Author: Nomeda Urbonas
Publisher: MIT Press
ISBN: 3956794842
Category : Art
Languages : en
Pages : 0
Book Description
Contributors consider the vital urgency of human cohabitation with other forms of life, beginning a dialogue with possible futures. It is not easy to define a swamp, even in biology. The term is frequently used to characterize marshes, bogs, mires, wetlands, meadows, and other grey zones between land and water. In that sense, “swamp” is a metonym for a variety of transitional ecosystems and functions. This book invokes that concept as a tool to address the vital urgency of human cohabitation with other forms of life, placing the swamp at the crossroad of disciplines and practices. It is more than a biological ecosystem; it is a milieu of manifold sympoietic relationships, a locus of imagination, fostering the dialogue for possible futures. It is also a very particular modality—“an interface of Gaia”—offering a “face,” a certain physiognomy to faceless networks of relations, inviting us to engage in regimes of entanglement. The contributors to this volume expand on swampy notions, probing global and speculative art and architecture, intercalating philosophy and queer theory, and filtering these notions through the lens of posthumanist ecology, informed by the histories and theories of cybernetics, sociology, and the commons. Contributors Lorena Bello and Brent D. Ryan, Nikola Bojić, Chiara Bottici, Jonathan Jae-an Crisman and Newton Harrison, Glorianna Davenport and Gershon Dublon, T.J. Demos, Vittoria Di Palma, Jennifer Gabrys, Tinna Grétarsdóttir and Sigurjón Baldur Hafsteinsson, Stefan Helmreich, Stefanie Hessler, Yuk Hui, Giedrė Jankevičiūtė, Caroline A. Jones, Lars Bang Larsen, Bruno Latour, Gintautas Mažeikis, Astrida Neimanis, Kate Orff and Mariel Villeré, Andrew Pickering, Kristina Lee Podesva, Elizabeth A. Povinelli, María Puig de la Bellacasa and Dimitris Papadopoulos, Cristina Ricupero, Eglė Rindzevičiūtė, Kristupas Sabolius, Saskia Sassen, Caterina Scaramelli, Marco Scotini, Pelin Tan, Nomeda & Gediminas Urbonas, Angela Vettese
Swamps and the New Imagination
Author: Nomeda Urbonas
Publisher: MIT Press
ISBN: 3956794842
Category : Art
Languages : en
Pages : 0
Book Description
Contributors consider the vital urgency of human cohabitation with other forms of life, beginning a dialogue with possible futures. It is not easy to define a swamp, even in biology. The term is frequently used to characterize marshes, bogs, mires, wetlands, meadows, and other grey zones between land and water. In that sense, “swamp” is a metonym for a variety of transitional ecosystems and functions. This book invokes that concept as a tool to address the vital urgency of human cohabitation with other forms of life, placing the swamp at the crossroad of disciplines and practices. It is more than a biological ecosystem; it is a milieu of manifold sympoietic relationships, a locus of imagination, fostering the dialogue for possible futures. It is also a very particular modality—“an interface of Gaia”—offering a “face,” a certain physiognomy to faceless networks of relations, inviting us to engage in regimes of entanglement. The contributors to this volume expand on swampy notions, probing global and speculative art and architecture, intercalating philosophy and queer theory, and filtering these notions through the lens of posthumanist ecology, informed by the histories and theories of cybernetics, sociology, and the commons. Contributors Lorena Bello and Brent D. Ryan, Nikola Bojić, Chiara Bottici, Jonathan Jae-an Crisman and Newton Harrison, Glorianna Davenport and Gershon Dublon, T.J. Demos, Vittoria Di Palma, Jennifer Gabrys, Tinna Grétarsdóttir and Sigurjón Baldur Hafsteinsson, Stefan Helmreich, Stefanie Hessler, Yuk Hui, Giedrė Jankevičiūtė, Caroline A. Jones, Lars Bang Larsen, Bruno Latour, Gintautas Mažeikis, Astrida Neimanis, Kate Orff and Mariel Villeré, Andrew Pickering, Kristina Lee Podesva, Elizabeth A. Povinelli, María Puig de la Bellacasa and Dimitris Papadopoulos, Cristina Ricupero, Eglė Rindzevičiūtė, Kristupas Sabolius, Saskia Sassen, Caterina Scaramelli, Marco Scotini, Pelin Tan, Nomeda & Gediminas Urbonas, Angela Vettese
Publisher: MIT Press
ISBN: 3956794842
Category : Art
Languages : en
Pages : 0
Book Description
Contributors consider the vital urgency of human cohabitation with other forms of life, beginning a dialogue with possible futures. It is not easy to define a swamp, even in biology. The term is frequently used to characterize marshes, bogs, mires, wetlands, meadows, and other grey zones between land and water. In that sense, “swamp” is a metonym for a variety of transitional ecosystems and functions. This book invokes that concept as a tool to address the vital urgency of human cohabitation with other forms of life, placing the swamp at the crossroad of disciplines and practices. It is more than a biological ecosystem; it is a milieu of manifold sympoietic relationships, a locus of imagination, fostering the dialogue for possible futures. It is also a very particular modality—“an interface of Gaia”—offering a “face,” a certain physiognomy to faceless networks of relations, inviting us to engage in regimes of entanglement. The contributors to this volume expand on swampy notions, probing global and speculative art and architecture, intercalating philosophy and queer theory, and filtering these notions through the lens of posthumanist ecology, informed by the histories and theories of cybernetics, sociology, and the commons. Contributors Lorena Bello and Brent D. Ryan, Nikola Bojić, Chiara Bottici, Jonathan Jae-an Crisman and Newton Harrison, Glorianna Davenport and Gershon Dublon, T.J. Demos, Vittoria Di Palma, Jennifer Gabrys, Tinna Grétarsdóttir and Sigurjón Baldur Hafsteinsson, Stefan Helmreich, Stefanie Hessler, Yuk Hui, Giedrė Jankevičiūtė, Caroline A. Jones, Lars Bang Larsen, Bruno Latour, Gintautas Mažeikis, Astrida Neimanis, Kate Orff and Mariel Villeré, Andrew Pickering, Kristina Lee Podesva, Elizabeth A. Povinelli, María Puig de la Bellacasa and Dimitris Papadopoulos, Cristina Ricupero, Eglė Rindzevičiūtė, Kristupas Sabolius, Saskia Sassen, Caterina Scaramelli, Marco Scotini, Pelin Tan, Nomeda & Gediminas Urbonas, Angela Vettese
Stirring the Mud
Author: Barbara Hurd
Publisher: University of Georgia Press
ISBN: 082033152X
Category : Nature
Languages : en
Pages : 162
Book Description
In these nine evocative essays, Barbara Hurd explores the seductive allure of bogs, swamps, and wetlands. Hurd's forays into the land of carnivorous plants, swamp gas, and bog men provide fertile ground for rich thoughts about mythology, literature, Eastern spirituality, and human longing. In her observations of these muddy environments, she finds ample metaphor for human creativity, imagination, and fear.
Publisher: University of Georgia Press
ISBN: 082033152X
Category : Nature
Languages : en
Pages : 162
Book Description
In these nine evocative essays, Barbara Hurd explores the seductive allure of bogs, swamps, and wetlands. Hurd's forays into the land of carnivorous plants, swamp gas, and bog men provide fertile ground for rich thoughts about mythology, literature, Eastern spirituality, and human longing. In her observations of these muddy environments, she finds ample metaphor for human creativity, imagination, and fear.
Uki and the Swamp Spirit
Author: Kieran Larwood
Publisher: Faber & Faber
ISBN: 0571342841
Category : Juvenile Fiction
Languages : en
Pages : 227
Book Description
From bestselling author and winner of the Blue Peter Best Story Book Award, Uki and the Swamp Spirit is the fifth title set in the world of Podkin One-Ear. Uki had the sensation of a sickly green light, spreading out through the networks of water. Of tendrils connecting all the creatures of the marsh in a web . . . Linking itself so it could poison it all and destroy it. Uki and his friends have two more spirits to find and capture. After defeating Valkus, they make for Clarice, who is spreading disease through the swamps. Can Uki and his friends outwit him - all whilst they themselves are being chased by the Endwatch and Jori's clan of assassins? 'Storytelling perfection.' Sophie Anderson 'One of my sons very favourite authors.' Romesh Ranganathan 'Superb.' Max Porter 'It's jolly good fun ... expect sequels to breed like... well, rabbits.' SFX on The Legend of Podkin One-Ear
Publisher: Faber & Faber
ISBN: 0571342841
Category : Juvenile Fiction
Languages : en
Pages : 227
Book Description
From bestselling author and winner of the Blue Peter Best Story Book Award, Uki and the Swamp Spirit is the fifth title set in the world of Podkin One-Ear. Uki had the sensation of a sickly green light, spreading out through the networks of water. Of tendrils connecting all the creatures of the marsh in a web . . . Linking itself so it could poison it all and destroy it. Uki and his friends have two more spirits to find and capture. After defeating Valkus, they make for Clarice, who is spreading disease through the swamps. Can Uki and his friends outwit him - all whilst they themselves are being chased by the Endwatch and Jori's clan of assassins? 'Storytelling perfection.' Sophie Anderson 'One of my sons very favourite authors.' Romesh Ranganathan 'Superb.' Max Porter 'It's jolly good fun ... expect sequels to breed like... well, rabbits.' SFX on The Legend of Podkin One-Ear
Nomeda and Gediminas Urbonas
Author: Nomeda Urbonas
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 132
Book Description
The artists Nomeda & Gediminas Urbonas are representing Lithuania at the 52nd International Art Exhibition La Biennale di Venezia. This book documents the artistic process of the Villa Lituania project, from its inception in 2006 through to the realization of the first performance event and pavilion exhibition in June 2007. It collects the archival material associated with the challenge of building a pigeon loft in Rome, and a visual and textual artists' diary. Nomeda & Gediminas Urbonas have established an international reputation for their socially inter-active and inter-disciplinary practice that engages with the fabric of everyday life, public social space, and even political space, focusing on issues relevant to Lithuania. Generally, their practice is comprised of collective activities - workshops, lectures, debates, television programs, Internet chat-rooms, and public protest actions - that form around a specific social space and a topical issue. The art outcome is often the documentary recording, in a range of media, of the activity: or the collective production of an art work. They also collaborate with experts in different fields of cultural production such as architecture, design, and fashion to produce objects or products that cross disciplinary boundaries. Urbonas's work has evolved hand-in-hand with new media as they experiment with forms of 'access' that impacts upon public/audience reception of exhibition practices. Villa Lituania in Rome is a building associated with the Lithuanian nation: it was the Embassy of the first independent Republic of Lithuania (1918-1940) to Italy. The Embassy operated in the Villa from 1933-1940 but became a possession of the USSR after the Soviet occupation of Lithuania. The keys to the property, which had been in safe keeping, were handed by Italian authorities to Soviet officials in step with the alliance of powers signaled by the Molotov-Ribbentrop Pact (1939). Since the disintegration of the Soviet Union in 1990-91 and the formation of the Republic of Lithuania the Villa has remained the property of Russia; operating as the Russian Consulate in Rome. It is considered the last occupied territory of Lithuania, and successive Lithuanian governments have lobbied internationally for its restitution. Now two of the Lithuania's leading artists are taking up its cause. Their approach - qua the anarchitects Acconci, Matta-Clark, and Smithson - belongs to the symbolical field and will unfold in Venice, Vilnius, and Rome in the coming months. More than a catalogue, the publication contains specially commissioned essays by four leading international writers, and a curatorial essay by the project commissioner. David Carrier writes a brief history of avian symbolism in art, Boris Kagarlitsky traces the collapse of the USSR and its impact on contemporary life in Russia, Viktor Misiano delivers a personal view of historical ties between the Italian Communist Party and its Soviet counterpart, and Julian Stallabrass deconstructs the deployment of Marxist critique within the field of contemporary art. Villa Lituania is a truly cross-disciplinary reader; of Nomeda & Gediminas Urbonas' project; and the post-soviet condition from a contemporary Lithuanian perspective. Recent international projects by Nomeda & Gediminas Urbonas include: the Pro-test Lab Archive currently on show in "Monuments of our Discontent" a special-project for the Second Moscow Biennale; the archive was first displayed in "Fever Variations" at the Gwangju Biennale 2006. The archive developed from the Pro-test Lab project commissioned for the multi-venue touring exhibition Populism, 2005. Their Ruta Remake project (2003-05) evolved in exhibitions staged in Stuttgart, Oslo, Vienna, Berlin, and Vilnius. And Urbonas's multi-platform work Transaction was exhibited in Documenta XI and Manifesta 4 in 2002. The project Villa Lituania, principally funded by the Ministry of Culture of the Republic of Lithuania, is being organized by the Contemporary Art Centre and lead by CAC curator Simon Rees Contributors David Carrier, Boris Kagarlitsky, Viktor Misiano, Julian Stallabrass
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 132
Book Description
The artists Nomeda & Gediminas Urbonas are representing Lithuania at the 52nd International Art Exhibition La Biennale di Venezia. This book documents the artistic process of the Villa Lituania project, from its inception in 2006 through to the realization of the first performance event and pavilion exhibition in June 2007. It collects the archival material associated with the challenge of building a pigeon loft in Rome, and a visual and textual artists' diary. Nomeda & Gediminas Urbonas have established an international reputation for their socially inter-active and inter-disciplinary practice that engages with the fabric of everyday life, public social space, and even political space, focusing on issues relevant to Lithuania. Generally, their practice is comprised of collective activities - workshops, lectures, debates, television programs, Internet chat-rooms, and public protest actions - that form around a specific social space and a topical issue. The art outcome is often the documentary recording, in a range of media, of the activity: or the collective production of an art work. They also collaborate with experts in different fields of cultural production such as architecture, design, and fashion to produce objects or products that cross disciplinary boundaries. Urbonas's work has evolved hand-in-hand with new media as they experiment with forms of 'access' that impacts upon public/audience reception of exhibition practices. Villa Lituania in Rome is a building associated with the Lithuanian nation: it was the Embassy of the first independent Republic of Lithuania (1918-1940) to Italy. The Embassy operated in the Villa from 1933-1940 but became a possession of the USSR after the Soviet occupation of Lithuania. The keys to the property, which had been in safe keeping, were handed by Italian authorities to Soviet officials in step with the alliance of powers signaled by the Molotov-Ribbentrop Pact (1939). Since the disintegration of the Soviet Union in 1990-91 and the formation of the Republic of Lithuania the Villa has remained the property of Russia; operating as the Russian Consulate in Rome. It is considered the last occupied territory of Lithuania, and successive Lithuanian governments have lobbied internationally for its restitution. Now two of the Lithuania's leading artists are taking up its cause. Their approach - qua the anarchitects Acconci, Matta-Clark, and Smithson - belongs to the symbolical field and will unfold in Venice, Vilnius, and Rome in the coming months. More than a catalogue, the publication contains specially commissioned essays by four leading international writers, and a curatorial essay by the project commissioner. David Carrier writes a brief history of avian symbolism in art, Boris Kagarlitsky traces the collapse of the USSR and its impact on contemporary life in Russia, Viktor Misiano delivers a personal view of historical ties between the Italian Communist Party and its Soviet counterpart, and Julian Stallabrass deconstructs the deployment of Marxist critique within the field of contemporary art. Villa Lituania is a truly cross-disciplinary reader; of Nomeda & Gediminas Urbonas' project; and the post-soviet condition from a contemporary Lithuanian perspective. Recent international projects by Nomeda & Gediminas Urbonas include: the Pro-test Lab Archive currently on show in "Monuments of our Discontent" a special-project for the Second Moscow Biennale; the archive was first displayed in "Fever Variations" at the Gwangju Biennale 2006. The archive developed from the Pro-test Lab project commissioned for the multi-venue touring exhibition Populism, 2005. Their Ruta Remake project (2003-05) evolved in exhibitions staged in Stuttgart, Oslo, Vienna, Berlin, and Vilnius. And Urbonas's multi-platform work Transaction was exhibited in Documenta XI and Manifesta 4 in 2002. The project Villa Lituania, principally funded by the Ministry of Culture of the Republic of Lithuania, is being organized by the Contemporary Art Centre and lead by CAC curator Simon Rees Contributors David Carrier, Boris Kagarlitsky, Viktor Misiano, Julian Stallabrass
Fluid New York
Author: May Joseph
Publisher: Duke University Press
ISBN: 0822378884
Category : History
Languages : en
Pages : 262
Book Description
Hurricane Sandy was a fierce demonstration of the ecological vulnerability of New York, a city of islands. Yet the storm also revealed the resilience of a metropolis that has started during the past decade to reckon with its aqueous topography. In Fluid New York, May Joseph describes the many ways that New York, and New Yorkers, have begun to incorporate the city's archipelago ecology into plans for a livable and sustainable future. For instance, by cleaning its tidal marshes, the municipality has turned a previously dilapidated waterfront into a space for public leisure and rejuvenation. Joseph considers New York's relation to the water that surrounds and defines it. Her reflections reach back to the city's heyday as a world-class port—a past embodied in a Dutch East India Company cannon recently unearthed from the rubble at the World Trade Center site—and they encompass the devastation caused by Hurricane Sandy in 2012. They suggest that New York's future lies in the reclamation of its great water resources—for artistic creativity, civic engagement, and ecological sustainability.
Publisher: Duke University Press
ISBN: 0822378884
Category : History
Languages : en
Pages : 262
Book Description
Hurricane Sandy was a fierce demonstration of the ecological vulnerability of New York, a city of islands. Yet the storm also revealed the resilience of a metropolis that has started during the past decade to reckon with its aqueous topography. In Fluid New York, May Joseph describes the many ways that New York, and New Yorkers, have begun to incorporate the city's archipelago ecology into plans for a livable and sustainable future. For instance, by cleaning its tidal marshes, the municipality has turned a previously dilapidated waterfront into a space for public leisure and rejuvenation. Joseph considers New York's relation to the water that surrounds and defines it. Her reflections reach back to the city's heyday as a world-class port—a past embodied in a Dutch East India Company cannon recently unearthed from the rubble at the World Trade Center site—and they encompass the devastation caused by Hurricane Sandy in 2012. They suggest that New York's future lies in the reclamation of its great water resources—for artistic creativity, civic engagement, and ecological sustainability.
Atchafalaya Houseboat
Author: Gwen Roland
Publisher: LSU Press
ISBN: 0807161748
Category : Social Science
Languages : en
Pages : 156
Book Description
In the early 1970s, two idealistic young people—Gwen Carpenter Roland and Calvin Voisin—decided to leave civilization and re-create the vanished simple life of their great-grandparents in the heart of Louisiana's million-acre Atchafalaya River Basin Swamp. Armed with a box of crayons and a book called How to Build Your Home in the Woods, they drew up plans to recycle a slave-built structure into a houseboat. Without power tools or building experience they constructed a floating dwelling complete with a brick fireplace. Towed deep into the sleepy waters of Bloody Bayou, it was their home for eight years. This is the tale of the not-so-simple life they made together—days spent fishing, trading, making wine, growing food, and growing up—told by Gwen with grace, economy, and eloquence. Not long after they took up swamp living, Gwen and Calvin met a young photographer named C. C. Lockwood, who shared their "back to the earth" values. His photographs of the couple going about their daily routine were published in National Geographic magazine, bringing them unexpected fame. More than a quarter of a century later, after Gwen and Calvin had long since parted, one of Lockwood's photos of them appeared in a National Geographic collector's edition entitled 100 Best Pictures Unpublished—and kindled the interest of a new generation. With quiet wisdom, Gwen recounts her eight-year voyage of discovery—about swamp life, wildlife, and herself. A keen observer of both the natural world and the ways of human beings, she transports readers to an unfamiliar and exotic place.
Publisher: LSU Press
ISBN: 0807161748
Category : Social Science
Languages : en
Pages : 156
Book Description
In the early 1970s, two idealistic young people—Gwen Carpenter Roland and Calvin Voisin—decided to leave civilization and re-create the vanished simple life of their great-grandparents in the heart of Louisiana's million-acre Atchafalaya River Basin Swamp. Armed with a box of crayons and a book called How to Build Your Home in the Woods, they drew up plans to recycle a slave-built structure into a houseboat. Without power tools or building experience they constructed a floating dwelling complete with a brick fireplace. Towed deep into the sleepy waters of Bloody Bayou, it was their home for eight years. This is the tale of the not-so-simple life they made together—days spent fishing, trading, making wine, growing food, and growing up—told by Gwen with grace, economy, and eloquence. Not long after they took up swamp living, Gwen and Calvin met a young photographer named C. C. Lockwood, who shared their "back to the earth" values. His photographs of the couple going about their daily routine were published in National Geographic magazine, bringing them unexpected fame. More than a quarter of a century later, after Gwen and Calvin had long since parted, one of Lockwood's photos of them appeared in a National Geographic collector's edition entitled 100 Best Pictures Unpublished—and kindled the interest of a new generation. With quiet wisdom, Gwen recounts her eight-year voyage of discovery—about swamp life, wildlife, and herself. A keen observer of both the natural world and the ways of human beings, she transports readers to an unfamiliar and exotic place.
The Swamp
Author: Yoshiharu Tsuge
Publisher: Drawn & Quarterly
ISBN: 1770467661
Category : Comics & Graphic Novels
Languages : en
Pages : 256
Book Description
Yoshiharu Tsuge is one of the most influential and acclaimed practitioners of literary comics in Japan. The Swamp collects work from his early years, showing a major talent coming into his own. Bucking the tradition of mystery and adventure stories, Tsuge’s fiction focused on the lives of the citizens of Japan. These mesmerizing comics, like those of his contemporary Yoshihiro Tatsumi, reveal a gritty, at times desperate postwar Japan, while displaying Tsuge’s unique sense of humor and point of view. “Chirpy” is a simple domestic drama about expectations, fidelity, and escape. A couple purchase a beautiful white bird with a red beak. It is said that the bird will grow attached to its owners and never fly away. While the girlfriend is working as a hostess, flirting with men for money, the boyfriend decides to draw a portrait of the new family member, and disaster strikes. In “The Swamp,” a simple rural encounter is charged with sexual tension that is alluring but also fraught with danger. When a young woman happens upon a wing-shot goose, she tries to calm it then suddenly snaps its neck. Later, she befriends a young hunter and offers him shelter, but her motivations remain unclear, especially when the hunter notices a snake in the room where they’ll both be sleeping. The Swamp is a landmark in English manga-publishing history and the first in a series of Tsuge books Drawn & Quarterly will be publishing.
Publisher: Drawn & Quarterly
ISBN: 1770467661
Category : Comics & Graphic Novels
Languages : en
Pages : 256
Book Description
Yoshiharu Tsuge is one of the most influential and acclaimed practitioners of literary comics in Japan. The Swamp collects work from his early years, showing a major talent coming into his own. Bucking the tradition of mystery and adventure stories, Tsuge’s fiction focused on the lives of the citizens of Japan. These mesmerizing comics, like those of his contemporary Yoshihiro Tatsumi, reveal a gritty, at times desperate postwar Japan, while displaying Tsuge’s unique sense of humor and point of view. “Chirpy” is a simple domestic drama about expectations, fidelity, and escape. A couple purchase a beautiful white bird with a red beak. It is said that the bird will grow attached to its owners and never fly away. While the girlfriend is working as a hostess, flirting with men for money, the boyfriend decides to draw a portrait of the new family member, and disaster strikes. In “The Swamp,” a simple rural encounter is charged with sexual tension that is alluring but also fraught with danger. When a young woman happens upon a wing-shot goose, she tries to calm it then suddenly snaps its neck. Later, she befriends a young hunter and offers him shelter, but her motivations remain unclear, especially when the hunter notices a snake in the room where they’ll both be sleeping. The Swamp is a landmark in English manga-publishing history and the first in a series of Tsuge books Drawn & Quarterly will be publishing.
Swamp Monster
Author: James Preller
Publisher: Feiwel & Friends
ISBN: 1250080207
Category : Juvenile Fiction
Languages : en
Pages : 97
Book Description
Welcome. Pull up a chair. Don't worry about the watching eyes. Let us tell you a story. But be warned. Swamp Monster isn't just any tale. This is a Scary Tale. The brothers have been dreaming of a new pet for a while, but the monster they find in the swamp might not be the best choice . . . and the creature's mother agrees. Prepare yourself for the next installment of James Preller's heart-poundingly scary chapter book series filled with dark and creepy illustrations from acclaimed artist Iacopo Bruno.
Publisher: Feiwel & Friends
ISBN: 1250080207
Category : Juvenile Fiction
Languages : en
Pages : 97
Book Description
Welcome. Pull up a chair. Don't worry about the watching eyes. Let us tell you a story. But be warned. Swamp Monster isn't just any tale. This is a Scary Tale. The brothers have been dreaming of a new pet for a while, but the monster they find in the swamp might not be the best choice . . . and the creature's mother agrees. Prepare yourself for the next installment of James Preller's heart-poundingly scary chapter book series filled with dark and creepy illustrations from acclaimed artist Iacopo Bruno.
Sinister Swamps
Author: Lyle Blackburn
Publisher: Legendscape Publishing
ISBN: 9781734920604
Category : Body, Mind & Spirit
Languages : en
Pages : 276
Book Description
When it comes to iconic landscapes, nothing can rival the ominous allure of a swamp. Within these haunting domains of moss-draped trees and brackish waters lurks some of nature's finest work, along with some of the most compelling mysteries and spooky legends the world has ever known. From reports of unknown beasts, ghostly figures, and spook lights to tales of missing persons, lost planes, and witches, swamps inevitably ooze with intrigue as they offer a glimpse into a primordial past that may well reflect our very origin.For the last decade, noted author and adventurer Lyle Blackburn has delved into the world of swamps, collecting reports of strange phenomena and boating through their bubbling backwaters to seek the truth behind the fascinating tales. Do monsters, ghosts, and other bizarre entities truly exist in these unique and primitive regions? Find out by joining Blackburn for an eerie exploration as he parts the mossy curtains to expose the sinister secrets within some of North America's most notorious swamplands.
Publisher: Legendscape Publishing
ISBN: 9781734920604
Category : Body, Mind & Spirit
Languages : en
Pages : 276
Book Description
When it comes to iconic landscapes, nothing can rival the ominous allure of a swamp. Within these haunting domains of moss-draped trees and brackish waters lurks some of nature's finest work, along with some of the most compelling mysteries and spooky legends the world has ever known. From reports of unknown beasts, ghostly figures, and spook lights to tales of missing persons, lost planes, and witches, swamps inevitably ooze with intrigue as they offer a glimpse into a primordial past that may well reflect our very origin.For the last decade, noted author and adventurer Lyle Blackburn has delved into the world of swamps, collecting reports of strange phenomena and boating through their bubbling backwaters to seek the truth behind the fascinating tales. Do monsters, ghosts, and other bizarre entities truly exist in these unique and primitive regions? Find out by joining Blackburn for an eerie exploration as he parts the mossy curtains to expose the sinister secrets within some of North America's most notorious swamplands.
The Hydrocene
Author: Bronwyn Bailey-Charteris
Publisher: Taylor & Francis
ISBN: 1040018750
Category : Nature
Languages : en
Pages : 233
Book Description
This book challenges conventional notions of the Anthropocene and champions the Hydrocene: the Age of Water. It presents the Hydrocene as a disruptive, conceptual epoch and curatorial theory, emphasising water's pivotal role in the climate crisis and contemporary art. The Hydrocene is a wet ontological shift in eco-aesthetics which redefines our approach to water, transcending anthropocentric, neo-colonial and environmentally destructive ways of relating to water. As the most fundamental of elements, water has become increasingly politicised, threatened and challenged by the climate crisis. In response, The Hydrocene articulates and embodies the distinctive ways contemporary artists relate and engage with water, offering valuable lessons towards climate action. Through five compelling case studies across swamp, river, ocean, fog and ice, this book binds feminist environmental humanities theories with the practices of eco-visionary artists. Focusing on Nordic and Oceanic water-based artworks, it demonstrates how art can disrupt established human–water dynamics. By engaging hydrofeminist, care-based and planetary thinking, The Hydrocene learns from the knowledge and agency of water itself within the tide of art going into the blue. The Hydrocene urgently highlights the transformative power of eco-visionary artists in reshaping human–water relations. At the confluence of contemporary art, curatorial theory, climate concerns and environmental humanities, this book is essential reading for researchers, curators, artists, students and those seeking to reconsider their connection with water and advocate for climate justice amid the ongoing natural-cultural water crisis.
Publisher: Taylor & Francis
ISBN: 1040018750
Category : Nature
Languages : en
Pages : 233
Book Description
This book challenges conventional notions of the Anthropocene and champions the Hydrocene: the Age of Water. It presents the Hydrocene as a disruptive, conceptual epoch and curatorial theory, emphasising water's pivotal role in the climate crisis and contemporary art. The Hydrocene is a wet ontological shift in eco-aesthetics which redefines our approach to water, transcending anthropocentric, neo-colonial and environmentally destructive ways of relating to water. As the most fundamental of elements, water has become increasingly politicised, threatened and challenged by the climate crisis. In response, The Hydrocene articulates and embodies the distinctive ways contemporary artists relate and engage with water, offering valuable lessons towards climate action. Through five compelling case studies across swamp, river, ocean, fog and ice, this book binds feminist environmental humanities theories with the practices of eco-visionary artists. Focusing on Nordic and Oceanic water-based artworks, it demonstrates how art can disrupt established human–water dynamics. By engaging hydrofeminist, care-based and planetary thinking, The Hydrocene learns from the knowledge and agency of water itself within the tide of art going into the blue. The Hydrocene urgently highlights the transformative power of eco-visionary artists in reshaping human–water relations. At the confluence of contemporary art, curatorial theory, climate concerns and environmental humanities, this book is essential reading for researchers, curators, artists, students and those seeking to reconsider their connection with water and advocate for climate justice amid the ongoing natural-cultural water crisis.