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Author: Ying Ying Ng
Publisher: Alfred Music
ISBN: 9789671250488
Category :
Languages : es
Pages :
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Book Description
Series de Musica de los Estudios Poco. Caracteristicas nuevas: Metodos de Comprobada Eficacia * Recurso Eficaz Para el Profesor * Materiales Adaptados a la Edad * Elaborado Segun ABRSM.
Author: Ying Ying Ng
Publisher: Alfred Music
ISBN: 9789671250488
Category :
Languages : es
Pages :
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Book Description
Series de Musica de los Estudios Poco. Caracteristicas nuevas: Metodos de Comprobada Eficacia * Recurso Eficaz Para el Profesor * Materiales Adaptados a la Edad * Elaborado Segun ABRSM.
Author: Alfredo Aranda
Publisher:
ISBN: 9781932637304
Category :
Languages : en
Pages :
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Book Description
Solfeggio and Music Theory Book is solfeggio and music theory made easy, a must have book for anyone who is serious about studying music.
Author: Martin Bernstein
Publisher: Pendragon Press
ISBN: 9780945193838
Category : Music
Languages : en
Pages : 784
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Book Description
In the great tradition of the German Festschrift, this book brings together articles by Professor Bernstein's colleagues, friends and students to honor him on his 70th birthday. Ranging in subject from the trouv e song through esoteric aspects of Renaissance studies and authenticity in 18th-century musical sources to a lively and irreverent attack on performance practices today, the twenty essays by many of America's most distinguished scholars reflect the breadth and variety of Martin Bernstein's far-reaching interests and demonstrates the vitality and relevance of what is best in musicology today.
Author: Francisco José León Tello
Publisher: Ediciones de la Torre
ISBN: 8479605146
Category :
Languages : en
Pages : 352
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Book Description
Presentamos lo que podríamos considerar como una filosofía darwiniana de la música, que comprende, entre otros temas, la teoría de la evolución musical y sus causas, la influencia del ambiente musical y del principio de selección natural, la diversidad de las especies musicales de lso distintos pueblos...
Author: Mark Hijleh
Publisher: Routledge
ISBN: 1317009312
Category : Music
Languages : en
Pages : 243
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Book Description
Since the beginning of the twentieth century, the cross-pollenization of world musical materials and practices has accelerated precipitously, due in large part to advances in higher-speed communications and travel. We live now in a world of global musical practice that will only continue to blossom and develop through the twenty-first century and beyond. Yet music theory as an academic discipline is only just beginning to respond to such a milieu. Conferences, workshops and curricula are for the first time beginning to develop around the theme of 'world music theory', as students, teachers and researchers recognize the need for analytical concepts and methods applicable to a wider range of human musics, not least the hybrid musics that influence (and increasingly define) more and more of the world's musical practices. Towards a Global Music Theory proposes a number of such concepts and methods stemming from durational and acoustic relationships between 'twos' and 'threes' as manifested in various interrelated aspects of music, including rhythm, melody, harmony, process, texture, timbre and tuning, and offers suggestions for how such concepts and methods might be applied effectively to the understanding of music in a variety of contexts. While some of the bases for this foray into possible methods for a twenty-first century music theory lie along well established acoustical and psycho-acoustical lines, Dr Mark Hijleh presents a broad attempt to apply them conceptually and comprehensively to a variety of musics in a relevant way that can be readily apprehended and applied by students, scholars and teachers.
Author: Christophe DUPRAZ
Publisher: Ediciones Universidad de Salamanca
ISBN:
Category : Music
Languages : en
Pages : 44
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Book Description
Author: Michael Pilhofer
Publisher: John Wiley & Sons
ISBN: 111805444X
Category : Music
Languages : en
Pages : 362
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Book Description
Many people grimace at the sound of music theory. It can conjure up bad memories of grade school music classes, rattle the brains of college students, and make self-taught musicians feel self-defeated. Music Theory may seem tedious and unnecessary, especially since not many people can read music. Luckily, Music Theory for Dummies shows you the fun and easy way to understanding the concepts needed to compose, deconstruct, and comprehend music. This helpful guide will give you a great grasp of: Note value and counting notes Treble and bass clefs Time signatures and measures Naturalizing the rhythm Tempo and dynamic Tone, color, and harmonics Half steps and whole steps Harmonic and melodic intervals Key signatures and circles of fifths Scales, chords, and their progressions Elements of form Music theory’s fascinating history This friendly guide not only explores these concepts, it provides examples of music to compliment them so you can hear how they sound firsthand. With a bonus CD that demonstrates these ideas with musical excerpts on guitar and piano, this hands-on resource will prove to you that music theory is as enjoyable as it is useful. Don’t get discouraged by the seemingly complicated written structure. With Music Theory for Dummies, understanding music has never been easier! Note: CD-ROM/DVD and other supplementary materials are not included as part of eBook file.
Author: Alfred Blatter
Publisher: Taylor & Francis
ISBN: 0415974402
Category : Music theory
Languages : en
Pages : 354
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Book Description
Revisiting Music Theory: A Guide to the Practice contains the basics of music theory with the vocabulary used in harmonic and formal analysis. The book assumes few music reading skills, and progresses to include the basic materials of music from J. S. Bach to the twentieth century. Based on Blatter's own three decades of teaching music theory, this book is aimed at a one or two year introductory course in music theory, can serve for individual study, or as a review for graduate students returning to school. Drawing examples from well-known classical works, as well as folk and popular music, the book shows how theory is applied to practice. The book is divided into five parts. The first part introduces music notation, reviewing the basics of pitch, time, and dynamics as represented in written music. Part 2 introduces the concept of melody, covering modes, scales, scale degrees, and melodic form. Part 3 introduces harmony, dealing with harmonic progression, rhythm, and chord types. Part 4 addresses part writing and harmonic analysis. Finally, Part 5 addresses musical form, and how form is used to structure a composition. Revisiting Music Theory will be a valuable textbook for students, professors, and professionals.
Author: David Lewin
Publisher: Oxford University Press, USA
ISBN: 0199759944
Category : Music
Languages : en
Pages : 291
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Book Description
Generalized Musical Intervals and Transformations is by far the most significant contribution to the field of systematic music theory in the last half-century, generating the framework for the "transformational theory" movement.
Author: John Franceschina
Publisher: Oxford University Press
ISBN: 0199999589
Category : Music
Languages : en
Pages : 465
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Book Description
Music Theory through Musical Theatre takes a new and powerful approach to music theory. Written specifically for students in music theatre programs, it offers music theory by way of musical theatre. Not a traditional music theory text, Music Theory through Musical Theatre tackles the theoretical foundations of musical theatre and musical theatre literature with an emphasis on what students will need to master in preparation for a professional career as a performer. Veteran music theatre musician John Franceschina brings his years of experience to bear in a book that offers musical theatre educators an important tool in equipping students with what is perhaps the most important element of being a performer: the ability to understand the language of music in the larger dramatic context to which it contributes. The book uses examples exclusively from music theater repertoire, drawing from well-known and more obscure shows and songs. Musical sight reading is consistently at the forefront of the lessons, teaching students to internalize notated music quickly and accurately, a particularly necessary skill in a world where songs can be added between performances. Franceschina consistently links the concepts of music theory and vocal coaching, showing students how identifying the musical structure of and gestures within a piece leads to better use of their time with vocal coaches and ultimately enables better dramatic choices. Combining formal theory with practical exercises, Music Theory through Musical Theatre will be a lifelong resource for students in musical theatre courses, dog-eared and shelved beside other professional resource volumes.
