Supplementary Catalog of Perforated Music Rolls, July 1911-1912 PDF Download
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Author: Universal Music Company, Chicago
Publisher:
ISBN:
Category : Player piano music
Languages : en
Pages : 58
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Book Description
Author: Universal Music Company, Chicago
Publisher:
ISBN:
Category : Player piano music
Languages : en
Pages : 58
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 734
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Book Description
Author: Maxwell Alexander Robertson
Publisher:
ISBN:
Category :
Languages : en
Pages : 720
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Book Description
Author: Charles Davis Smith
Publisher: Automatic Musical Instrument Collectors' Association
ISBN:
Category : Music
Languages : en
Pages : 1000
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Book Description
Author:
Publisher:
ISBN:
Category : Finance
Languages : en
Pages : 2354
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Book Description
Author: Huntington Family Association
Publisher:
ISBN:
Category : Reference
Languages : en
Pages : 1232
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Book Description
Author: Mike Kitner
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 202
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Book Description
Author: Arthur A. Reblitz
Publisher:
ISBN: 9781879511026
Category : Piano
Languages : en
Pages : 0
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Book Description
Provides all the information needed for restoring and maintaining pianos, both for professionals and amateurs.
Author: Alfred Dolge
Publisher:
ISBN:
Category : Piano
Languages : en
Pages : 544
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Book Description
Author: Christine Poggi
Publisher: Yale University Press
ISBN: 9780300051094
Category : Art
Languages : en
Pages : 318
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Book Description
The invention of collage by Picasso and Braque in 1912 proved to be a dramatic turning point in the development of Cubism and Futurism and ultimately one of the most significant innovations in twentieth-century art. Collage has traditionally been viewed as a new expression of modernism, one allied with modernism's search for purity of means, anti-illusionism, unity, and autonomy of form. This book - the first comprehensive study of collage and its relation to modernism - challenges this view. Christine Poggi argues that collage did not become a new language of modernism but a new language with which to critique modernism. She focuses on the ways Cubist collage - and the Futurist multimedia work that was inspired by it - undermined prevailing notions of material and stylistic unity, subverted the role of the frame and pictorial ground, and brought the languages of high and low culture into a new relationship of exchange.
