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Author: Kato Hammond
Publisher: CreateSpace
ISBN: 9781508597612
Category :
Languages : en
Pages : 218
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Book Description
In the tradition of the autobiography/memoir, TMOTTGoGo's Kato Hammond opens up for the first time about the inside stories of his life growing up in the legendary musical genre of Go-Go - which is still going strong today. In Take Me Out To The Go-Go, Kato Hammond exposes his unrepentant, unbridled life as a guitarist, actor, dancer, playwright, through bands such as Pure Elegance, Little Benny & The Masters, and Proper Utensils, to the Godfather of Go-Go Media. He delves deep into his volatile, profound, and enduring relationships and reveals an ultimate story of endurance, that started in the 1970s with a young Kato, a kid who despite negative statistics, took bold steps and sacrifices through lessons learned. Kato takes you through a personal look into a human story through the Go-Go music culture, the people who inspired him, the ones who enabled him, the ones who tried to control him, the ones who changed him, the one's who gave him opportunities, and the ones who tried to take them away. Take Me Out To The Go-Go is a whole story: a loner's story, a musician's story, an actor's story, a writer's story, a recovery story, a love story, a success story, a failure story, a visionary story, and a re-construction story.
Author: Kato Hammond
Publisher: CreateSpace
ISBN: 9781508597612
Category :
Languages : en
Pages : 218
Get Book Here
Book Description
In the tradition of the autobiography/memoir, TMOTTGoGo's Kato Hammond opens up for the first time about the inside stories of his life growing up in the legendary musical genre of Go-Go - which is still going strong today. In Take Me Out To The Go-Go, Kato Hammond exposes his unrepentant, unbridled life as a guitarist, actor, dancer, playwright, through bands such as Pure Elegance, Little Benny & The Masters, and Proper Utensils, to the Godfather of Go-Go Media. He delves deep into his volatile, profound, and enduring relationships and reveals an ultimate story of endurance, that started in the 1970s with a young Kato, a kid who despite negative statistics, took bold steps and sacrifices through lessons learned. Kato takes you through a personal look into a human story through the Go-Go music culture, the people who inspired him, the ones who enabled him, the ones who tried to control him, the ones who changed him, the one's who gave him opportunities, and the ones who tried to take them away. Take Me Out To The Go-Go is a whole story: a loner's story, a musician's story, an actor's story, a writer's story, a recovery story, a love story, a success story, a failure story, a visionary story, and a re-construction story.
Author: Kip Lornell
Publisher: Univ. Press of Mississippi
ISBN: 1604733438
Category : Music
Languages : en
Pages : 325
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Book Description
The Beat! was the first book to explore the musical, social, and cultural phenomenon of go-go music. In this new edition, updated by a substantial chapter on the current scene, authors Kip Lornell and Charles C. Stephenson, Jr., place go-go within black popular music made since the middle 1970s--a period during which hip-hop has predominated. This styling reflects the District's African American heritage. Its super-charged drumming and vocal combinations of hip-hop, funk, and soul evolved and still thrive on the streets of Washington, D.C., and in neighboring Prince George's County, making it.
Author: Elizabeth Nyamayaro
Publisher: Simon and Schuster
ISBN: 1982113030
Category : Biography & Autobiography
Languages : en
Pages : 288
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Book Description
A “profound and soul-nourishing memoir” (Oprah Daily) from an African girl whose near-death experience sparked a lifelong dedication to humanitarian work that helps bring change across the world. When severe drought hit her village in Zimbabwe, Elizabeth Nyamayaro, then only eight, had no idea that this moment of utter devastation would come to define her life’s purpose. Unable to move from hunger and malnourishment, she encountered a United Nations aid worker who gave her a bowl of warm porridge and saved her life—a transformative moment that inspired Elizabeth to dedicate herself to giving back to her community, her continent, and the world. In the decades that have followed, Elizabeth has been instrumental in creating change and uplifting the lives of others: by fighting global inequalities, advancing social justice for vulnerable communities, and challenging the status quo to accelerate women’s rights around the world. She has served as a senior advisor at the United Nations, where she launched HeForShe, one of the world’s largest global solidarity movements for gender equality. In I Am a Girl from Africa, she charts this “journey of perseverance” (Entertainment Weekly) from her small village of Goromonzi to Harare, Zimbabwe; London; New York; and beyond, always grounded by the African concept of ubuntu—“I am because we are”—taught to her by her beloved grandmother. This “victorious” (The New York Times Book Review) memoir brings to vivid life one extraordinary woman’s story of persevering through incredible odds and finding her true calling—while delivering an important message of hope, empowerment, community support, and interdependence.
Author: Lori Rader-Day
Publisher: Down & Out Books
ISBN:
Category : Fiction
Languages : en
Pages : 261
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Book Description
The Go-Go’s made music on their own terms and gave voice to a generation caught between the bra-burning irreverence of the seventies and the me-first decadence of the eighties. Anthems like “We Got the Beat,” “Our Lips Are Sealed,” and “Vacation” are an indelible part of our collective soundtrack, but more than that, they speak to the power and possibility of youth. Inspired by punk but not yoked to it, the Go-Go’s broke important musical ground by combining cheeky lyrics, clever hooks, and catchy melodies, perfectly capturing what it feels like to be young and female in the process. But beyond the Go-Go’s effervescent sound and cheerful pop stylings, a darkness underlies many of their lyrics and melodies, hinting at the heartache and frustration inherent in growing up. In other words, plenty to inspire murder and mayhem. Net proceeds from Murder-a-Go-Go’s benefit Planned Parenthood, a crucial provider of women’s affordable reproductive healthcare. With a foreword by Go-Go’s co-founder Jane Wiedlin and original stories by twenty-five kick-ass authors, editor Holly West has put together an all-star crime fiction anthology inspired by one of the most iconic bands of the eighties and beyond. Praise for MURDER-A-GO-GO’S: “I always suspected that twinkle in the Go-Gos’ eyes was a coded invitation to a darker world. In the hands of these 25 stellar crime fiction writers, ‘We Got the Beat’ and ‘Our Lips Are Sealed’ become evil little gems. A totally rad read.” —Alan Hunter, Original MTV VJ, SiriusXM Host “Shock and awe, that sums up my reaction to Murder-A-Go-Go’s. Shock to live in times when ‘The Whole World Lost Its Head’ and awe at the response of these gifted writers. Buckle up for a ride that will leave ‘Skidmarks on Your Heart.’” —Sara Paretsky, bestselling author of the V.I. Warshawski crime series “Who knew those happy songs by one of all-time favorite bands, the Go-Go’s could inspire such dark, noir, spine-tingling stories?!! It’s a collection of tales of distinctly female rage—the murderous kind and otherwise—to keep you up at night!” —Alison Arngrim, TV’s Nellie Oleson and author of Confessions of a Prairie Bitch “This is the music-driven anthology you didn’t know you needed, but after you read it, you’ll realize your bookshelf was lacking without it. This is a killer line-up of writers, and under Holly’s steady hand, they don’t play a single false note. Murder-A-Go-Go’s has got the beat.” —Rob Hart, author of The Warehouse “Like the songs these writers used for muses, each story contains the energy of a pop group and the rawness of a punk band, with some of the darkness and vulnerability that underscores the Go-Go’s themselves thrown in for good measure.” —Steph Post, author of Miraculum “The Go-Go’s spun some of the brightest, catchiest all-girl pop back in the day. But they always carried more weight than your average pop band: the burden of trailblazing and pioneering; the bad kids in the back of the class breaking all the rules and looking damn cool doing it. This collection commandingly captures that sweet subversion.” —Joe Clifford, author of The One That Got Away “Beneath the pop stylings and sensibilities of the Go-Go’s pulsed the heart of a punk band. In this eye-opening anthology, some of the sharpest voices of contemporary short crime fiction tease out the aches and anxieties echoing through the groundbreaking group’s music: the dark sides of desire, the missed opportunities, the tangled regrets. These stories—they got the beat.” —Art Taylor, award-winning author of On the Road with Del & Louise: A Novel in Stories “Holly West (editor)’s Murder-A-Go-Go’s is murderous fun from the first story to the last. Each masterful tale is distinctive, but this collection is so much more than the sum of its parts, infused with all the talent and skill of some of the best short story writers working in crime fiction today.” —Jennifer Hillier, author of Creep and Jar of Hearts
Author: Natalie Hopkinson
Publisher: Duke University Press
ISBN: 0822352117
Category : History
Languages : en
Pages : 234
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Book Description
Go-go is the conga drum–inflected black popular music that emerged in Washington, D.C., during the 1970s. The guitarist Chuck Brown, the "Godfather of Go-Go," created the music by mixing sounds borrowed from church and the blues with the funk and flavor that he picked up playing for a local Latino band. Born in the inner city, amid the charred ruins of the 1968 race riots, go-go generated a distinct culture and an economy of independent, almost exclusively black-owned businesses that sold tickets to shows and recordings of live go-gos. At the peak of its popularity, in the 1980s, go-go could be heard around the capital every night of the week, on college campuses and in crumbling historic theaters, hole-in-the-wall nightclubs, backyards, and city parks. Go-Go Live is a social history of black Washington told through its go-go music and culture. Encompassing dance moves, nightclubs, and fashion, as well as the voices of artists, fans, business owners, and politicians, Natalie Hopkinson's Washington-based narrative reflects the broader history of race in urban America in the second half of the twentieth century and the early twenty-first. In the 1990s, the middle class that had left the city for the suburbs in the postwar years began to return. Gentrification drove up property values and pushed go-go into D.C.'s suburbs. The Chocolate City is in decline, but its heart, D.C.'s distinctive go-go musical culture, continues to beat. On any given night, there's live go-go in the D.C. metro area.
Author: Stephanie Burt
Publisher: Columbia University Press
ISBN: 0231512023
Category : Literary Criticism
Languages : en
Pages : 274
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Book Description
Early in the twentieth century, Americans and other English-speaking nations began to regard adolescence as a separate phase of life. Associated with uncertainty, inwardness, instability, and sexual energy, adolescence acquired its own tastes, habits, subcultures, slang, economic interests, and art forms. This new idea of adolescence became the driving force behind some of the modern era's most original poetry. Stephen Burt demonstrates how adolescence supplied the inspiration, and at times the formal principles, on which many twentieth-century poets founded their works. William Carlos Williams and his contemporaries fashioned their American verse in response to the idealization of new kinds of youth in the 1910s and 1920s. W. H. Auden's early work, Philip Larkin's verse, Thom Gunn's transatlantic poetry, and Basil Bunting's late-modernist masterpiece, Briggflatts, all track the development of adolescence in Britain as it moved from the private space of elite schools to the urban public space of sixties subcultures. The diversity of American poetry from the Second World War to the end of the sixties illuminates poets' reactions to the idea that teenagers, juvenile delinquents, hippies, and student radicals might, for better or worse, transform the nation. George Oppen, Gwendolyn Brooks, and Robert Lowell in particular built and rebuilt their sixties styles in reaction to changing concepts of youth. Contemporary poets continue to fashion new ideas of youth. Laura Kasischke and Jorie Graham focus on the discoveries of a specifically female adolescence. The Irish poet Paul Muldoon and the Australian poet John Tranter use teenage perspectives to represent a postmodernist uncertainty. Other poets have rejected traditional and modern ideas of adolescence, preferring instead to view this age as a reflection of the uncertainties and restricted tastes of the way we live now. The first comprehensive study of adolescence in twentieth-century poetry, The Forms of Youth recasts the history of how English-speaking cultures began to view this phase of life as a valuable state of consciousness, if not the very essence of a Western identity.
Author: James M. Cain
Publisher: Vintage Crime/Black Lizard
ISBN: 0307791793
Category : Fiction
Languages : en
Pages : 466
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Book Description
All three books are written with an enduring view of the dark corners of the American psyche. Cain hammered high art out of the crude matter of betrayal, bloodshed, and perversity.
Author: Taylor Markarian
Publisher: Mango Media Inc.
ISBN: 1642501158
Category : Music
Languages : en
Pages : 195
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Book Description
A deep dive into the cultural, social, and psychological impact that the emo scene had on pop culture—featuring inside stories from music legends. Though music always comes from a unique time and place, its influence can be timeless and universal. In the 1990s and 2000s, an explosion of indie, emo, and punk rock carried a raw emotional that has resonated with listeners ever since. In From the Basement, music journalist Taylor Markarian examines the underground emo scene that had an indelible influence on popular culture. Markarian grew up in the emo scene. She’s been backstage with Hawthorne Heights and appeared in a Senses Fail music video. With her intimate perspective, she explores not only the music itself but its fans and creators. With extensive band interviews and an exploration of music’s relationship to culture and mental health, From the Basement demonstrates that there’s much more to emo than black eyeliner and colored Converse.
Author: Aaron Barlow
Publisher: Bloomsbury Publishing USA
ISBN: 0313396183
Category : Social Science
Languages : en
Pages : 579
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Book Description
Stars do have real power, but not all of them wield it wisely. This work explores how a variety of celebrities developed their brands and how celebrity can become a jumping-off point to entirely unrelated activities. Over the past century, a new breed of entertainer has arisen—one where the old division between on-camera talent and the suits behind the scenes has largely eroded. From Mabel Normand and Charlie Chaplin to Lady Gaga and Quentin Tarantino, entertainers have attempted to cross specialties and platforms to new arenas, from politics to philanthropy and more. An ideal resource for general readers as well as students of American popular culture and media at the undergraduate through scholar level, Star Power: The Impact of Branded Celebrity details the new ways entertainers are working in expanded environments to broaden their brands while also providing the history behind this recent trend. The two-volume set comprises four main sections: one that provides historical background, a second on entertainers moving beyond stardom, a third focused on commerce and education, and a final section on cultural missions. The work documents how earlier entertainers "set the stage" for today's stars by exploiting their celebrity to take greater artistic control of their projects and provides articles that depict each artist from a number of perspectives. Readers will understand what motivates the most important contemporary entertainers working today and better grasp the business of entertainment as a whole—how Hollywood works, and who is really in control.
Author: Memphis Annie
Publisher: Xlibris Corporation
ISBN: 146535834X
Category : Biography & Autobiography
Languages : en
Pages : 53
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Book Description
Annie Mae is a thrilling saga about a little girl who has benn praying since the age of two years old. At the age of three, she was molested by a friend in the family. Annie Mae loved her brother, and she took many whippings for him, from their mother. Her mother Clarrisa seems to dislike her own daughter. In memory of my precious daughter Gabrielle Foster January 18,1981 – August 20, 2008.
