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Author: Abraham A. Moles
Publisher:
ISBN: 9788433402172
Category : Information theory in esthetics
Languages : es
Pages : 369
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Book Description
Author: Abraham A. Moles
Publisher:
ISBN: 9788433402172
Category : Information theory in esthetics
Languages : es
Pages : 369
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Book Description
Author: Carlos L. Marcos
Publisher: Springer
ISBN: 3319937499
Category : Technology & Engineering
Languages : en
Pages : 1686
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Book Description
This is the Proceedings of the International Congress of Graphic Design in Architecture, EGA 2018, held in Alicante, Spain, May 30-June 1, 2018. About 200 professionals and researchers from 18 different countries attended the Congress. This book will be of interest to researchers in the field of architecture and Engineering. Topics discussed are Innovations in Architecture, graphic design and architecture, history and heritage among others.
Author: Fernando Gamboa
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 332
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Book Description
Facsimile edition with additional texts and notes gathers a selection of articles and the complete indexes of the issues of this now historic art serial published between 1973 and 1981 (No. 29 plus special edition época nueva). Those were the years that Fernando Gamboa was the director of the museum. Gamboa contributed in the establishment of "Artes Visuales" as one of the most important art publications in the second half of the 20th century. It was a cutting-edge proposal that served as the organ for the museum.
Author: Laura López-Fernández
Publisher:
ISBN:
Category : Literary Criticism
Languages : es
Pages : 176
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Book Description
FORM and PERCEPTION IN VISUAL POETRY one of the first serious monographs in English that explores what is defined as Visual Poetry. This intermediate genre has its own characteristics. It demands inclusion of a number of disciplines: philosophy, psychology, neurobiology, literature, painting and graphic design, etc. As with many an emergent area of study an interdisciplinary approach takes into account new perspectives of analysis while maintaining respect for traditional methods of approach to poetry. This work discusses the increasing techno-visual elements of poetry creation and by studying the possible mechanisms of perceptions helps the reader/researcher understand the complex artistic and cultural paradigm thus presented. Material is developed that helps the "reading" and "decoding" process stimulated by an unusual combination of elements in poetic discourse and example. There is research work on the semantics of verbal and visual images, color and form. General Gestalt Theory is employed in discussions of form, rhythm, representation, projection and interpretation. A number of poems and poets are discussed from the Anglosphere as well as Spanish language traditions of Spain and Latin America.
Author: Guillermo Redondo Veintemillas
Publisher:
ISBN:
Category : Emblems, National
Languages : es
Pages : 676
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Book Description
Author:
Publisher:
ISBN:
Category : Arts, Mexican
Languages : es
Pages : 668
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Book Description
Author: George Santayana
Publisher: Transaction Publishers
ISBN: 9781412838900
Category : Health & Fitness
Languages : en
Pages : 302
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Book Description
The author of the introduction to this new edition, John McCormick, reminds us that The Sense of Beauty is the first work in aesthetics written in the United States. Santayana was versed in the history of his subject, from Plato and Aristotle to Schopenhauer and Taine in the nineteenth century. Santayana took as his task a complete rethinking of the idea that beauty is embedded in objects. Rather, beauty is an emotion, a value, and a sense of the good. In this aesthetics was unlike ethics: not a correction of evil or pursuit of the virtuous. Rather it is a pleasure that residues in the sense of self. The work is divided into chapters on the materials of beauty, form, and expression. A good many of Santayana's later works are presaged by this early effort. And this volume also anticipates the development of art as a movement as well as a value apart from other aspects of life.
Author:
Publisher:
ISBN:
Category : Semiotics
Languages : en
Pages : 416
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Book Description
Author: Steven Shaviro
Publisher: MIT Press
ISBN: 0262517973
Category : Philosophy
Languages : en
Pages : 191
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Book Description
A Deleuzian reading of Whitehead and a Whiteheadian reading of Deleuze open the possibility of a critical aesthetics of contemporary culture. In Without Criteria, Steven Shaviro proposes and explores a philosophical fantasy: imagine a world in which Alfred North Whitehead takes the place of Martin Heidegger. What if Whitehead, instead of Heidegger, had set the agenda for postmodern thought? Heidegger asks, “Why is there something, rather than nothing?” Whitehead asks, “How is it that there is always something new?” In a world where everything from popular music to DNA is being sampled and recombined, argues Shaviro, Whitehead's question is the truly urgent one. Without Criteria is Shaviro's experiment in rethinking postmodern theory, especially the theory of aesthetics, from a point of view that hearkens back to Whitehead rather than Heidegger. In working through the ideas of Whitehead and Deleuze, Shaviro also appeals to Kant, arguing that certain aspects of Kant's thought pave the way for the philosophical “constructivism” embraced by both Whitehead and Deleuze. Kant, Whitehead, and Deleuze are not commonly grouped together, but the juxtaposition of them in Without Criteria helps to shed light on a variety of issues that are of concern to contemporary art and media practices.
Author: Manuel Santos Estévez
Publisher:
ISBN:
Category : Art
Languages : es
Pages : 200
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Book Description
El arte rupestre desempeña un papel especial como actor privilegiado dentro de las estrategias sociales de construcción y (re)producción de la realidad socialmente construida. Para su estudio hay soluciones posibles. Pero todas ellas se tienen que pegar al análisis contextual, al formal, al comparativismo. Estas son las vías que exploran los trabajos del presente Volumen, donde se reúnen una serie de aportaciones de investigadores de diferentes países que abordan el problema del arte rupestre desde distintas perspectivas, pero que tienen en común tres puntos: (I) reconocimiento de la importancia de los aspectos teóricos para el estudio y entendimiento del arte rupestre, (II) desarrollo de metodologías formales, sean cuantitativas o cualitativas, y (III) comprensión del arte rupestre como un elemento activo en los procesos sociales contingentes en sus momentos históricos.
