Author: Charles Marie Widor
Publisher: A-R Editions, Inc.
ISBN: 0895792923
Category : Symphonies (Organ)
Languages : en
Pages : 116
Book Description
Symphonie VIII
Author: Charles Marie Widor
Publisher: A-R Editions, Inc.
ISBN: 0895792923
Category : Symphonies (Organ)
Languages : en
Pages : 116
Book Description
Publisher: A-R Editions, Inc.
ISBN: 0895792923
Category : Symphonies (Organ)
Languages : en
Pages : 116
Book Description
Symphonie I
Author: Charles-Marie Widor
Publisher: A-R Editions, Inc.
ISBN: 0895792508
Category : Music
Languages : en
Pages : 120
Book Description
Publisher: A-R Editions, Inc.
ISBN: 0895792508
Category : Music
Languages : en
Pages : 120
Book Description
Symphony VIII, G major, op. 88
Author: Antonín Dvořák
Publisher:
ISBN:
Category : Symphonies
Languages : en
Pages : 202
Book Description
Publisher:
ISBN:
Category : Symphonies
Languages : en
Pages : 202
Book Description
Symphonie III
Author: Charles Marie Widor
Publisher: A-R Editions, Inc.
ISBN: 0895792702
Category : Organ music
Languages : en
Pages : 96
Book Description
Publisher: A-R Editions, Inc.
ISBN: 0895792702
Category : Organ music
Languages : en
Pages : 96
Book Description
Symphonie V
Author: Charles Marie Widor
Publisher: A-R Editions, Inc.
ISBN: 0895796058
Category : Organ music
Languages : en
Pages : 90
Book Description
"Charles-Marie Widor continued to develop the genre of the organ symphony in his second set of four works, published as Symphonies pour orgue, opus 42 (1878-87). The introduction to this edition of Widor's Symphonie V includes a list of the sources, a statement of editorial policies, and information about Widor's registrations. Symphonie V in F Minor seems to have been one of Widor's favorites, as he often performed it complete. The work is in five movements, including the famous Toccata finale. Had Widor composed no other organ music, this symphony alone would have assured him a permanent place in the repertoire. (Revised 2nd edition.)" --
Publisher: A-R Editions, Inc.
ISBN: 0895796058
Category : Organ music
Languages : en
Pages : 90
Book Description
"Charles-Marie Widor continued to develop the genre of the organ symphony in his second set of four works, published as Symphonies pour orgue, opus 42 (1878-87). The introduction to this edition of Widor's Symphonie V includes a list of the sources, a statement of editorial policies, and information about Widor's registrations. Symphonie V in F Minor seems to have been one of Widor's favorites, as he often performed it complete. The work is in five movements, including the famous Toccata finale. Had Widor composed no other organ music, this symphony alone would have assured him a permanent place in the repertoire. (Revised 2nd edition.)" --
Symphonie romane
Author: Charles Marie Widor
Publisher: A-R Editions, Inc.
ISBN: 0895793814
Category : Music
Languages : en
Pages : 72
Book Description
Publisher: A-R Editions, Inc.
ISBN: 0895793814
Category : Music
Languages : en
Pages : 72
Book Description
Gustav Mahler, Songs and Symphonies of Life and Death
Author: Donald Mitchell
Publisher: Univ of California Press
ISBN: 9780520055780
Category : Biography & Autobiography
Languages : en
Pages : 668
Book Description
The third volume of Mitchell's epic account of the composer and his works concentrates on the vocal music and, in particular, on some of his most famous, original, and best loved compositions.
Publisher: Univ of California Press
ISBN: 9780520055780
Category : Biography & Autobiography
Languages : en
Pages : 668
Book Description
The third volume of Mitchell's epic account of the composer and his works concentrates on the vocal music and, in particular, on some of his most famous, original, and best loved compositions.
Program Notes
Author: Chicago Symphony Orchestra
Publisher:
ISBN:
Category : Concert programs
Languages : en
Pages : 336
Book Description
The volume for the 50th season, 1940/41, includes "Repertoire, 1891-1941" [62] p. and "Solists, 1891-1941" [5] p.
Publisher:
ISBN:
Category : Concert programs
Languages : en
Pages : 336
Book Description
The volume for the 50th season, 1940/41, includes "Repertoire, 1891-1941" [62] p. and "Solists, 1891-1941" [5] p.
Blicke mir nicht in die Lieder
Author: Gustav Mahler
Publisher:
ISBN:
Category : Songs (Low voice) with orchestra
Languages : en
Pages : 14
Book Description
Publisher:
ISBN:
Category : Songs (Low voice) with orchestra
Languages : en
Pages : 14
Book Description
Mahler and His World
Author: Karen Painter
Publisher: Princeton University Press
ISBN: 0691218358
Category : Music
Languages : en
Pages : 412
Book Description
From the composer's lifetime to the present day, Gustav Mahler's music has provoked extreme responses from the public and from experts. Poised between the Romantic tradition he radically renewed and the austere modernism whose exponents he inspired, Mahler was a consummate public persona and yet an impassioned artist who withdrew to his lakeside hut where he composed his vast symphonies and intimate song cycles. His advocates have produced countless studies of the composer's life and work. But they have focused on analysis internal to the compositions, along with their programmatic contexts. In this volume, musicologists and historians turn outward to examine the broader political, social, and literary changes reflected in Mahler's music. Peter Franklin takes up questions of gender, Talia Pecker Berio examines the composer's Jewish identity, and Thomas Peattie, Charles S. Maier, and Karen Painter consider, respectively, contemporary theories of memory, the theatricality of Mahler's art and fin-de-siècle politics, and the impinging confrontation with mass society. The private world of Gustav Mahler, in his songs and late works, is explored by leading Austrian musicologist Peter Revers and a German counterpart, Camilla Bork, and by the American Mahler expert Stephen Hefling. Mahler's symphonies challenged Europeans and Americans to experience music in new ways. Before his decision to move to the United States, the composer knew of the enthusiastic response from America's urban musical audiences. Mahler and His World reproduces reviews of these early performances for the first time, edited by Zoë Lang. The Mahler controversy that polarized Austrians and Germans also unfolds through a series of documents heretofore unavailable in English, edited by Painter and Bettina Varwig, and the terms of the debate are examined by Leon Botstein in the context of the late-twentieth-century Mahler revival.
Publisher: Princeton University Press
ISBN: 0691218358
Category : Music
Languages : en
Pages : 412
Book Description
From the composer's lifetime to the present day, Gustav Mahler's music has provoked extreme responses from the public and from experts. Poised between the Romantic tradition he radically renewed and the austere modernism whose exponents he inspired, Mahler was a consummate public persona and yet an impassioned artist who withdrew to his lakeside hut where he composed his vast symphonies and intimate song cycles. His advocates have produced countless studies of the composer's life and work. But they have focused on analysis internal to the compositions, along with their programmatic contexts. In this volume, musicologists and historians turn outward to examine the broader political, social, and literary changes reflected in Mahler's music. Peter Franklin takes up questions of gender, Talia Pecker Berio examines the composer's Jewish identity, and Thomas Peattie, Charles S. Maier, and Karen Painter consider, respectively, contemporary theories of memory, the theatricality of Mahler's art and fin-de-siècle politics, and the impinging confrontation with mass society. The private world of Gustav Mahler, in his songs and late works, is explored by leading Austrian musicologist Peter Revers and a German counterpart, Camilla Bork, and by the American Mahler expert Stephen Hefling. Mahler's symphonies challenged Europeans and Americans to experience music in new ways. Before his decision to move to the United States, the composer knew of the enthusiastic response from America's urban musical audiences. Mahler and His World reproduces reviews of these early performances for the first time, edited by Zoë Lang. The Mahler controversy that polarized Austrians and Germans also unfolds through a series of documents heretofore unavailable in English, edited by Painter and Bettina Varwig, and the terms of the debate are examined by Leon Botstein in the context of the late-twentieth-century Mahler revival.