Taos Artists and Their Patrons, 1898-1950 PDF Download
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Author: Dean A. Porter
Publisher:
ISBN: 9780826321091
Category : Art patronage
Languages : en
Pages : 0
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Book Description
A well-illustrated study of the patronage that allowed the fledging art colony in northern New Mexico to flourish.
Author: Dean A. Porter
Publisher:
ISBN: 9780826321091
Category : Art patronage
Languages : en
Pages : 0
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Book Description
A well-illustrated study of the patronage that allowed the fledging art colony in northern New Mexico to flourish.
Author: Dean A. Porter
Publisher: National Cowboy & Western History Museum
ISBN: 9780932154743
Category : Indians in art
Languages : en
Pages : 0
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Book Description
Walter Ufer: Rise, Fall, Resurrection examines the life and artistic career of one of America's most talented, but relatively unknown artists, outside a small circle of collectors and scholars.
Author: Laura M. Bickerstaff
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 344
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Book Description
Author: Robert Rankin White
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 168
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Book Description
This definitive documentary history of the Society that made the northern New Mexico town famous as an art colony.
Author: Joan M. Marter
Publisher: Oxford University Press, USA
ISBN: 0195335791
Category : Architecture
Languages : en
Pages : 3140
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Book Description
Arranged in alphabetical order, these 5 volumes encompass the history of the cultural development of America with over 2300 entries.
Author: Mary Carroll Nelson
Publisher:
ISBN:
Category : Art, American
Languages : en
Pages : 184
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Book Description
"The founding of New Mexico's famous art colony and its pioneer artists"--Jacket subtitle.
Author: David Bernard Dearinger
Publisher: Hudson Hills
ISBN: 9781555950293
Category : Art
Languages : en
Pages : 712
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Book Description
This is the first installment of a fully illustrated catalogue of the Academy's priceless collection of paintings and sculptures.
Author: Flannery Burke
Publisher: University Press of Kansas
ISBN: 0700622365
Category : History
Languages : en
Pages : 269
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Book Description
They all came to Taos: Georgia O'Keefe, D. H. Lawrence, Carl Van Vechten, and other expatriates of New York City. Fleeing urban ugliness, they moved west between 1917 and 1929 to join the community that art patron Mabel Dodge created in her Taos salon and to draw inspiration from New Mexico's mountain desert and "primitive" peoples. As they settled, their quest for the primitive forged a link between "authentic" places and those who called them home. In this first book to consider Dodge and her visitors from a New Mexican perspective, Flannery Burke shows how these cultural mavens drew on modernist concepts of primitivism to construct their personal visions and cultural agendas. In each chapter she presents a place as it took shape for a different individual within Dodge's orbit. From this kaleidoscope of places emerges a vision of what place meant to modernist artists-as well as a narrative of what happened in the real place of New Mexico when visitors decided it was where they belonged. Expanding the picture of early American modernism beyond New York's dominance, she shows that these newcomers believed Taos was the place they had set out to find-and that when Taos failed to meet their expectations, they changed Taos. Throughout, Burke examines the ways notions of primitivism unfolded as Dodge's salon attracted artists of varying ethnicities and the ways that patronage was perceived-by African American writers seeking publication, Anglos seeking "authentic" material, Native American artists seeking patronage, or Nuevomexicanos simply seeking respect. She considers the notion of "competitive primitivism," especially regarding Carl Van Vechten, and offers nuanced analyses of divisions within northern New Mexico's arts communities over land issues and of the ways in which Pueblo Indians spoke on their own behalf. Burke's book offers a portrait of a place as it took shape both aesthetically in the imaginations of Dodge's visitors and materially in the lives of everyday New Mexicans. It clearly shows that no people or places stand outside the modern world-and that when we pretend otherwise, those people and places inevitably suffer.
Author: Van Deren Coke
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 168
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Book Description
"This volume is the outgrowth of research undertaken by the University and the Carter Museum in preparation of an exhibition of paintings." Includes bibliography.
Author: Joan Carpenter Troccoli
Publisher: Yale University Press
ISBN: 0300087225
Category : Art
Languages : en
Pages : 232
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Book Description
"This book offers a tour of a collection of paintings of the American West still in private hands. The Anschutz Collection covers all the ground expected in a wide-ranging, major survey, yet still has plenty of room for surprises. Every phase in the history of American art since the 182Os is included. There are pictures of impressive quality by lesser-known artists and examples from all the major painters who have depicted the West. You'll discover works by artists such as Marsden Hartley, Childe Hassam, Jan Matulka, and John Henry Twachtman, who painted western subjects only rarely, and pictures by those whose subjects were predominantly western. The collection is particularly rich in paintings made in Taos and Santa Fe during the first half of the twentieth century, when major American artists often found inspiration and stylistic renewal in the Southwest. Among the American masters represented here are George Bellows, Albert Bierstadt, George Caleb Bingham, Ernest Blumenschein, George Catlin, Stuart Davis, Asher B. Durand, George Inness, John Marin, Alfred Jacob Miller, Thomas Moran, Georgia O'Keeffe, Frederic Remington, Charles Marion Russell, and Walter Ufer."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
