Suffolk Clocks & Clockmakers PDF Download
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Author: Arthur L. Haggar
Publisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 248
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Book Description
Author: Arthur L. Haggar
Publisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 248
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Book Description
Author: Anon
Publisher: Read Books Ltd
ISBN: 1473380502
Category : Antiques & Collectibles
Languages : en
Pages : 136
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Book Description
This little book contains an alphabetical list of world famous watch and clock makers. Each entry signifies the period when the person referred to was connected with the Clockmaker's Company, or known to be in business, or when some example of their work was made. Following the names and addresses of some makers is a description of their work which has been met with, or of some invention or distinguishing trait.
Author:
Publisher:
ISBN:
Category : Clocks and watches
Languages : en
Pages : 364
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Book Description
Author: Frederick James Britten
Publisher:
ISBN:
Category : Clock and watch makers
Languages : en
Pages : 418
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Book Description
Author: Frederick James Britten
Publisher:
ISBN:
Category : Clock and watch makers
Languages : en
Pages : 832
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Book Description
Author: Chris Pickford
Publisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 276
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Book Description
The dictionary is preceded by an introduction on timekeeping and the history of clock- and watchmaking in Bedfordshire. Extracts are included from a selection of documents to illustrate the sources used in compiling the dictionary. They range over advertisements, Bedfordshire Quarter Sessions' records, bills and customers' financial accounts, churchwardens' accounts, clubs, insurance records and settlement examinations. The biographical dictionary provides family details, apprenticeships, places of work and examples of the person's work, amongst much other information. Here will be found information about Thomas Tompion from Northill 'widely regarded as the greatest English clockmaker'. Appendices list the places of work in Bedfordshire and neighbouring counties of clock- and watchmakers (with a map) and of apprentices to the trade 1631-1881.
Author: Frederick James Britten
Publisher:
ISBN:
Category : Clock and watch makers
Languages : en
Pages : 526
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Book Description
Author: Frederick James Britten
Publisher: ACC Distribution
ISBN: 9781851491926
Category : Antiques & Collectibles
Languages : en
Pages : 499
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Book Description
Facsimile of the 1911 edition
Author: Edward J. Gillin
Publisher: Cambridge University Press
ISBN: 1108419666
Category : Architecture
Languages : en
Pages : 343
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Book Description
Edward J. Gillin explores the extraordinary role of scientific knowledge in the building of the Houses of Parliament in Victorian Britain.
Author: Marina Belozerskaya
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
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Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
