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Author: Sylvia Ann Grider
Publisher: Texas A&M University Press
ISBN: 9780890967652
Category : Literary Criticism
Languages : en
Pages : 484
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Book Description
A critical survey of over 150 years of Texas women writers, including fiction and nonfiction authors, poets, and dramatists.
Author: Sylvia Ann Grider
Publisher: Texas A&M University Press
ISBN: 9780890967652
Category : Literary Criticism
Languages : en
Pages : 484
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Book Description
A critical survey of over 150 years of Texas women writers, including fiction and nonfiction authors, poets, and dramatists.
Author: Elizabeth Hayes Turner
Publisher: University of Georgia Press
ISBN: 0820337447
Category : Biography & Autobiography
Languages : en
Pages : 545
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Book Description
"This is a collection of biographies and composite essays of Texas women, contextualized over the course of history to include subjects that reflect the enormous racial, class, and religious diversity of the state. Offering insights into the complex ways that Texas' position on the margins of the United States has shaped a particular kind of gendered experience there, the volume also demonstrates how the larger questions in United States women's history are answered or reconceived in the state. Beginning with Juliana Barr's essay, which asserts that 'women marked the lines of dominion among Spanish and Indian nations in Texas' and explodes the myth of Spanish domination in colonial Texas, the essays examine the ways that women were able to use their borderland status to stretch the boundaries of their own lives. Eric Walther demonstrates that the constant changing of governments in Texas (Spanish, Mexican, Texan, and U.S.) gave slaves the opportunities to resist their oppression because of the differences in the laws of slavery under Spanish or English or American law. Gabriela Gonzalez examines the activism of Jovita Idar on behalf of civil rights for Mexicans and Mexican Americans on both sides of the border. Renee Laegreid argues that female rodeo contestants employed a "unique regional interplay of masculine and feminine behaviors" to shape their identities as cowgirls"--
Author: Sarah Bird
Publisher: University of Texas Press
ISBN: 1477309497
Category : Literary Collections
Languages : en
Pages : 81
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Book Description
What is it that distinguishes Texas women—the famous Yellow Rose and her descendants? Is it that combination of graciousness and grit that we revere in First Ladies Laura Bush and Lady Bird Johnson? The rapier-sharp wit that Ann Richards and Molly Ivins used to skewer the good ole boy establishment? The moral righteousness with which Barbara Jordan defended the US constitution? An unnatural fondness for Dr Pepper and queso? In her inimitable style, Sarah Bird pays tribute to the Texas Woman in all her glory and all her contradictions. She humorously recalls her own early bewildered attempts to understand Lone Star gals, from the big-haired, perfectly made-up ladies at the Hyde Park Beauty Salon to her intellectual, quinoa-eating roommates at Seneca House Co-op for Graduate Women. After decades of observing Texas women, Bird knows the species as few others do. A Love Letter to Texas Women is a must-have guide for newcomers to the state and the ideal gift to tell any Yellow Rose how special she is.
Author: Gabriella de Beer
Publisher: University of Texas Press
ISBN: 9780292715851
Category : Literary Criticism
Languages : en
Pages : 566
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Book Description
Mexican women writers moved to the forefront of their country's literature in the twentieth century. Among those who began publishing in the 1970s and 1980s are Maria Luisa Puga, Silvia Molina, Brianda Domecq, Carmen Boullosa, and Angeles Mastretta. Sharing a range of affinities while maintaining distinctive voices and outlooks, these are the women whom Gabriella de Beer has chosen to profile in Contemporary Mexican Women Writers. De Beer takes a three-part approach to each writer. She opens with an essay that explores the writer's apprenticeship and discusses her major works. Next, she interviews each writer to learn about her background, writing, and view of herself and others. Finally, de Beer offers selections from the writer's work that have not been previously published in English translation. Each section concludes with a complete bibliographic listing of the writer's works and their English translations. These essays, interviews, and selections vividly recreate the experience of being with the writer and sharing her work, hearing her tell about and evaluate herself, and reading the words she has written. The book will be rewarding reading for everyone who enjoys fine writing.
Author: Deborah M. Liles
Publisher: Texas A&M University Press
ISBN: 1623497396
Category : History
Languages : en
Pages : 189
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Book Description
Winner, 2020 Liz Carpenter Award For Best Book on the History of Women The realm of ranching history has long been dominated by men, from tales—tall or true—of cowboys and cattlemen, to a century’s worth of male writers and historians who have been the primary chroniclers of Texas history. As women’s history has increasingly gained a foothold not only as a field worthy of study but as a bold and innovative way of understanding the past, new generations of scholars are rethinking the once-familiar settings of the past. In doing so, they reveal that women not only exercised agency in otherwise constrained environments but were also integral to the ranching heritage that so many Texans hold dear. Texas Women and Ranching: On the Range, at the Rodeo, and in Their Communities explores a variety of roles women played on the western ranch. The essays here cover a range of topics, from early Tejana businesswomen and Anglo philanthropists to rodeos and fence-cutting range wars. The names of some of the women featured may be familiar to those who know Texas ranching history—Alice East and Frances Kallison, for example. Others came from less well-known or wealthy families. In every case, they proved themselves to be resourceful women and unique individuals who survived by their own wits in cattle country. This book is a major contribution to several fields—Texas history, western history, and women’s history—that are, at last, beginning to converge.
Author: Angela Boswell
Publisher: Texas A&M University Press
ISBN: 1623497078
Category : History
Languages : en
Pages : 368
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Book Description
Winner, 2019 Liz Carpenter Award, sponsored by the Texas State Historical Association (TSHA) In recent decades, a small but growing number of historians have dedicated their tireless attention to analyzing the role of women in Texas history. Each contribution—and there have been many—represents a brick in the wall of new Texas history. From early Native societies to astronauts, Women in Texas History assembles those bricks into a carefully crafted structure as the first book to cover the full scope of Texas women’s history. By emphasizing the differences between race and ethnicity, Angela Boswell uses three broad themes to tie together the narrative of women in Texas history. First, the physical and geographic challenges of Texas as a place significantly affected women’s lives, from the struggles of isolated frontier farming to the opportunities and problems of increased urbanization. Second, the changing landscape of legal and political power continued to shape women’s lives and opportunities, from the ballot box to the courthouse and beyond. Finally, Boswell demonstrates the powerful influence of social and cultural forces on the identity, agency, and everyday life of women in Texas. In challenging male-dominated legal and political systems, Texan women shaped (and were shaped by) class, religion, community organizations, literary and artistic endeavors, and more. Women in Texas History is the first book to narrate the entire span of Texas women’s history and marks a major achievement in telling the full story of the Lone Star State. Historians and general readers alike will find this book an informative and enjoyable read for anyone interested in the history of Texas or the history of women.
Author: Sara R. Massey
Publisher: Texas A&M University Press
ISBN: 9781585445431
Category : Biography & Autobiography
Languages : en
Pages : 348
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Book Description
Tells the stories of sixteen women who drove cattle up the trail from Texas during the last half of the nineteenth century.
Author: Nina Baym
Publisher: University of Illinois Press
ISBN: 0252093135
Category : Literary Criticism
Languages : en
Pages : 386
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Book Description
Women Writers of the American West, 1833–1927 recovers the names and works of hundreds of women who wrote about the American West during the nineteenth and early twentieth centuries, some of them long forgotten and others better known novelists, poets, memoirists, and historians such as Willa Cather and Mary Austin Holley. Nina Baym mined literary and cultural histories, anthologies, scholarly essays, catalogs, advertisements, and online resources to debunk critical assumptions that women did not publish about the West as much as they did about other regions. Elucidating a substantial body of nearly 650 books of all kinds by more than 300 writers, Baym reveals how the authors showed women making lives for themselves in the West, how they represented the diverse region, and how they represented themselves. Baym accounts for a wide range of genres and geographies, affirming that the literature of the West was always more than cowboy tales and dime novels. Nor did the West consist of a single landscape, as women living in the expanses of Texas saw a different world from that seen by women in gold rush California. Although many women writers of the American West accepted domestic agendas crucial to the development of families, farms, and businesses, they also found ways to be forceful agents of change, whether by taking on political positions, deriding male arrogance, or, as their voluminous published works show, speaking out when they were expected to be silent.
Author: Catherine Rainwater
Publisher: University Press of Kentucky
ISBN: 0813182999
Category : Literary Criticism
Languages : en
Pages : 308
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Book Description
Ann Beattie, Annie Dillard, Maxine Hong Kingston, Toni Morrison, Cynthia Ozick, Grace Paley, Marge Piercy, Anne Redmon, Anne Tyler, and Alice Walker all seem to be especially concerned with narrative management. The ten essays in this book raise new and intriguing questions about the ways these leading women writers appropriate and transform generic norms and ultimately revise literary tradition to make it more inclusive of female experience, vision, and expression. The contributors to this volume discover diverse narrative strategies. Beattie, Dillard, Paley, and Redmon in divergent ways rely heavily upon narrative gaps, surfaces, and silences, often suggesting depths which are lamentably absent from modern experience or which mysteriously elude language. For Kingston and Walker, verbal assertiveness is the focus of narratives depicting the gradual empowerment of female protagonists who learn to speak themselves into existence. Ozick and Tyler disrupt conventional reader expectations of the "anti-novel" and the "family novel," respectively. Finally, Morrison's and Piercy's works reveal how traditional narrative forms such as the Bildungsroman and the "soap opera" are adaptable to feminist purposes. In examining the writings of these ten important women authors, this book illuminates a significant moment in literary history when women's voices are profoundly reshaping American literary tradition.
Author: May Cobb
Publisher: Llewellyn Worldwide
ISBN: 0738759236
Category : Fiction
Languages : en
Pages : 243
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Book Description
"Stephen King's Stand by Me collides with Gillian Flynn's Sharp Objects in this exceptional thriller. Gutsy, gripping—and pitch-perfect in its resurrection of an era long gone."—A. J. Finn, #1 New York Times bestselling author of The Woman in the Window When her sister disappears, the only clue Leah has is a cryptic message: Underground. By the Woods. It's 1989 in the sleepy town of Longview, Texas, when ten-year-old Lucy disappears. Her parents, the police, and the community all brace for the worst, assuming her body will soon be found in Big Woods. Just like the other unsolved kidnappings. But then Lucy's fourteen-year-old sister, Leah, starts having dreams about Lucy—dreams that reveal startling clues as to what happened. Leah begins her own investigation, and soon she meets a reclusive widow who may hold the key to finding Lucy...if only she can find the courage to come forward. Delving into the paranoia surrounding satanic cults in the 1980s, Big Woods is an emotionally wrought, propulsive thriller about the enormity of grief, the magical bond between sisters, and a small town's dark secrets. Praise: "Big Woods is perfectly timed to take advantage of the 1980s horror revival. Its historic details are excellent, down to the songs on Leah's car stereo. Cobb paints in Day-Glo and brings terrors of the night to life."—Foreword Magazine "Readers will be grabbed by Big Woods and sucked into the mysterious story. Hold on tight—it's worth it."—Criminal Element "Cobb's intense, heart-wrenching debut introduces a courageous, determined teen who must find her lost sister amid a disturbing atmosphere of paranoia and fear, crafting a compelling, suspenseful story reminiscent of William Kent Krueger's Ordinary Grace."—Library Journal (starred review) "Big Woods is a nuanced family story and also a heart-stopping thriller with surprising twists. Cobb taps into the fabulous '80s sensibility of Stranger Things and also into our deepest fears about safety, evil, trust, and the power of faith in what we don't understand. I couldn't put it down."—Amanda Eyre Ward, author of The Nearness of You and The Same Sky "Compulsively readable."—Rosamund Lupton, New York Times bestselling author of Sister "Big Woods is brilliant! Cobb has crafted a haunting thriller that dives deep into grief, family connections, and the dreadful power of fear. The novel succeeds as a rich exploration of emotion and a not-so-distant time while also shining as a riveting page-turner."—Owen Egerton, author of Hollow and writer/director of horror-comedy Bloodfest "Big Woods is such a blast—a page-turning thriller with '80s hair, like a Texan Stranger Things."—Amy Gentry, author of Good as Gone "Literally the best thriller I've read in years. Intensely gripping, so evocative of the late '80s, and a brilliant, original storyline. It's blinding."—Clare Empson, author of Him
