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Author: Robert Bernard Martin
Publisher: Faber & Faber
ISBN: 9780571251940
Category : Poets, English
Languages : en
Pages : 680
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Book Description
The lyric perfection of the works of Alfred Tennyson, one of the greatest Victorian poets, and the apparent ease with which he wrote them, long obscured the disparity between the unruffled surface of many of his poems and his deeply disturbed life. Somersby Rectory, where Tennyson was born, was made miserable by drunkenness, drug addiction, threats of violence, melodramatic disinheritances, and above all by the fear of madness. He found an anodyne for his unhappiness in the composition of poetry, and was so successful in this refuge from the bewildering complexities of his life that he eventually became Poet Laureate and the most famous of living writers. Until he was forty years old the belief that he suffered from inherited epilepsy kept Tennyson unsettled, neurotic about money, immature in his relations with women, and apprehensive of marriage. It was a belief that gave shape to some of his finest poetry. At the end of his life Tennyson's wife and son constructed a public facade for him of irreproachable normality and respectability. Robert Bernard Martin was the first biographer to go behind the mask of the troubled poet to investigate his black-tempered morbidity, and neurotic secrecy about his private life. More importantly, it often reveals the sources of the successes and failures of the foremost Victorian poet. From many thousands of letters by Tennyson, his family, and his friends, as well as much other unpublished material, Robert Bernard Martin has distilled a sensitive and sympathetic portrait of Tennyson, both as his contemporaries saw him and as he was in private. 'Tennyson: The Unquiet Heart will stand as one of the great literary biographies of this century.' A. N. Wilson, The Spectator
Author: Robert Bernard Martin
Publisher: Faber & Faber
ISBN: 9780571251940
Category : Poets, English
Languages : en
Pages : 680
Get Book Here
Book Description
The lyric perfection of the works of Alfred Tennyson, one of the greatest Victorian poets, and the apparent ease with which he wrote them, long obscured the disparity between the unruffled surface of many of his poems and his deeply disturbed life. Somersby Rectory, where Tennyson was born, was made miserable by drunkenness, drug addiction, threats of violence, melodramatic disinheritances, and above all by the fear of madness. He found an anodyne for his unhappiness in the composition of poetry, and was so successful in this refuge from the bewildering complexities of his life that he eventually became Poet Laureate and the most famous of living writers. Until he was forty years old the belief that he suffered from inherited epilepsy kept Tennyson unsettled, neurotic about money, immature in his relations with women, and apprehensive of marriage. It was a belief that gave shape to some of his finest poetry. At the end of his life Tennyson's wife and son constructed a public facade for him of irreproachable normality and respectability. Robert Bernard Martin was the first biographer to go behind the mask of the troubled poet to investigate his black-tempered morbidity, and neurotic secrecy about his private life. More importantly, it often reveals the sources of the successes and failures of the foremost Victorian poet. From many thousands of letters by Tennyson, his family, and his friends, as well as much other unpublished material, Robert Bernard Martin has distilled a sensitive and sympathetic portrait of Tennyson, both as his contemporaries saw him and as he was in private. 'Tennyson: The Unquiet Heart will stand as one of the great literary biographies of this century.' A. N. Wilson, The Spectator
Author: Alfred Tennyson Baron Tennyson
Publisher:
ISBN:
Category :
Languages : en
Pages : 220
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Book Description
Author: John Batchelor
Publisher: Simon and Schuster
ISBN: 1639360824
Category : Biography & Autobiography
Languages : en
Pages : 709
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Book Description
Alfred Lord Tennyson, Queen Victoria's favorite poet, commanded a wider readership than any other of his time. His ascendancy was neither the triumph of pure genius nor an accident of history: he skillfully crafted his own career and his relationships with his audience. Fame and recognition came, lavishly and in abundance, but the hunger for more never left him. Resolving never to be anything except 'a poet', he wore his hair long, smoked incessantly, and sported a cloak and wide-brimmed Spanish hat.Tennyson ranged widely in his poetry, turning his interests in geology, evolution and Arthurian legend into verse, but much of his work relates to his personal life. The poet who wrote The Lady of Shalott and The Charge of the Light Brigade has become a permanent part of our culture. This enjoyable and thoughtful new biography shows him as a Romantic as well as a Victorian, exploring both the poems and the pressures of his era, and the personal relationships that made the man.
Author: Robert Bernard Martin
Publisher:
ISBN: 9781571118424
Category : Poets, English
Languages : en
Pages : 0
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Book Description
Author: Cornelia D. J. Pearsall
Publisher: Oxford University Press
ISBN: 0198034288
Category : Literary Criticism
Languages : en
Pages : 408
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Book Description
In the wake of the death of his friend Arthur Henry Hallam, the subject of In Memoriam, Alfred Tennyson wrote a range of intricately connected poems, many of which feature pivotal scenes of rapture, or being carried away. This book explores Tennyson's representation of rapture as a radical mechanism of transformation-theological, social, political, or personal-and as a figure for critical processes in his own poetics. The poet's fascination with transformation is figured formally in the genre he is credited with inventing, the dramatic monologue. Tennyson's Rapture investigates the poet's previously unrecognized intimacy with the theological movements in early Victorian Britain that are the acknowledged roots of contemporary Pentacostalism, with its belief in the oncoming Rapture, and its formative relation to his poetic innovation. Tennyson's work recurs persistently as well to classical instances of rapture, of mortals being borne away by immortals. Pearsall develops original readings of Tennyson's major classical poems through concentrated attention to his profound intellectual investments in advances in philological scholarship and archeological exploration, including pressing Victorian debates over whether Homer's raptured Troy was a verifiable site, or the province of the poet's imagination. Tennyson's attraction to processes of personal and social change is bound to his significant but generally overlooked Whig ideological commitments, which are illuminated by Hallam's political and philosophical writings, and a half-century of interaction with William Gladstone. Pearsall shows the comprehensive engagement of seemingly apolitical monologues with the rise of democracy over the course of Tennyson's long career. Offering a new approach to reading all Victorian dramatic monologues, this book argues against a critical tradition that sees speakers as unintentionally self-revealing and ignorant of the implications of their speech. Tennyson's Rapture probes the complex aims of these discursive performances, and shows how the ambitions of speakers for vital transformations in themselves and their circumstances are not only articulated in, but attained through, the medium of their monologues.
Author: Matthew Bevis
Publisher: Oxford University Press, USA
ISBN: 0199576467
Category : History
Languages : en
Pages : 913
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Book Description
The Oxford Handbook of Victorian Poetry offers an authorative collection of original essays and is an essential resource for those interested in Victorian poetry and poetics.
Author: Timothy J. Lovelace
Publisher: Routledge
ISBN: 1135886008
Category : Literary Criticism
Languages : en
Pages : 336
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Book Description
Many readers are aware of Alfred Tennyson's treatment of legendary battles in such poems as Boadicea, The Revenge, Battle of Brunanburh, and Achilles over the Trench. Yet among Tennyson's most neglected works are his first battle poems, pieces that reflect the poet's immersion in the literature of the heroic age. J. Timothy Lovelace argues that Tennyson's war poems reflect image patterns of the Illiad and Aeneid , and reinvigorate the heroic ethos that informs these and other ancient texts. Highlighting the heroic aspects of Maud and the Idylls of the King , this book shows that Tennyson's early grounding in the Homeric tradition greatly influenced his later, celebrated work on martial subjects.
Author: R. H. Winnick
Publisher: Open Book Publishers
ISBN: 1783746645
Category : Literary Criticism
Languages : en
Pages : 190
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Book Description
In Tennyson’s Poems: New Textual Parallels, R. H. Winnick identifies more than a thousand previously unknown instances in which Tennyson phrases of two or three to as many as several words are similar or identical to those occurring in prior works by other hands—discoveries aided by the proliferation of digitized texts and the related development of powerful search tools over the three decades since the most recent major edition of Tennyson’s poems was published. Each of these instances may be deemed an allusion (meant to be recognized as such and pointing, for definable purposes, to a particular antecedent text), an echo (conscious or not, deliberate or not, meant to be noticed or not, meaningful or not), or merely accidental. Unless accidental, Winnick writes, these new textual parallels significantly expand our knowledge both of Tennyson’s reading and of his thematic intentions and artistic technique. Coupled with the thousand-plus textual parallels previously reported by Christopher Ricks and other scholars, he says, they suggest that a fundamental and lifelong aspect of Tennyson’s art was his habit of echoing any work, ancient or modern, which had the potential to enhance the resonance or deepen the meaning of his poems. The new textual parallels Winnick has identified point most often to the King James Bible and to such canonical authors as Shakespeare, Milton, Dryden, Pope, Thomson, Cowper, Shelley, Byron, and Wordsworth. But they also point to many authors rarely if ever previously cited in Tennyson editions and studies, including Michael Drayton, Richard Blackmore, Isaac Watts, Erasmus Darwin, John Ogilvie, Anna Lætitia Barbauld, Letitia Elizabeth Landon, John Wilson, and—with surprising frequency—Felicia Hemans. Tennyson’s Poems: New Textual Parallels is thus a major new resource for Tennyson scholars and students, an indispensable adjunct to the 1987 edition of Tennyson’s complete poems edited by Christopher Ricks.
Author: Anna Barton
Publisher: Edinburgh University Press
ISBN: 074864914X
Category : Literary Criticism
Languages : en
Pages : 217
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Book Description
Introduces Tennyson's famous elegy to first-time readers, students and teachers of the poem.
Author: Phyllis Weliver
Publisher: Routledge
ISBN: 1351544535
Category : Music
Languages : en
Pages : 453
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Book Description
How was music depicted in and mediated through Romantic and Victorian poetry? This is the central question that this specially commissioned volume of essays sets out to explore in order to understand better music's place and its significance in nineteenth-century British culture. Analysing how music took part in and commented on a wide range of scientific, literary, and cultural discourses, the book expands our knowledge of how music was central to the nineteenth-century imagination. Like its companion volume, The Idea of Music in Victorian Fiction (Ashgate, 2004) edited by Sophie Fuller and Nicky Losseff, this book provides a meeting place for literary studies and musicology, with contributions by scholars situated in each field. Areas investigated in these essays include the Romantic interest in national musical traditions; the figure of the Eolian harp in the poetry of Coleridge and Shelley; the recurring theme of music in Blake's verse; settings of Tennyson by Parry and Elgar that demonstrate how literary representations of musical ideas are refigured in music; George Eliot's use of music in her poetry to explore literary and philosophical themes; music in the verse of Christina and Dante Gabriel Rossetti; the personification of lyric (Sappho) in a song cycle by Granville and Helen Bantock; and music and sexual identity in the poetry of Wilde, Symons, Michael Field, Beardsley, Gray and Davidson.
