Author: Humberto Maldonado Macías
Publisher: Consejo Nacional Para La Cultura y Las Artes
ISBN:
Category : Mexican drama
Languages : es
Pages : 204
Book Description
"Third in a series, this useful anthology includes dramatic texts by an anonymous author, Juan Pérez Ramírez, and Fernán González de Eslava. Solórzano briefly introduces the authors, dramatic forms, and material treated in the texts, and examines the ideological function of colonial-era theater, while giving a literary/critical history and bibliography of Mexican theater"--Handbook of Latin American Studies, v. 58.
Teatro mexicano: La teatralidad criolla del siglo XVII
Author: Humberto Maldonado Macías
Publisher: Consejo Nacional Para La Cultura y Las Artes
ISBN:
Category : Mexican drama
Languages : es
Pages : 204
Book Description
"Third in a series, this useful anthology includes dramatic texts by an anonymous author, Juan Pérez Ramírez, and Fernán González de Eslava. Solórzano briefly introduces the authors, dramatic forms, and material treated in the texts, and examines the ideological function of colonial-era theater, while giving a literary/critical history and bibliography of Mexican theater"--Handbook of Latin American Studies, v. 58.
Publisher: Consejo Nacional Para La Cultura y Las Artes
ISBN:
Category : Mexican drama
Languages : es
Pages : 204
Book Description
"Third in a series, this useful anthology includes dramatic texts by an anonymous author, Juan Pérez Ramírez, and Fernán González de Eslava. Solórzano briefly introduces the authors, dramatic forms, and material treated in the texts, and examines the ideological function of colonial-era theater, while giving a literary/critical history and bibliography of Mexican theater"--Handbook of Latin American Studies, v. 58.
Teatro mexicano: La teatralidad criolla del siglo XVII
Author: Humberto Maldonado Macías
Publisher: Consejo Nacional Para La Cultura y Las Artes
ISBN: 9789682935497
Category : Mexican drama
Languages : es
Pages : 196
Book Description
"Third in a series, this useful anthology includes dramatic texts by an anonymous author, Juan Pérez Ramírez, and Fernán González de Eslava. Solórzano briefly introduces the authors, dramatic forms, and material treated in the texts, and examines the ideological function of colonial-era theater, while giving a literary/critical history and bibliography of Mexican theater"--Handbook of Latin American Studies, v. 58.
Publisher: Consejo Nacional Para La Cultura y Las Artes
ISBN: 9789682935497
Category : Mexican drama
Languages : es
Pages : 196
Book Description
"Third in a series, this useful anthology includes dramatic texts by an anonymous author, Juan Pérez Ramírez, and Fernán González de Eslava. Solórzano briefly introduces the authors, dramatic forms, and material treated in the texts, and examines the ideological function of colonial-era theater, while giving a literary/critical history and bibliography of Mexican theater"--Handbook of Latin American Studies, v. 58.
Mexican Theater and Drama from the Conquest Through the Seventeenth Century
Author: Daniel Breining
Publisher: Edwin Mellen Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 152
Book Description
This work is an annotated bibliography which brings together under one title a diverse collection of works along with critical commentary that deal with the first centuries of colonial Mexican theater and drama. This work should appeal to scholars interested in colonial literature/drama, especially that originating in Mexico. title a diverse collection of works along with critical commentary that deal with the first centuries of colonial Mexican theater and drama. Shortly after the fall of the Aztec capital Tenochtitlan in 1521, the Spanish conquerors deemed it necessary to instruct the large indigenous populations and to quickly convert them to Catholicism. This task fell principally on the newly arrived religious orders, the first being the Franciscans who set foot in New Spain in 1523. Because of the linguistic barriers encountered by the clerics, there was a need to exemplify the Christian faith that did not rely so heavily on simple verbal instruction. Theater and dramatic performances proved to be the ideal format. third decade of the sixteenth century and then concluding with pieces coming towards the end of the 1600s. Studies that center on these plays are mostly modern works stemming from the late 1800s and continue up to the publication of this bibliography. In addition to these dramatic works, the reader will find the more important and prevalent pre-Hispanic plays along with studies focusing on this native genre and the far reaching importance of theatrical performance to the Indian population of central Mexico prior to the arrival of the European. Along with native dramatic works propagating indigenous religious beliefs and the Christian plays of conversion, there are many ancillary studies that deal with performance practices and theatrical sites. architectural properties of performance locales, and especially the open air chapel, which the early religious orders depended upon heavily and used extensively in central New Spain for conversional and didactic dramas. This annotated bibliography concludes with an extensive index allowing quick access to its contents further assisting the investigator in additional research.
Publisher: Edwin Mellen Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 152
Book Description
This work is an annotated bibliography which brings together under one title a diverse collection of works along with critical commentary that deal with the first centuries of colonial Mexican theater and drama. This work should appeal to scholars interested in colonial literature/drama, especially that originating in Mexico. title a diverse collection of works along with critical commentary that deal with the first centuries of colonial Mexican theater and drama. Shortly after the fall of the Aztec capital Tenochtitlan in 1521, the Spanish conquerors deemed it necessary to instruct the large indigenous populations and to quickly convert them to Catholicism. This task fell principally on the newly arrived religious orders, the first being the Franciscans who set foot in New Spain in 1523. Because of the linguistic barriers encountered by the clerics, there was a need to exemplify the Christian faith that did not rely so heavily on simple verbal instruction. Theater and dramatic performances proved to be the ideal format. third decade of the sixteenth century and then concluding with pieces coming towards the end of the 1600s. Studies that center on these plays are mostly modern works stemming from the late 1800s and continue up to the publication of this bibliography. In addition to these dramatic works, the reader will find the more important and prevalent pre-Hispanic plays along with studies focusing on this native genre and the far reaching importance of theatrical performance to the Indian population of central Mexico prior to the arrival of the European. Along with native dramatic works propagating indigenous religious beliefs and the Christian plays of conversion, there are many ancillary studies that deal with performance practices and theatrical sites. architectural properties of performance locales, and especially the open air chapel, which the early religious orders depended upon heavily and used extensively in central New Spain for conversional and didactic dramas. This annotated bibliography concludes with an extensive index allowing quick access to its contents further assisting the investigator in additional research.
Theatre Cultures within Globalising Empires
Author: Joachim Küpper
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110612038
Category : Language Arts & Disciplines
Languages : en
Pages : 359
Book Description
This volume presents the proceedings of the international conference “Theatre Cultures within Globalising Empires: Looking at Early Modern England and Spain”, held in 2012 as part of the ERC Advanced Grant Project Early Modern European Drama and the Cultural Net (DramaNet). Implementing the concept of culture as a virtual network, it investigates Early modern European drama and its global dissemination. The 12 articles of the volume – all written by experts in the field teaching in the United Kingdom, the USA, Russia, Switzerland, India and Germany – focus on a selection of English and Spanish dramas from the sixteenth and seventeenth centuries. Analysing and comparing motifs, formal parameters as well as plot structures, they discuss the commonalities and differences of Early modern drama in England and Spain.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110612038
Category : Language Arts & Disciplines
Languages : en
Pages : 359
Book Description
This volume presents the proceedings of the international conference “Theatre Cultures within Globalising Empires: Looking at Early Modern England and Spain”, held in 2012 as part of the ERC Advanced Grant Project Early Modern European Drama and the Cultural Net (DramaNet). Implementing the concept of culture as a virtual network, it investigates Early modern European drama and its global dissemination. The 12 articles of the volume – all written by experts in the field teaching in the United Kingdom, the USA, Russia, Switzerland, India and Germany – focus on a selection of English and Spanish dramas from the sixteenth and seventeenth centuries. Analysing and comparing motifs, formal parameters as well as plot structures, they discuss the commonalities and differences of Early modern drama in England and Spain.
Teatro mexicano: Teatro profesional jesuita del siglo XVII
Author:
Publisher:
ISBN:
Category : Mexican drama
Languages : es
Pages : 136
Book Description
Publisher:
ISBN:
Category : Mexican drama
Languages : es
Pages : 136
Book Description
The Routledge Research Companion to the Works of Sor Juana Inés de la Cruz
Author: Emilie L. Bergmann
Publisher: Routledge
ISBN: 131704164X
Category : Literary Criticism
Languages : en
Pages : 702
Book Description
Called by her contemporaries the "Tenth Muse," Sor Juana Inés de la Cruz (1648–1695) has continued to stir both popular and scholarly imaginations. While generations of Mexican schoolchildren have memorized her satirical verses, only since the 1970s has her writing received consistent scholarly attention., focused on complexities of female authorship in the political, religious, and intellectual context of colonial New Spain. This volume examines those areas of scholarship that illuminate her work, including her status as an iconic figure in Latin American and Baroque letters, popular culture in Mexico and the United States, and feminism. By addressing the multiple frameworks through which to read her work, this research guide serves as a useful resource for scholars and students of the Baroque in Europe and Latin America, colonial Novohispanic religious institutions, and women’s and gender studies. The chapters are distributed across four sections that deal broadly with different aspects of Sor Juana's life and work: institutional contexts (political, economic, religious, intellectual, and legal); reception history; literary genres; and directions for future research. Each section is designed to provide the reader with a clear understanding of the current state of the research on those topics and the academic debates within each field.
Publisher: Routledge
ISBN: 131704164X
Category : Literary Criticism
Languages : en
Pages : 702
Book Description
Called by her contemporaries the "Tenth Muse," Sor Juana Inés de la Cruz (1648–1695) has continued to stir both popular and scholarly imaginations. While generations of Mexican schoolchildren have memorized her satirical verses, only since the 1970s has her writing received consistent scholarly attention., focused on complexities of female authorship in the political, religious, and intellectual context of colonial New Spain. This volume examines those areas of scholarship that illuminate her work, including her status as an iconic figure in Latin American and Baroque letters, popular culture in Mexico and the United States, and feminism. By addressing the multiple frameworks through which to read her work, this research guide serves as a useful resource for scholars and students of the Baroque in Europe and Latin America, colonial Novohispanic religious institutions, and women’s and gender studies. The chapters are distributed across four sections that deal broadly with different aspects of Sor Juana's life and work: institutional contexts (political, economic, religious, intellectual, and legal); reception history; literary genres; and directions for future research. Each section is designed to provide the reader with a clear understanding of the current state of the research on those topics and the academic debates within each field.
Teatro mexicano: Dramaturgia novohispana del siglo XVIII
Author: Germán Viveros Maldonado
Publisher: Consejo Nacional Para La Cultura y Las Artes
ISBN:
Category : Mexican drama
Languages : es
Pages : 246
Book Description
"Third in a series, this useful anthology includes dramatic texts by an anonymous author, Juan Pérez Ramírez, and Fernán González de Eslava. Solórzano briefly introduces the authors, dramatic forms, and material treated in the texts, and examines the ideological function of colonial-era theater, while giving a literary/critical history and bibliography of Mexican theater"--Handbook of Latin American Studies, v. 58.
Publisher: Consejo Nacional Para La Cultura y Las Artes
ISBN:
Category : Mexican drama
Languages : es
Pages : 246
Book Description
"Third in a series, this useful anthology includes dramatic texts by an anonymous author, Juan Pérez Ramírez, and Fernán González de Eslava. Solórzano briefly introduces the authors, dramatic forms, and material treated in the texts, and examines the ideological function of colonial-era theater, while giving a literary/critical history and bibliography of Mexican theater"--Handbook of Latin American Studies, v. 58.
Hispanic Essays in Honor of Frank P. Casa
Author: A. Robert Lauer
Publisher: Peter Lang Incorporated, International Academic Publishers
ISBN:
Category : Art
Languages : en
Pages : 514
Book Description
This Festschrift, composed of essays written by prominent Golden Age Hispanists from the United States, Canada, Spain, and Mexico, honors one of the most important Comedia scholars in North America, Frank P. Casa. It contains representative essays on the early drama and prose of Renaissance Spain; important works on canonical texts by seventeenth-century dramatists like Lope de Vega, Tirso de Molina, Calderón, Moreto, and others; as well as timely articles on new socio-cultural theories of the Baroque; performance and documentation studies; and new thematic approaches to the Siglo de Oro, Spain's most important classical literary period. Frank P. Casa studied with Edward Glaser and received his doctorate in Romance Languages and Literatures at the University of Michigan in 1963. He is the author of The Dramatic Craftmanship of Moreto and editor of En busca de España and Agustin Moreto's El valiente justiciero. In collaboration with Berislav Primorac, he edited Moreto's El lindo don Diego and Lope de Vega's El mejor alcalde el rey. In conjunction with Michael McGaha, Professor Casa also published two important volumes on Editing the Comedia. He has published extensively in all areas of Siglo de Oro literature, contemporary Hispanic theater, the Spanish Middle Ages, Lusian studies, and the Italian Renaissance.
Publisher: Peter Lang Incorporated, International Academic Publishers
ISBN:
Category : Art
Languages : en
Pages : 514
Book Description
This Festschrift, composed of essays written by prominent Golden Age Hispanists from the United States, Canada, Spain, and Mexico, honors one of the most important Comedia scholars in North America, Frank P. Casa. It contains representative essays on the early drama and prose of Renaissance Spain; important works on canonical texts by seventeenth-century dramatists like Lope de Vega, Tirso de Molina, Calderón, Moreto, and others; as well as timely articles on new socio-cultural theories of the Baroque; performance and documentation studies; and new thematic approaches to the Siglo de Oro, Spain's most important classical literary period. Frank P. Casa studied with Edward Glaser and received his doctorate in Romance Languages and Literatures at the University of Michigan in 1963. He is the author of The Dramatic Craftmanship of Moreto and editor of En busca de España and Agustin Moreto's El valiente justiciero. In collaboration with Berislav Primorac, he edited Moreto's El lindo don Diego and Lope de Vega's El mejor alcalde el rey. In conjunction with Michael McGaha, Professor Casa also published two important volumes on Editing the Comedia. He has published extensively in all areas of Siglo de Oro literature, contemporary Hispanic theater, the Spanish Middle Ages, Lusian studies, and the Italian Renaissance.
Teatro mexicano: Dramaturgia novohispana del siglo XVIII
Author:
Publisher:
ISBN:
Category : Indians of Mexico
Languages : es
Pages : 236
Book Description
Publisher:
ISBN:
Category : Indians of Mexico
Languages : es
Pages : 236
Book Description
Teatro mexicano: Dramaturgia novohispana del siglo XVIII
Author:
Publisher:
ISBN:
Category : Indians of Mexico
Languages : es
Pages : 222
Book Description
Publisher:
ISBN:
Category : Indians of Mexico
Languages : es
Pages : 222
Book Description