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Author: Luke Howie
Publisher: New Academia Publishing, LLC
ISBN: 0982806132
Category : Performing Arts
Languages : en
Pages : 294
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Book Description
"Through dazzling close readings of a wide variety of cultural texts, from the "Battlestar Galactica" reboot to post-9/11 pornography, Howie is able to demonstrate how the politics and poetics of witnessing' have come to structure the experience of American popular culture in the past decade."--Jeff Melnick, University of Massachusett, Boston.
Author: Luke Howie
Publisher: New Academia Publishing, LLC
ISBN: 0982806132
Category : Performing Arts
Languages : en
Pages : 294
Get Book Here
Book Description
"Through dazzling close readings of a wide variety of cultural texts, from the "Battlestar Galactica" reboot to post-9/11 pornography, Howie is able to demonstrate how the politics and poetics of witnessing' have come to structure the experience of American popular culture in the past decade."--Jeff Melnick, University of Massachusett, Boston.
Author: Douglas E. Cowan
Publisher:
ISBN: 9781481304900
Category : Horror films
Languages : en
Pages : 0
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Book Description
Sacred Terror examines the religious elements lurking in horror films. It answers a simple but profound question: When there are so many other scary things around, why is religion so often used to tell a scary story? In this lucid, provocative book, Douglas Cowan argues that horror films are opportune vehicles for externalizing the fears that lie inside our religious selves: of evil; of the flesh; of sacred places; of a change in the sacred order; of the supernatural gone out of control; of death, dying badly, or not remaining dead; of fanaticism; and of the power--and the powerlessness--of religion.
Author: Frank Manchel
Publisher: Prentice Hall
ISBN: 9780139067921
Category : Horror films
Languages : en
Pages : 122
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Book Description
Discusses the history, techniques, characters, and plots of horror films from around the world.
Author: Neil Lerner
Publisher: Routledge
ISBN: 1135280436
Category : Music
Languages : en
Pages : 509
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Book Description
Music in Horror Film is a collection of essays that examine the effects of music and its ability to provoke or intensify fear in this particular genre of film. Frightening images and ideas can be made even more intense when accompanied with frightening musical sounds, and music in horror film frequently makes its audience feel threatened and uncomfortable through its sudden stinger chords and other shock effects. The essays in this collection address the presence of music in horror films and their potency within them. With contributions from scholars across the disciplines of music and film studies, these essays delve into blockbusters like The Exorcist, The Shining, and The Sixth Sense together with lesser known but still important films like Carnival of Souls and The Last House on the Left. By leading us with the ear to hear these films in new ways, these essays allow us to see horror films with fresh eyes.
Author: Kim Newman
Publisher: A&C Black
ISBN: 1408805030
Category : Performing Arts
Languages : en
Pages : 641
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Book Description
Now over twenty years old, the original edition ofNightmare Movies has retained its place as a true classic of cult filmcriticism. In this new edition, Kim Newman brings his seminal work completelyup to date, both reassessing his earlier evaluations and adding a second partthat analyses the last two decades of horror films with all the wit,intelligence and insight for which he is known. Since the publication of thefirst edition, horror has been on a gradual upswing and has gained a new andstronger hold over the film industry. Newman negotiates his way through a vastback catalogue of horror and charts the on-screen progress of our collectivefears and bogeymen, from the low-budget slasher movies of the 1960s, through tothe slick releases of the 2000s. Nightmare Movies is an invaluable companion that not onlyprovides a newly updated history of the darker side of film but also acts as atruly entertaining guide with which to explore the less well-trodden paths ofhorror and rediscover the classics with a newly instructed eye.
Author: Claire Cronin
Publisher: Watkins Media Limited
ISBN: 1913462064
Category : Biography & Autobiography
Languages : en
Pages : 202
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Book Description
Blue Light of the Screen is a memoir about the author's obsession with horror and the supernatural. Blue Light of the Screen is about what it means to be afraid -- about immersion, superstition, delusion, and the things that keep us up at night. A creative-critical memoir of the author's obsession with the horror genre, Blue Light of the Screen embeds its criticism of horror within a larger personal story of growing up in a devoutly Catholic family, overcoming suicidal depression, uncovering intergenerational trauma, and encountering real and imagined ghosts. As Cronin writes, she positions herself as a protagonist who is haunted by what she watches and reads, like an antiquarian in an M.R. James ghost story whose sense of reality unravels through her study of arcane texts and cursed archives. In this way, Blue Light of the Screen tells the story of the author's conversion from skepticism to faith in the supernatural. Part memoir, part ghost story, and part critical theory, Blue Light of the Screen is not just a book about horror, but a work of horror itself.
Author: Alexander Fedorov
Publisher: Alexander Fedorov
ISBN: 5901625102
Category : Mass media and youth
Languages : en
Pages : 78
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Book Description
The comparison of the Russian and American experience regarding media violence, standards for rating Russian media programs, and a course of study on media violence for students will have a significant impact upon Russian society, will raise Russian societal and governmental attention to the infringement of the Rights of the Child on the Russian screen, will help to mobilize Russian society against unnecessary violence in the media, will raise the level of responsibility expected of those who disseminate violence on the television, cinema, video, PC-games, etc., and will decrease the atmosphere of Russian social indifference to this problem. This publication was prepared (in part) under a grant funded by the United States Information Agency and administered by the Kennan Institute for Advanced Russian Studies of the Woodrow Wilson International Center for Scholars, Washington D.C. The statements and views expressed herein are those of the author and are not necessarily those of the Wilson Center. The final phase of research for this book was supported in part under a grant funded by the United States Information Agency and administered by the Kennan Institute for Advanced Russian Studies of the Woodrow Wilson International Center for Scholars, Washington D.C. The statements and views expressed herein are those of the author and are not necessarily those of the Wilson Center. The initial phase of research for this book was supported by Open Society Institute (1998, grant No.???809), ECHO Program (Central European University, Budapest, Senior Visiting Grant, 1998, October), Russian Science Foundation for Humanities (RGNF, 1999-2000, grant N 99-06-00008a, and partly published in "Russian Foundation for Humanity Journal." 2001. N 1, pp.131-145). Another short publications: "Media I Skole og Samfunn"/Norway, 2001. N21, p.41, 2000. N 1, pp.16-23. 1999. N 5, pp.37-39; "News from The UNESCO International Clearinghouse on children and Violence on the Screen." 2000. N 2, p.5; "The International Research Forum on Children and Media"/Australia. 2000. N 9, p.5.
Author: Eyal Peretz
Publisher: Stanford University Press
ISBN: 1503601617
Category : Performing Arts
Languages : en
Pages : 336
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Book Description
From the Renaissance on, a new concept of the frame becomes crucial to a range of artistic media, which in turn are organized around and fascinated by this frame. The frame decontextualizes, cutting everything that is within it from the continuity of the world and creating a realm we understand as the realm of fiction. The modern theatrical stage, framed paintings, the novel, the cinematic screen—all present us with such framed-off zones. Naturally, the frame creates a separation between inside and out. But, as this book argues, what is outside the frame, what is offstage, or off screen, remains particularly mysterious. It constitutes the primary enigma of the work of art in the modern age. It is to the historical and conceptual significance of this "off" that this book is dedicated. By focusing on what is outside the frame of a work of art, it offers a comprehensive theory of film, a concise history of American cinema from D.W. Griffith to Quentin Tarantino, and a reflection on the place and significance of film within the arts of modernity in general.
![The Fearmakers [eBook - Biblioboard] PDF](https://books.google.com/books/content/images/frontcover/Tw9XygEACAAJ?fife=w80-h100)
Author: John McCarty
Publisher:
ISBN:
Category : PERFORMING ARTS
Languages : en
Pages :
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Book Description
Since the advent of moving pictures, filmmakers have sought to scare the viewer. Fear remains one of the deepest, primal emotions, and this book profiles twenty directors who have tapped into it. McCarty coined the phrase "splatter films." He covers the spectrum of "fearmakers" from George A. Romero to Jacques Torneur and Roman Polanski, from Roland West to John Carpenter and David Cronenburg. There are also biographies of lesser-known directors, such as Benjamin Christensen and Henri-Georges Clouzot.
Author: David Dunmur
Publisher: Oxford University Press
ISBN: 0191004308
Category : Science
Languages : en
Pages : 367
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Book Description
The terms 'liquid crystal' or 'liquid crystal display' (LCD) are well-known in the context of flat-screen televisions, but the properties and history of liquid crystals are little understood. This book tells the story of liquid crystals, from their controversial discovery at the end of the nineteenth century, to their eventual acceptance as another state of matter to rank alongside gases, liquids and solids. As their story unfolds, the scientists involved and their works are put into illuminating broader socio-political contexts. In recent years, liquid crystals have had a major impact on the display industry, culminating in the now widely available flat-screen televisions; this development is described in detail over three chapters, and the basic science behind it is explained in simple terms accessible to a general reader. New applications of liquid crystals in materials, bio-systems, medicine and technology are also explained. The authors' approach to the subject defines a new genre of popular science books. The historical background to the scientific discoveries is given in detail, and the personal communications between the scientists involved are explored. The book tells the story of liquid crystals, but it also shows that scientific discovery and exploitation relies on human interactions, and the social and political environments in which they work.
