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Author: Elzbieta Iwona Baraniecka
Publisher: Walter de Gruyter
ISBN: 3110309939
Category : Drama
Languages : en
Pages : 280
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Book Description
British drama of the 1990s is most commonly associated with the term in-yer-face theatre, which was coined by Aleks Sierz to describe the shocking and provocative work of emerging playwrights such as Mark Ravenhill or Sarah Kane. Taking a cue from Sierz’s own suggestion that what still remains to be researched more thoroughly in this field is the particular relationship between the stage and the audience, this monograph undertakes precisely that task. Rather than use the term offered by Sierz, however, the study proposes a different concept to account for the dynamics of communication within the particular theatre of the 1990s, namely the aesthetic category of the sublime. Coupled with elements of Reader Response Theory, the sublime proves to be a more fruitful term, as it provides more precise tools for the analysis of the audience’s aesthetic response than does in-yer-face theatre. With the help of four representative plays by four key playwrights of that time, Closer by Patrick Marber, Normal by Anthony Neilson, Faust is Dead by Mark Ravenhill and 4.48 Psychosis by Sarah Kane, the book details the consecutive stages in the process of the plays’ reception that the members of the audience go through while forming their aesthetic response to them. Looking through the prism of the sublime, the study not only offers a detailed analysis of each play but also suggests an entirely new approach to British drama of the 1990s.
Author: Elzbieta Iwona Baraniecka
Publisher: Walter de Gruyter
ISBN: 3110309939
Category : Drama
Languages : en
Pages : 280
Get Book Here
Book Description
British drama of the 1990s is most commonly associated with the term in-yer-face theatre, which was coined by Aleks Sierz to describe the shocking and provocative work of emerging playwrights such as Mark Ravenhill or Sarah Kane. Taking a cue from Sierz’s own suggestion that what still remains to be researched more thoroughly in this field is the particular relationship between the stage and the audience, this monograph undertakes precisely that task. Rather than use the term offered by Sierz, however, the study proposes a different concept to account for the dynamics of communication within the particular theatre of the 1990s, namely the aesthetic category of the sublime. Coupled with elements of Reader Response Theory, the sublime proves to be a more fruitful term, as it provides more precise tools for the analysis of the audience’s aesthetic response than does in-yer-face theatre. With the help of four representative plays by four key playwrights of that time, Closer by Patrick Marber, Normal by Anthony Neilson, Faust is Dead by Mark Ravenhill and 4.48 Psychosis by Sarah Kane, the book details the consecutive stages in the process of the plays’ reception that the members of the audience go through while forming their aesthetic response to them. Looking through the prism of the sublime, the study not only offers a detailed analysis of each play but also suggests an entirely new approach to British drama of the 1990s.
Author: Leila Michelle Vaziri
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111555089
Category : Literary Criticism
Languages : en
Pages : 312
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Book Description
We are living in times when populism, war and climate change are all sources of anxiety caused by overlapping crises. Anxiety is a phenomenon that is not just reflected everywhere around us but is also increasingly manifesting itself in contemporary drama: particularly in the last five to ten years many new British dramas and theatre productions have given a stage to anxiety. Given this central role of anxiety, the aim of this study is to outline the interplay of theatre and anxiety on both a thematic and aesthetic level. It argues that a strand of contemporary theatre that combines topics of social, ecological, technological and pandemic importance with investigations into the philosophical and aesthetic implications of anxiety has come to prominence in recent years: the theatre of anxiety. This is traced across exemplary readings of a number of contemporary British plays by playwrights such as Caryl Churchill, Zinnie Harris, Alistair McDowall and others. They show that contemporary drama and performance both aesthetically and thematically reflect and comment on global crises and catastrophes through the lens of anxiety as a feeling that 'colours' the perception of and reaction to these social and political conditions.
Author: Michael Duncan
Publisher: L'ERMA di BRETSCHNEIDER
ISBN: 9781555952761
Category : Art
Languages : en
Pages : 176
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Book Description
The work of the acclaimed visionary artist Eugene Berman taps into a fascinating and little-known undercurrent in twentieth-century aesthetics. Variously labeled neo-Romantics, fantacists, neo-humanists, and magic realists, Berman and his peers ignored the formalist dicta of modernism to explore lyrical, emotive, and highly personal realms deemed the "melancholic sublime." In High Drama, Michael Duncan's exploration of the beliefs, styles, and legacy of the "melancholic sublime," and the biographies and reproductions of the work of thirty-five artists, complete a thorough look at a school of great interest, ripe for rediscovery by today's museum-goers and readers. The remarkable paintings and drawings of Eugene Berman seem at first glance to delineate a self-contained, private realm. But, in truth, his precise depictions of decadent beauty and ruin reflect an attitude towards the past thatis shared by a fascinating array of artist from both his own time and today. 75 colour & 50 b/w illustrations
Author: Ondřej Pilný
Publisher: Springer
ISBN: 1137513187
Category : Literary Criticism
Languages : en
Pages : 181
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Book Description
Grotesque features have been among the chief characteristics of drama in English since the 1990s. This new book examines the varieties of the grotesque in the work of some of the most original playwrights of the last three decades (including Enda Walsh, Philip Ridley, Tim Crouch and Suzan-Lori Parks), focusing in particular on ethical and political issues that arise from the use of the grotesque.
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Category : American drama
Languages : en
Pages : 382
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Author: William Shakespeare
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Languages : en
Pages : 1074
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Author: William Shakespeare
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Languages : en
Pages : 546
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Author: William Shakespeare
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Languages : en
Pages : 1058
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Author: William Shakespeare
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Category :
Languages : en
Pages : 1080
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Author: Alfred Bates
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Category : American drama
Languages : en
Pages : 366
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