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Author: Yvonne D. Leach
Publisher: McFarland
ISBN: 1476689229
Category : Performing Arts
Languages : en
Pages : 246
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Book Description
What do Euphoria, Normal People, Atlanta, Ramy, Vida, I May Destroy You, Stranger Things, and Lovecraft Country have in common? In the 2016-2020 time period they were created, these TV shows exemplified one (or more) of four noteworthy trends: authenticity, diversity, sexual candor, and retrospection. This is the first book to examine live action, fictional television shows produced within a five-year period through the lens of the trends that they epitomize. For each show, the following is discussed: the significance of the platform and the format; the intentions of the creators and showrunners; pertinent background information; similar shows and precedents; the storytelling approach; the cinematic form; and finally, how the show is emblematic of that particular trend. Since trends have the possibility of becoming part of the mainstream, they are important to identify as they emerge, especially for viewers who have a keen interest in narrative television shows.
Author: Yvonne D. Leach
Publisher: McFarland
ISBN: 1476689229
Category : Performing Arts
Languages : en
Pages : 246
Get Book Here
Book Description
What do Euphoria, Normal People, Atlanta, Ramy, Vida, I May Destroy You, Stranger Things, and Lovecraft Country have in common? In the 2016-2020 time period they were created, these TV shows exemplified one (or more) of four noteworthy trends: authenticity, diversity, sexual candor, and retrospection. This is the first book to examine live action, fictional television shows produced within a five-year period through the lens of the trends that they epitomize. For each show, the following is discussed: the significance of the platform and the format; the intentions of the creators and showrunners; pertinent background information; similar shows and precedents; the storytelling approach; the cinematic form; and finally, how the show is emblematic of that particular trend. Since trends have the possibility of becoming part of the mainstream, they are important to identify as they emerge, especially for viewers who have a keen interest in narrative television shows.
Author: Jonathan Cohn
Publisher: Rutgers University Press
ISBN: 1978821174
Category : Performing Arts
Languages : en
Pages : 257
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Book Description
Very Special Episodes examines how the quintessential “very special episode” format became a primary way in which the television industry responded to and shaped social change, cultural traumas, and industrial transformations. With essays covering shows ranging from the birth of Desi Arnaz, Jr. on I Love Lucy to contemporary examples such as a delayed episode of Black-ish and the streaming-era phenomenon of the “Very Special Seasons” of UnReal and 13 Reasons Why, this collection seriously and critically uses the “very special episode” to chart the history of American television and its self-identified status as an arbiter of culture.
Author: Sara Gwenllian-Jones
Publisher: U of Minnesota Press
ISBN: 9780816638314
Category : Performing Arts
Languages : en
Pages : 268
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Book Description
A television series is tagged with the label "cult" by the media, advertisers, and network executives when it is considered edgy or offbeat, when it appeals to nostalgia, or when it is considered emblematic of a particular subculture. By these criteria, almost any series could be described as cult. Yet certain programs exert an uncanny power over their fans, encouraging them to immerse themselves within a fictional world. In Cult Television leading scholars examine such shows as The X-Files; The Avengers; Doctor Who, Babylon Five; Star Trek; Xena, Warrior Princess; and Buffy the Vampire Slayer to determine the defining characteristics of cult television and map the contours of this phenomenon within the larger scope of popular culture. Contributors: Karen Backstein; David A. Black, Seton Hall U; Mary Hammond, Open U; Nathan Hunt, U of Nottingham; Mark Jancovich; Petra Kuppers, Bryant College; Philippe Le Guern, U of Angers, France; Alan McKee; Toby Miller, New York U; Jeffrey Sconce, Northwestern U; Eva Vieth Sara Gwenllian-Jones is a lecturer in television and digital media at Cardiff University and co-editor of Intensities: The Journal of Cult Media. Roberta E. Pearson is a reader in media and cultural studies at Cardiff University. She is the author of the forthcoming book Small Screen, Big Universe: Star Trek and Television.
Author: Alan Sepinwall
Publisher: Hachette+ORM
ISBN: 1455588202
Category : Performing Arts
Languages : en
Pages : 456
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Book Description
Is The Wire better than Breaking Bad? Is Cheers better than Seinfeld? What's the best high school show ever made? Why did Moonlighting really fall apart? Was the Arrested Development Netflix season brilliant or terrible? For twenty years-since they shared a TV column at Tony Soprano's hometown newspaper-critics Alan Sepinwall and Matt Zoller Seitz have been debating these questions and many more, but it all ultimately boils down to this: What's the greatest TV show ever? That debate reaches an epic conclusion in TV (THE BOOK). Sepinwall and Seitz have identified and ranked the 100 greatest scripted shows in American TV history. Using a complex, obsessively all-encompassing scoring system, they've created a Pantheon of top TV shows, each accompanied by essays delving into what made these shows great. From vintage classics like The Twilight Zone and I Love Lucy to modern masterpieces like Mad Men and Friday Night Lights, from huge hits like All in the Family and ER to short-lived favorites like Firefly and Freaks and Geeks, TV (THE BOOK) will bring the triumphs of the small screen together in one amazing compendium. Sepinwall and Seitz's argument has ended. Now it's time for yours to begin!
Author: Naomi Odenkirk
Publisher: Squaresville Productions
ISBN: 9780971359789
Category : Performing Arts
Languages : en
Pages : 252
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Book Description
The ultimate insider's guide to one of the most daring, influential, and critically-acclaimed comedy shows on TV. From the first time it aired on late-night TV in 1995, Mr. Show began developing a cult-like following, which has only grown since the series' end. Born out of the experimental "alternative" comedy scene in L.A., Bob Odenkirk and David Cross, two of the boldest, most innovative comedy minds to emerge in years, created a veritable comedy haven "where ideas hang out...and do whatever!" and discovered a perfect use of their brilliantly bent talents. Though their road was long and unpaved, Bob and David never compromised their vision of the show, and, with the creative autonomy granted by HBO, the result was a comedy series that is fresh and sublimely funny. Written by Naomi Odenkirk, this book chronicles Bob and David's journey from before their first awkward meeting to the taping of their final episode. It is chock-full of archival photos and artifacts, and features original, never-before-seen material plus a complete episode guide, making it a rich, unique time-caplet of what may be the period's most important and influential comedy movement. Book jacket.
Author: Amanda D Lotz
Publisher: NYU Press
ISBN: 1479830070
Category : Performing Arts
Languages : en
Pages : 411
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Book Description
“Incredibly prescient . . . the revised edition updates its account to reflect an age when Hulu, Netflix, and Amazon are now competing for Emmy and Peabody Awards.” —Henry Jenkins, coauthor of Spreadable Media: Creating Meaning and Value in a Networked Culture Many proclaimed the “end of television” in the early years of the twenty-first century, as capabilities and features of the boxes that occupied a central space in American living rooms for the preceding fifty years were radically remade. In this revised second edition of her definitive book, Amanda D. Lotz proves that rumors of the death of television were greatly exaggerated and explores how new distribution and viewing technologies have resurrected the medium. Shifts in the basic practices of making and distributing television have not been hastening its demise but redefining what we can do with it, what we expect from it, how we use it—in short, revolutionizing it. Television, as both a technology and a tool for cultural storytelling, remains as important today as ever, but it has changed in fundamental ways. The Television Will Be Revolutionized provides a sophisticated history of the present, examining television in what Lotz terms the “post-network” era while providing frameworks for understanding the continued change in the medium. The second edition addresses adjustments throughout the industry wrought by broadband-delivered television such as Netflix, YouTube, and cross-platform initiatives like TV Everywhere, as well as how technologies such as tablets and smartphones have changed how and where we view. Lotz begins to deconstruct the future of different kinds of television—exploring how “prized content,” live televised sports, and linear viewing may all be “television,” but very different types of television for both viewers and producers. Through interviews with those working in the industry, surveys of trade publications, and consideration of an extensive array of popular shows, Lotz takes us behind the screen to explore what is changing, why it is changing, and why the changes matter. “[A] thorough and engaging analysis.” —Velvet Light Trap “Thick with trade facts and figures.” —Popular Communication
Author: June M. Pulliam
Publisher: Rowman & Littlefield
ISBN: 1442260688
Category : Literary Criticism
Languages : en
Pages : 269
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Book Description
Richard Matheson was one of the leading writers of science fiction, fantasy, and horror in the twentieth century. Matheson’s most famous early works, the novels I Am Legend (1954) and The Shrinking Man (1956), both depict traditionally masculine figures thrust into extraordinary situations. Other thought-provoking novels, including Hell House (1971), Bid Time Return (1975), and What Dreams May Come (1978)—as well as short stories and screenplays—convey the ambiguous status of masculinity: how men should behave vis-à-vis women and what role they should occupy in the family dynamic and in society at large. In Richard Matheson’s Monsters: Gender in the Stories, Scripts, Novels and Twilight Zone Episodes, June M. Pulliam and Anthony J. Fonseca examine how this groundbreaking author’s writings shed light on society’s ever-shifting attitudes on masculinity and domesticity. In this first full-length critical study of Matheson’s entire literary output, the authors discuss how I Am Legend, The Shrinking Man, and other works question traditional male roles. The authors examine how Matheson’s scripts for The Twilight Zone represented changing expectations in male behavior with the onset of the sexual and feminist revolutions, industrialization and globalization, and other issues. In a society where gender roles are questioned every day, Matheson’s work is more relevant than ever. Richard Matheson’s Monsters will be of interest to scholars of literature, film, and television, as well those interested in gender and masculinity studies.
Author: Wikipedia contributors
Publisher: e-artnow sro
ISBN:
Category :
Languages : en
Pages : 1270
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Book Description
Author: Kathryn E. Linder
Publisher: Lexington Books
ISBN: 0739187511
Category : Social Science
Languages : en
Pages : 169
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Book Description
Springfield. Columbine. Sandy Hook. Each school shooting in the United States is followed by a series of questions. Why does this happen? Who are the shooters? How can this be prevented? Along with parents, school officials, media outlets, and scholars, popular culture has also attempted to respond to these questions through a variety of fictional portrayals of rampage violence. Rampage Violence Narratives: What Fictional Accounts of Rampage Violence Say about the Future of America’s Youth offers a detailed look at the state of youth identity in American cultural representations of youth violence through an extended analysis of over forty primary sources of fictional narratives of urban and suburban/rural school violence. Representations of suburban and rural school shootings that are modeled after real-life events serve to shape popular understandings of the relationship between education and American identity, the liminal space between childhood and adulthood, and the centrality of white heterosexual masculinity to definitions of social and political success in the United States. Through a series of "case studies" that offer in-depth examinations of fictional depictions of school shootings in film and literature, it becomes clear that these stories are representative of a larger social narrative regarding the future of the United States. The continuing struggle to understand youth violence is part of an ongoing conversation about what it means to raise future citizens within a cultural moment that views youth through a lens of anxiety rather than optimism.
Author: Jeff Robbins
Publisher: McFarland
ISBN: 0786431911
Category : Performing Arts
Languages : en
Pages : 293
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Book Description
This work offers a complete episode guide and comprehensive history of Second City Television. The influential Canadian sketch comedy series created dozens of memorable characters (i.e. station president Guy Caballero and showbiz mogul Johnny LaRue) and featured well-known performers such as John Candy, Catherine O'Hara, and Martin Short, at the height of their comedic careers. Presenting a thorough summary and review for each of SCTV's 135 episodes, the author traces the initial appearance and evolution of some of comedy's best known television characters and sketches. Two appendices provide guides to the program's compilation shows and recently released boxed sets on DVD.
