Terracotta Figurines from Kauśāmbī PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Terracotta Figurines from Kauśāmbī PDF full book. Access full book title Terracotta Figurines from Kauśāmbī by Allahabad (India). Museum. Download full books in PDF and EPUB format.
Author: Allahabad (India). Museum
Publisher:
ISBN:
Category : India
Languages : en
Pages : 214
Get Book Here
Book Description
Author: Allahabad (India). Museum
Publisher:
ISBN:
Category : India
Languages : en
Pages : 214
Get Book Here
Book Description
Author: Surendra Kumar Srivastava
Publisher:
ISBN:
Category : Pottery, Ancient
Languages : en
Pages : 354
Get Book Here
Book Description
Study with special reference to Uttar Pradesh, India.
Author: Satish Chandra Kala
Publisher: Abhinav Publications
ISBN: 9780391022348
Category : Art
Languages : en
Pages : 242
Get Book Here
Book Description
Author: Susan L. Huntington
Publisher: Motilal Banarsidass
ISBN: 8120836170
Category : Art
Languages : en
Pages : 849
Get Book Here
Book Description
To scholars in the field, the need for an up-to-date overview of the art of South Asia has been apparent for decades. Although many regional and dynastic genres of Indic art are fairly well understood, the broad, overall representation of India's centuries of splendor has been lacking. The Art of Ancient India is the result of the author's aim to provide such a synthesis. Noted expert Sherman E. Lee has commented: –Not since Coomaraswamyês History of Indian and Indonesian Art (1927) has there been a survey of such completeness.” Indeed, this work restudies and reevaluates every frontier of ancient Indic art _ from its prehistoric roots up to the period of Muslim rule, from the Himalayan north to the tropical south, and from the earliest extant writing through the most modern scholarship on the subject. This dynamic survey-generously complemented with 775 illustrations, including 48 in full color and numerous architectural ground plans, and detailed maps and fine drawings, and further enhanced by its guide to Sanskrit, copious notes, extensive bibliography, and glossary of South Asian art terms-is the most comprehensive and most fully illustrated study of South Asian art available. The works and monuments included in this volume have been selected not only for their artistic merit but also in order to both provide general coverage and include transitional works that furnish the key to an all encompassing view of the art. An outstanding portrayal of ancient Indiaês highest intellectual and technical achievements, this volume is written for many audiences: scholars, for whom it provides an up-to-date background against which to examine their own areas of study; teachers and students of college level, for whom it supplies a complete summary of and a resource for their own deeper investigations into Indic art; and curious readers, for whom it gives a broad-based introduction to this fascinating area of world art.
Author: Govind Sadashiv Ghurye
Publisher: Popular Prakashan
ISBN: 9788171544035
Category : Clothing and dress
Languages : en
Pages : 420
Get Book Here
Book Description
This Is The Magnum Opus Of The Renowned Author. It Affords The Reader An Insight Into The Past And The Present Diversity Of The Dresses And Provides, Adequate Data Relating To Evolution Of The Indian National Costume
Author: Rai Govind Chandra
Publisher: Abhinav Publications
ISBN: 8170170885
Category : Crafts & Hobbies
Languages : en
Pages : 164
Get Book Here
Book Description
In this monograph the writer has tried to show how the Greek jewellery motifs were imported into India, which have been discovered in the jewellery found in Taxila and other border towns where Alexander had allowed his soldiers to settle down. Among these soldiers were goldsmiths who just manufactured jewellery on Greek patterns but later influenced by Indian motifs began to mix these with Greek ones. This Indo - Greek jewellery found a ready market among the Indo - Greeks who inhabited these towns. The writer has dealt with the jewellery found under different chapters entitled the jewellery for the head, ears, neck, arms, wrist etc. This analytical thesis is of interest of all Indologists and is specially useful for scholars studying Indian jewellery and ornaments of the first century A.D. In this monograph the writer has tried to show how the Greek jewellery motifs were imported into India, which have been discovered in the jewellery found in Taxila and other border towns where Alexander had allowed his soldiers to settle down. Among these soldiers were goldsmiths who just manufactured jewellery on Greek patterns but later influenced by Indian motifs began to mix these with Greek ones. This Indo - Greek jewellery found a ready market among the Indo - Greeks who inhabited these towns. The writer has dealt with the jewellery found under different chapters entitled the jewellery for the head, ears, neck, arms, wrist etc. This analytical thesis is of interest of all Indologists and is specially useful for scholars studying Indian jewellery and ornaments of the first century A.D.
Author: Joachim Karl Bautze
Publisher: BRILL
ISBN: 9004666753
Category : Architecture
Languages : en
Pages : 106
Get Book Here
Book Description
This booklet publishes for the first time the most intact as well as the probably most attractive North-Indian terracottas from the 3rd century B.C. to the 1st century A.D. The survey covers figurines, moulded plaques and so called 'toy-carts' from outstanding Indian, American and European collections.
Author: Tapati Guha-Thakurta
Publisher: Columbia University Press
ISBN: 0231503512
Category : Art
Languages : en
Pages : 431
Get Book Here
Book Description
Art history as it is largely practiced in Asia as well as in the West is a western invention. In India, works of art-sculptures, monuments, paintings-were first viewed under colonial rule as archaeological antiquities, later as architectural relics, and by the mid-20th century as works of art within an elaborate art-historical classification. Tied to these views were narratives in which the works figured, respectively, as sources from which to recover India's history, markers of a lost, antique civilization, and symbols of a nation's unique aesthetic, reflecting the progression from colonialism to nationalism. The nationalist canon continues to dominate the image of Indian art in India and abroad, and yet its uncritical acceptance of the discipline's western orthodoxies remains unquestioned, the original motives and means of creation unexplored. The book examines the role of art and art history from both an insider and outsider point of view, always revealing how the demands of nationalism have shaped the concept and meaning of art in India. The author shows how western custodianship of Indian "antiquities" structured a historical interpretation of art; how indigenous Bengali scholarship in the late 19th and early 20th centuries attempted to bring Indian art into the nationalist sphere; how the importance of art as a representation of national culture crystallized in the period after Independence; and how cultural and religious clashes in modern India have resulted in conflicting "histories" and interpretations of Indian art. In particular, the author uses the depiction of Hindu goddesses to elicit conflicting scenarios of condemnation and celebration, both of which have at their core the threat and lure of the female form, which has been constructed and narrativized in art history. Monuments, Objects, Histories is a critical survey of the practices of archaeology, art history, and museums in nineteenth- and twentieth-century India. The essays gathered here look at the processes of the production of lost pasts in modern India: pasts that come to be imagined around a growing corpus of monuments, archaeological relics, and art objects. They map the scholarly and institutional authority that emerged around such structures and artifacts, making of them not only the chosen objects of art and archaeology but also the prime signifiers of the nation's civilization and antiquity. The close imbrication of the "colonial" and the "national" in the making of India's archaeological and art historical pasts and their combined legacy for the postcolonial present form one of the key themes of the book. Monuments, Objects, Histories offers both an insider's and an outsider's perspective on the growth of these scholarly fields and their institutional apparatus, analyzing the ways they have constituted and recast their objects of study. The book moves from a period that saw the consolidation of western expertise and custodianship of India's "antiquities," to the projection over the twentieth century of varying regional, nativist, and national claims around the country's architectural and artistic inheritance, into a current period that has pitched these objects and fields within a highly contentious politics of nationhood. Monuments, Objects, Histories traces the framing of an official national canon of Indian art through these different periods, showing how the workings of disciplines and institutions have been tied to the pervasive authority of the nation. At the same time, it addresses the radical reconfiguration in recent times of the meaning and scope of the "national," leading to the kinds of exclusions and chauvinisms that lie at the root of the current endangerment of these disciplines and the monuments and art objects they encompass.
Author: Bihar Research Society
Publisher:
ISBN:
Category : Folk-lore
Languages : en
Pages : 836
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category : India
Languages : en
Pages : 600
Get Book Here
Book Description
