Author: Hiroki Narita
Publisher: Taylor & Francis
ISBN: 1317371569
Category : Language Arts & Disciplines
Languages : en
Pages : 345
Book Description
Symmetrizing Syntax seeks to establish a minimal and natural characterization of the structure of human language (syntax), simplifying many facets of it that have been redundantly or asymmetrically formulated. Virtually all past theories of natural language syntax, from the traditional X-bar theory to the contemporary system of Merge and labeling, stipulate that every phrase structure is "asymmetrically" organized, so that one of its elements is always marked as primary/dominant over the others, or each and every phrase is labeled by a designated lexical element. The two authors call this traditional stipulation into question and hypothesize, instead, that linguistic derivations are essentially driven by the need to reduce asymmetry and generate symmetric structures. Various linguistic notions such as Merge, cyclic derivation by phase, feature-checking, morphological agreement, labeling, movement, and criterial freezing, as well as parametric differences among languages like English and Japanese, and so on, are all shown to follow from a particular notion of structural symmetry. These results constitute novel support for the contemporary thesis that human language is essentially an instance of a physical/biological object, and its design is governed by the laws of nature, at the core of which lies the fundamental principle of symmetry. Providing insights into new technical concepts in syntax, the volume is written for academics in linguistics but will also be accessible to linguistics students seeking an introduction to syntax.
Symmetrizing Syntax
Author: Hiroki Narita
Publisher: Taylor & Francis
ISBN: 1317371569
Category : Language Arts & Disciplines
Languages : en
Pages : 345
Book Description
Symmetrizing Syntax seeks to establish a minimal and natural characterization of the structure of human language (syntax), simplifying many facets of it that have been redundantly or asymmetrically formulated. Virtually all past theories of natural language syntax, from the traditional X-bar theory to the contemporary system of Merge and labeling, stipulate that every phrase structure is "asymmetrically" organized, so that one of its elements is always marked as primary/dominant over the others, or each and every phrase is labeled by a designated lexical element. The two authors call this traditional stipulation into question and hypothesize, instead, that linguistic derivations are essentially driven by the need to reduce asymmetry and generate symmetric structures. Various linguistic notions such as Merge, cyclic derivation by phase, feature-checking, morphological agreement, labeling, movement, and criterial freezing, as well as parametric differences among languages like English and Japanese, and so on, are all shown to follow from a particular notion of structural symmetry. These results constitute novel support for the contemporary thesis that human language is essentially an instance of a physical/biological object, and its design is governed by the laws of nature, at the core of which lies the fundamental principle of symmetry. Providing insights into new technical concepts in syntax, the volume is written for academics in linguistics but will also be accessible to linguistics students seeking an introduction to syntax.
Publisher: Taylor & Francis
ISBN: 1317371569
Category : Language Arts & Disciplines
Languages : en
Pages : 345
Book Description
Symmetrizing Syntax seeks to establish a minimal and natural characterization of the structure of human language (syntax), simplifying many facets of it that have been redundantly or asymmetrically formulated. Virtually all past theories of natural language syntax, from the traditional X-bar theory to the contemporary system of Merge and labeling, stipulate that every phrase structure is "asymmetrically" organized, so that one of its elements is always marked as primary/dominant over the others, or each and every phrase is labeled by a designated lexical element. The two authors call this traditional stipulation into question and hypothesize, instead, that linguistic derivations are essentially driven by the need to reduce asymmetry and generate symmetric structures. Various linguistic notions such as Merge, cyclic derivation by phase, feature-checking, morphological agreement, labeling, movement, and criterial freezing, as well as parametric differences among languages like English and Japanese, and so on, are all shown to follow from a particular notion of structural symmetry. These results constitute novel support for the contemporary thesis that human language is essentially an instance of a physical/biological object, and its design is governed by the laws of nature, at the core of which lies the fundamental principle of symmetry. Providing insights into new technical concepts in syntax, the volume is written for academics in linguistics but will also be accessible to linguistics students seeking an introduction to syntax.
Coordination and the Strong Minimalist Thesis
Author: Stefanie Bode
Publisher: Taylor & Francis
ISBN: 100385527X
Category : Language Arts & Disciplines
Languages : en
Pages : 206
Book Description
This book unpacks coordination in the context of the Strong Minimalist Thesis (SMT), offering a new proposal for addressing this longstanding puzzle within research on Generative Grammar. The volume’s foundations are rooted in the SMT, which builds on the idea that laws of nature, such as simplicity, symmetry, and computational efficiency, shape the laws of language to their simplest form, as units of computation combined with a recursive structure-building device. The book explores the two main ways in which Generative Grammar research has been undertaken to deal with the issue of coordination within SMT as examined in such linguistic expressions as conjuncts, which combine in an unstructured way, but which run counter to a strictly minimalist approach. Bode proposes an alternative account of coordination based on simplest set-formation without resorting to additional mechanisms, rooting it more squarely within SMT theory and encouraging further discussion on new directions for SMT-related research. This volume will be of interest to scholars in syntax and linguistic theory, particularly those interested in minimalist theory.
Publisher: Taylor & Francis
ISBN: 100385527X
Category : Language Arts & Disciplines
Languages : en
Pages : 206
Book Description
This book unpacks coordination in the context of the Strong Minimalist Thesis (SMT), offering a new proposal for addressing this longstanding puzzle within research on Generative Grammar. The volume’s foundations are rooted in the SMT, which builds on the idea that laws of nature, such as simplicity, symmetry, and computational efficiency, shape the laws of language to their simplest form, as units of computation combined with a recursive structure-building device. The book explores the two main ways in which Generative Grammar research has been undertaken to deal with the issue of coordination within SMT as examined in such linguistic expressions as conjuncts, which combine in an unstructured way, but which run counter to a strictly minimalist approach. Bode proposes an alternative account of coordination based on simplest set-formation without resorting to additional mechanisms, rooting it more squarely within SMT theory and encouraging further discussion on new directions for SMT-related research. This volume will be of interest to scholars in syntax and linguistic theory, particularly those interested in minimalist theory.
Researching Metaphors
Author: Michele Prandi
Publisher: Taylor & Francis
ISBN: 1000606414
Category : Language Arts & Disciplines
Languages : en
Pages : 272
Book Description
This collection advocates for a more holistic picture of metaphor, extending the field’s focus beyond the cognitive paradigm and conventional metaphorical concepts to illustrate the possibilities afforded by the study of living metaphors. The volume brings together a diverse range of researchers in the discipline towards critically examining the presuppositions of the cognitive approach. The book shines a light on living metaphors – creative interpretations of conflictual meaning specific to a text or communicative act with their own unique functions – to throw into relief long-held tenets in existing metaphor research. Chapters reflect on the notion that creative metaphors spring from independent sources, not merely from metaphorical concepts, and the subsequent implications for our understanding of the relationship between linguistic forms and conceptual structures and the role of creative metaphors in organizing thought and action. Taken together, the book offers a complementary vision of languages and figures which integrates disparate lines of study within the cognitive paradigm with alternative perspectives for a more comprehensive portrait of metaphors. This book will be of interest to students and scholars interested in the study of metaphor, including such disciplines as theoretical linguistics, cognitive linguistics, semantics, literary studies, and philosophy of language.
Publisher: Taylor & Francis
ISBN: 1000606414
Category : Language Arts & Disciplines
Languages : en
Pages : 272
Book Description
This collection advocates for a more holistic picture of metaphor, extending the field’s focus beyond the cognitive paradigm and conventional metaphorical concepts to illustrate the possibilities afforded by the study of living metaphors. The volume brings together a diverse range of researchers in the discipline towards critically examining the presuppositions of the cognitive approach. The book shines a light on living metaphors – creative interpretations of conflictual meaning specific to a text or communicative act with their own unique functions – to throw into relief long-held tenets in existing metaphor research. Chapters reflect on the notion that creative metaphors spring from independent sources, not merely from metaphorical concepts, and the subsequent implications for our understanding of the relationship between linguistic forms and conceptual structures and the role of creative metaphors in organizing thought and action. Taken together, the book offers a complementary vision of languages and figures which integrates disparate lines of study within the cognitive paradigm with alternative perspectives for a more comprehensive portrait of metaphors. This book will be of interest to students and scholars interested in the study of metaphor, including such disciplines as theoretical linguistics, cognitive linguistics, semantics, literary studies, and philosophy of language.
Advances in Biolinguistics
Author: Koji Fujita
Publisher: Routledge
ISBN: 131748620X
Category : Language Arts & Disciplines
Languages : en
Pages : 286
Book Description
Biolinguistics is a highly interdisciplinary field that seeks the rapprochement between linguistics and biology. Linking theoretical linguistics, theoretical biology, genetics, neuroscience and cognitive psychology, this book offers a collection of chapters situating the enterprise conceptually, highlighting both the promises and challenges of the field, and chapters focusing on the challenges and prospects of taking interdisciplinarity seriously. It provides concrete illustrations of some of the cutting-edge research in biolinguistics and piques the interest of undergraduate students looking for a field to major in and inspires graduate students on possible research directions. It is also meant to show to specialists in adjacent fields how a particular strand of theoretical linguistics relates to their concerns, and in so doing, the book intends to foster collaboration across disciplines.
Publisher: Routledge
ISBN: 131748620X
Category : Language Arts & Disciplines
Languages : en
Pages : 286
Book Description
Biolinguistics is a highly interdisciplinary field that seeks the rapprochement between linguistics and biology. Linking theoretical linguistics, theoretical biology, genetics, neuroscience and cognitive psychology, this book offers a collection of chapters situating the enterprise conceptually, highlighting both the promises and challenges of the field, and chapters focusing on the challenges and prospects of taking interdisciplinarity seriously. It provides concrete illustrations of some of the cutting-edge research in biolinguistics and piques the interest of undergraduate students looking for a field to major in and inspires graduate students on possible research directions. It is also meant to show to specialists in adjacent fields how a particular strand of theoretical linguistics relates to their concerns, and in so doing, the book intends to foster collaboration across disciplines.
Symmetrizing Syntax
Author: Hiroki Narita
Publisher: Routledge
ISBN: 1317371550
Category : Language Arts & Disciplines
Languages : en
Pages : 344
Book Description
Symmetrizing Syntax seeks to establish a minimal and natural characterization of the structure of human language (syntax), simplifying many facets of it that have been redundantly or asymmetrically formulated. Virtually all past theories of natural language syntax, from the traditional X-bar theory to the contemporary system of Merge and labeling, stipulate that every phrase structure is "asymmetrically" organized, so that one of its elements is always marked as primary/dominant over the others, or each and every phrase is labeled by a designated lexical element. The two authors call this traditional stipulation into question and hypothesize, instead, that linguistic derivations are essentially driven by the need to reduce asymmetry and generate symmetric structures. Various linguistic notions such as Merge, cyclic derivation by phase, feature-checking, morphological agreement, labeling, movement, and criterial freezing, as well as parametric differences among languages like English and Japanese, and so on, are all shown to follow from a particular notion of structural symmetry. These results constitute novel support for the contemporary thesis that human language is essentially an instance of a physical/biological object, and its design is governed by the laws of nature, at the core of which lies the fundamental principle of symmetry. Providing insights into new technical concepts in syntax, the volume is written for academics in linguistics but will also be accessible to linguistics students seeking an introduction to syntax.
Publisher: Routledge
ISBN: 1317371550
Category : Language Arts & Disciplines
Languages : en
Pages : 344
Book Description
Symmetrizing Syntax seeks to establish a minimal and natural characterization of the structure of human language (syntax), simplifying many facets of it that have been redundantly or asymmetrically formulated. Virtually all past theories of natural language syntax, from the traditional X-bar theory to the contemporary system of Merge and labeling, stipulate that every phrase structure is "asymmetrically" organized, so that one of its elements is always marked as primary/dominant over the others, or each and every phrase is labeled by a designated lexical element. The two authors call this traditional stipulation into question and hypothesize, instead, that linguistic derivations are essentially driven by the need to reduce asymmetry and generate symmetric structures. Various linguistic notions such as Merge, cyclic derivation by phase, feature-checking, morphological agreement, labeling, movement, and criterial freezing, as well as parametric differences among languages like English and Japanese, and so on, are all shown to follow from a particular notion of structural symmetry. These results constitute novel support for the contemporary thesis that human language is essentially an instance of a physical/biological object, and its design is governed by the laws of nature, at the core of which lies the fundamental principle of symmetry. Providing insights into new technical concepts in syntax, the volume is written for academics in linguistics but will also be accessible to linguistics students seeking an introduction to syntax.
Symmetry As A Developmental Principle In Nature And Art
Author: Werner Hahn
Publisher: World Scientific
ISBN: 9814500038
Category : Science
Languages : en
Pages : 533
Book Description
Looking beyond the boundaries of various disciplines, the author demonstrates that symmetry is a fascinating phenomenon which provides endless stimulation and challenges. He explains that it is possible to readapt art to the sciences, and vice versa, by means of an evolutionary concept of symmetry. Many pictorial examples are included to enable the reader to fully understand the issues discussed. Based on the artistic evidence that the author has collected, he proposes that the new ars evolutoria can function as an example for the sciences.The book is divided into three distinct parts, each one focusing on a special issue. In Part I, the phenomenon of symmetry, including its discovery and meaning is reviewed. The author looks closely at how Vitruvius, Polyclitus, Democritus, Plato, Aristotle, Plotinus, Augustine, Alberti, Leonardo da Vinci and Durer viewed symmetry. This is followed by an explanation on how the concept of symmetry developed. The author further discusses symmetry as it appears in art and science, as well as in the modern age. Later, he expounds the view of symmetry as an evolutionary concept which can lead to a new unity of science. In Part II, he covers the points of contact between the form-developing process in nature and art. He deals with biological questions, in particular evolution.The collection of new and precise data on perception and knowledge with regard to the postulated reality of symmetry leads to further development of the evolutionary theory of symmetry in Part III. The author traces the enormous treasure of observations made in nature and culture back to a few underlying structural principles. He demonstrates symmetry as a far-reaching, leading, structuring, causal element of evolution, as the idea lying behind nature and culture. Numerous controllable reproducible double-mirror experiments on a new stereoscopic vision verify a symmetrization theory of perception.
Publisher: World Scientific
ISBN: 9814500038
Category : Science
Languages : en
Pages : 533
Book Description
Looking beyond the boundaries of various disciplines, the author demonstrates that symmetry is a fascinating phenomenon which provides endless stimulation and challenges. He explains that it is possible to readapt art to the sciences, and vice versa, by means of an evolutionary concept of symmetry. Many pictorial examples are included to enable the reader to fully understand the issues discussed. Based on the artistic evidence that the author has collected, he proposes that the new ars evolutoria can function as an example for the sciences.The book is divided into three distinct parts, each one focusing on a special issue. In Part I, the phenomenon of symmetry, including its discovery and meaning is reviewed. The author looks closely at how Vitruvius, Polyclitus, Democritus, Plato, Aristotle, Plotinus, Augustine, Alberti, Leonardo da Vinci and Durer viewed symmetry. This is followed by an explanation on how the concept of symmetry developed. The author further discusses symmetry as it appears in art and science, as well as in the modern age. Later, he expounds the view of symmetry as an evolutionary concept which can lead to a new unity of science. In Part II, he covers the points of contact between the form-developing process in nature and art. He deals with biological questions, in particular evolution.The collection of new and precise data on perception and knowledge with regard to the postulated reality of symmetry leads to further development of the evolutionary theory of symmetry in Part III. The author traces the enormous treasure of observations made in nature and culture back to a few underlying structural principles. He demonstrates symmetry as a far-reaching, leading, structuring, causal element of evolution, as the idea lying behind nature and culture. Numerous controllable reproducible double-mirror experiments on a new stereoscopic vision verify a symmetrization theory of perception.
System and Structure
Author: Anthony Wilden
Publisher: Psychology Press
ISBN: 9780415264884
Category : Language Arts & Disciplines
Languages : en
Pages : 664
Book Description
Tavistock Press was established as a co-operative venture between the Tavistock Institute and Routledge & Kegan Paul (RKP) in the 1950s to produce a series of major contributions across the social sciences. This volume is part of a 2001 reissue of a selection of those important works which have since gone out of print, or are difficult to locate. Published by Routledge, 112 volumes in total are being brought together under the name The International Behavioural and Social Sciences Library: Classics from the Tavistock Press. Reproduced here in facsimile, this volume was originally published in 1980 and is available individually. The collection is also available in a number of themed mini-sets of between 5 and 13 volumes, or as a complete collection.
Publisher: Psychology Press
ISBN: 9780415264884
Category : Language Arts & Disciplines
Languages : en
Pages : 664
Book Description
Tavistock Press was established as a co-operative venture between the Tavistock Institute and Routledge & Kegan Paul (RKP) in the 1950s to produce a series of major contributions across the social sciences. This volume is part of a 2001 reissue of a selection of those important works which have since gone out of print, or are difficult to locate. Published by Routledge, 112 volumes in total are being brought together under the name The International Behavioural and Social Sciences Library: Classics from the Tavistock Press. Reproduced here in facsimile, this volume was originally published in 1980 and is available individually. The collection is also available in a number of themed mini-sets of between 5 and 13 volumes, or as a complete collection.
Statistics Using IBM SPSS
Author: Sharon Lawner Weinberg
Publisher: Cambridge University Press
ISBN: 1316369099
Category : Psychology
Languages : en
Pages : 627
Book Description
Written in a clear and lively tone, Statistics Using IBM SPSS provides a data-centric approach to statistics with integrated SPSS (version 22) commands, ensuring that students gain both a deep conceptual understanding of statistics and practical facility with the leading statistical software package. With one hundred worked examples, the textbook guides students through statistical practice using real data and avoids complicated mathematics. Numerous end-of-chapter exercises allow students to apply and test their understanding of chapter topics, with detailed answers available online. The third edition has been updated throughout and includes a new chapter on research design, new topics (including weighted mean, resampling with the bootstrap, the role of the syntax file in workflow management, and regression to the mean) and new examples and exercises. Student learning is supported by a rich suite of online resources, including answers to end-of-chapter exercises, real data sets, PowerPoint slides, and a test bank.
Publisher: Cambridge University Press
ISBN: 1316369099
Category : Psychology
Languages : en
Pages : 627
Book Description
Written in a clear and lively tone, Statistics Using IBM SPSS provides a data-centric approach to statistics with integrated SPSS (version 22) commands, ensuring that students gain both a deep conceptual understanding of statistics and practical facility with the leading statistical software package. With one hundred worked examples, the textbook guides students through statistical practice using real data and avoids complicated mathematics. Numerous end-of-chapter exercises allow students to apply and test their understanding of chapter topics, with detailed answers available online. The third edition has been updated throughout and includes a new chapter on research design, new topics (including weighted mean, resampling with the bootstrap, the role of the syntax file in workflow management, and regression to the mean) and new examples and exercises. Student learning is supported by a rich suite of online resources, including answers to end-of-chapter exercises, real data sets, PowerPoint slides, and a test bank.
Commercial Telegraphic Code (for the China Trade) ... Second Edition
Author: W. S. WETMORE
Publisher:
ISBN:
Category :
Languages : en
Pages : 430
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 430
Book Description
Symmetry, Causality, Mind
Author: Michael Leyton
Publisher: MIT Press
ISBN: 9780262621311
Category : Philosophy
Languages : en
Pages : 644
Book Description
In this investigation of the psychological relationship between shape and time, Leyton argues compellingly that shape is used by the mind to recover the past and as such it forms a basis for memory. Michael Leyton's arguments about the nature of perception and cognition are fascinating, exciting, and sure to be controversial. In this investigation of the psychological relationship between shape and time, Leyton argues compellingly that shape is used by the mind to recover the past and as such it forms a basis for memory. He elaborates a system of rules by which the conversion to memory takes place and presents a number of detailed case studies--in perception, linguistics, art, and even political subjugation--that support these rules. Leyton observes that the mind assigns to any shape a causal history explaining how the shape was formed. We cannot help but perceive a deformed can as a dented can. Moreover, by reducing the study of shape to the study of symmetry, he shows that symmetry is crucial to our everyday cognitive processing. Symmetry is the means by which shape is converted into memory. Perception is usually regarded as the recovery of the spatial layout of the environment. Leyton, however, shows that perception is fundamentally the extraction of time from shape. In doing so, he is able to reduce the several areas of computational vision purely to symmetry principles. Examining grammar in linguistics, he argues that a sentence is psychologically represented as a piece of causal history, an archeological relic disinterred by the listener so that the sentence reveals the past. Again through a detailed analysis of art he shows that what the viewer takes to be the experience of a painting is in fact the extraction of time from the shapes of the painting. Finally he highlights crucial aspects of the mind's attempt to recover time in examples of political subjugation.
Publisher: MIT Press
ISBN: 9780262621311
Category : Philosophy
Languages : en
Pages : 644
Book Description
In this investigation of the psychological relationship between shape and time, Leyton argues compellingly that shape is used by the mind to recover the past and as such it forms a basis for memory. Michael Leyton's arguments about the nature of perception and cognition are fascinating, exciting, and sure to be controversial. In this investigation of the psychological relationship between shape and time, Leyton argues compellingly that shape is used by the mind to recover the past and as such it forms a basis for memory. He elaborates a system of rules by which the conversion to memory takes place and presents a number of detailed case studies--in perception, linguistics, art, and even political subjugation--that support these rules. Leyton observes that the mind assigns to any shape a causal history explaining how the shape was formed. We cannot help but perceive a deformed can as a dented can. Moreover, by reducing the study of shape to the study of symmetry, he shows that symmetry is crucial to our everyday cognitive processing. Symmetry is the means by which shape is converted into memory. Perception is usually regarded as the recovery of the spatial layout of the environment. Leyton, however, shows that perception is fundamentally the extraction of time from shape. In doing so, he is able to reduce the several areas of computational vision purely to symmetry principles. Examining grammar in linguistics, he argues that a sentence is psychologically represented as a piece of causal history, an archeological relic disinterred by the listener so that the sentence reveals the past. Again through a detailed analysis of art he shows that what the viewer takes to be the experience of a painting is in fact the extraction of time from the shapes of the painting. Finally he highlights crucial aspects of the mind's attempt to recover time in examples of political subjugation.