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Author: Carol Fisher Saller
Publisher: University of Chicago Press
ISBN: 0226734102
Category : Reference
Languages : en
Pages : 151
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Book Description
Each year writers and editors submit over three thousand grammar and style questions to the Q&A page at The Chicago Manual of Style Online. Some are arcane, some simply hilarious—and one editor, Carol Fisher Saller, reads every single one of them. All too often she notes a classic author-editor standoff, wherein both parties refuse to compromise on the "rights" and "wrongs" of prose styling: "This author is giving me a fit." "I wish that I could just DEMAND the use of the serial comma at all times." "My author wants his preface to come at the end of the book. This just seems ridiculous to me. I mean, it’s not a post-face." In The Subversive Copy Editor, Saller casts aside this adversarial view and suggests new strategies for keeping the peace. Emphasizing habits of carefulness, transparency, and flexibility, she shows copy editors how to build an environment of trust and cooperation. One chapter takes on the difficult author; another speaks to writers themselves. Throughout, the focus is on serving the reader, even if it means breaking "rules" along the way. Saller’s own foibles and misadventures provide ample material: "I mess up all the time," she confesses. "It’s how I know things." Writers, Saller acknowledges, are only half the challenge, as copy editors can also make trouble for themselves. (Does any other book have an index entry that says "terrorists. See copy editors"?) The book includes helpful sections on e-mail etiquette, work-flow management, prioritizing, and organizing computer files. One chapter even addresses the special concerns of freelance editors. Saller’s emphasis on negotiation and flexibility will surprise many copy editors who have absorbed, along with the dos and don’ts of their stylebooks, an attitude that their way is the right way. In encouraging copy editors to banish their ignorance and disorganization, insecurities and compulsions, the Chicago Q&A presents itself as a kind of alter ego to the comparatively staid Manual of Style. In The Subversive Copy Editor, Saller continues her mission with audacity and good humor.
Author: Carol Fisher Saller
Publisher: University of Chicago Press
ISBN: 0226734102
Category : Reference
Languages : en
Pages : 151
Get Book Here
Book Description
Each year writers and editors submit over three thousand grammar and style questions to the Q&A page at The Chicago Manual of Style Online. Some are arcane, some simply hilarious—and one editor, Carol Fisher Saller, reads every single one of them. All too often she notes a classic author-editor standoff, wherein both parties refuse to compromise on the "rights" and "wrongs" of prose styling: "This author is giving me a fit." "I wish that I could just DEMAND the use of the serial comma at all times." "My author wants his preface to come at the end of the book. This just seems ridiculous to me. I mean, it’s not a post-face." In The Subversive Copy Editor, Saller casts aside this adversarial view and suggests new strategies for keeping the peace. Emphasizing habits of carefulness, transparency, and flexibility, she shows copy editors how to build an environment of trust and cooperation. One chapter takes on the difficult author; another speaks to writers themselves. Throughout, the focus is on serving the reader, even if it means breaking "rules" along the way. Saller’s own foibles and misadventures provide ample material: "I mess up all the time," she confesses. "It’s how I know things." Writers, Saller acknowledges, are only half the challenge, as copy editors can also make trouble for themselves. (Does any other book have an index entry that says "terrorists. See copy editors"?) The book includes helpful sections on e-mail etiquette, work-flow management, prioritizing, and organizing computer files. One chapter even addresses the special concerns of freelance editors. Saller’s emphasis on negotiation and flexibility will surprise many copy editors who have absorbed, along with the dos and don’ts of their stylebooks, an attitude that their way is the right way. In encouraging copy editors to banish their ignorance and disorganization, insecurities and compulsions, the Chicago Q&A presents itself as a kind of alter ego to the comparatively staid Manual of Style. In The Subversive Copy Editor, Saller continues her mission with audacity and good humor.
Author: Donald W. Hamilton
Publisher: Bloomsbury Publishing USA
ISBN: 1573568546
Category : History
Languages : en
Pages : 212
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Book Description
In his analysis of insurgency war, Donald Hamilton first attempts to provide insight into a strategic concept he believes is little understood today, and to explain its complicated relationship to American policy failures in Southeast Asia during the post-1945 era of containment. The study develops a working model of insurgency, explaining it as both a unique method and type of war-making. Significant findings include the inability of policymakers to perceive a potential insurgency in Vietnam as early as 1946, subsequent American involvement in not one, but three Asian insurgencies during the 1950s, and the ultimate failure of the U.S. military to meet the insurgency challenge in South Vietnam. This inability to eliminate the insurgency led not only to the complete breakdown of the South Vietnamese government, but was the primary reason why further U.S. military action after 1965 would prove ineffectual. This historical narrative also follows the involvement of several key players, including the personalities of Edward Lansdale, Sir Robert Thompson, Archimedes Patti, and Vo Nguyen Giap, who through their life experiences and writings, provide a keen profundity into why insurgencies occur, why they fail, and why they succeed.
Author: Margo Milleret
Publisher: State University of New York Press
ISBN: 0791484416
Category : Literary Criticism
Languages : en
Pages : 276
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Book Description
While a feminine perspective has become more common on Latin American stages since the late 1960s, few of the women dramatists who have contributed to this new viewpoint have received scholarly attention. Latin American Women On/In Stages examines twenty-four plays written by women living in Argentina, Brazil, Chile, Costa Rica, Mexico, Puerto Rico, and Venezuela. While all of the plays critique the restraints placed on being female, several also offer alternatives that emphasize a broader and healthier range of options. Margo Milleret, using an innovative comparative and thematic approach, highlights similarities in the techniques and formats employed by female playwrights as they challenged both theatrical and social conventions. She argues that these representations of women's lives are important for their creativity and their insights into both the personal and public worlds of Latin America.
Author: Anne Davis Basting
Publisher: University of Michigan Press
ISBN: 9780472109395
Category : Performing Arts
Languages : en
Pages : 240
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Book Description
A first-of-its-kind study that explores the intersections of performance and aging. Playwright and scholar Anne Davis Basting explores both aging actors and aging AS acting in a cross-section of American theatrical representations that hope to catalyze shifts in our understanding of age. Illustrations.
Author: Neil Postman
Publisher: Laurel
ISBN:
Category : Education
Languages : en
Pages : 228
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Book Description
Author: Enneas Esofius
Publisher: SAXO.com
ISBN: 8771432906
Category : Social Science
Languages : en
Pages : 456
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Book Description
Will it in some way be possible to detect the remains of a European civilization underneath the precarious structures of the European Union?The answer to this question may seem to depend on, whether the national cultures of the European area can represent various sections of building blocks that can be collected and connected to form a civilization, or whether they may rather seem to constitute some more or less accidental agglomerations of people that merely happen to belong to related families of language and culture.The second hypothesis does not seem to require too much further explanation, whereas the first hypothesis may need a model to help explain the identities of national cultures, their relationships to different geographical landscape formations, and their mutual interconnectedness that in a way may serve to constitute an entire civilization.This essay, or collection of essays, is pursuing the first hypothesis through a model of basic categories of activity that can be related to process dynamical logic of progression, and registration of data, together with various modes of circumstantial precaution.European cultures are assumed to be formed around particular basic categories of activity that may also appear to be reflected in different forms of landscape.Different types of cultural evolution are further considered, and it is argued that adaptive as well as subversive forms of evolution are important with respect to the impact of civilization on national cultural developments and vice versa.Critical factors of development are moreover considered, and it is suggested that the present European Union may eventually evolve into a new synthesis that can connect various critical tendencies, in a way that may give European civilization a new overall dynamical direction. Similar developments, with respect to critical syntheses of the past, are related to crucial turns of various historical epochs, and such epochs can seem to be lasting about 500 years.Interplay of different civilizations is considered more in relation to a possible new era, an even more lengthy period of time.Impact of various civilizational models on evolution of civilization is supposed to act indirectly, as catalytic influence on critical and subversive evolutionary tendencies, through formulations related to art, science, philosophy and religion. Questions of order, balance and justice that can seem particularly relevant with respect to subversive evolution are also being introduced and considered gradually.It may take a courageous and persistent yet open-minded intellect to embark on the reading of this essay.
Author: Ricardo Falla
Publisher: Routledge
ISBN: 0429723121
Category : Political Science
Languages : en
Pages : 214
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Book Description
Between 1975 and 1982 the Guatemalan military systematically and sadistically punished the campesino population for the activities of guerrilleros in their region. This account by Ricardo Falla, an anthropologist and Jesuit priest who is himself a Guatemalan exile, shows how the victims and their communities were destroyed and provides a detailed record of assassinations and disappearances. The book also bears witness to the work of Catholic priests who are dedicating themselves to improving the lives of the peoples of Central America.
Author:
Publisher:
ISBN:
Category : Labor unions
Languages : en
Pages : 446
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Book Description
Author: Phyllis Rackin
Publisher: Cornell University Press
ISBN: 150172472X
Category : Literary Criticism
Languages : en
Pages : 273
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Book Description
Phyllis Rackin offers a fresh approach to Shakespeare's English history plays, rereading them in the context of a world where rapid cultural change transformed historical consciousness and gave the study of history a new urgency. Rackin situates Shakespeare's English chronicles among multiple discourses, particularly the controversies surrounding the functions of poetry, theater, and history. She focuses on areas of contention in Renaissance historiography that are also areas of concern in recent criticism-historical authority and causation, the problems of anachronism and nostalgia, and the historical construction of class and gender. She analyzes the ways in which the perfoace of history in Shakespeare's theater participated—and its representation in subsequent criticism still participates—in the contests between opposed theories of history and between the different ideological interests and historiographic practices they authorize. Celebrating the heroic struggles of the past and recording the patriarchal genealogies of kings and nobles, Tudor historians provided an implicit rationale for the hierarchical order of their own time; but the new public theater where socially heterogeneous audiences came together to watch common players enact the roles of their social superiors was widely perceived as subverting that order. Examining such sociohistorical factors as the roles of women and common men and the conditions of theatrical performance, Rackin explores what happened when elite historical discourse was trans porteto the public commercial theater. She argues that Shakespeare's chronicles transformed univocal historical writing into polyphonic theatrical scripts that expressed the contradictions of Elizabethan culture.
Author: Dan Mirvish
Publisher: Taylor & Francis
ISBN: 1317289870
Category : Art
Languages : en
Pages : 241
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Book Description
In The Cheerful Subversive’s Guide to Independent Filmmaking, celebrated Slamdance Film Festival co-founder Dan Mirvish offers a rich exploration of the process and culture of making low-budget, independent films. Once labelled a "cheerful subversive" by The New York Times, Mirvish shares his unfiltered pragmatic approach to scriptwriting, casting, directing, producing, managing a crew, post-production, navigating the film festival circuit, distributing your film, dealing with piracy and building a career. Readers will learn how to game the Hollywood system to their advantage, get their films accepted by respected festivals without going broke, and utilize a broad range of media and tactics to promote and distribute their work. A companion website features behind-the-scenes interviews and footage from Dan’s films, and much more. Learn everything you need to know to make, promote, and distribute your independent films, with time-tested lessons and practical advice on scriptwriting, casting and directing A-list actors, financing, producing, managing a crew, editing in post, creating visual effects on a budget, and successuflly navigating the film festival circuit Find out what it takes to become a true "cheerful subversive" and adopt new and innovative approaches to producing your films, discover hidden loopholes in the Hollywood system and festival scene, take advantage of a broad range of media formats to promote and distribute your indie films, and generally make bold moves in service of your creative work, all while staying flexible enough to pivot at a moment’s notice An extensive companion website features in-depth interviews with filmmakers, more than an hour of behind-the-scenes footage from Dan Mirvish’s films, festival resources, and much more
