Author: Catherine Love
Publisher: Taylor & Francis
ISBN: 1000839788
Category : Performing Arts
Languages : en
Pages : 132
Book Description
Text and Performance in Contemporary British Theatre interrogates the paradoxical nature of theatre texts, which have been understood both as separate literary objects in their own right and as material for performance. Drawing on analysis of contemporary practitioners who are working creatively with text, the book re-examines the relationship between text and performance within the specific context of British theatre. The chapters discuss a wide range of theatre-makers creating work in the UK from the 1990s onwards, from playwrights like Tim Crouch and Jasmine Lee-Jones to companies including Action Hero and RashDash. In doing so, the book addresses issues such as theatrical authorship, artistic intention, and the apparent incompleteness of plays as both written and performed phenomena. Text and Performance in Contemporary British Theatre also explores the implications of changing technologies of page and stage, analysing the impact of recent developments in theatre-making, editing, and publishing on the status of the theatre text. Written for scholars, students, and practitioners alike, Text and Performance in Contemporary British Theatre provides an original perspective on one of the most enduring problems to occupy theatre practice and scholarship.
Text and Performance in Contemporary British Theatre
Author: Catherine Love
Publisher: Taylor & Francis
ISBN: 1000839788
Category : Performing Arts
Languages : en
Pages : 132
Book Description
Text and Performance in Contemporary British Theatre interrogates the paradoxical nature of theatre texts, which have been understood both as separate literary objects in their own right and as material for performance. Drawing on analysis of contemporary practitioners who are working creatively with text, the book re-examines the relationship between text and performance within the specific context of British theatre. The chapters discuss a wide range of theatre-makers creating work in the UK from the 1990s onwards, from playwrights like Tim Crouch and Jasmine Lee-Jones to companies including Action Hero and RashDash. In doing so, the book addresses issues such as theatrical authorship, artistic intention, and the apparent incompleteness of plays as both written and performed phenomena. Text and Performance in Contemporary British Theatre also explores the implications of changing technologies of page and stage, analysing the impact of recent developments in theatre-making, editing, and publishing on the status of the theatre text. Written for scholars, students, and practitioners alike, Text and Performance in Contemporary British Theatre provides an original perspective on one of the most enduring problems to occupy theatre practice and scholarship.
Publisher: Taylor & Francis
ISBN: 1000839788
Category : Performing Arts
Languages : en
Pages : 132
Book Description
Text and Performance in Contemporary British Theatre interrogates the paradoxical nature of theatre texts, which have been understood both as separate literary objects in their own right and as material for performance. Drawing on analysis of contemporary practitioners who are working creatively with text, the book re-examines the relationship between text and performance within the specific context of British theatre. The chapters discuss a wide range of theatre-makers creating work in the UK from the 1990s onwards, from playwrights like Tim Crouch and Jasmine Lee-Jones to companies including Action Hero and RashDash. In doing so, the book addresses issues such as theatrical authorship, artistic intention, and the apparent incompleteness of plays as both written and performed phenomena. Text and Performance in Contemporary British Theatre also explores the implications of changing technologies of page and stage, analysing the impact of recent developments in theatre-making, editing, and publishing on the status of the theatre text. Written for scholars, students, and practitioners alike, Text and Performance in Contemporary British Theatre provides an original perspective on one of the most enduring problems to occupy theatre practice and scholarship.
Madness in Contemporary British Theatre
Author: Jon Venn
Publisher: Springer Nature
ISBN: 3030797821
Category : Performing Arts
Languages : en
Pages : 229
Book Description
This book considers the representation of madness in contemporary British theatre, examining the rich relationship between performance and mental health, and questioning how theatre can potentially challenge dominant understandings of mental health. Carefully, it suggests what it means to represent madness in theatre, and the avenues through which such representations can become radical, whereby theatre can act as a site of resistance. Engaging with the heterogeneity of madness, each chapter covers different attributes and logics, including: the constitution and institutional structures of the contemporary asylum; the cultural idioms behind hallucination; the means by which suicide is apprehended and approached; how testimony of the mad person is interpreted and encountered. As a study that interrogates a wide range of British theatre across the past 30 years, and includes a theoretical interrogation of the politics of madness, this is a crucial work for any student or researcher, across disciplines, considering the politics of madness and its relationship to performance.
Publisher: Springer Nature
ISBN: 3030797821
Category : Performing Arts
Languages : en
Pages : 229
Book Description
This book considers the representation of madness in contemporary British theatre, examining the rich relationship between performance and mental health, and questioning how theatre can potentially challenge dominant understandings of mental health. Carefully, it suggests what it means to represent madness in theatre, and the avenues through which such representations can become radical, whereby theatre can act as a site of resistance. Engaging with the heterogeneity of madness, each chapter covers different attributes and logics, including: the constitution and institutional structures of the contemporary asylum; the cultural idioms behind hallucination; the means by which suicide is apprehended and approached; how testimony of the mad person is interpreted and encountered. As a study that interrogates a wide range of British theatre across the past 30 years, and includes a theoretical interrogation of the politics of madness, this is a crucial work for any student or researcher, across disciplines, considering the politics of madness and its relationship to performance.
After Brecht
Author: Janelle G. Reinelt
Publisher: University of Michigan Press
ISBN: 9780472084081
Category : Drama
Languages : en
Pages : 250
Book Description
How contemporary British political theater has evolved and expanded from the legacy of Bertolt Brecht
Publisher: University of Michigan Press
ISBN: 9780472084081
Category : Drama
Languages : en
Pages : 250
Book Description
How contemporary British political theater has evolved and expanded from the legacy of Bertolt Brecht
British Pantomime Performance
Author: Millie Taylor
Publisher: Intellect Books
ISBN:
Category : Performing Arts
Languages : en
Pages : 212
Book Description
"This original anlaysis of contemporary British pantomime addresses the question of how pantomime creates a unique interactive relationship with, and potentially transformative experience for, its audiences." --book cover.
Publisher: Intellect Books
ISBN:
Category : Performing Arts
Languages : en
Pages : 212
Book Description
"This original anlaysis of contemporary British pantomime addresses the question of how pantomime creates a unique interactive relationship with, and potentially transformative experience for, its audiences." --book cover.
Affects in 21st-Century British Theatre
Author: Mireia Aragay
Publisher: Springer Nature
ISBN: 3030584860
Category : Performing Arts
Languages : en
Pages : 285
Book Description
This book explores the various manifestations of affects in British theatre of the 21st century. The introduction gives a concise survey of existing and emerging theoretical and research trends and argues in favour of a capacious understanding of affects that mediates between more autonomous and more social approaches. The twelve chapters in the collection investigate major works in Britain by playwrights and theatre makers including Mojisola Adebayo, Mike Bartlett, Alice Birch, Caryl Churchill, Tim Crouch and Andy Smith, Rachel De-lahay, Reginald Edmund, James Fritz, David Greig, Idris Goodwin, Zinnie Harris, Kieran Hurley, Lucy Kirkwood, Anders Lustgarten, Yolanda Mercy, Anthony Neilson, Lucy Prebble, Sh!t Theatre, Penelope Skinner, Stef Smith, Kae Tempest and debbie tucker green. The interpretations identify significant areas of tension as they relate affects to the fields of cognition, politics and hope. In this, the chapters uncover interrelations of thought, intention and empathy; they reveal the nexus between identities, institutions and ideology; and, finally, they explore how theatre can accomplish the transition from a sense of crisis to utopian visions.
Publisher: Springer Nature
ISBN: 3030584860
Category : Performing Arts
Languages : en
Pages : 285
Book Description
This book explores the various manifestations of affects in British theatre of the 21st century. The introduction gives a concise survey of existing and emerging theoretical and research trends and argues in favour of a capacious understanding of affects that mediates between more autonomous and more social approaches. The twelve chapters in the collection investigate major works in Britain by playwrights and theatre makers including Mojisola Adebayo, Mike Bartlett, Alice Birch, Caryl Churchill, Tim Crouch and Andy Smith, Rachel De-lahay, Reginald Edmund, James Fritz, David Greig, Idris Goodwin, Zinnie Harris, Kieran Hurley, Lucy Kirkwood, Anders Lustgarten, Yolanda Mercy, Anthony Neilson, Lucy Prebble, Sh!t Theatre, Penelope Skinner, Stef Smith, Kae Tempest and debbie tucker green. The interpretations identify significant areas of tension as they relate affects to the fields of cognition, politics and hope. In this, the chapters uncover interrelations of thought, intention and empathy; they reveal the nexus between identities, institutions and ideology; and, finally, they explore how theatre can accomplish the transition from a sense of crisis to utopian visions.
Contemporary British Queer Performance
Author: S. Greer
Publisher: Springer
ISBN: 1137027339
Category : Psychology
Languages : en
Pages : 366
Book Description
This book examines queer performance in Britain since the early 1990s, arguing for the significance of emerging collaborative modes of practice. Using queer theory and the history of early lesbian and gay theatre to examine claims to representation among other things, it interrogates the relationships through which recent works have been presented.
Publisher: Springer
ISBN: 1137027339
Category : Psychology
Languages : en
Pages : 366
Book Description
This book examines queer performance in Britain since the early 1990s, arguing for the significance of emerging collaborative modes of practice. Using queer theory and the history of early lesbian and gay theatre to examine claims to representation among other things, it interrogates the relationships through which recent works have been presented.
The Community Performance Reader
Author: Petra Kuppers
Publisher: Routledge
ISBN: 1000155366
Category : Performing Arts
Languages : en
Pages : 314
Book Description
Community Performance: A Reader is the first book to provide comprehensive teaching materials for this significant part of the theatre studies curriculum. It brings together core writings and critical approaches to community performance work, presenting practices in the UK, USA, Australia and beyond. Offering a comprehensive anthology of key writings in the vibrant field of community performance, spanning dance, theatre and visual practices, this Reader uniquely combines classic writings from major theorists and practitioners such as Augusto Boal, Paolo Freire, Dwight Conquergood and Jan Cohen Cruz, with newly commissioned essays that bring the anthology right up to date with current practice. This book can be used as a stand-alone text, or together with its companion volume, Community Performance: An Introduction, to offer an accessible and classroom-friendly introduction to the field of community performance.
Publisher: Routledge
ISBN: 1000155366
Category : Performing Arts
Languages : en
Pages : 314
Book Description
Community Performance: A Reader is the first book to provide comprehensive teaching materials for this significant part of the theatre studies curriculum. It brings together core writings and critical approaches to community performance work, presenting practices in the UK, USA, Australia and beyond. Offering a comprehensive anthology of key writings in the vibrant field of community performance, spanning dance, theatre and visual practices, this Reader uniquely combines classic writings from major theorists and practitioners such as Augusto Boal, Paolo Freire, Dwight Conquergood and Jan Cohen Cruz, with newly commissioned essays that bring the anthology right up to date with current practice. This book can be used as a stand-alone text, or together with its companion volume, Community Performance: An Introduction, to offer an accessible and classroom-friendly introduction to the field of community performance.
Reverberations Across Small-scale British Theatre
Author: Patrick Duggan
Publisher: Intellect (UK)
ISBN: 9781783202973
Category : Experimental theater
Languages : en
Pages : 0
Book Description
Between 1960 and 2010, a new generation of British avant-garde theater companies, directors, designers, and performers emerged. Some of these companies and individuals have endured to become part of theater history while others have disappeared from the scene, mutated into new forms, or become part of the establishment. Reverberations across Small-Scale British Theatre at long last puts these small-scale British theater companies and personalities in the scholarly spotlight. By questioning what "Britishness" meant in relation to the small-scale work of these practitioners, contributors articulate how it is reflected in the goals, manifestos, and aesthetics of these companies.
Publisher: Intellect (UK)
ISBN: 9781783202973
Category : Experimental theater
Languages : en
Pages : 0
Book Description
Between 1960 and 2010, a new generation of British avant-garde theater companies, directors, designers, and performers emerged. Some of these companies and individuals have endured to become part of theater history while others have disappeared from the scene, mutated into new forms, or become part of the establishment. Reverberations across Small-Scale British Theatre at long last puts these small-scale British theater companies and personalities in the scholarly spotlight. By questioning what "Britishness" meant in relation to the small-scale work of these practitioners, contributors articulate how it is reflected in the goals, manifestos, and aesthetics of these companies.
Staging and Performing Translation
Author: R. Baines
Publisher: Springer
ISBN: 023029460X
Category : Performing Arts
Languages : en
Pages : 286
Book Description
This exploration of the territory between theory and practice in contemporary theatre features essays by academics from theatre and translation studies, and delineates a new space for the discussion of translation in the theatre that is international, critical and scholarly, while rooted in experience and understanding of theatre practices.
Publisher: Springer
ISBN: 023029460X
Category : Performing Arts
Languages : en
Pages : 286
Book Description
This exploration of the territory between theory and practice in contemporary theatre features essays by academics from theatre and translation studies, and delineates a new space for the discussion of translation in the theatre that is international, critical and scholarly, while rooted in experience and understanding of theatre practices.
Innovation in Five Acts
Author: Caridad Svich
Publisher: Theatre Communications Group
ISBN: 1559365110
Category : Literary Collections
Languages : en
Pages : 242
Book Description
An inspirational sourcebook of innovative techniques for creating theatre, with contributions from experienced playwrights, directors, performers, teachers, dramaturgs, artistic directors and founders. Editor Caridad Svich has gathered forty-one essays from admired theatre professionals in response to a call to write about 'artistic innovation'. Each of them shares the creative challenges and triumphs of developing original works for today's stages. 'With intelligence, thoughtfulness, rigor and wit, author after author offer their considered take on the subject, unlocking new perspectives, unearthing old ones, and in general, doing what artists do best when they are walking on ground they trust and among colleagues who are not sitting before them in continual and sometimes stultifying judgment--and that is, open our eyes, hearts and minds again.' Caridad Svich, from the Introduction Contributors include: Ayad Akhtar; Deborah Asiimwe; Elaine Avila; Arthur Bartow; Gary D. Beckman; John Biguenet; Daniel Brunet; Leila Buck; Maddy Costa; Dominic D'Andrea; Pedro de Senna; Julie Felise Dubiner; Daniel Gallant; Michael John Garces; Anne Garcia-Romero; Jim Hart; David Herskovits; Rachel Jendrzejewski; John Jesurun; Mariana Carreno King; Zac Kline; Aaron Landsman; E.M. Lewis; Catherine Love; Oliver Mayer; Jeff McMahon; Emily Mendelsohn; John Moletress; Kali Quinn; Katie Pearl; Jeremy Pickard; Duska Radosavljevic; Ian Rowlands; Lisa Schlesinger; Howard Shalwitz; August Schulenburg; Mark Schultz; Andy Smith; Octavio Solis; Saviana Stanescu; Caridad Svich; Chris Wells; Heather Woodbury; Stephen Wrentmore
Publisher: Theatre Communications Group
ISBN: 1559365110
Category : Literary Collections
Languages : en
Pages : 242
Book Description
An inspirational sourcebook of innovative techniques for creating theatre, with contributions from experienced playwrights, directors, performers, teachers, dramaturgs, artistic directors and founders. Editor Caridad Svich has gathered forty-one essays from admired theatre professionals in response to a call to write about 'artistic innovation'. Each of them shares the creative challenges and triumphs of developing original works for today's stages. 'With intelligence, thoughtfulness, rigor and wit, author after author offer their considered take on the subject, unlocking new perspectives, unearthing old ones, and in general, doing what artists do best when they are walking on ground they trust and among colleagues who are not sitting before them in continual and sometimes stultifying judgment--and that is, open our eyes, hearts and minds again.' Caridad Svich, from the Introduction Contributors include: Ayad Akhtar; Deborah Asiimwe; Elaine Avila; Arthur Bartow; Gary D. Beckman; John Biguenet; Daniel Brunet; Leila Buck; Maddy Costa; Dominic D'Andrea; Pedro de Senna; Julie Felise Dubiner; Daniel Gallant; Michael John Garces; Anne Garcia-Romero; Jim Hart; David Herskovits; Rachel Jendrzejewski; John Jesurun; Mariana Carreno King; Zac Kline; Aaron Landsman; E.M. Lewis; Catherine Love; Oliver Mayer; Jeff McMahon; Emily Mendelsohn; John Moletress; Kali Quinn; Katie Pearl; Jeremy Pickard; Duska Radosavljevic; Ian Rowlands; Lisa Schlesinger; Howard Shalwitz; August Schulenburg; Mark Schultz; Andy Smith; Octavio Solis; Saviana Stanescu; Caridad Svich; Chris Wells; Heather Woodbury; Stephen Wrentmore