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Author: Nozomi Naoi
Publisher:
ISBN: 9780295746838
Category : Art
Languages : en
Pages : 304
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Book Description
"Beyond the Modern Beauty is a holistic study of Takehisa Yumeji's (1884-1934) artistry that attempts to unify and understand the multiple discursive and social frameworks within which his images were animated with meaning. The book situates Yumeji's graphic art within the emerging mediascape of the 1900s and 1910s, when novel forms of reprographic media were enabling the creation of new spaces of visual culture and image circulation. Yumeji's graphic works developed in tandem with this quickly evolving sphere and ranged from illustrations in socialist bulletins with images of anti-war and leftist sentiment to fashionable images of beautiful women referred to as "Yumeji-style beauties" in books and magazines targeting a female audience. As such, Yumeji's works circulated widely and reveal his role in the cultivation of a new demographic of young female consumers, along with the reinvention of the woodblock medium from its centuries-long tradition of "floating-world pictures" (ukiyo-e) into a technically diverse vehicle of visual culture and avant-garde pictorialism. The book addresses Yumeji's art from the start of his career in 1905 to the 1920s, when his production of graphic works was the most prolific. The appendix introduces for the first time in English translation a substantial body of Yumeji's texts, including diary entries, poetry, essays, books, collection of works, and commentary alongside his illustrations. Commentaries and critiques by his contemporaries are also included and are translated for the first time"--
Author: Nozomi Naoi
Publisher:
ISBN: 9780295746838
Category : Art
Languages : en
Pages : 304
Get Book Here
Book Description
"Beyond the Modern Beauty is a holistic study of Takehisa Yumeji's (1884-1934) artistry that attempts to unify and understand the multiple discursive and social frameworks within which his images were animated with meaning. The book situates Yumeji's graphic art within the emerging mediascape of the 1900s and 1910s, when novel forms of reprographic media were enabling the creation of new spaces of visual culture and image circulation. Yumeji's graphic works developed in tandem with this quickly evolving sphere and ranged from illustrations in socialist bulletins with images of anti-war and leftist sentiment to fashionable images of beautiful women referred to as "Yumeji-style beauties" in books and magazines targeting a female audience. As such, Yumeji's works circulated widely and reveal his role in the cultivation of a new demographic of young female consumers, along with the reinvention of the woodblock medium from its centuries-long tradition of "floating-world pictures" (ukiyo-e) into a technically diverse vehicle of visual culture and avant-garde pictorialism. The book addresses Yumeji's art from the start of his career in 1905 to the 1920s, when his production of graphic works was the most prolific. The appendix introduces for the first time in English translation a substantial body of Yumeji's texts, including diary entries, poetry, essays, books, collection of works, and commentary alongside his illustrations. Commentaries and critiques by his contemporaries are also included and are translated for the first time"--
Author:
Publisher: Hotei Pub
ISBN: 9789004279827
Category : Art
Languages : en
Pages : 144
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Book Description
Takehisa Yumeji (1884-1934) is one of the most famous artists of Japan, where six museums are dedicated to his work as a painter, printmaker and illustrator. This publication is the first publication outside Japan dedicated solely to Takehisa Yumeji's life and prolific oeuvre.
Author: Sōseki Natsume
Publisher:
ISBN:
Category : Dreams
Languages : en
Pages : 140
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Book Description
Author: Chinghsin Wu
Publisher: University of California Press
ISBN: 0520299825
Category : Art
Languages : en
Pages : 247
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Book Description
This significant historical study recasts modern art in Japan as a “parallel modernism” that was visually similar to Euroamerican modernism, but developed according to its own internal logic. Using the art and thought of prominent Japanese modern artist Koga Harue (1895–1933) as a lens to understand this process, Chinghsin Wu explores how watercolor, cubism, expressionism, and surrealism emerged and developed in Japan in ways that paralleled similar trends in the west, but also rejected and diverged from them. In this first English-language book on Koga Harue, Wu provides close readings of virtually all of the artist’s major works and provides unprecedented access to the critical writing about modernism in Japan during the 1920s and 1930s through primary source documentation, including translations of period art criticism, artist statements, letters, and journals.
Author: Geremie Barmé
Publisher: Univ of California Press
ISBN: 9780520208322
Category : Art
Languages : en
Pages : 496
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Book Description
Publisher description
Author: Eugenia Bogdanova-Kummer
Publisher: BRILL
ISBN: 9004437061
Category : Art
Languages : en
Pages : 193
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Book Description
The Bokujinkai—or ‘People of the Ink’—was a group formed in Kyoto in 1952 by five calligraphers: Morita Shiryū, Inoue Yūichi, Eguchi Sōgen, Nakamura Bokushi, and Sekiya Yoshimichi. The avant-garde movement they launched aspired to raise calligraphy to the same level of international prominence as abstract painting. To this end, the Bokujinkai collaborated with artists from European Art Informel and American Abstract Expressionism, sharing exhibition spaces with them in New York, Paris, Tokyo, and beyond. The first English-language book to focus on the postwar history of Japanese calligraphy, Bokujinkai: Japanese Calligraphy and the Postwar Avant-Garde explains how the Bokujinkai rerouted the trajectory of global abstract art and attuned foreign audiences to calligraphic visualities and narratives.
Author: Gennifer Weisenfeld
Publisher: Univ of California Press
ISBN: 0520954246
Category : Art
Languages : en
Pages : 494
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Book Description
Focusing on one landmark catastrophic event in the history of an emerging modern nation—the Great Kanto Earthquake that devastated Tokyo and surrounding areas in 1923—this fascinating volume examines the history of the visual production of the disaster. The Kanto earthquake triggered cultural responses that ran the gamut from voyeuristic and macabre thrill to the romantic sublime, media spectacle to sacred space, mournful commemoration to emancipatory euphoria, and national solidarity to racist vigilantism and sociopolitical critique. Looking at photography, cinema, painting, postcards, sketching, urban planning, and even scientific visualizations, Weisenfeld demonstrates how visual culture has powerfully mediated the evolving historical understanding of this major national disaster, ultimately enfolding mourning and memory into modernization.
Author: Joshua Paul Dale
Publisher: Profile Books
ISBN: 1782835423
Category : Psychology
Languages : en
Pages : 209
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Book Description
Why are some things cute, and others not? What happens to our brains when we see something cute? And how did cuteness go global, from Hello Kitty to Disney characters? Cuteness is an area where culture and biology get tangled up. Seeing a cute animal triggers some of the most powerful psychological instincts we have - the ones that elicit our care and protection - but there is a deeper story behind the broad appeal of Japanese cats and saccharine greetings cards. Joshua Paul Dale, a pioneer in the burgeoning field of cuteness studies, explains how the cute aesthetic spread around the globe, from pop brands to Lolita fashion, kids' cartoons and the unstoppable rise of Hello Kitty. Irresistible delves into the surprisingly ancient origins of Japan's kawaii culture, and uncovers the cross-cultural pollination of the globalised world. If adorable things really do rewire our brains, it can help answer some of the biggest questions we have about our evolutionary history and the mysterious origins of animal domestication. This is the fascinating cultural history of cuteness, and a revealing look at how our most powerful psychological impulses have remade global style and culture.
Author: Oliver Statler
Publisher: Tuttle Publishing
ISBN: 1462909558
Category : Art
Languages : en
Pages : 355
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Book Description
Featuring over 100 unique prints, Modern Japanese Prints is a testament to the continuity of Japanese art and creativity. By far the most vitally creative group of artists working in Japan today, modern print-makers are truly international in appeal. Although they owe much of their heritage to the famous ukiyoe techniques of the past, they depart from their forebears in at least two important respects. In the first place, whereas in the ancient ukiyoe tradition a print was the joint production of three men— the artist-designer, the artisan who carved the blocks, and the printer—these modern artists perform all these functions themselves, thus satisfying their demands for individual artistic expression at every step of the creative process. Another distinguishing feature of this artistic school is that its inspiration is derived neither solely from its own Japanese past nor solely from the West. This book carefully traces the history of the modern print movement through detailed discussions of the life and work of twenty-nine of its most noteworthy and representative artists. It describes vicissitudes which the movement has undergone and the high artistic ideals which have motivated its members in spite of public apathy and the hostility of the traditionalists.
Author: Yukio Mishima
Publisher: Random House
ISBN: 0099285673
Category : Arson
Languages : en
Pages : 258
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Book Description
Bringing together Mishima's preoccupations with violence, desire, religious life and the history of Japan, this novel is based on an actual incident, the burning of a celebrated temple. The novel is a meditation on the state of Japan in the post-war period.
