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Author: Roger Ebert
Publisher: Andrews McMeel Publishing
ISBN: 0740792482
Category : Performing Arts
Languages : en
Pages : 384
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Book Description
The Pulitzer Prize–winning film critics offers up more reviews of horrible films. Roger Ebert awards at least two out of four stars to most of the more than 150 movies he reviews each year. But when the noted film critic does pan a movie, the result is a humorous, scathing critique far more entertaining than the movie itself. I Hated, Hated, Hated This Movie is a collection of more than 200 of Ebert’s most biting and entertaining reviews of films receiving a mere star or less from the only film critic to win the Pulitzer Prize. Ebert has no patience for these atrocious movies and minces no words in skewering the offenders. Witness: Armageddon * (1998)—The movie is an assault on the eyes, the ears, the brain, common sense, and the human desire to be entertained. No matter what they’re charging to get in, it’s worth more to get out. The Beverly Hillbillies * (1993)—Imagine the dumbest half-hour sitcom you’ve ever seen, spin it out to ninety-three minutes by making it even more thin and shallow, and you have this movie. It’s appalling. North no stars (1994)—I hated this movie. Hated hated hated hated hated this movie. Hated it. Hated every simpering stupid vacant audience-insulting moment of it. Hated the sensibility that thought anyone would like it. Hated the implied insult to the audience by its belief that anyone would be entertained by it. Police Academy no stars (1984)—It’s so bad, maybe you should pool your money and draw straws and send one of the guys off to rent it so that in the future, whenever you think you’re sitting through a bad comedy, he could shake his head, chuckle tolerantly, and explain that you don't know what bad is. Dear God * (1996)—Dear God is the kind of movie where you walk out repeating the title, but not with a smile. The movies reviewed within I Hated, Hated, Hated This Movie are motion pictures you’ll want to distance yourself from, but Roger Ebert’s creative and comical musings on those films make for a book no movie fan should miss.
Author: Roger Ebert
Publisher: Andrews McMeel Publishing
ISBN: 0740792482
Category : Performing Arts
Languages : en
Pages : 384
Get Book Here
Book Description
The Pulitzer Prize–winning film critics offers up more reviews of horrible films. Roger Ebert awards at least two out of four stars to most of the more than 150 movies he reviews each year. But when the noted film critic does pan a movie, the result is a humorous, scathing critique far more entertaining than the movie itself. I Hated, Hated, Hated This Movie is a collection of more than 200 of Ebert’s most biting and entertaining reviews of films receiving a mere star or less from the only film critic to win the Pulitzer Prize. Ebert has no patience for these atrocious movies and minces no words in skewering the offenders. Witness: Armageddon * (1998)—The movie is an assault on the eyes, the ears, the brain, common sense, and the human desire to be entertained. No matter what they’re charging to get in, it’s worth more to get out. The Beverly Hillbillies * (1993)—Imagine the dumbest half-hour sitcom you’ve ever seen, spin it out to ninety-three minutes by making it even more thin and shallow, and you have this movie. It’s appalling. North no stars (1994)—I hated this movie. Hated hated hated hated hated this movie. Hated it. Hated every simpering stupid vacant audience-insulting moment of it. Hated the sensibility that thought anyone would like it. Hated the implied insult to the audience by its belief that anyone would be entertained by it. Police Academy no stars (1984)—It’s so bad, maybe you should pool your money and draw straws and send one of the guys off to rent it so that in the future, whenever you think you’re sitting through a bad comedy, he could shake his head, chuckle tolerantly, and explain that you don't know what bad is. Dear God * (1996)—Dear God is the kind of movie where you walk out repeating the title, but not with a smile. The movies reviewed within I Hated, Hated, Hated This Movie are motion pictures you’ll want to distance yourself from, but Roger Ebert’s creative and comical musings on those films make for a book no movie fan should miss.
Author: Satyajit Ray
Publisher: Penguin Books India
ISBN: 9780144000265
Category : Performing Arts
Languages : en
Pages : 242
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Book Description
Presents India's greatest film-maker on the art and craft of films. Speaking of Films brings together some of Ray's most memorable writings on film and film-making. With the masterly precision and clarity that characterize his films, Ray discusses a wide array of subjects: the structure and language of cinema with special reference to his adaptations of Tagore and Bibhuti Bhushan Bandopadhyay, the appropriate use of background music and dialogue in films, the relationship between a film-maker and a film critic, and important developments in cinema like the advent of sound and colour. He also writes about his own experiences, the challenges of working with rank amateurs, and the innovations called for when making a film in the face of technological, financial and logistical constraints. In the process, Ray provides fascinating behind-the-scenes glimpses of the people who worked with him - the intricacies of getting Chhabi Biswas, who had no ear for music, to play a patron of classical music in Jalsaghar, the incredible memory of the seventy-five-year-old Chunibala Devi, Indir Thakrun of Pather Panchali, and her remarkable attention to details.
Author: Maria DiBattista
Publisher: Yale University Press
ISBN: 9780300099034
Category : Performing Arts
Languages : en
Pages : 388
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Book Description
In this acclaimed book, DiBattista paints vivid portraits of the grandest fast-talking dames of the 1930s and 1940s movie era including Katharine Hepburn, Irene Dunne, and Barbara Stanwyck. 39 illustrations.
Author: Jeffrey M. Zacks
Publisher: Oxford University Press, USA
ISBN: 0199982872
Category : Performing Arts
Languages : en
Pages : 361
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Book Description
How is it that a patch of flickering light on a wall can produce experiences that engage our imaginations and can feel totally real? From the vertigo of a skydive to the emotional charge of an unexpected victory or defeat, movies give us some of our most vivid experiences and most lasting memories. They reshape our emotions and worldviews--but why? In Flicker, Jeff Zacks delves into the history of cinema and the latest research to explain what happens between your ears when you sit down in the theatre and the lights go out. Some of the questions Flicker answers: Why do we flinch when Rocky takes a punch in Sylvester Stallone's movies, duck when the jet careens towards the tower in Airplane, and tap our toes to the dance numbers in Chicago or Moulin Rouge? Why do so many of us cry at the movies? What's the difference between remembering what happened in a movie and what happened in real life--and can we always tell the difference? To answer these questions and more, Flicker gives us an engaging, fast-paced look at what happens in your head when you watch a movie.
Author: Jāvīd Ak̲h̲tar
Publisher: Oxford University Press, USA
ISBN:
Category : Performing Arts
Languages : en
Pages : 170
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Book Description
Poet, lyricist and screenplay writer, Javed Akhtar is that rare individual celebrated in the diverse worlds of popular cinema and of literature and letters. Zanjeer, Deewaar and Sholay, with screenplays written by him in partnership with Salim Khan, are milestones in the history of Indian cinema. Javed Akhtar's book of poetry, Tarkash, published both in Urdu and Hindi, has enjoyed enormous critical as well as commercial success. The songs he has written for the Hindi screen have also been trendsetters, and today Javed Akhtar is among the most respected names in the Indian film industry. Here, Nasreen Munni Kabir talks with this hugely creative writer about his early influences, his relationship with his parents, his life and work in films where he began as a clapper boy in the mid-sixties, and his successful partnership with Salim Khan. An original thinker, Javed Akhtar turns his analytical gaze to the conventions of Hindi cinema, its songs and its stories. He is illuminating about many aspects of screenplay, dialogue writing and lyric writing, bringing alive his understanding of these creative forms with his descriptions of the way well-known film dialogue and famous songs canme to be written. Akhtar speaks with clarity and honesty about his development as a poet and his growth as a politically-aware person. Sparkling with Akhtar's wit, intelligence and skill as a raconteur, this well-illustrated book will appeal to everyone interested in cinema and the arts.
Author: David Bordwell
Publisher: Univ of California Press
ISBN: 0520932323
Category : Performing Arts
Languages : en
Pages : 309
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Book Description
Hollywood moviemaking is one of the constants of American life, but how much has it changed since the glory days of the big studios? David Bordwell argues that the principles of visual storytelling created in the studio era are alive and well, even in today’s bloated blockbusters. American filmmakers have created a durable tradition—one that we should not be ashamed to call artistic, and one that survives in both mainstream entertainment and niche-marketed indie cinema. Bordwell traces the continuity of this tradition in a wide array of films made since 1960, from romantic comedies like Jerry Maguire and Love Actually to more imposing efforts like A Beautiful Mind. He also draws upon testimony from writers, directors, and editors who are acutely conscious of employing proven principles of plot and visual style. Within the limits of the "classical" approach, innovation can flourish. Bordwell examines how imaginative filmmakers have pushed the premises of the system in films such as JFK, Memento, and Magnolia. He discusses generational, technological, and economic factors leading to stability and change in Hollywood cinema and includes close analyses of selected shots and sequences. As it ranges across four decades, examining classics like American Graffiti and The Godfather as well as recent success like The Lord of the Rings: The Two Towers, this book provides a vivid and engaging interpretation of how Hollywood moviemakers have created a vigorous, resourceful tradition of cinematic storytelling that continues to engage audiences around the world.
Author: James Cameron
Publisher: Univ. Press of Mississippi
ISBN: 1617031313
Category : Biography & Autobiography
Languages : en
Pages : 261
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Book Description
Interviews with the acclaimed director of such films as The Terminator, Aliens, The Abyss, Titanic, and Avatar
Author: Jason Wood
Publisher: Wallflower Press
ISBN: 9781904764908
Category : Performing Arts
Languages : en
Pages : 262
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Book Description
'Talking Movies' is a collection of interviews with some of the most audacious and respected contemporary filmmakers of the present generation.
Author: Pedro Almodóvar
Publisher:
ISBN: 9781578065684
Category : Performing Arts
Languages : en
Pages : 212
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Book Description
A collection of interviews that documents the 22-year long cinematic career of the most internationally celebrated Spanish art-film director since Luís Buñuel
Author: David Bordwell
Publisher: Routledge
ISBN: 1136099166
Category : Performing Arts
Languages : en
Pages : 385
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Book Description
In this study, David Bordwell offers a comprehensive account of how movies use fundamental principles of narrative representation, unique features of the film medium, and diverse story-telling patterns to construct their fictional narratives.
