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Author: Richard Petzoldt
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 298
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Book Description
For contemporaries Telemann was the leading German composer, and a leader on the European musical scene. His fantastic energy, keen business sense, and industry ensured a steady output during an active career of over sixty years. A friend of Handel and J.S. Bach, and esteemed by both, he was a more than likable character: versatile, resourceful, witty, and disarmingly self-assertive. In describing Telemann's life and career, especially in Leipzig, Frankfurt, and Hamburg, Professor Petzoldt explains the musician's status in eighteenth-century society and shows how Telemann, by dint of his gifts and prestige, rose above dependence. After his death Telemann's star waned, while Bach's rose. The author's examination of Telemann's reputation and styles emphasizes that we must try to understand eighteenth-century attitudes before we make hasty judgments and dismiss as second-rate a composer so lauded in his day. The detailed analysis of Telemann's music includes his orchestral works, chamber and instrumental music, Lieder, oratorios and Passions, cantatas, and opera. It also includes comparison with the works of such contemporaries as Handel, Bach, Keiser, Mattheson, and Carl Heinrich Graun. The account of the Hamburg opera shows Telemann as a prime mover in the development of a specifically German opera.
Author: Richard Petzoldt
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 298
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Book Description
For contemporaries Telemann was the leading German composer, and a leader on the European musical scene. His fantastic energy, keen business sense, and industry ensured a steady output during an active career of over sixty years. A friend of Handel and J.S. Bach, and esteemed by both, he was a more than likable character: versatile, resourceful, witty, and disarmingly self-assertive. In describing Telemann's life and career, especially in Leipzig, Frankfurt, and Hamburg, Professor Petzoldt explains the musician's status in eighteenth-century society and shows how Telemann, by dint of his gifts and prestige, rose above dependence. After his death Telemann's star waned, while Bach's rose. The author's examination of Telemann's reputation and styles emphasizes that we must try to understand eighteenth-century attitudes before we make hasty judgments and dismiss as second-rate a composer so lauded in his day. The detailed analysis of Telemann's music includes his orchestral works, chamber and instrumental music, Lieder, oratorios and Passions, cantatas, and opera. It also includes comparison with the works of such contemporaries as Handel, Bach, Keiser, Mattheson, and Carl Heinrich Graun. The account of the Hamburg opera shows Telemann as a prime mover in the development of a specifically German opera.
Author: Wiener Staatsoper. Orchester
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Steven David Zohn
Publisher: Oxford University Press
ISBN: 0190247851
Category : Music
Languages : en
Pages : 721
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Book Description
This first full-length study of Telemann's concertos, sonatas, and suites focuses on his imaginative mixing of styles and genres. Special attention is also devoted to the extra musical meanings and humor of his programmatic overture-suites, his unprecedented self-publishing enterprise, and the social resonances of his Polish-style works.
Author: Wolfgang Hirschmann
Publisher: Cambridge University Press
ISBN: 1108645593
Category : Music
Languages : en
Pages : 377
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Book Description
Even as Georg Philipp Telemann's significance within eighteenth-century musical culture has become more widely appreciated in recent years, the English-language literature on his life and music has remained limited. This volume, bringing together sixteen essays by leading scholars from the USA, Germany, and Japan, helps to redress this imbalance as it signals a more international engagement with Telemann's legacy. The composer appears here not only as an important early Enlightenment figure, but also as a postmodern one. Chapters on his sacred music address the works' sensitivity to Lutheran and physico-theology, contrasting of historical and modern consciousness, and embodiment of an emerging opus concept. His secular compositions and writings are brought into rich dialogue with French musical and aesthetic currents. Also considered are Telemann's relationships with contemporaries such as Johann Sebastian Bach, the urban and courtly contexts for his music, and his influential position as 'general Kapellmeister' of protestant Germany.
Author: Florilegium
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Andrew Talle
Publisher: University of Illinois Press
ISBN: 0252095391
Category : Music
Languages : en
Pages : 169
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Book Description
This provocative addition to the Bach Perspectives series offers a counternarrative to the isolated genius status that J. S. Bach and his music currently enjoy. Contributors contextualize Bach by examining the output, reputation, and compositional practices of his contemporaries in Germany whose work was widely played and enjoyed in his time, including Georg Philipp Telemann, Christoph Graupner, Gottlieb Muffat, and Johann Adolf Scheibe. Essays place Bach and his work in relation to his peers, examining avenues of composition they took while he did not and showing how differing treatments of the same subjects or texts resulted in markedly different compositional results and legacies. By looking closely at how Bach's contemporaries addressed the tasks and challenges of their time, this project provides a more nuanced view of the musical world of Bach's time while revealing in more specific terms than ever how and why Bach's own music remains fresh and compelling. In this volume, Wolfgang Hirschmann proposes an ethnographic approach that contextualizes Bach's works, addressing the aesthetic paths he took as well as those he did not pursue. Steven Zohn's essay considers Telemann's contribution to the orchestral Ouverture genre, observering how Telemann's approach to integrating the national styles of his time was quite different from, but no less rich than, Bach's. Andrew Talle compares settings and strategies of Vergnügte Ruh, beliebte Seelenlust by Bach and Graupner. Alison Dunlop presents valuable primary research on Muffat, the most commonly cited keyboard music composer in Vienna during Bach's lifetime. Finally, Michael Maul sheds new light on the Scheibe-Birnbaum controversy, contextualizing the most famous critique of J. S. Bach's compositional style by discussing the other composers that Scheibe critiqued.
Author: Gregory Butler
Publisher: University of Illinois Press
ISBN: 0252030427
Category : Music
Languages : en
Pages : 178
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Book Description
As the official publication of the American Bach Society, Bach Perspectives has pioneered new areas of research in the life, times, and music of Bach since its first appearance in 1995. In a series long known for its major essays by leading Bach scholars and performers, Bach Perspectives, Volume 6 is no exception. This volume opens with Joshua Rifkin's seminal study of the early source history of the B-minor orchestral suite. It not only elaborates on Rifkin's discovery that the work in its present form for solo flute goes back to an earlier version in A minor, ostensibly for solo violin, but also takes this discovery as the point of departure for a wide-ranging discussion of the origins and extent of Bach's output in the area of concerted ensemble music. Jeanne Swack presents an enlightening comparison of Georg Phillip Telemann's and Bach's approach to the French overture as concerted movements in their church cantatas, and Steven Zohn views the B-minor orchestral suite from the standpoint of the "concert en ouverture," responding to Rifkin by suggesting that the early version of the B-minor orchestral suite may also have been scored for flute.
Author: Robin A. Leaver
Publisher: Routledge
ISBN: 1000343537
Category : Music
Languages : en
Pages : 392
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Book Description
This volume draws together a collection of Robin A. Leaver’s essays on Bach’s sacred music, exploring the religious aspects of this repertoire through consideration of three core themes: liturgy, hymnology, and theology. Rooted in a rich understanding of the historical sources, the book illuminates the varied ways in which Bach’s sacred music was informed and shaped by the religious, ritual, and intellectual contexts of his time, placing these works in the wider history of Protestant church music during the Baroque era. Including research from across a span of forty years, the chapters in this volume have been significantly revised and expanded for this publication, with several pieces appearing in English for the first time. Together, they offer an essential compendium of the work of a leading scholar of theological Bach studies.
Author: Don O. Franklin
Publisher: Cambridge University Press
ISBN: 9780521470674
Category : Music
Languages : en
Pages : 258
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Book Description
This 1995 volume presents twelve essays by internationally distinguished Bach scholars, covering a broad range of issues in this field.
Author: Tanya Kevorkian
Publisher: University of Virginia Press
ISBN: 0813947022
Category : History
Languages : en
Pages : 426
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Book Description
Music and Urban Life in Baroque Germany offers a new narrative of Baroque music, accessible to non-music specialists, in which Tanya Kevorkian defines the era in terms of social dynamics rather than style and genre development. Towns were crucial sites of music-making. Kevorkian explores how performance was integrated into and indispensable to everyday routines, celebrations such as weddings, and political culture. Training and funding likewise emerged from and were integrated into urban life. Ordinary artisans, students, and musical tower guards as well as powerful city councilors contributed to the production and reception of music. This book illuminates the processes at play in fascinating ways. Challenging ideas of "elite" and "popular" culture, Kevorkian examines five central and southern German towns—Augsburg, Munich, Erfurt, Gotha, and Leipzig—to reconstruct a vibrant urban musical culture held in common by townspeople of all ranks. Outdoor acoustic communication, often hovering between musical and nonmusical sound, was essential to the functioning of these towns. As Kevorkian shows, that sonic communication was linked to the music and musicians heard in homes, taverns, and churches. Early modern urban environments and dynamics produced both the giants of the Baroque era, such as Johann Sebastian Bach and Georg Philipp Telemann, and the music that townspeople heard daily. This book offers a significant rediscovery of a rich, unique, and understudied musical culture. Received a subvention award from the Margarita M. Hanson Fund and the Donna Cardamone Jackson Fund of the American Musicological Society.
