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Author: Albert J. DeGiacomo
Publisher: Syracuse University Press
ISBN: 9780815629450
Category : Biography & Autobiography
Languages : en
Pages : 224
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Book Description
Drawing on the archives of libraries in Dublin, New York City, and Boston, Albert J. DeGiacomo assesses T. C. Murray's contribution to the Irish dramatic movement. One of "the Cork realists" of the Abbey Theatre, Murray wrote seventeen plays in one, two, or three acts. A prominent National Teacher and a seemingly apolitical playwright in the Irish Literary Revival, Murray expressed nationalistic aspirations in his peasant tragedies. His characters' drive for self-determination and their religious consciousness mark Murray's dramatic landscape.
Author: Albert J. DeGiacomo
Publisher: Syracuse University Press
ISBN: 9780815629450
Category : Biography & Autobiography
Languages : en
Pages : 224
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Book Description
Drawing on the archives of libraries in Dublin, New York City, and Boston, Albert J. DeGiacomo assesses T. C. Murray's contribution to the Irish dramatic movement. One of "the Cork realists" of the Abbey Theatre, Murray wrote seventeen plays in one, two, or three acts. A prominent National Teacher and a seemingly apolitical playwright in the Irish Literary Revival, Murray expressed nationalistic aspirations in his peasant tragedies. His characters' drive for self-determination and their religious consciousness mark Murray's dramatic landscape.
Author: Albert J. (Assistant Professor of English and The DeGiacomo
Publisher:
ISBN: 9781815629402
Category :
Languages : en
Pages :
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Book Description
Drawing on archives of libraries in Dublin, New York City and Boston, DeGiacomo assesses T.C. Murray's contribution to the Irish dramatic movement. One of the Cork Realists of the Abbey Theatre, Murray wrote 17 plays in one, two or three acts. A prominent national teacher and a seemingly apolitical playwright in the Irish Literary Revival, Murray expressed nationalistic aspirations in his peasant tragedies. His characters' drive for self-determination and their religious consciousness mark Murray's dramatic landscape. Murray reveals his life in volumous correspondence with friends, family members and the glitterati of Dublin. A Roman Catholic, Murray tells his outsider story of the Abbey Theater, ruled by members of the Protestant, Anglo-Irish ascendancy. W.B. Yeats, Lady Gregory and Lennox Robinson fill his world, as do later figures like Ernest Blythe. Murray's association with the amateur dramatic societies reveals yet another dimension of his commitment to Irish drama. This text, largely a work of theater history, spans Murray's life and career from 1878 to 1959, and highlights Murray's plays on Abbey tours of America from 1911 to 1935.
Author: Thomas Cornelius Murray
Publisher: Catholic University of America Press
ISBN:
Category : Drama
Languages : en
Pages : 312
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Book Description
The playwriting career of Thomas Cornelius Murray (1873-1959) started in 1909 with the production of his first play, Wheel of Fortune (which he revised in 1913 and renamed Sovereign Love), at the Cork Little Theatre. His Birthright, produced at the Abbey Theatre in the following year, established him as a writer of stark and tragic realism. His most enduring plays were all written during the next two decades; none of the plays written after 1930 can be compared for quality with his earlier work. The present selection contains Sovereign Love, Birthright, Maurice Harte, The Briery Gap, Autumn Fire, and The Pipe in the Fields. Appendices contain Illumination and Murray's essay ""George Shiels, Brinsley MacNamara, Etc."" A bibliographical checklist of his writings is also included.
Author: Robert Goode Hogan
Publisher: U of Minnesota Press
ISBN: 1452909261
Category : English drama
Languages : en
Pages : 302
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Book Description
Author: Ruud van den Beuken
Publisher: Syracuse University Press
ISBN: 0815654715
Category : Performing Arts
Languages : en
Pages : 278
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Book Description
In 1928, Hilton Edwards and Micheál mac Liammóir founded the Dublin Gate Theatre, which quickly became renowned for producing stylistically and dramaturgically innovative plays in a uniquely avant-garde setting. While the Gate’s lasting importance to the history of Irish theater is generally attributed to its introduction of experimental foreign drama to Ireland, Van den Beuken shines a light on the Gate’s productions of several new Irish playwrights, such as Denis Johnston, Mary Manning, David Sears, Robert Collis, and Edward and Christine Longford. Having grown up during an era of political turmoil and bloodshed that led to the creation of an independent yet in many ways bitterly divided Ireland, these dramatists chose to align themselves with an avant-garde theater that explicitly sought to establish Dublin as a modern European capital. In examining an extensive corpus of archival resources, Van den Beuken reveals how the Gate Theatre became a site of avant-garde nationalism during Ireland’s tumultuous first post-independence decades.
Author: Irina Ruppo Malone
Publisher: Springer
ISBN: 0230276113
Category : Literary Criticism
Languages : en
Pages : 235
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Book Description
Ibsen and the Irish Revival examines Henrik Ibsen's influence on the Irish Revival and the reception of his plays in turn-of-the-twentieth-century Dublin. It highlights the international dimension of the Irish Literary Revival and offers new perspectives on W.B. Yeats, J.M. Synge, Lennox Robinson, James Joyce, George Moore and Sean O'Casey.
Author: Judy Friel
Publisher: Syracuse University Press
ISBN: 9780815629672
Category : Drama
Languages : en
Pages : 216
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Book Description
In Hugh Leonard's Love in the Title, a woman's visit to the Irish countryside leads to a surreal meeting with her own mother as a thirty-year-old in 1964 and her grandmother as a twenty-year-old in 1932. The frank exchanges that mark this meeting allow the women to remain in and represent their times, yet still communicate with each other. The next play, Frank McGuinness's Dolly West's Kitchen is set a small house in Donegal, 1944, a meeting place where two American GI's, a British Army captain and the fiercely nationalistic West family share meals and talk of love, war and betrayal. Finally, The Muesli Belt by Jimmie Murphy examines the ramifications of renewal and relocation in the urban centers of western Ireland, as a greedy property developer bent on buying up everything in sight to build high-rent flats and chic eateries throws locals into dispair.
Author: Fabio Luppi
Publisher: Universal-Publishers
ISBN: 162734697X
Category : Drama
Languages : en
Pages : 245
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Book Description
Fathers and Sons at the Abbey Theatre demonstrates how the literary archetype of the clash between fathers and sons and the subsequent depiction of anti-oedipal figures become a major concern for the playwrights writing in a specific and crucial moment of Irish history (1904-1938). The father can be conceived both as a historical / political metaphor as well as a real father in a specific historical and social context. The classical models employed as theoretical tools to nuance the argument--Laius and Oedipus, Ulysses and Telemachus, Aeneas and Anchises, Priam and Hector, Hector and Astyanax--are challenged by the Christian example of Abraham and Isaac, subversively adjusted by Yeats to provide a tragic reading of post-colonial Ireland. All of these pairings provide archetypes for the understanding of complex personal and familial dynamics. The book takes into consideration not only the most famous figures of the Irish National Theatre--as W.B. Yeats, J.M. Synge, Augusta Gregory, and Sean O?Casey?but also overlooked authors such as T.C. Murray, Padraic Colum, Paul Vincent Carroll, Lennox Robinson, Denis Johnston, George Shiels, St. John Ervine, Teresa Deevy. Many commentators have written about the playwrights of the Abbey Theatre, mainly focusing on politics, social classes, Irish identity, cultural issues, and linguistic aspects: no thorough analysis of the clash between generations has been published so far. Those who have tackled the issue have devoted their attention to a single author, or to a single aspect; this study aims to demonstrate that the repeated occurrence of anti-oedipal figures and of the archetype of the clash between fathers and sons?a clear manifestation of the need of emancipation from oppressive authorities and of change in Irish society?must be read as a common phenomenon and as a shared concern. The book is written for people interested in Irish studies, post-colonial studies, and theatre studies.
Author: Robert Goode Hogan
Publisher: University of Delaware Press
ISBN: 9780874134216
Category : Literary Criticism
Languages : en
Pages : 446
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Book Description
However, these contemporary accounts are frequently amplified and put into modern perspective, particularly at crucial moments such as a major production, a final production, or a death. The authors have particularly done so with writers of some importance such as Edward Martyn, William Boyle, or T.C. Murray. Since the theater of these years was especially influenced by the state of the country, the authors give considerable space to the disruptive political events of the times. Always, however, this is done from the particular vantage point of the theater and its workers, for the Irish theater vigorously reacted to and quickly assimilated the turbulent political events of the day: the raids, the reprisals, the burnings, and the murders. These 1,800 days really break into two periods. The first comprises the violence of the Black and Tan War, the exhaustion that led to the treaty, and the bitterness occasioned by the treaty that led to the culminating ferocity of the civil war.
![The Abbey, Ireland's National Theatre, 1904-1978 [i.e. 1979] PDF](https://books.google.com/books/content/images/frontcover/FExC_JPEV40C?fife=w80-h100)
Author: Hugh Hunt
Publisher: Columbia University Press
ISBN: 9780231049061
Category : History
Languages : en
Pages : 348
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Book Description
Traces the evolution of the Abbey Theatre from amateur organization to professional theatre of international renown, examining its history within the context of Ireland's social and political environment and in relation to its playwrights, directors, andactors
