Author: José María Castillo Pomeda
Publisher:
ISBN: 9788488788764
Category : Social Science
Languages : es
Pages : 506
Book Description
Televisión, realizacion y lenguaje audiovisual
Author: José María Castillo Pomeda
Publisher:
ISBN: 9788488788764
Category : Social Science
Languages : es
Pages : 506
Book Description
Publisher:
ISBN: 9788488788764
Category : Social Science
Languages : es
Pages : 506
Book Description
Television, realización y lenguaje audiovisual
Author: José María Castillo Pomeda
Publisher:
ISBN: 9788488788962
Category : Technology & Engineering
Languages : es
Pages : 736
Book Description
Publisher:
ISBN: 9788488788962
Category : Technology & Engineering
Languages : es
Pages : 736
Book Description
Elementos del lenguaje audiovisual en televisión
Author: José María Castillo
Publisher:
ISBN: 9788488788269
Category :
Languages : es
Pages : 54
Book Description
Publisher:
ISBN: 9788488788269
Category :
Languages : es
Pages : 54
Book Description
Elementos del lenguaje audiovisual en televisión
Author: José María Castillo
Publisher:
ISBN: 9788488788498
Category : Technology & Engineering
Languages : es
Pages : 68
Book Description
Publisher:
ISBN: 9788488788498
Category : Technology & Engineering
Languages : es
Pages : 68
Book Description
Televisión y lenguaje audiovisual
Author: José María Castillo
Publisher:
ISBN: 9788488788580
Category :
Languages : es
Pages : 406
Book Description
Publisher:
ISBN: 9788488788580
Category :
Languages : es
Pages : 406
Book Description
Televisión y lenguaje audiovisual
Author: Elva Rosa Morales Lara
Publisher:
ISBN: 9789689154075
Category :
Languages : es
Pages : 154
Book Description
Publisher:
ISBN: 9789689154075
Category :
Languages : es
Pages : 154
Book Description
ENTROMPANDO LA PANTALLA. APROXIMACIONES HACIA LA CREACIÓN DE UN LENGUAJE AUDIOVISUAL TELEVISIVO ANTIPATRIARCAL Y POPULAR
Author: Guillermina; Militante del colectivo FALDASen Revolución Soria (integrante de la Red Nacional la Araña Feminista y deREDADAS. UCV)
Publisher:
ISBN:
Category :
Languages : es
Pages :
Book Description
La investigación toma como objeto de estudioel discurso audiovisual televisivo, y sus potencialidadespara la de-construcción dela ideología patriarcal y la construcción depr & aacute;cticas m & aacute;s equitativas, igualitarias yrespetuosas entre los sexos. El problemade investigación indagar & aacute; ¿cu & aacute;les son lasrepresentaciones sociales y las pr & aacute;cticasconstruidas sobre las mujeres por los ylas realizadoras audiovisuales en sus diferentesfases de desarrollo? Investigación de tipocualitativa, trabajar & aacute; con un estudio comparadode caso de dos Medios de Comunicación, Catia TV, y Avila TV. e abordar & aacute;n & aacute;reasestratégicas de la realización audiovisual, como la Dirección Técnica, la ProducciónGeneral, el Desarrollo de los Contenidos, la Construcción de la Parrilla de Programacióny el Montaje.
Publisher:
ISBN:
Category :
Languages : es
Pages :
Book Description
La investigación toma como objeto de estudioel discurso audiovisual televisivo, y sus potencialidadespara la de-construcción dela ideología patriarcal y la construcción depr & aacute;cticas m & aacute;s equitativas, igualitarias yrespetuosas entre los sexos. El problemade investigación indagar & aacute; ¿cu & aacute;les son lasrepresentaciones sociales y las pr & aacute;cticasconstruidas sobre las mujeres por los ylas realizadoras audiovisuales en sus diferentesfases de desarrollo? Investigación de tipocualitativa, trabajar & aacute; con un estudio comparadode caso de dos Medios de Comunicación, Catia TV, y Avila TV. e abordar & aacute;n & aacute;reasestratégicas de la realización audiovisual, como la Dirección Técnica, la ProducciónGeneral, el Desarrollo de los Contenidos, la Construcción de la Parrilla de Programacióny el Montaje.
Communication and Applied Technologies
Author: Paulo Carlos López-López
Publisher: Springer Nature
ISBN: 9811963479
Category : Technology & Engineering
Languages : en
Pages : 573
Book Description
This book features selected papers from the International Conference on Communication and Applied Technologies (ICOMTA 2022), jointly organized by the Universidad del Rosario (Bogotá, Colombia) and the Universidad Politécnica Salesiana (Cuenca, Ecuador), and as collaborators at the University of Vigo (Galicia, Spain), the University of Santiago de Compostela-Political Research Team (Galicia, Spain), and the Network of Communication Researchers of Ecuador (RICE), during August, 31–September 2, 2022. It covers recent advances in the field of digital communication and processes, digital social media, software, big data, data mining, and intelligent systems.
Publisher: Springer Nature
ISBN: 9811963479
Category : Technology & Engineering
Languages : en
Pages : 573
Book Description
This book features selected papers from the International Conference on Communication and Applied Technologies (ICOMTA 2022), jointly organized by the Universidad del Rosario (Bogotá, Colombia) and the Universidad Politécnica Salesiana (Cuenca, Ecuador), and as collaborators at the University of Vigo (Galicia, Spain), the University of Santiago de Compostela-Political Research Team (Galicia, Spain), and the Network of Communication Researchers of Ecuador (RICE), during August, 31–September 2, 2022. It covers recent advances in the field of digital communication and processes, digital social media, software, big data, data mining, and intelligent systems.
Lenguaje audiovisual
Author: Alfonso Palazón Meseguer
Publisher:
ISBN: 9788448303754
Category : Motion pictures
Languages : es
Pages : 92
Book Description
Publisher:
ISBN: 9788448303754
Category : Motion pictures
Languages : es
Pages : 92
Book Description
The Power of the Frame
Author: José María Castillo-Pomeda
Publisher: Babelcube Inc.
ISBN: 1071526928
Category : Photography
Languages : en
Pages : 175
Book Description
Beauty is a subject that has obsessed man since ancient times. While the concept of "the beautiful" is true is relative and depends on each social group and each era, it is also true that our perception of beauty is subject to the harmony of the measures. In any facet of our life, we instictively seek harmony and balance. Why, before two seemingly equal or similar images, one attracts us more than the other? The information they transmit to us is the same but... one is better, we like it more... The answer is inside, in its geometry, in its structure, in short: in its composition. By studying the basic components of an image, the fundamental elements of visual communication, we find a universal language. Knowing how to recognize them in our frame, relocate them and compose with them is as much or more important than the correct handling of the camera. There is still for some the common place that the image does not articulate a language itself, it does not go beyond being an illustration and that it is necessary to "explain" it. I once heard José Saramago, affirm the absolute superiority of the word over the image and condemn the old saying "worth a picture more than a thousand words" to the garbage can. This view, which seems logical in a Nobel Prize for literature, can underline the superiority of written language in the field of abstraction or mental creation. But it is to want to close your eyes (and never better) to the communicative and poetic value of the image. Of course, this controversy settled it, already in the Renaissance, Leonardo da Vinci when he said: "Write the name of God next to his image and see where they look," (da Vinci 187:98)
Publisher: Babelcube Inc.
ISBN: 1071526928
Category : Photography
Languages : en
Pages : 175
Book Description
Beauty is a subject that has obsessed man since ancient times. While the concept of "the beautiful" is true is relative and depends on each social group and each era, it is also true that our perception of beauty is subject to the harmony of the measures. In any facet of our life, we instictively seek harmony and balance. Why, before two seemingly equal or similar images, one attracts us more than the other? The information they transmit to us is the same but... one is better, we like it more... The answer is inside, in its geometry, in its structure, in short: in its composition. By studying the basic components of an image, the fundamental elements of visual communication, we find a universal language. Knowing how to recognize them in our frame, relocate them and compose with them is as much or more important than the correct handling of the camera. There is still for some the common place that the image does not articulate a language itself, it does not go beyond being an illustration and that it is necessary to "explain" it. I once heard José Saramago, affirm the absolute superiority of the word over the image and condemn the old saying "worth a picture more than a thousand words" to the garbage can. This view, which seems logical in a Nobel Prize for literature, can underline the superiority of written language in the field of abstraction or mental creation. But it is to want to close your eyes (and never better) to the communicative and poetic value of the image. Of course, this controversy settled it, already in the Renaissance, Leonardo da Vinci when he said: "Write the name of God next to his image and see where they look," (da Vinci 187:98)