade with China, India, the Arab world, and Europe. As with the earlier volume, Textiles of Japan (Prestel, 2018), the book focuses on some of the finest cloths to come out of the archipelago, presenting each object with impeccable photographs, colors, patterns, and intricate details. Geographically arranged, this volume pays particular attention to textiles from the Batak and the Lampung region of Sumatra, the Dayak of Borneo, and the Toraja of Sulawesi, as well as rare textiles from Sumba, Timor and other islands. Readers will learn about the intricate and highly developed traditions of dyeing, weaving, and beading techniques that have been practiced for centuries, resulting in a breathtaking collection of motifs, patterns, dyes, and adornments. Original texts by leading international experts draw on the latest research to offer historical context, unspool the mysteries behind ancient iconography, and provide new insights into dating and provenance. At once opulent and scholarly, this book arrives at a moment of growing interest in Southeast Asian culture and carries the imprimatur of one of the art world's leading collectors. Full List of Contributors: Lorraine Aragon, Joanna Barrkman, Chris Buckley, Kristal Hale, Valerie Hector, Janet Alison Hoskins, Itie van Hout, Eric Kjellgren, Fiona Kerlogue, Brigitte Khan Majlis, Robyn Maxwell, Thomas Murray, and Sandra Sardjono.
Author: Gloria Gonick
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 264
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Book Description
The spectacular Japanese community festivals known as matsuri are centuries old. Even today, in a society driven by technological advancement, these annual rites continue to function as a mechanism for purification and renewal and also to ensure all aspects of communal productivity. The pageantry of these events — their extraordinary dress, performance, and Shinto-Buddhist ritual enactment — brings communities together in an act of worship that is, as well, an extravagant artistic celebration. Dominated by the gorgeous textiles worn by troupes of participants, matsuri also boldly incorporate decorated banners, exquisitely "dressed" festival wagons, dramatic masks, and elaborate portable shrines. The historical importance of matsuri within the cycle of annual religious events in Japan is also reflected in the representation of these festivals in several pictorial forms, from lavish screen paintings to elegant woodblock prints. This volume identifies and describes the exuberant textiles and costumes of matsuri and considers their significance within their cultural context. Many of the examples illustrated date from the Meiji period (1868-1912), the last time when handwork was produced by individual artisans for their own use or that of their neighbors. The unique focus on festival arts in this book allows us to identify the special aesthetics that differentiate the textiles worn and used on Japan’s holy days. At matsuri a cascade of beautifully crafted garments in vibrant hues meets the eyes, foregrounded distinctly against the hushed simplicity of the Shinto shrine. It is an incredibly vital spectacle of human artistry at the service of a sacred occasion. Matsuri! documents the use of textiles in more than 25 different festivals scattered over the length and breadth of Japan. The book interweaves these textiles with the other arts that constitute matsuri as well as with their symbolic meanings and the history of textile making in Japan. Gorgeous photographs bring the festivals to life. Gloria Granz Gonick is a student of Japanese textiles and culture. Other contributors include Yo-ichiro Hakomori (adjunct assistant professor of architecture at the University of Southern California), Hiroyuki Nagahara (assistant professor of Japanese at the University of Hawai’i at Manoa), and Herbert Plutschow (professor of East Asian languages and cultures at UCLA and author of Matsuri: The Festivals of Japan among other books).
Author: Shannon Mullett-Bowlsby
Publisher: C&T Publishing Inc
ISBN: 1617459208
Category : Crafts & Hobbies
Languages : en
Pages : 179
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Book Description
Fall in love with boro & sashiko stitching 30+ authentic stitch patterns, 9 projects. Combine hand stitches to create dramatic, unique designs and learn to embrace imperfection, admiring the utilitarian beauty of every stitch. “Shibaguyz” Shannon and Jason Mullett-Bowlsby invite you to try your hand at boro, the traditional Japanese art of mending and quilting, and more than 30 authentic sashiko designs. Stitching lessons are true to tradition, inspired by historical works by Japanese masters. This guide in sashiko and boro includes patterns, stitch how-tos, and needle-threading and knotting tips. Put your handwork to good use with 9 contemporary projects like a sashiko sampler wallhanging, reversible knot bag, or a kimono-inspired jacket! With step-by-step instructions, even beginners can embrace the art of visible mending. Hand sew 30+ authentic sashiko patterns with best-selling authors the Shibaguyz Recreate the traditional art of boro (mending textiles) with 9 useful projects from jackets and bags to home decor Read stitch charts, mark fabrics, and thread your needle with tips from the pros
Author: Keisuke Serizawa
Publisher: Yale University Press
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 148
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Book Description
Serizawa Keisuke (1895-1984) was one of the greatest artists of 20th-century Japan. This book presents Serizawa's artistic biography in detail using the finest examples of his work from leading Japanese collections.
Author: Ayako Miyawaki
Publisher: National Museum of African Art, Smithsonian Institution
ISBN:
Category : Appliqué
Languages : en
Pages : 138
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Book Description
Author: Cheryl Imperatore
Publisher: Schiffer Fashion Press
ISBN: 9780764350504
Category : Design
Languages : en
Pages : 0
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Book Description
History -- Yukata-cotton robes -- Nagajuban-undergarments -- Women's kimono -- Tomesode-kimono for formal occasions -- The obi and accessories -- Women's haori-short silk jackets -- Michiyuki-overcoats -- Men's apparel -- Uchikake and furisode -- Children's kimono -- Furoshiki & fukusa-ceremonial cloths -- Religious & ceremonial wear -- Fragments into finery-Japanese textiles renewed
