Tebaldo e Isolina, melodramma eroico, in two acts [and in verse. By Gaetano Rossi.] as represented for the first time by the King's Theatre, Haymarket, February 25th, 1826. The translation by W. J. Walter. Ital. & Eng. PDF Download
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![Tebaldo e Isolina, melodramma eroico, in two acts [and in verse. By Gaetano Rossi.] as represented for the first time by the King's Theatre, Haymarket, February 25th, 1826. The translation by W. J. Walter. Ital. & Eng. PDF](https://books.google.com/books/content/images/frontcover/8tCaGzX8JEIC?fife=w150-h200)
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Languages : en
Pages : 88
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![Tebaldo e Isolina, melodramma eroico, in two acts [and in verse. By Gaetano Rossi.] as represented for the first time by the King's Theatre, Haymarket, February 25th, 1826. The translation by W. J. Walter. Ital. & Eng. PDF](https://books.google.com/books/content/images/frontcover/8tCaGzX8JEIC?fife=w80-h100)
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Languages : en
Pages : 88
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Category :
Languages : en
Pages : 556
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Category : English literature
Languages : en
Pages : 560
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Author: Library of Congress
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Category :
Languages : en
Pages : 244
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Author: Library of Congress
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ISBN:
Category :
Languages : en
Pages : 244
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Author: Vlado Kotnik
Publisher: Cambridge Scholars Publishing
ISBN: 1527532291
Category : Music
Languages : en
Pages : 293
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This book details original case studies that represent five different social positions or characterisations of opera: namely, opera as social showcase from Bayreuth (1748), social distinction from Ljubljana (1887), social conflict from Brno (1920), social status from Mantua (1999) and social manifest from Belgrade (2005). These positions, which indicate opera’s social diversity in local, regional, provincial, and peripheral terms, as well as its social mutuality in international, transnational, global, or metropolitan terms, generally promote the idea of opera as a social venue, cultural practice, theatrical scene, lyrical site, musical place, artistic experience, or transgenerational phenomenon through which people not only produce and consume the art of music, theatre, and spectacle, but also show off their lifestyle as well as economic, social, cultural and symbolic determination, identification, and structuration. The selected case studies of peripheral opera worlds are different in terms of the chosen places, times, and problems they tackle, but they all have something meaningful in common. They convincingly address the idea that opera peripheries produce compellingly powerful meanings and messages of their different social worlds. Through its analysis, this book creates a fruitful interpretative encounter of the academic domains of opera studies, historical sociology, cultural sociology and social and cultural anthropology.
Author: Library of Congress
Publisher:
ISBN:
Category :
Languages : en
Pages : 244
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![I Puritani e i Cavalieri. The Puritans and the Cavaliers. A serious opera, in 3 acts [in Italian verse, with an English prose translation], etc PDF](https://books.google.com/books/content/images/frontcover/ZFpgAAAAcAAJ?fife=w80-h100)
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Languages : en
Pages : 44
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Author: Hilary Poriss
Publisher: Oxford University Press
ISBN: 0190452684
Category : Music
Languages : en
Pages : 240
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This study seeks to explore the role and significance of aria insertion, the practice that allowed singers to introduce music of their own choice into productions of Italian operas. Each chapter investigates the art of aria insertion during the nineteenth century from varying perspectives, beginning with an overview of the changing fortunes of the practice, followed by explorations of individual prima donnas and their relationship with particular insertion arias: Carolina Ungher's difficulties in finding a "perfect" aria to introduce into Donizetti's Marino Faliero; Guiditta Pasta's performance of an aria from Pacini's Niobe in a variety of operas, and the subsequent fortunes of that particular aria; Maria Malibran's interpolation of Vaccai's final scene from Giulietta e Romeo in place of Bellini's original setting in his I Capuleti e i Montecchi; and Adelina Patti's "mini-concerts" in the lesson scene of Il barbiere di Siviglia. The final chapter provides a treatment of a short story, "Memoir of a Song," narrated by none other than an insertion aria itself, and the volume concludes with an appendix containing the first modern edition of this short story, a narrative that has lain utterly forgotten since its publication in 1849. This book covers a wide variety of material that will be of interest to opera scholars and opera lovers alike, touching on the fluidity of the operatic work, on the reception of the singers, and on the shifting and hardening aesthetics of music criticism through the period.
Author: Sean M. Parr
Publisher: Oxford University Press
ISBN: 0197542662
Category : Music
Languages : en
Pages : 325
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Book Description
Nothing strikes the ear quite like a soprano singing in the sonic stratosphere. Whether thrilling, chilling, or repellent to the listener, the reaction to cascades of coloratura with climaxing high notes is strong. Coloratura-agile, rapid-fire singing-was originally essential for all singers, but its function changed greatly when it became the specialty of particular sopranos over the course of the nineteenth century. The central argument of Vocal Virtuosity challenges the historical commonplace that coloratura became an anachronism in nineteenth-century opera. Instead, the book demonstrates that melismas at mid-century were made modern. Coloratura became an increasingly marked musical gesture during the century with a correspondingly more specific dramaturgical function. In exploring this transformation, the book reveals the instigators of this change in vocal practice and examines the historical traces of Parisian singers who were the period's greatest exponents of vertiginous vocality as archetypes of the modern coloratura soprano. The book constructs the historical trajectory of coloratura as it became gendered the provenance of the female singer, while also considering what melismas can signify in operatic performance. As a whole, it argues that vocal virtuosity was a source of power for women, generating space for female authorship and creativity. In so doing, the book reclaims a place in history for the coloratura soprano.
