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Author: Everest Media,
Publisher: Everest Media LLC
ISBN: 1669382885
Category : History
Languages : en
Pages : 38
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Book Description
Please note: This is a companion version & not the original book. Sample Book Insights: #1 As a young woman with modest means and few prospects, Ruth Middleton transformed her life by moving north. She took a leap into the unknown as a Black woman in the 1910s, and she was still a teenager at the time. #2 The sack that Ruth brought to Philadelphia around 1918 was the only definitive primary source detailing the fate of Rose and Ashley. It does not include any sources or facts, only names, one place, and one date. #3 The story of Rose and Ruth is a prime example of how the past can be recovered if we are willing to search for it. By stitching Rose’s belongings, Ruth was able to recover her life conditions and her act of love. #4 The sack Ruth Middleton embroidered in the 1920s is a remarkable example of Black matrilineal heritage. It represents a persistent Black matriline, a continuation of radical vision that was impossible given the logic and enforcement of American enslavement.
Author: Tiya Miles
Publisher: Random House Trade Paperbacks
ISBN: 1984855018
Category : History
Languages : en
Pages : 425
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Book Description
NATIONAL BOOK AWARD WINNER • NEW YORK TIMES BESTSELLER • A renowned historian traces the life of a single object handed down through three generations of Black women to craft a “deeply layered and insightful” (The Washington Post) testament to people who are left out of the archives. WINNER: Frederick Douglass Book Prize, Harriet Tubman Prize, PEN/John Kenneth Galbraith Award, Anisfield-Wolf Book Award, Ralph Waldo Emerson Prize, Lawrence W. Levine Award, Darlene Clark Hine Award, Cundill History Prize, Joan Kelly Memorial Prize, Massachusetts Book Award ONE OF THE TEN BEST BOOKS OF THE YEAR: The Washington Post, Slate, Vulture, Publishers Weekly “A history told with brilliance and tenderness and fearlessness.”—Jill Lepore, author of These Truths: A History of the United States In 1850s South Carolina, an enslaved woman named Rose faced a crisis: the imminent sale of her daughter Ashley. Thinking quickly, she packed a cotton bag for her with a few items, and, soon after, the nine-year-old girl was separated from her mother and sold. Decades later, Ashley’s granddaughter Ruth embroidered this family history on the sack in spare, haunting language. Historian Tiya Miles carefully traces these women’s faint presence in archival records, and, where archives fall short, she turns to objects, art, and the environment to write a singular history of the experience of slavery, and the uncertain freedom afterward, in the United States. All That She Carried is a poignant story of resilience and love passed down against steep odds. It honors the creativity and resourcefulness of people who preserved family ties when official systems refused to do so, and it serves as a visionary illustration of how to reconstruct and recount their stories today. FINALIST: MAAH Stone Book Award, Kirkus Prize, Mark Lynton History Prize, Chatauqua Prize, Women’s Prize ONE OF THE BEST BOOKS OF THE YEAR: The New York Times, NPR, Time, The Boston Globe, The Atlantic, The Atlanta Journal-Constitution, Smithsonian Magazine, St. Louis Post-Dispatch, Ms. magazine, Book Riot, Library Journal, Kirkus Reviews, Booklist
Author: Everest Media,
Publisher: Everest Media LLC
ISBN: 1669382885
Category : History
Languages : en
Pages : 38
Get Book Here
Book Description
Please note: This is a companion version & not the original book. Sample Book Insights: #1 As a young woman with modest means and few prospects, Ruth Middleton transformed her life by moving north. She took a leap into the unknown as a Black woman in the 1910s, and she was still a teenager at the time. #2 The sack that Ruth brought to Philadelphia around 1918 was the only definitive primary source detailing the fate of Rose and Ashley. It does not include any sources or facts, only names, one place, and one date. #3 The story of Rose and Ruth is a prime example of how the past can be recovered if we are willing to search for it. By stitching Rose’s belongings, Ruth was able to recover her life conditions and her act of love. #4 The sack Ruth Middleton embroidered in the 1920s is a remarkable example of Black matrilineal heritage. It represents a persistent Black matriline, a continuation of radical vision that was impossible given the logic and enforcement of American enslavement.
Author: Kathleen Bonnette
Publisher: Wipf and Stock Publishers
ISBN: 1666752037
Category : Religion
Languages : en
Pages : 151
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Book Description
This book is for seekers—for those with restless hearts. It is especially for those who express their hope through the Catholic tradition but struggle with disillusionment and long for something more. (R)evolutionary Hope invites readers to journey toward that More. With theological reflection explored and interrogated through memoir, this work reimagines what it means to be Catholic, challenging readers to remain open to the grace that draws them from certainty to possibility, beyond what is to what could be. By infusing the theological tradition of St. Augustine with the spirituality emerging in contemporary women of the church, (R)evolutionary Hope invites readers to shift their paradigm from one of hierarchy to one of interconnection, offering a theology of encounter that is rooted in tradition, responsive to present realities, and ever open to the future.
Author: Seth Rockman
Publisher: University of Chicago Press
ISBN: 0226836533
Category : History
Languages : en
Pages : 423
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Book Description
An eye-opening rethinking of nineteenth-century American history that reveals the interdependence of the Northern industrial economy and Southern slave labor. The industrializing North and the agricultural South—that’s how we have been taught to think about the United States in the early nineteenth century. But in doing so, we overlook the economic ties that held the nation together before the Civil War. We miss slavery’s long reach into small New England communities, just as we fail to see the role of Northern manufacturing in shaping the terrain of human bondage in the South. Using plantation goods—the shirts, hats, hoes, shovels, shoes, axes, and whips made in the North for use in the South—historian Seth Rockman locates the biggest stories in American history in the everyday objects that stitched together the lives and livelihoods of Americans—white and Black, male and female, enslaved and free—across an expanding nation. By following the stories of material objects, such as shoes made by Massachusetts farm women that found their way to the feet of a Mississippi slave, Rockman reveals a national economy organized by slavery—a slavery that outsourced the production of its supplies to the North, and a North that outsourced its slavery to the South. Melding business and labor history through powerful storytelling, Plantation Goods brings northern industrialists, southern slaveholders, enslaved field hands, and paid factory laborers into the same picture. In one part of the country, entrepreneurs envisioned fortunes to be made from “planter’s hoes” and rural women spent their days weaving “negro cloth” and assembling “slave brogans.” In another, enslaved people actively consumed textiles and tools imported from the North to contest their bondage. In between, merchants, marketers, storekeepers, and debt collectors laid claim to the profits of a thriving interregional trade. Examining producers and consumers linked in economic and moral relationships across great geographic and political distances, Plantation Goods explores how people in the nineteenth century thought about complicity with slavery while showing how slavery structured life nationwide and established a modern world of entrepreneurship and exploitation. Rockman brings together lines of American history that have for too long been told separately, as slavery and capitalism converge in something as deceptively ordinary as a humble pair of shoes.
Author: Nikole Hannah-Jones
Publisher: Clarkson Potter
ISBN: 0593232542
Category : History
Languages : en
Pages : 289
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Book Description
An illustrated edition of The 1619 Project, with newly commissioned artwork and archival images, The New York Times Magazine’s award-winning reframing of the American founding and its contemporary echoes, placing slavery and resistance at the center of the American story. Here, in these pages, Black art provides refuge. The marriage of beautiful, haunting and profound words and imagery creates an experience for the reader, a wanting to reflect, to sit in both the discomfort and the joy, to contemplate what a nation owes a people who have contributed so much and yet received so little, and maybe even, to act.—Nikole Hannah-Jones, from the Preface Curated by the editors of The New York Times Magazine, led by Pulitzer Prize–winning journalist Nikole Hannah-Jones, this illustrated edition of The 1619 Project features seven chapters from the original book that lend themselves to beautiful, engaging visuals, deepening the experience of the content. The 1619 Project: A Visual Experience offers the same revolutionary idea as the original book, an argument for a new national origin story that begins in late August of 1619, when a cargo ship of people stolen from Africa arrived on the shores of Point Comfort, Virginia. Only by reckoning with this difficult history and understanding its powerful influence on our present can we prepare ourselves for a more just future. Filled with original art by thirteen Black artists like Carrie Mae Weems, Calida Rawles, Vitus Shell, Xaviera Simmons, on the themes of resistance and freedom, a brand-new photo essay about slave auction sites, vivid photos of Black Americans celebrating their own forms of patriotism, and a collection of archival images of Black families by Black photographers, this gorgeous volume offers readers a dynamic new way of experiencing the impact of The 1619 Project. Complete with many of the powerful essays and vignettes from the original edition, written by some of the most brilliant journalists, scholars, and thinkers of our time, The 1619 Project: A Visual Experience brings to life a fuller, more comprehensive understanding of American history and culture.
Author: Alice Randall
Publisher: Simon and Schuster
ISBN: 1668018403
Category : Biography & Autobiography
Languages : en
Pages : 288
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Book Description
Alice Randall, award-winning professor, songwriter, and author with a “lively, engaging, and often wise” (The New York Times Book Review) voice, offers a lyrical, introspective, and unforgettable account of her past and her search for the first family of Black country music. Country music had brought Randall and her activist mother together and even gave Randall a singular distinction in American music history: she is the first Black woman to cowrite a number one country hit, Trisha Yearwood’s “XXX’s and OOO’s”. Randall found inspiration and comfort in the sounds and history of the first family of Black country music: DeFord Bailey, Lil Hardin, Ray Charles, Charley Pride, and Herb Jeffries who, together, made up a community of Black Americans rising through hard times to create simple beauty, true joy, and sometimes profound eccentricity. What emerges in My Black Country is a celebration of the most American of music genres and the radical joy in realizing the power of Black influence on American culture. As country music goes through a fresh renaissance today, with a new wave of Black artists enjoying success, My Black Country is the perfect gift for longtime country fans and a vibrant introduction to a new generation of listeners who previously were not invited to give the genre a chance.
Author: John D. Garrigus
Publisher: Harvard University Press
ISBN: 0674295080
Category : Social Science
Languages : en
Pages : 257
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Book Description
A bold rethinking of the Haitian Revolution reveals the roots of the only successful slave uprising in the modern world. Unearthing the progenitors of the Haitian Revolution has been a historical project of two hundred years. In A Secret among the Blacks, John D. Garrigus introduces two dozen Black men and women and their communities whose decades of resistance to deadly environmental and political threats preceded and shaped the 1791 revolt. In the twenty-five miles surrounding the revolt’s first fires, enslaved people of diverse origins lived in a crucible of forces that arose from the French colonial project. When a combination of drought, trade blockade, and deadly anthrax bacteria caused waves of death among the enslaved in the 1750s, poison investigations spiraled across plantations. Planters accused, tortured, and killed enslaved healers, survivors, and community leaders for deaths the French regime had caused. Facing inquisition, exploitation, starvation, and disease, enslaved people devised resistance strategies that they practiced for decades. Enslaved men and women organized labor stoppages and allied with free Blacks to force the French into negotiations. They sought enforcement of freedom promises and legal protection from abuse. Some killed their abusers. Through remarkable archival discoveries and creative interpretations of the worlds endured by the enslaved, A Secret among the Blacks reveals the range of complex, long-term political visions pursued by enslaved people who organized across plantations located in the seedbed of the Haitian Revolution. When the call to rebellion came, these men and women were prepared to answer.
Author: Shiamin Kwa
Publisher: Rutgers University Press
ISBN: 1978826540
Category : Literary Criticism
Languages : en
Pages : 161
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Book Description
Analyzing the way that recent works of graphic narrative use the comics form to engage with the “problem” of reproduction, Shiamin Kwa’s Perfect Copies reminds us that the mode of production and the manner in which we perceive comics are often quite similar to the stories they tell. Perfect Copies considers the dual notions of reproduction, mechanical as well as biological, and explores how comics are works of reproduction that embed questions about the nature of reproduction itself. Through close readings of the comics My Favorite Thing Is Monsters by Emil Ferris, The Black Project by Gareth Brookes, The Generous Bosom series by Conor Stechschulte, Sabrina by Nick Drnaso, and Panther by Brecht Evens, Perfect Copies shows how these comics makers push the limits of different ideas of “reproduction” in strikingly different ways. Kwa suggests that reading and thinking about books like these, that push us to engage with these complicated questions, teaches us how to become better readers.
Author: Whitney Nell Stewart
Publisher: UNC Press Books
ISBN:
Category : History
Languages : en
Pages : 293
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Book Description
The cultural memory of plantations in the Old South has long been clouded by myth. A recent reckoning with the centrality of slavery to the US national story, however, has shifted the meaning of these sites. Plantations are no longer simply seen as places of beauty and grandiose hospitality; their reality as spaces of enslavement, exploitation, and violence is increasingly at the forefront of our scholarly and public narratives. Yet even this reckoning obscures what these sites meant to so many forced to live and labor on them: plantations were Black homes as much as white. Insightfully reading the built environment of plantations, considering artifact fragments found in excavations of slave dwellings, and drawing on legal records and plantation owners' papers, Whitney Nell Stewart illuminates how enslaved people struggled to make home amid innumerable constraints and obstacles imposed by white southerners. By exploring the material remnants of the past, Stewart demonstrates how homemaking was a crucial part of the battle over slavery and freedom, a fight that continues today in consequential confrontations over who has the right to call this nation home.
Author: Margo Natalie Crawford
Publisher: Vanderbilt University Press
ISBN: 0826507514
Category : Social Science
Languages : en
Pages : 268
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Book Description
Hortense Spillers is one of the most important literary critics and Black feminist scholars of the last fifty years. Her 1987 scholarly article “Mama’s Baby, Papa’s Maybe: An American Grammar Book” is one of the most-cited essays in African American literary studies. Edited by Margo Natalie Crawford and C. Riley Snorton, The Flesh of the Matter: A Critical Forum on Hortense Spillers is the first collection to take up directly how Spillers’s writing on literature, culture, and theory have been signal posts to the varied and universal threads of Black thought, as well as countless other areas of the academy. Interspersed with archival fragments from Spillers’s papers kept at the Pembroke Center for Feminist Thought at Brown University, the fourteen essays in this collection demonstrate a fidelity to the ways of reading Spillers has taught us, the nomenclature of enslavement keyed into the American lexicon, and the ways that history permeates our cultural boundaries today.
