A Critical and Historical Corpus of Florentine Painting PDF Download
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Author: Richard Offner
Publisher:
ISBN:
Category : Art and religion
Languages : en
Pages : 526
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Book Description
Author: Richard Offner
Publisher:
ISBN:
Category : Art and religion
Languages : en
Pages : 526
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Book Description
Author: Klara Steinweg
Publisher:
ISBN:
Category : Painting, Italian
Languages : en
Pages : 470
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Book Description
Author: Miklós Boskovits
Publisher:
ISBN:
Category : Miniature painters
Languages : en
Pages : 638
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Book Description
Author: Galerie Charpentier (Paris, França)
Publisher:
ISBN:
Category :
Languages : fr
Pages : 30
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Book Description
Author: Fogg Art Museum
Publisher:
ISBN:
Category :
Languages : en
Pages : 110
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Book Description
Author: Ogden N. Rood
Publisher: Alpha Edition
ISBN: 9789353926113
Category : History
Languages : en
Pages : 338
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Book Description
This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.
Author: Christopher Green
Publisher: Yale University Press
ISBN: 9780300099089
Category : Art
Languages : en
Pages : 352
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Book Description
This study sets developments within the frameworks both of their unstable social, political and intellectual world and of the official and independent institutions of art.
Author: Sandy Petrey
Publisher: Cornell University Press
ISBN: 150172441X
Category : Literary Criticism
Languages : en
Pages : 226
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Book Description
Sandy Petrey here looks at the emergence of nineteenth-century French realism in the light of the concept of speech acts as defined by J. L. Austin and as exemplified by the history of the French Revolution. Through analysis of the techniques of representation in works by Balzac, Stendhal, and Zola, Petrey suggests that the expression of a truth depends on the same collective forces necessary to change a regime. According to Petrey, political legitimacy in the Revolution, the Empire, and the Restoration was established by means of a series of demonstrations that what words say cannot be interpreted without reference to the community to which they speak. Petrey first discusses the creation of France's National Assembly in 1789 as a foundational example of how speech acts can bring about historical transformation. He then challenges the most powerful twentieth-century assault on realist aesthetics, Roland Barthes's S/Z, and also considers the views of such contemporary critics as Jacques Derrida, Barbara Johnson, and Stanley Fish. During the Revolution, Petrey says, statements of truth were not descriptions of what was, but rather exhortations to produce what was not. Nineteenth-century French fiction represents in literary form a similar collectively authorized linguistic performance; the "real" in realism comes from representing facts not as they are in themselves but as they are produced and rejected in society. In the course of illuminating readings of three central realist works—Balzac's Pere Goriot, Stendhal's The Red and the Black, and Zola's Germinal—Petrey takes the position that the dilemmas of representation, far from being one of realism's blind spots, figure among its major narrative subjects.
Author: J. Pedro Lorente
Publisher: Routledge
ISBN: 1317023536
Category : Art
Languages : en
Pages : 331
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Book Description
Where, how, by whom and for what were the first museums of contemporary art created? These are the key questions addressed by J. Pedro Lorente in this new book. In it he explores the concept and history of museums of contemporary art, and the shifting ways in which they have been imagined and presented. Following an introduction that sets out the historiography and considering questions of terminology, the first part of the book then examines the paradigm of the Musée des Artistes Vivants in Paris and its equivalents in the rest of Europe during the nineteenth century. The second part takes the story forward from 1930 to the present, presenting New York's Museum of Modern Art as a new universal role model that found emulators or 'contramodels' in the rest of the Western world during the twentieth century. An epilogue, reviews recent museum developments in the last decades. Through its adoption of a long-term, worldwide perspective, the book not only provides a narrative of the development of museums of contemporary art, but also sets this into its international perspective. By assessing the extent to which the great museum-capitals - Paris, London and New York in particular - created their own models of museum provision, as well as acknowledging the influence of such models elsewhere, the book uncovers fascinating perspectives on the practice of museum provision, and reveals how present cultural planning initiatives have often been shaped by historical uses.
Author: Charles Cordier
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 264
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Book Description
Under the Second Empire in France, Cordier received several assignments in North Africa and there he completed scientific busts that were just as much works of art. His busts in silver or gilt bronze, onyx and coloured marble are delicate gems, reflecting Cordier's interest in other civilizations, most notably African. The Musee d'Orsay in Paris has organized an unprecedented international exhibition of Cordier's work, highlighting seventy-five sculptures and approximately forty ethnographic photographs. Filled with several texts on his life and work compiled by the exhibition's organizers, this book was created and based on the research by Jeanine Durand-Revillon for the Ecole du Louvre in 1980.
