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Author: Tanja Baudoin
Publisher:
ISBN: 9789081447102
Category : Affect (Psychology)
Languages : en
Pages : 0

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"This publication centres around the notion of affect, a term that delineates a field where the personal and the political meet through sensory movements between bodies. Affect, as a pre-emotional experience, constitutes the social and economic relationships that comprise society. Here its meaning is considered in theory and artistic practice, with a selection of texts used in the reading groups for 'If I Can't Dance, I Don't Want to be Part of Your Revolution', part of the programme 'Edition IV - Affect' (2010-2012). It also includes three new essays, short statements by reading group members, and artist pages"--P. [4] of cover.

Author: What, How & for Whom
Publisher:
ISBN: 9783956790744
Category : Art
Languages : en
Pages : 0

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From 2012 to 2014 a series of contemporary art exhibitions, events, and participatory forums organized by Galerija Nova, Tensta konsthall, and Grazer Kunstverein comprised the project "Beginning as Well as We Can (How Do We Talk about Fascism?)." Focusing on the startling increase of nationalism across Europe--made palpable in manifestations of fascist tendencies and the cult of heritage--the project points to the possibility and power of art to imagine futures that are not irrevocably determined by the present, but are invested with struggles fought here and now. Art and the F Word: Reflections on the Browning of Europe, edited by curator Maria Lind and the collective What, How & for Whom/WHW, continues the debate with contributions by cultural critics, curators, and artists, which articulate resistant and constructive possibilities of social and artistic production--investigating the language of politics and philosophy and also popular vocabularies, social contexts, media, science, and aesthetics. The exhibitions featured here, which form an essential part of the overall project, test the potential of aesthetic experience to question reality and upset the ideological complacency and political resignation that lead to a loss of control over the direction of social transformation. Copublished with Tensta konsthall and What, How & for Whom/WHW Contributors Lawrence Abu Hamdan, Petra Bauer & Sofia Wiberg, Barnabás Bencsik, Boris Buden, Maria Lind and Tensta konsthall, Jelena Vesic, What, How & for Whom/WHW

Author: Charles Harrison
Publisher: Yale University Press
ISBN: 9780300055160
Category : Art
Languages : en
Pages : 280

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On art in the early 20th century

Author: Boris Groys
Publisher:
ISBN: 9783943365115
Category : Art, Modern
Languages : en
Pages : 0

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Beyond the view that multiple, globally dispersed conceptual art practices provide a heterogeneity of cultural references, Andrei Monastyrski and Collective Actions propose much more: other dimensions altogether, other spatiotemporal politics, other timescales, other understandings of matter, other forms of life--not only as works, but as a basic condition for being able to perceive artworks in the first place. Could it be that the Moscow Conceptualists were so elusive or saturated with the particularities of life in a specific economic and intellectual culture that they precluded integration into a broader art historical narrative? If so, then their simultaneously modest and radical approach to form may present a key to understanding the resilience and flexibility of a more general sphere of global conceptualisms that anticipate, surpass, or even bend around their purported origins in canonical European and American regimes of representation, as well as what we currently understand to be the horizon of artistic practice. e-flux journal Series edited by Julieta Aranda, Brian Kuan Wood, Anton Vidokle Contributors Claire Bishop, Keti Chukhrov, Ekaterina Degot, Jörg Heiser, Terry Smith, Anton Vidokle, and Sarah Wilson

Author: Massimiliano Gioni
Publisher: Skira
ISBN: 9780847839483
Category : Art and science
Languages : en
Pages : 0

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This title explores the relationship between art and machines, presenting a trans-historical reassessment of optical, kinetic, and technological art. It brings together a wide range of work from - amongst others - Bridget Riley, Hans Haacke, Gianni Colombo, Channa Horowitz, Heinz Mack, Otto Piene, and Victor Vasarely.