Author: John B. Nomland
Publisher:
ISBN:
Category :
Languages : en
Pages : 337
Book Description
Teatro Mexicano Contemporaneo, 1900-1950
Author: John B. Nomland
Publisher:
ISBN:
Category :
Languages : en
Pages : 337
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 337
Book Description
Teatro mexicano contemporáneo
Author: John B. Nomland
Publisher:
ISBN:
Category : Mexican drama
Languages : es
Pages : 360
Book Description
Publisher:
ISBN:
Category : Mexican drama
Languages : es
Pages : 360
Book Description
Teatro mexicano contemporaneo, 1900-1950
Author: John B. Nomland
Publisher:
ISBN:
Category : Mexican drama
Languages : es
Pages : 0
Book Description
Publisher:
ISBN:
Category : Mexican drama
Languages : es
Pages : 0
Book Description
Teatro mexicano contemporáneo, 1900-1950
Author: John B. Nomland
Publisher:
ISBN:
Category : Theater
Languages : es
Pages : 337
Book Description
Publisher:
ISBN:
Category : Theater
Languages : es
Pages : 337
Book Description
Autores de teatro mexicano
Author:
Publisher:
ISBN:
Category :
Languages : es
Pages : 14
Book Description
Publisher:
ISBN:
Category :
Languages : es
Pages : 14
Book Description
Cantinflas and the Chaos of Mexican Modernity
Author: Jeffrey M. Pilcher
Publisher: Rowman & Littlefield
ISBN: 9780842027717
Category : Biography & Autobiography
Languages : en
Pages : 284
Book Description
Why was Cantinflas, actor Mario Moreno's film persona, the most popular movie star in Mexican history? Was it because every Mexican - rich or poor, Creole or Indian, man or woman, young or old - could identify with him?
Publisher: Rowman & Littlefield
ISBN: 9780842027717
Category : Biography & Autobiography
Languages : en
Pages : 284
Book Description
Why was Cantinflas, actor Mario Moreno's film persona, the most popular movie star in Mexican history? Was it because every Mexican - rich or poor, Creole or Indian, man or woman, young or old - could identify with him?
A History of Hispanic Theatre in the United States
Author: Nicolás Kanellos
Publisher: University of Texas Press
ISBN: 0292761562
Category : Performing Arts
Languages : en
Pages : 289
Book Description
Hispanic theatre flourished in the United States from the mid-nineteenth century until the beginning of the Second World War—a fact that few theatre historians know. A History of Hispanic Theatre in the United States: Origins to 1940 is the very first study of this rich tradition, filled with details about plays, authors, artists, companies, houses, directors, and theatrical circuits. Sixteen years of research in public and private archives in the United States, Mexico, Spain, and Puerto Rico inform this study. In addition, Kanellos located former performers and playwrights, forgotten scripts, and old photographs to bring the life and vitality of live theatre to his text. He organizes the book around the cities where Hispanic theatre was particularly active, including Los Angeles, San Antonio, New York, and Tampa, as well as cities on the touring circuit, such as Laredo, El Paso, Tucson, and San Francisco. Kanellos charts the major achievements of Hispanic theatre in each city—playwriting in Los Angeles, vaudeville and tent theatre in San Antonio, Cuban/Spanish theatre in Tampa, and pan-Hispanism in New York—as well as the individual careers of several actors, writers, and directors. And he uncovers many gaps in the record—reminders that despite its popularity, Hispanic theatre was often undervalued and unrecorded.
Publisher: University of Texas Press
ISBN: 0292761562
Category : Performing Arts
Languages : en
Pages : 289
Book Description
Hispanic theatre flourished in the United States from the mid-nineteenth century until the beginning of the Second World War—a fact that few theatre historians know. A History of Hispanic Theatre in the United States: Origins to 1940 is the very first study of this rich tradition, filled with details about plays, authors, artists, companies, houses, directors, and theatrical circuits. Sixteen years of research in public and private archives in the United States, Mexico, Spain, and Puerto Rico inform this study. In addition, Kanellos located former performers and playwrights, forgotten scripts, and old photographs to bring the life and vitality of live theatre to his text. He organizes the book around the cities where Hispanic theatre was particularly active, including Los Angeles, San Antonio, New York, and Tampa, as well as cities on the touring circuit, such as Laredo, El Paso, Tucson, and San Francisco. Kanellos charts the major achievements of Hispanic theatre in each city—playwriting in Los Angeles, vaudeville and tent theatre in San Antonio, Cuban/Spanish theatre in Tampa, and pan-Hispanism in New York—as well as the individual careers of several actors, writers, and directors. And he uncovers many gaps in the record—reminders that despite its popularity, Hispanic theatre was often undervalued and unrecorded.
Mexican Theatre of the Twentieth Century
Author: Ruth Stanton Lamb
Publisher:
ISBN:
Category : Mexican drama
Languages : en
Pages : 152
Book Description
Publisher:
ISBN:
Category : Mexican drama
Languages : en
Pages : 152
Book Description
Teatro mexicano contemporaneo, 1900-195
Author: John B. Nomland
Publisher:
ISBN:
Category : Mexican drama
Languages : es
Pages : 337
Book Description
Publisher:
ISBN:
Category : Mexican drama
Languages : es
Pages : 337
Book Description
Jarocho's Soul
Author: Anita Gonzalez
Publisher: University Press of America
ISBN: 9780761827757
Category : Art
Languages : en
Pages : 186
Book Description
Brown-skinned men and women dance Jarocho across the cultural landscape of Mexican stages and festival grounds. Jarocho's Soul traces the development of an Afro-Mexican dance style and contrasts Mexican performance of mixed race identity with United States ethnic art performances.
Publisher: University Press of America
ISBN: 9780761827757
Category : Art
Languages : en
Pages : 186
Book Description
Brown-skinned men and women dance Jarocho across the cultural landscape of Mexican stages and festival grounds. Jarocho's Soul traces the development of an Afro-Mexican dance style and contrasts Mexican performance of mixed race identity with United States ethnic art performances.