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Author: Annette J. Saddik
Publisher: Cambridge University Press
ISBN: 1316240681
Category : Drama
Languages : en
Pages : 193
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Book Description
The plays of Tennessee Williams' post-1961 period have often been misunderstood and dismissed. In light of Williams' centennial in 2011, which was marked internationally by productions and world premieres of his late plays, Annette J. Saddik's new reading of these works illuminates them in the context of what she terms a 'theatre of excess', which seeks liberation through exaggeration, chaos, ambiguity, and laughter. Saddik explains why they are now gaining increasing acclaim, and analyzes recent productions that successfully captured elements central to Williams' late aesthetic, particularly a delicate balance of laughter and horror with a self-consciously ironic acting style. Grounding the plays through the work of Bakhtin, Artaud, and Kristeva, as well as through the carnivalesque, the grotesque, and psychoanalytic, feminist, and queer theory, Saddik demonstrates how Williams engaged the freedom of exaggeration and excess in celebration of what he called 'the strange, the crazed, the queer'.
Author: Annette J. Saddik
Publisher: Cambridge University Press
ISBN: 1316240681
Category : Drama
Languages : en
Pages : 193
Get Book Here
Book Description
The plays of Tennessee Williams' post-1961 period have often been misunderstood and dismissed. In light of Williams' centennial in 2011, which was marked internationally by productions and world premieres of his late plays, Annette J. Saddik's new reading of these works illuminates them in the context of what she terms a 'theatre of excess', which seeks liberation through exaggeration, chaos, ambiguity, and laughter. Saddik explains why they are now gaining increasing acclaim, and analyzes recent productions that successfully captured elements central to Williams' late aesthetic, particularly a delicate balance of laughter and horror with a self-consciously ironic acting style. Grounding the plays through the work of Bakhtin, Artaud, and Kristeva, as well as through the carnivalesque, the grotesque, and psychoanalytic, feminist, and queer theory, Saddik demonstrates how Williams engaged the freedom of exaggeration and excess in celebration of what he called 'the strange, the crazed, the queer'.
Author: Tennessee Williams
Publisher: New Directions Publishing
ISBN: 9780811217088
Category : Drama
Languages : en
Pages : 356
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Book Description
"Collected here for the first time, these twelve plays embrace what Time magazine called "the four major concerns of Williams' dramatic imagination: loneliness, love, the violated heart and the valiancy of survival"--Back cover.
Author: Brenda Murphy
Publisher: Cambridge University Press
ISBN: 9780521400954
Category : Drama
Languages : en
Pages : 240
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Book Description
This is a book-length study of the intense creative relationship between Tennessee Williams and Elia Kazan.
Author: Annette J. Saddik
Publisher: Cambridge University Press
ISBN: 1107076684
Category : Drama
Languages : en
Pages : 193
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Book Description
This book explores Williams' late plays in terms of a 'theatre of excess', which seeks liberation through exaggeration, chaos, ambiguity, and laughter.
Author: Henry I. Schvey
Publisher: University of Missouri Press
ISBN: 0826274579
Category : Biography & Autobiography
Languages : en
Pages : 259
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Book Description
In 2011, the centennial of Tennessee Williams’s birth, events were held around the world honoring America’s greatest playwright. There were festivals, conferences, and exhibitions held in places closely associated with Williams’s life and career—New Orleans held major celebrations, as did New York, Key West, and Provincetown. But absolutely nothing was done to celebrate Williams’s life and extraordinary literary and theatrical career in the place that he lived in longest, and called home longer than any other—St. Louis, Missouri. The question of this paradox lies at the heart of this book, an attempt not so much to correct the record about Williams’s well-chronicled dislike of the city, but rather to reveal how the city was absolutely indispensable to his formation and development both as a person and artist. Unlike the prevailing scholarly narrative that suggests that Williams discovered himself artistically and sexually in the deep South and New Orleans, Blue Song reveals that Williams remained emotionally tethered to St. Louis for a host of reasons for the rest of his life.
Author: Jacqueline O’Connor
Publisher: Rowman & Littlefield
ISBN: 1611478944
Category : Literary Criticism
Languages : en
Pages : 229
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Book Description
Gender and cultural studies readings of Tennessee Williams’s work have provided diverse perspectives on his complex representations of sexuality, whether of himself as an openly gay man, or of his characters, many of whom narrate or dramatize sexual attitudes or behavior that cross heteronormative boundaries of the mid-century period. Several of these studies have positioned Williams and his work amid the public tensions in American life over roughly four decades, from 1940–1980, as notions of equality and freedom of choice challenged prejudice and repression in law and in society. To date, however, neither Williams’s homosexuality nor his persistent representations of sexual transgressions have been examined as legal matters that challenged the rule of law. Directed by legal history and informed by multiple strands of Williams’s studies criticism, textual, and cultural, this book explores the interplay of select topics defined and debated in law’s texts with those same topics in Williams’s personal and imaginative texts. By tracing the obscure and the transparent representations of homosexuality, specifically, and diverse sexualities more generally, through selected stories and plays, the book charts the intersections between Williams’s literature and the laws that governed the period. His imaginative works, backlit by his personal documents and historical and legal records from the period, underscore his preoccupation with depictions of diverse sexualities throughout his career. His use of legal language and its varied effects on his texts demonstrate his work’s multiple and complex intersection with major twentieth-century concerns, including significant legal and cultural dialogues about identity formation, intimacy, privacy, and difference.
Author: John Lahr
Publisher: W. W. Norton & Company
ISBN: 0393247120
Category : Biography & Autobiography
Languages : en
Pages : 452
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Book Description
National Book Critics Circle Award Winner: Biography Category National Book Award Finalist 2015 Winner of the Sheridan Morley Prize for Theatre Biography American Academy of Arts and Letters’ Harold D. Vursell Memorial Award A Chicago Tribune 'Best Books of 2014' USA Today: 10 Books We Loved Reading Washington Post, 10 Best Books of 2014 The definitive biography of America's greatest playwright from the celebrated drama critic of The New Yorker. John Lahr has produced a theater biography like no other. Tennessee Williams: Mad Pilgrimage of the Flesh gives intimate access to the mind of one of the most brilliant dramatists of his century, whose plays reshaped the American theater and the nation's sense of itself. This astute, deeply researched biography sheds a light on Tennessee Williams's warring family, his guilt, his creative triumphs and failures, his sexuality and numerous affairs, his misreported death, even the shenanigans surrounding his estate. With vivid cameos of the formative influences in Williams's life—his fierce, belittling father Cornelius; his puritanical, domineering mother Edwina; his demented sister Rose, who was lobotomized at the age of thirty-three; his beloved grandfather, the Reverend Walter Dakin—Tennessee Williams: Mad Pilgrimage of the Flesh is as much a biography of the man who created A Streetcar Named Desire, The Glass Menagerie, and Cat on a Hot Tin Roof as it is a trenchant exploration of Williams’s plays and the tortured process of bringing them to stage and screen. The portrait of Williams himself is unforgettable: a virgin until he was twenty-six, he had serial homosexual affairs thereafter as well as long-time, bruising relationships with Pancho Gonzalez and Frank Merlo. With compassion and verve, Lahr explores how Williams's relationships informed his work and how the resulting success brought turmoil to his personal life. Lahr captures not just Williams’s tempestuous public persona but also his backstage life, where his agent Audrey Wood and the director Elia Kazan play major roles, and Marlon Brando, Anna Magnani, Bette Davis, Maureen Stapleton, Diana Barrymore, and Tallulah Bankhead have scintillating walk-on parts. This is a biography of the highest order: a book about the major American playwright of his time written by the major American drama critic of his time.
Author: Tennessee Williams
Publisher: Dramatists Play Service, Inc.
ISBN: 9780822203490
Category : American drama
Languages : en
Pages : 68
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Book Description
THE STORY: The action takes place in Glorious Hill, Mississippi, shortly before the First World War. Alma Winemiller, a sensitive and lonely young woman, has become increasingly restive and disturbed by the fear that she will remain a spinster. Hem
Author: Laura Michiels
Publisher: McFarland
ISBN: 1476666466
Category : Literary Criticism
Languages : en
Pages : 262
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Book Description
Tennessee Williams' characters set the stage for their own dramas. Blanche DuBois (A Streetcar Named Desire), arrived at her sister's apartment with an entire trunk of costumes and props. Amanda Wingfield (The Glass Menagerie) directed her son on how to eat and tries to make her daughter act like a Southern Belle. This book argues for the persistence of one metatheatrical strategy running throughout Williams' entire oeuvre: each play stages the process through which it came into being--and this process consists of a variation on repetition combined with transformation. Each chapter takes a detailed reading of one play and its variation on repetition and transformation. Specific topics include reproduction in Sweet Bird of Youth (1959), mediation in Something Cloudy, Something Clear (1981), and how the playwright frequently recycled previous works of art, including his own.
Author: Elizabeth Egloff
Publisher: Dramatists Play Service, Inc.
ISBN: 0822236737
Category : Performing Arts
Languages : en
Pages : 99
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Book Description
ATTACK OF THE GIANT TENT WORMS. Billy and Clara are nearing the end of their summer vacation on Cape Cod, as their cottage is being devoured by billions of tent-worms. Worse, Billy has just gotten word from his oncologist that there are no more treatment options for his brain cancer. A darkly humorous exploration of which is more terrifying: bugs or death? (1 man, 1 woman.) DESIRE QUENCHED BY TOUCH. In 1950s New Orleans, a black masseur must account for the disappearance of his favorite white customer. People don’t just vanish inside massage parlors… (3 men.) THE FIELD OF BLUE CHILDREN. Everything in Layley’s life is going according to plan. She belongs to the best sorority at her university and has a devoted boyfriend who could easily become a devoted husband. But Layley suspects that there is more to life than stifling conformity. So she signs up for a poetry class in the hopes of expressing herself. There she meets Dylan, a sensitive poet with whom she enjoys a night of passion that opens up a truly revolutionary prospect: living a life of her own. (3 men, 4 women.) ORIFLAMME. Oriflamme (noun): A red or scarlet banner; a knight’s standard; a rallying principle…Sickly Anna Kimball, on her final day, reaches out for, and becomes, all of these. (1 man, 1 woman.) YOU LIED TO ME ABOUT CENTRALIA. Jim, the Gentleman Caller, leaves the Wingfields’ disastrous dinner party to meet his fiancée Betty’s train. The evening won’t turn out the way either of them expected. (1 man, 1 woman.) THE RESEMBLANCE BETWEEN A VIOLIN CASE AND A COFFIN. Tom and his sister Roe’s childhood comes to a painful end when Richard Miles, who moves in light, arrives in town with his violin in a case. (2 men, 4 women.)
