Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 242
Book Description
Pages from The Talking Machine World
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 242
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 242
Book Description
TALKING MACHINE WORLD,
Author: UNKNOWN. AUTHOR
Publisher:
ISBN: 9780428367282
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN: 9780428367282
Category :
Languages : en
Pages : 0
Book Description
Talking Machine World Trade Directory
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 238
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 238
Book Description
TALKING MACHINE WORLD,
Author: EDWARD LYMAN. BILL
Publisher:
ISBN: 9781528205658
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN: 9781528205658
Category :
Languages : en
Pages : 0
Book Description
Segregating Sound
Author: Karl Hagstrom Miller
Publisher: Duke University Press
ISBN: 0822392704
Category : Music
Languages : en
Pages : 386
Book Description
In Segregating Sound, Karl Hagstrom Miller argues that the categories that we have inherited to think and talk about southern music bear little relation to the ways that southerners long played and heard music. Focusing on the late nineteenth century and the early twentieth, Miller chronicles how southern music—a fluid complex of sounds and styles in practice—was reduced to a series of distinct genres linked to particular racial and ethnic identities. The blues were African American. Rural white southerners played country music. By the 1920s, these depictions were touted in folk song collections and the catalogs of “race” and “hillbilly” records produced by the phonograph industry. Such links among race, region, and music were new. Black and white artists alike had played not only blues, ballads, ragtime, and string band music, but also nationally popular sentimental ballads, minstrel songs, Tin Pan Alley tunes, and Broadway hits. In a cultural history filled with musicians, listeners, scholars, and business people, Miller describes how folklore studies and the music industry helped to create a “musical color line,” a cultural parallel to the physical color line that came to define the Jim Crow South. Segregated sound emerged slowly through the interactions of southern and northern musicians, record companies that sought to penetrate new markets across the South and the globe, and academic folklorists who attempted to tap southern music for evidence about the history of human civilization. Contending that people’s musical worlds were defined less by who they were than by the music that they heard, Miller challenges assumptions about the relation of race, music, and the market.
Publisher: Duke University Press
ISBN: 0822392704
Category : Music
Languages : en
Pages : 386
Book Description
In Segregating Sound, Karl Hagstrom Miller argues that the categories that we have inherited to think and talk about southern music bear little relation to the ways that southerners long played and heard music. Focusing on the late nineteenth century and the early twentieth, Miller chronicles how southern music—a fluid complex of sounds and styles in practice—was reduced to a series of distinct genres linked to particular racial and ethnic identities. The blues were African American. Rural white southerners played country music. By the 1920s, these depictions were touted in folk song collections and the catalogs of “race” and “hillbilly” records produced by the phonograph industry. Such links among race, region, and music were new. Black and white artists alike had played not only blues, ballads, ragtime, and string band music, but also nationally popular sentimental ballads, minstrel songs, Tin Pan Alley tunes, and Broadway hits. In a cultural history filled with musicians, listeners, scholars, and business people, Miller describes how folklore studies and the music industry helped to create a “musical color line,” a cultural parallel to the physical color line that came to define the Jim Crow South. Segregated sound emerged slowly through the interactions of southern and northern musicians, record companies that sought to penetrate new markets across the South and the globe, and academic folklorists who attempted to tap southern music for evidence about the history of human civilization. Contending that people’s musical worlds were defined less by who they were than by the music that they heard, Miller challenges assumptions about the relation of race, music, and the market.
TALKING MACHINE WORLD,
Author: EDWARD LYMAN. BILL
Publisher:
ISBN: 9781528504744
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN: 9781528504744
Category :
Languages : en
Pages : 0
Book Description
TALKING MACHINE WORLD,
Author: EDWARD LYMAN. BILL
Publisher:
ISBN: 9781528104760
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN: 9781528104760
Category :
Languages : en
Pages : 0
Book Description
Radio-music Merchant Formerly Talking Machine World
Author:
Publisher:
ISBN:
Category : Phonograph
Languages : en
Pages : 258
Book Description
Publisher:
ISBN:
Category : Phonograph
Languages : en
Pages : 258
Book Description
מבשר טוב ־ תורת בין הזמנים
Author: בצלאל שמחה מנחם בן ציון רבינוביץ
Publisher:
ISBN:
Category : Talmud Torah (Judaism)
Languages : en
Pages : 355
Book Description
Publisher:
ISBN:
Category : Talmud Torah (Judaism)
Languages : en
Pages : 355
Book Description
The Compleat Talking Machine
Author: Eric L. Reiss
Publisher: Chandler, Ariz. : Sonoran Pub.
ISBN:
Category : House & Home
Languages : en
Pages : 284
Book Description
Publisher: Chandler, Ariz. : Sonoran Pub.
ISBN:
Category : House & Home
Languages : en
Pages : 284
Book Description