Author: Terence
Publisher:
ISBN: 9781787806542
Category :
Languages : en
Pages : 84
Book Description
Publius Terentius Afer is better known to us as the Roman playwright, Terence. Much of his life, especially the early part, is either unknown or has conflicting sources and accounts. His birth date is said to be either 185 BC or a decade earlier: 195 BC. His place of birth is variously listed as in, or, near Carthage, or, in Greek Italy to a woman taken to Carthage as a slave. It is suggested that he lived in the territory of the Libyan tribe that the Romans called Afri, near Carthage, before being brought to Rome as a slave. Probability suggests that it was there, in North Africa, several decades after the destruction of Carthage by the Romans in 146 BC, at the end of the Punic Wars, that Terence spent his early years. One reliable fact is that he was sold to P. Terentius Lucanus, a Roman senator, who had him educated and, impressed by his literary talents, freed him. These writing talents were to ensure his legacy as a playwright down through the millennia. His comedies, partially adapted from Greek plays of the late phases of Attic Comedy, were performed for the first time around 170-160 BC. All six of the plays he has known to have written have survived. Indeed, thanks to his simple conversational Latin, which was both entertaining and direct, Terence's works were heavily used by monasteries and convents during the Middle Ages and The Renaissance. Scribes often learned Latin through the copious copying of Terence's texts. Priests and nuns often learned to speak Latin through re-enactment of Terence's plays. Although his plays often dealt with pagan material, the quality and distinction of his language promoted the copying and preserving of his text by the church. This preservation enabled his work to influence a wide spectrum of later Western drama. When he was 25 (or 35 depending on which year of birth you ascribe too), Terence travelled to Greece but never returned. It has long been assumed that he died at some point during the journey. Of his own family nothing is known, except that he fathered a daughter and left a small but valuable estate just outside Rome. His most famous quotation reads: "Homo sum, humani nihil a me alienum puto", or "I am human, and I think nothing human is alien to me."
Terence - Heauton Timorumenos (The Self-Tormentor)
Author: Terence
Publisher:
ISBN: 9781787806542
Category :
Languages : en
Pages : 84
Book Description
Publius Terentius Afer is better known to us as the Roman playwright, Terence. Much of his life, especially the early part, is either unknown or has conflicting sources and accounts. His birth date is said to be either 185 BC or a decade earlier: 195 BC. His place of birth is variously listed as in, or, near Carthage, or, in Greek Italy to a woman taken to Carthage as a slave. It is suggested that he lived in the territory of the Libyan tribe that the Romans called Afri, near Carthage, before being brought to Rome as a slave. Probability suggests that it was there, in North Africa, several decades after the destruction of Carthage by the Romans in 146 BC, at the end of the Punic Wars, that Terence spent his early years. One reliable fact is that he was sold to P. Terentius Lucanus, a Roman senator, who had him educated and, impressed by his literary talents, freed him. These writing talents were to ensure his legacy as a playwright down through the millennia. His comedies, partially adapted from Greek plays of the late phases of Attic Comedy, were performed for the first time around 170-160 BC. All six of the plays he has known to have written have survived. Indeed, thanks to his simple conversational Latin, which was both entertaining and direct, Terence's works were heavily used by monasteries and convents during the Middle Ages and The Renaissance. Scribes often learned Latin through the copious copying of Terence's texts. Priests and nuns often learned to speak Latin through re-enactment of Terence's plays. Although his plays often dealt with pagan material, the quality and distinction of his language promoted the copying and preserving of his text by the church. This preservation enabled his work to influence a wide spectrum of later Western drama. When he was 25 (or 35 depending on which year of birth you ascribe too), Terence travelled to Greece but never returned. It has long been assumed that he died at some point during the journey. Of his own family nothing is known, except that he fathered a daughter and left a small but valuable estate just outside Rome. His most famous quotation reads: "Homo sum, humani nihil a me alienum puto", or "I am human, and I think nothing human is alien to me."
Publisher:
ISBN: 9781787806542
Category :
Languages : en
Pages : 84
Book Description
Publius Terentius Afer is better known to us as the Roman playwright, Terence. Much of his life, especially the early part, is either unknown or has conflicting sources and accounts. His birth date is said to be either 185 BC or a decade earlier: 195 BC. His place of birth is variously listed as in, or, near Carthage, or, in Greek Italy to a woman taken to Carthage as a slave. It is suggested that he lived in the territory of the Libyan tribe that the Romans called Afri, near Carthage, before being brought to Rome as a slave. Probability suggests that it was there, in North Africa, several decades after the destruction of Carthage by the Romans in 146 BC, at the end of the Punic Wars, that Terence spent his early years. One reliable fact is that he was sold to P. Terentius Lucanus, a Roman senator, who had him educated and, impressed by his literary talents, freed him. These writing talents were to ensure his legacy as a playwright down through the millennia. His comedies, partially adapted from Greek plays of the late phases of Attic Comedy, were performed for the first time around 170-160 BC. All six of the plays he has known to have written have survived. Indeed, thanks to his simple conversational Latin, which was both entertaining and direct, Terence's works were heavily used by monasteries and convents during the Middle Ages and The Renaissance. Scribes often learned Latin through the copious copying of Terence's texts. Priests and nuns often learned to speak Latin through re-enactment of Terence's plays. Although his plays often dealt with pagan material, the quality and distinction of his language promoted the copying and preserving of his text by the church. This preservation enabled his work to influence a wide spectrum of later Western drama. When he was 25 (or 35 depending on which year of birth you ascribe too), Terence travelled to Greece but never returned. It has long been assumed that he died at some point during the journey. Of his own family nothing is known, except that he fathered a daughter and left a small but valuable estate just outside Rome. His most famous quotation reads: "Homo sum, humani nihil a me alienum puto", or "I am human, and I think nothing human is alien to me."
The Self-tormentor (Heautontimorumenos)
Author: Terence
Publisher:
ISBN:
Category : Attikē (Greece)
Languages : en
Pages : 80
Book Description
A severe father compels his son Clinia, in love with Antiphila, to go abroad to the wars; and repenting of what has been done, torments himself in mind.
Publisher:
ISBN:
Category : Attikē (Greece)
Languages : en
Pages : 80
Book Description
A severe father compels his son Clinia, in love with Antiphila, to go abroad to the wars; and repenting of what has been done, torments himself in mind.
Terence - Heauton Timorumenos (The Self-Tormentor)
Author: Terence
Publisher: Stage Door
ISBN: 9781787806252
Category :
Languages : en
Pages : 80
Book Description
Publius Terentius Afer is better known to us as the Roman playwright, Terence. Much of his life, especially the early part, is either unknown or has conflicting sources and accounts. His birth date is said to be either 185 BC or a decade earlier: 195 BC. His place of birth is variously listed as in, or, near Carthage, or, in Greek Italy to a woman taken to Carthage as a slave. It is suggested that he lived in the territory of the Libyan tribe that the Romans called Afri, near Carthage, before being brought to Rome as a slave. Probability suggests that it was there, in North Africa, several decades after the destruction of Carthage by the Romans in 146 BC, at the end of the Punic Wars, that Terence spent his early years. One reliable fact is that he was sold to P. Terentius Lucanus, a Roman senator, who had him educated and, impressed by his literary talents, freed him. These writing talents were to ensure his legacy as a playwright down through the millennia. His comedies, partially adapted from Greek plays of the late phases of Attic Comedy, were performed for the first time around 170-160 BC. All six of the plays he has known to have written have survived. Indeed, thanks to his simple conversational Latin, which was both entertaining and direct, Terence's works were heavily used by monasteries and convents during the Middle Ages and The Renaissance. Scribes often learned Latin through the copious copying of Terence's texts. Priests and nuns often learned to speak Latin through re-enactment of Terence's plays. Although his plays often dealt with pagan material, the quality and distinction of his language promoted the copying and preserving of his text by the church. This preservation enabled his work to influence a wide spectrum of later Western drama. When he was 25 (or 35 depending on which year of birth you ascribe too), Terence travelled to Greece but never returned. It has long been assumed that he died at some point during the journey. Of his own family nothing is known, except that he fathered a daughter and left a small but valuable estate just outside Rome. His most famous quotation reads: "Homo sum, humani nihil a me alienum puto", or "I am human, and I think nothing human is alien to me."
Publisher: Stage Door
ISBN: 9781787806252
Category :
Languages : en
Pages : 80
Book Description
Publius Terentius Afer is better known to us as the Roman playwright, Terence. Much of his life, especially the early part, is either unknown or has conflicting sources and accounts. His birth date is said to be either 185 BC or a decade earlier: 195 BC. His place of birth is variously listed as in, or, near Carthage, or, in Greek Italy to a woman taken to Carthage as a slave. It is suggested that he lived in the territory of the Libyan tribe that the Romans called Afri, near Carthage, before being brought to Rome as a slave. Probability suggests that it was there, in North Africa, several decades after the destruction of Carthage by the Romans in 146 BC, at the end of the Punic Wars, that Terence spent his early years. One reliable fact is that he was sold to P. Terentius Lucanus, a Roman senator, who had him educated and, impressed by his literary talents, freed him. These writing talents were to ensure his legacy as a playwright down through the millennia. His comedies, partially adapted from Greek plays of the late phases of Attic Comedy, were performed for the first time around 170-160 BC. All six of the plays he has known to have written have survived. Indeed, thanks to his simple conversational Latin, which was both entertaining and direct, Terence's works were heavily used by monasteries and convents during the Middle Ages and The Renaissance. Scribes often learned Latin through the copious copying of Terence's texts. Priests and nuns often learned to speak Latin through re-enactment of Terence's plays. Although his plays often dealt with pagan material, the quality and distinction of his language promoted the copying and preserving of his text by the church. This preservation enabled his work to influence a wide spectrum of later Western drama. When he was 25 (or 35 depending on which year of birth you ascribe too), Terence travelled to Greece but never returned. It has long been assumed that he died at some point during the journey. Of his own family nothing is known, except that he fathered a daughter and left a small but valuable estate just outside Rome. His most famous quotation reads: "Homo sum, humani nihil a me alienum puto", or "I am human, and I think nothing human is alien to me."
Terence: The woman of Andros. The self-tormentor. The Eunuch
Author: Terence
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 472
Book Description
The six plays by Terence (d. 159 BC), all extant, imaginatively reformulate Greek New Comedy in realistic scenes and refined Latin. They include Phormio, a comedy of intrigue and trickery; The Brothers, which explores parental education of sons; and The Eunuch, which presents the most sympathetically drawn courtesan in Roman comedy.
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 472
Book Description
The six plays by Terence (d. 159 BC), all extant, imaginatively reformulate Greek New Comedy in realistic scenes and refined Latin. They include Phormio, a comedy of intrigue and trickery; The Brothers, which explores parental education of sons; and The Eunuch, which presents the most sympathetically drawn courtesan in Roman comedy.
The Self-tormentor
Author: Terence
Publisher:
ISBN:
Category : Terenz
Languages : en
Pages : 248
Book Description
(Aris and Phillips 1988)
Publisher:
ISBN:
Category : Terenz
Languages : en
Pages : 248
Book Description
(Aris and Phillips 1988)
The Self-tormentor (Heautontimorumenos) from the Latin
Author: Terence
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 248
Book Description
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 248
Book Description
Heautontimorumenos; Or, The Self-tormentor
Author: Terence
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
The Adelphoe of Terence
Author: Terence
Publisher:
ISBN:
Category : Latin drama (Comedy)
Languages : en
Pages : 298
Book Description
Publisher:
ISBN:
Category : Latin drama (Comedy)
Languages : en
Pages : 298
Book Description
The Hamburg Dramaturgy by G.E. Lessing
Author: Natalya Baldyga
Publisher: Routledge
ISBN: 1135099278
Category : Language Arts & Disciplines
Languages : en
Pages : 526
Book Description
While eighteenth-century playwright and critic Gotthold Ephraim Lessing made numerous contributions in his lifetime to the theater, the text that best documents his dynamic and shifting views on dramatic theory is also that which continues to resonate with later generations – the Hamburg Dramaturgy (Hamburgische Dramaturgie, 1767–69). This collection of 104 short essays represents one of the eighteenth century’s most important critical engagements with the theater and its potential to promote humanistic discourse. Lessing’s essays are an immensely erudite, deeply engaged, witty, ironic, and occasionally scathing investigation of European theatrical culture, bolstered by deep analysis of Aristotelian dramatic theory and utopian visions of theater as a vehicle for human connection. This is the first complete English translation of Lessing's text, with extensive annotations that place the work in its historical context. For the first time, English-language readers can trace primary source references and link Lessing’s observations on drama, theory, and performance not only to the plays he discusses, but also to dramatic criticism and acting theory. This volume also includes three introductory essays that situate Lessing’s work both within his historical time period and in terms of his influence on Enlightenment and post-Enlightenment theater and criticism. The newly translated Hamburg Dramaturgy will speak to dramaturgs, directors, and humanities scholars who see theater not only for entertainment, but also for philosophical and political debate.
Publisher: Routledge
ISBN: 1135099278
Category : Language Arts & Disciplines
Languages : en
Pages : 526
Book Description
While eighteenth-century playwright and critic Gotthold Ephraim Lessing made numerous contributions in his lifetime to the theater, the text that best documents his dynamic and shifting views on dramatic theory is also that which continues to resonate with later generations – the Hamburg Dramaturgy (Hamburgische Dramaturgie, 1767–69). This collection of 104 short essays represents one of the eighteenth century’s most important critical engagements with the theater and its potential to promote humanistic discourse. Lessing’s essays are an immensely erudite, deeply engaged, witty, ironic, and occasionally scathing investigation of European theatrical culture, bolstered by deep analysis of Aristotelian dramatic theory and utopian visions of theater as a vehicle for human connection. This is the first complete English translation of Lessing's text, with extensive annotations that place the work in its historical context. For the first time, English-language readers can trace primary source references and link Lessing’s observations on drama, theory, and performance not only to the plays he discusses, but also to dramatic criticism and acting theory. This volume also includes three introductory essays that situate Lessing’s work both within his historical time period and in terms of his influence on Enlightenment and post-Enlightenment theater and criticism. The newly translated Hamburg Dramaturgy will speak to dramaturgs, directors, and humanities scholars who see theater not only for entertainment, but also for philosophical and political debate.
The Facts on File Companion to Classical Drama
Author: John E. Thorburn
Publisher: Infobase Publishing
ISBN: 0816074984
Category : Literary Criticism
Languages : en
Pages : 689
Book Description
Surveys important Greek and Roman authors, plays, characters, genres, historical figures and more.
Publisher: Infobase Publishing
ISBN: 0816074984
Category : Literary Criticism
Languages : en
Pages : 689
Book Description
Surveys important Greek and Roman authors, plays, characters, genres, historical figures and more.