Author: Richard W. Etulain
Publisher:
ISBN:
Category : American fiction
Languages : en
Pages : 200
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Book Description
What has the western of literature and film contributed to American culture? Richard Etulain, the leading cultural historian of the West, answers that question by tracing four distinct storytelling traditions and exploring the indelible images each has left in the public's mind over the past 125 years. Our images of cowboys, lawmen, outlaws, and Indians come from a collage of sources, including Buffalo Bill, Frederick Jackson Turner, Calamity Jane, Mary Hallock Foote, Geronimo, Mourning Dove, Owen Wister, Zane Grey, Walter Noble Burns, John Ford, Louis L'Amour, Wallace Stegner, Patricia Nelson Limerick, Leslie Marmon Silko, and Larry McMurtry. Etulain begins with the dominant image conveyed in Wild West shows and dime novels of the late nineteenth century -- the West as a place of adventure and danger. In the early twentieth century stories by women and Indians appeared, but they were soon overlooked and not rediscovered until the 1970s. The period from the 1920s to the 1950s represents the classic era of western movies and novels -- of cavalry charges to save the day and heroes in white hats. But since the 1960s a counter story has emerged, one of ambiguity and complexity that often turned upside down our notions about what really mattered in how we look at the West.
Author: Thomas King
Publisher: House of Anansi
ISBN: 0887846963
Category : American literature
Languages : en
Pages : 184
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Book Description
Winner of the 2003 Trillium Book Award "Stories are wondrous things," award-winning author and scholar Thomas King declares in his 2003 CBC Massey Lectures. "And they are dangerous." Beginning with a traditional Native oral story, King weaves his way through literature and history, religion and politics, popular culture and social protest, gracefully elucidating North America's relationship with its Native peoples. Native culture has deep ties to storytelling, and yet no other North American culture has been the subject of more erroneous stories. The Indian of fact, as King says, bears little resemblance to the literary Indian, the dying Indian, the construct so powerfully and often destructively projected by White North America. With keen perception and wit, King illustrates that stories are the key to, and only hope for, human understanding. He compels us to listen well.
Author: Richard W. Etulain
Publisher:
ISBN:
Category : American fiction
Languages : en
Pages : 200
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Book Description
What has the western of literature and film contributed to American culture? Richard Etulain, the leading cultural historian of the West, answers that question by tracing four distinct storytelling traditions and exploring the indelible images each has left in the public's mind over the past 125 years. Our images of cowboys, lawmen, outlaws, and Indians come from a collage of sources, including Buffalo Bill, Frederick Jackson Turner, Calamity Jane, Mary Hallock Foote, Geronimo, Mourning Dove, Owen Wister, Zane Grey, Walter Noble Burns, John Ford, Louis L'Amour, Wallace Stegner, Patricia Nelson Limerick, Leslie Marmon Silko, and Larry McMurtry. Etulain begins with the dominant image conveyed in Wild West shows and dime novels of the late nineteenth century -- the West as a place of adventure and danger. In the early twentieth century stories by women and Indians appeared, but they were soon overlooked and not rediscovered until the 1970s. The period from the 1920s to the 1950s represents the classic era of western movies and novels -- of cavalry charges to save the day and heroes in white hats. But since the 1960s a counter story has emerged, one of ambiguity and complexity that often turned upside down our notions about what really mattered in how we look at the West.
Author: Gus Palmer
Publisher: University of Arizona Press
ISBN: 9780816522774
Category : Social Science
Languages : en
Pages : 176
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Book Description
Among the Kiowa, storytelling takes place under familiar circumstances. A small group of relatives and close friends gather. Tales are informative as well as entertaining. Joking and teasing are key components. Group participation is expected. And outsiders are seldom involved. This book explores the traditional art of storytelling still practiced by Kiowas today as Gus Palmer shares conversations held with storytellers. Combining narrative, personal experience, and ethnography in an original and artful way, Palmer—an anthropologist raised in a traditional Kiowa family—shows not only that storytelling remains an integral part of Kiowa culture but also that narratives embedded in everyday conversation are the means by which Kiowa cultural beliefs and values are maintained. Palmer's study features contemporary oral storytelling and other discourses, assembled over two and a half years of fieldwork, that demonstrate how Kiowa storytellers practice their art. Focusing on stories and their meaning within a narrative and ethnographic context, he draws on a range of material, including dream stories, stories about the coming of Táimê (the spirit of the Sun Dance) to the Kiowas, and stories of tricksters and tribal heroes. He shows how storytellers employ the narrative devices of actively participating in oral narratives, leaving stories wide open, or telling stories within stories. And he demonstrates how stories can reflect a wide range of sensibilities, from magical realism to gossip. Firmly rooted in current linguistic anthropological thought, Telling Stories the Kiowa Way is a work of analysis and interpretation that helps us understand story within its larger cultural contexts. It combines the author's unique literary talent with his people's equally unique perspective on anthropological questions in a text that can be enjoyed on multiple levels by scholars and general readers alike.
Author: Louis Bird
Publisher: University of Toronto Press
ISBN: 1442606738
Category : Social Science
Languages : en
Pages : 373
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Book Description
Since the 1970s, Louis Bird, a distinguished Aboriginal storyteller and historian, has been recording the stories and memories of Omushkego (Swampy Cree) communities along western Hudson and James Bays. In nine chapters, he presents some of the most vivid legends and historical stories from his collection, casting new light on his people’s history, culture, and values. Working with the editors and other contributors to provide background and context for the stories, he illuminates their many levels of meaning and brings forward the value system and world-view that underlie their teachings. Students of Aboriginal culture, history, and literature will find that this is no ordinary book of stories compiled from a remote, disconnected voice, but rather a project in which the teller, deeply engaged in preserving his people's history, language, and values, is committed to bringing his listeners and readers as far along the road to understanding as he possibly can.
Author: Will Wright
Publisher: Univ of California Press
ISBN: 0520340787
Category : Performing Arts
Languages : en
Pages : 228
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Book Description
From the Preface: The purpose of this book is to explain the Western's popularity. While the Western itself may seem simple (it isn't quite), an explanation of its popularity cannot be; for the Western, like any myth, stands between individual human consciousness and society. If a myth is popular, it must somehow appeal to or reinforce the individuals who view it by communicating a symbolic meaning to them. This meaning must, in turn, reflect the particular social institutions and attitudes that have created and continue to nourish the myth. Thus, a myth must tell its viewers about themselves and their society. This study, which takes up the question of the Western as an American myth, will lead us into abstract structural theory as well as economic and political history. Mostly, however, it will take us into the movies, the spectacular and not-so-spectacular sagebrush of the cinema. Unlike most works of social science, the data on which my analysis is based is available to all of my readers, either at the local theater or, more likely, on the late, late show. I hope you will take the opportunity, whenever it is offered, to check my findings and test my interpretations; the effort is small and the rewards are many. And if your wife, husband, mother, or child asks you why you are wasting your time staring at Westerns on TV in the middle of the night, tell them firmly—as I often did—that you are doing research in social science. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1977. From the Preface: The purpose of this book is to explain the Western's popularity. While the Western itself may seem simple (it isn't quite), an explanation of its popularity cannot be; for the Western, like any myth, stands between individual human consc
Author: A. Alabi
Publisher: Springer
ISBN: 1403980942
Category : Literary Criticism
Languages : en
Pages : 194
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Book Description
Telling Our Stories investigates the continuities and divergences in selected Black autobiographies from Africa, the Caribbean, and the United States. The stories of slaves, creative writers, and political activists are discussed both as texts produced by individuals who are products of specific societies and as interconnected books. The book identifies influences of environmental and cultural differences on the texts while it adopts cross-cultural and postcolonial reading approaches to examine the continuities and divergences in them.
Author: Hernan Diaz
Publisher: Penguin Group
ISBN: 0593850572
Category : Fiction
Languages : en
Pages : 305
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Book Description
FINALIST FOR THE PULITZER PRIZE FINALIST FOR THE PEN/FAULKNER AWARD WINNER OF THE WHITING AWARD WINNER OF THE SAROYAN INTERNATIONAL PRIZE FOR WRITING WINNTER OF THE VCU CABELL FIRST NOVELIST AWARD WINNER OF THE NEW AMERICAN VOICES AWARD A PUBLISHERS WEEKLY TOP 10 BOOK OF THE YEAR The first novel by the Pulitzer Prize–winning author of Trust, an exquisite and blisteringly intelligent story of a young Swedish boy, separated from his brother, who becomes a legend and an outlaw A young Swedish immigrant finds himself penniless and alone in California. The boy travels east in search of his brother, moving on foot against the great current of emigrants pushing west. Driven back again and again, he meets criminals, naturalists, religious fanatics, swindlers, American Indians, and lawmen, and his exploits turn him into a legend. Diaz defies the conventions of historical fiction and genre, offering a probing look at the stereotypes that populate our past and a portrait of radical foreignness.
Author: Clinton Swick
Publisher:
ISBN: 9780989029339
Category :
Languages : en
Pages : 228
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Book Description
Tales in Verse from the Old West. The 50+ poems in this book are, first and foremost, stories. They just happen to rhyme as they weave campfire tales of men riding across a frontier of prairies and mountains. They tell of those riders' encounters with other men, women, children, animals, and sometimes with spirits not of this earth. Poetry, yes, but poetry in the tradition of Louis L'amour's and Zane Grey's Western novels. The man riding up to your campfire might be hoping to share your coffee or planning to leave you dead. Flash floods, grizzly bears, stampedes-even a joke that ceases to be funny can be as dangerous as a man facing you with his hand hovering near his six-gun. But these poems of the Old West also prove humor can be found in any situation, and the lone rider never knows when romance is laying in wait to ambush him. ... and the New... Cowboys didn't ride off into the sunset when the Wild West became civilized. In these poems a cowboy is a cowboy, whether he's riding a horse or a pickup truck, whether he's in the mountains of Western Montana or the hills of West Virginia where the author grew up. They tell us a cowboy is anyone who's always willing to be there for someone in need, protect those that need protecting, put in an honest day's work, enjoy a good-natured prank, honor friendship and have the sense to recognize a good woman when he finds her. In the tradition of the best cowboy poets, this collection of cowboy poems tell stories in which we can see ourselves ... at least, we hope that we do.
Author: Michael Roemer
Publisher: Rowman & Littlefield
ISBN: 9780847680429
Category : Language Arts & Disciplines
Languages : en
Pages : 516
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Book Description
Asks important questions about the very nature of stories and examines why we read stories rather than just learning the endings.
