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Author: Richard Coyne
Publisher: MIT Press
ISBN: 9780262531917
Category : Architecture
Languages : en
Pages : 416
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Book Description
The author explores the spectrum of romantic narrative that pervades the digital age, from McLuhan's utopian vision of social reintegration by electronic communications to the claims of cyberspace to offer new realities. Populating these narratives are cyborgs, computerized agents, avatars and characters that have putative digital identities.
Author: Richard Coyne
Publisher: MIT Press
ISBN: 9780262531917
Category : Architecture
Languages : en
Pages : 416
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Book Description
The author explores the spectrum of romantic narrative that pervades the digital age, from McLuhan's utopian vision of social reintegration by electronic communications to the claims of cyberspace to offer new realities. Populating these narratives are cyborgs, computerized agents, avatars and characters that have putative digital identities.
Author: Richard Coyne
Publisher: MIT Press (MA)
ISBN: 9780262518949
Category : Computers
Languages : en
Pages : 399
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Book Description
Coyne examines the entire range of contemporary philosophicalthinking—including logical positivism, analytic philosophy, pragmatism, phenomenology,critical theory, hermeneutics, and deconstruction—comparing them and showing how theydiffer in their consequences for design and development issues in electronic communications,computer representation, virtual reality, artificial intelligence, and multimedia.
Author: Philipp Löffler
Publisher: Boydell & Brewer
ISBN: 1571139524
Category : History
Languages : en
Pages : 192
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Book Description
Excavates the contemporary revival of 19th-century cultural pluralism, revealing how American novelists since the 1990s have appropriated the historical novel in the pursuit of selfhood rather than truth, fundamentally repositioning the genre in American culture.
Author: Richard Coyne
Publisher: Routledge
ISBN: 1136723463
Category : Architecture
Languages : en
Pages : 145
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Book Description
Jacques Derrida’s thinking is radical, provocative, controversial, and even difficult. This book looks afresh at Derrida’s thinking in relation to architecture. It simplifies his ideas in a clear, concise way. As well as a review of Derrida’s interaction with architecture, it is also a careful consideration of the implications of his thinking, particularly on the way architecture is practiced.
Author: Julia Genz
Publisher: Cambridge Scholars Publishing
ISBN: 1443887676
Category : Art
Languages : en
Pages : 230
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Book Description
The current success story of new media and the ongoing digitalisation of our world provide an illuminating starting point for the discussion of the powerful revolutions in our media and media uses initiated by the introduction of a(ny) ‘new’ medium: how do new media evolve and how do they relate to established, ‘old’ media and media uses? What does the rise of new media and media uses imply for other discourses? And not least: which methodological and theoretical approaches help us to understand these developments? Metamorphoses of (New) Media offers an international and interdisciplinary range of studies on these questions. In examining the effects of new media and media uses in fields such as social discourse, transmediality, and aesthetics, the essays in this collection engage with a great variety of examples, from political debate on Twitter to digital storytelling and the game-like experience of DVDs. What these diverse perspectives share, however, is an approach to Metamorphoses of (New) Media as an ongoing, recursive process of change that initiates dialogue and casts light on existing discursive, medial, and aesthetic models.
Author: Adrian Snodgrass
Publisher: Routledge
ISBN: 1134222645
Category : Architecture
Languages : en
Pages : 345
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Book Description
Drawing on cultural theory, phenomenology and concepts from Asian art and philosophy, this book reflects on the role of interpretation in the act of architectural creation, bringing an intellectual and scholarly dimension to real-world architectural design practice. For practising architects as well as academic researchers, these essays consider interpretation from three theoretical standpoints or themes: play, edification and otherness. Focusing on these, the book draws together strands of thought informed by the diverse reflections of hermeneutical scholarship, the uses of digital media and studio teaching and practice.
Author: Mark Coeckelbergh
Publisher: MIT Press
ISBN: 0262343096
Category : Science
Languages : en
Pages : 332
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Book Description
An account of the complex relationship between technology and romanticism that links nineteenth-century monsters, automata, and mesmerism with twenty-first-century technology's magic devices and romantic cyborgs. Romanticism and technology are widely assumed to be opposed to each other. Romanticism—understood as a reaction against rationalism and objectivity—is perhaps the last thing users and developers of information and communication technology (ICT) think about when they engage with computer programs and electronic devices. And yet, as Mark Coeckelbergh argues in this book, this way of thinking about technology is itself shaped by romanticism and obscures a better and deeper understanding of our relationship to technology. Coeckelbergh describes the complex relationship between technology and romanticism that links nineteenth-century monsters, automata, and mesmerism with twenty-first-century technology's magic devices and romantic cyborgs. Coeckelbergh argues that current uses of ICT can be interpreted as attempting a marriage of Enlightenment rationalism and romanticism. He describes the “romantic dialectic,” when this new kind of material romanticism, particularly in the form of the cyborg as romantic figure, seems to turn into its opposite. He shows that both material romanticism and the objections to it are still part of modern thinking, and part of the romantic dialectic. Reflecting on what he calls “the end of the machine,” Coeckelbergh argues that to achieve a more profound critique of contemporary technologies and culture, we need to explore not only different ways of thinking but also different technologies—and that to accomplish the former we require the latter.
Author: Orrin N. C. Wang
Publisher: Fordham University Press
ISBN: 0823298493
Category : Literary Criticism
Languages : en
Pages : 279
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Book Description
Shortlisted, Marilyn Gaull Book Award Techno-Magism explores how British Romantic literature abuts and is organized around both print and non-print media. The book explores not only the print, pictorial art, and theater of early nineteenth-century England and Europe but also communicative technologies invented after the British Romantic period, such as photography, film, video, and digital screens. This proleptic abutting points to one way we can understand the implicit exceptionality wagered by reading Romanticism through media studies and media theory. Techno-Magism argues that both media studies and the concept of mediation in general can benefit from a more robust confrontation with, or recovery of, the arguments of deconstruction, an unavoidable consequence of thinking about the relationship between Romanticism and media. The book thinks that relationship through the catachrestic practice of a techno-magism, a technics of inscription always outside the causalities of a dialectical economy. The book further pursues two interrelated ideas: the structural incommensurability of the cut and the unapologetic presentism of the constellation. Marked by its late capitalist moment of composition, the book explores the continuity between the social character of Romantic and post-Romantic media, in terms of commodity culture, revolution, and the ecological devastation of the anthropocene.
Author: Katharina Loew
Publisher: Amsterdam University Press
ISBN: 9048551714
Category : Art
Languages : en
Pages : 322
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Book Description
In recent decades, special effects have become a major new area of research in cinema studies. For the most part, they have been examined as spectacles or practical tools. In contrast, Special Effects and German Silent Film, foregrounds their function as an expressive device and their pivotal role in cinema's emergence as a full-fledged art. Special effects not only shaped the look of iconic films like Nosferatu (1922) or Metropolis (1927), but they are central to a comprehensive understanding of German silent film culture writ large. This book examines special effects as the embodiment of a "techno-romantic" paradigm that seeks to harness technology-the epitome of modern materialism-as a means for accessing a spiritual realm. Employed to visualize ideas and emotions in a medium-specific way, special effects thus paved the way for film art.
Author: N. Katherine Hayles
Publisher: MIT Press
ISBN: 9780262582155
Category : Architecture
Languages : en
Pages : 148
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Book Description
A pseudo-autobiographical exploration of the artistic and cultural impact of the transformation of the print book to its electronic incarnations.
