Tendencies of Character Depiction in the Domestic Novels of Burney, Edgeworth, and Austen

Tendencies of Character Depiction in the Domestic Novels of Burney, Edgeworth, and Austen PDF Author: Patricia Voss-Clesly
Publisher:
ISBN:
Category : Characters and characteristics in literature
Languages : en
Pages : 924

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Tendencies of Character Depiction in the Domestic Novels of Burney, Edgeworth, and Austen

Tendencies of Character Depiction in the Domestic Novels of Burney, Edgeworth, and Austen PDF Author: Patricia Voss-Clesly
Publisher:
ISBN:
Category : Characters and characteristics in literature
Languages : en
Pages : 924

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Book Description


The Eighteenth-century British Novel and Its Background

The Eighteenth-century British Novel and Its Background PDF Author: Henry George Hahn
Publisher: Scarecrow Press
ISBN: 9780810817869
Category : Fiction
Languages : en
Pages : 414

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Book Description
To find more information about Rowman and Littlefield titles, please visit www.rowmanlittlefield.com.

Jane Austen

Jane Austen PDF Author: Laurence W. Mazzeno
Publisher: Camden House
ISBN: 1571133941
Category : Literary Collections
Languages : en
Pages : 314

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Book Description
A comprehensive look at the academic criticism of Jane Austen from her time down to the present. Among the most important English novelists, Jane Austen is unusual because she is esteemed not only by academics but by the reading public. Her novels continue to sell well, and films adapted from her works enjoy strong box-officesuccess. The trajectory of Austen criticism is intriguing, especially when one compares it to that of other nineteenth-century English writers. At least partly because she was a woman in the early nineteenth century, she was longneglected by critics, hardly considered a major figure in English literature until well into the twentieth century, a hundred years after her death. Yet consequently she did not suffer from the reaction against Victorianism thatdid so much to hurt the reputation of Dickens, Tennyson, Arnold, and others. How she rose to prominence among academic critics - and has retained her position through the constant shifting of academic and critical trends - is a story worth telling, as it suggests not only something about Austen's artistry but also about how changes in critical perspective can radically alter a writer's reputation. Laurence W. Mazzeno is President Emeritus of Alvernia University, Reading, Pennsylvania.

Narrating Friendship and the British Novel, 1760-1830

Narrating Friendship and the British Novel, 1760-1830 PDF Author: Katrin Berndt
Publisher: Routledge
ISBN: 1317132602
Category : Literary Criticism
Languages : en
Pages : 463

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Book Description
Friendship has always been a universal category of human relationships and an influential motif in literature, but it is rarely discussed as a theme in its own right. In her study of how friendship gives direction and shape to new ideas and novel strategies of plot, character formation, and style in the British novel from the 1760s to the 1830s, Katrin Berndt argues that friendship functions as a literary expression of philosophical values in a genre that explores the psychology and the interactions of the individual in modern society. In the literary historical period in which the novel became established as a modern genre, friend characters were omnipresent, reflecting enlightenment philosophy’s definition of friendship as a bond that civilized public and private interactions and was considered essential for the attainment of happiness. Berndt’s analyses of genre-defining novels by Frances Brooke, Mary Shelley, Sarah Scott, Helen Maria Williams, Charlotte Lennox, Walter Scott, Jane Austen, and Maria Edgeworth show that the significance of friendship and the increasing variety of novelistic forms and topics represent an overlooked dynamic in the novel’s literary history. Contributing to our understanding of the complex interplay of philosophical, socio-cultural and literary discourses that shaped British fiction in the later Hanoverian decades, Berndt’s book demonstrates that novels have conceived the modern individual not in opposition to, but in interaction with society, continuing Enlightenment debates about how to share the lives and the experiences of others.

English Fiction of the Romantic Period 1789-1830

English Fiction of the Romantic Period 1789-1830 PDF Author: Gary Kelly
Publisher: Routledge
ISBN: 1134960840
Category : Literary Criticism
Languages : en
Pages : 341

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Book Description
English Fiction of the Romantic Period 1789-1830 is the first comprehensive historical survey of fiction from that period for many decades. It combines a clear awareness of the period's social history with recent developments in literary criticism, theory and history, and explains the astounding variety of forms in Romantic fiction in terms of the various cultural, political, social, regional and gender conflicts of the time. It provides a broad-ranging survey from the major authors and works through to the sub-genres of the period. Jan Austin and Sir Alter Scott are discussed alongside the Gothic Romance, political and feminist fiction, social satire and regional, rural and historical novels. It also provides a comparison of the methods of distribution and marketing and the availability of books then and now; examines cheap popular fiction and children's fiction, and considers the recent debate about the place of prose fiction in a Romantic literature hitherto dominated by poetry.

The Consumption of Culture, 1600-1800

The Consumption of Culture, 1600-1800 PDF Author: Ann Bermingham
Publisher: Psychology Press
ISBN: 9780415159975
Category :
Languages : en
Pages : 668

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Romanticism and the Contingent Self

Romanticism and the Contingent Self PDF Author: Michael Falk
Publisher: Springer Nature
ISBN: 303149959X
Category :
Languages : en
Pages : 300

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Consumption Of Culture

Consumption Of Culture PDF Author: Ann Bermingham
Publisher: Routledge
ISBN: 1134808402
Category : History
Languages : en
Pages : 661

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Book Description
Culture does not become ""culture"" until it is consumed. This is the radical new interpretation of early modern social history presented in The Consumption of Culture 1600-1800. 21 US and 4 european contributors, from a wide range of historically oriented fields (historians of society, politics, ideas, science, literature and the arts), explore topics such as the formation of a culture consuming public, the development of a literary canon, the role of consumption in the formation of the modern state, elite and popular forms of cultural consumtpion and the place of women as consumers of cultur.

The Manufacturers of Literature

The Manufacturers of Literature PDF Author: George Justice
Publisher: University of Delaware Press
ISBN: 9780874137507
Category : History
Languages : en
Pages : 302

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Book Description
"The book combines an examination of the network of material conditions of authorship and publishing during the century with literary readings in order to explore the mutually constitutive nature of literature, the material forces that influence its production, and the social world of readers."--BOOK JACKET.

Visuality in the Novels of Austen, Radcliffe, Edgeworth and Burney

Visuality in the Novels of Austen, Radcliffe, Edgeworth and Burney PDF Author: Jessica A. Volz
Publisher: Anthem Press
ISBN: 1783086610
Category : Juvenile Nonfiction
Languages : en
Pages : 262

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Book Description
Visuality in the Novels of Austen, Radcliffe, Edgeworth and Burney argues that the proliferation of visual codes, metaphors and references to the gaze in women’s novels published in Britain between 1778 and 1815 is more significant than scholars have previously acknowledged. The book’s innovative survey of the oeuvres of four culturally representative women novelists of the period spanning the Anglo-French War and the Battle of Waterloo reveals the importance of visuality – the continuum linking visual and verbal communication. It provided women novelists with a methodology capable of circumventing the cultural strictures on female expression in a way that concealed resistance within the limits of language. In contexts dominated by ‘frustrated utterance’, penetrating gazes and the perpetual threat of misinterpretation, Jane Austen, Ann Radcliffe, Maria Edgeworth and Frances Burney used references to the visible and the invisible to comment on emotions, socio-economic conditions and patriarchal abuses. Visuality in the Novels of Austen, Radcliffe, Edgeworth and Burney offers new insights into verbal economy and the gender politics of the era by reassessing expression and perception from a uniquely telling point of view.