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Author: K. Drake
Publisher: Springer
ISBN: 0230118305
Category : Literary Criticism
Languages : en
Pages : 442
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Book Description
In the first major study of the twentieth-century American protest novel, Drake examines a group of authors who self-consciously exploited the revolutionary potential of the novel, transforming literary conventions concerning art and politics, readers and characters.
Author: K. Drake
Publisher: Springer
ISBN: 0230118305
Category : Literary Criticism
Languages : en
Pages : 442
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Book Description
In the first major study of the twentieth-century American protest novel, Drake examines a group of authors who self-consciously exploited the revolutionary potential of the novel, transforming literary conventions concerning art and politics, readers and characters.
Author: Kimberly Drake
Publisher: Salem PressInc
ISBN: 9781429838269
Category : Reference
Languages : en
Pages : 279
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Book Description
Kimberly Drake directs the writing program and reaches writing and American literature and culture at Scripps College. She received her bachelor's degree and her PhD in English at the University of California, Berkeley, where she focused on nineteenth- and twentieth-century protest fiction by African American and proletarian authors as well as feminist theory and black feminist theory. Her recently published book Subjectivity in the American Protest Novel (2011) concerns trauma theory, double consciousness, and topological const ructions of identity in protest novels by Richard Wright, Ann Petry Chester Himes, Tillie Olsen, and Sarah Wright. She is editing a collection of women's writing about cooking in prison and conducting research for a monograph on social determinism and alternative portrayals of intellectual authority in the American detective novel (Charlotte Perkins Gilman, Rudolph Fisher, William Faulkner, Richard Wright, Chester Himes, Walter Mosely, and Lucha Corpi). Her scholarship includes publications and presentations on the fiction of Richard Wright, Toni Morrison, and Ann Petty; on prison narrative; on the slave narratives of Frederick Douglass and Harriet Jacobs; on trauma theory and detective novels; and on punk rock music and memoir. Among the essays in this volume: "Brutish Behavior: Joseph Conrad, Mark Twain, and Anticolonial Protests, 1899-1905" by Jeremiah Garsha, "Nella Larsen and Langston Hughes: Modernist Protest in the Harlem Renaissance" by Kimberly Drake "Dystopia as Protest: Zamyatins We and Orwell's Nineteen Eighty-Four" by Rachel Stauffer Book jacket.
Author: Tara T. Green
Publisher: Mercer University Press
ISBN: 9780881460902
Category : Biography & Autobiography
Languages : en
Pages : 196
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Book Description
According to George Jackson, black men born in the US are conditioned to accept the inevitability of being imprisoned.... "Being born a slave in a captive society and never experiencing any objective basis for expectation had the effect of preparing me for the progressively traumatic misfortune that led so many black men to the prison gate. I was prepared for prison. It required only minor psychic adjustments." As Jackson writes from his prison cell, his statement may seem to be only a product of his current status. However, history proves his point. Indeed, some of the most well-known and respected black men have served time in jail or prison. Among them are Martin Luther King, Jr., Malcolm X, Marcus Garvey, and Frederick Douglass. This book is an examination of the various forms that imprisonment, as asocial, historical, and political experience of African Americans, has taken. Confinement describes the status of individuals who are placed within boundaries-either seen or unseen-but always felt. A word that suggests extensive implications, confinement describes the status of persons who are imprisoned and who are unjustly relegated to a social status that is hostile, rendering them powerless and subject to the rules of the authorities. Arguably, confinement appropriately describes the status of African Americans who have endured spaces of confinement, which include, but are not limited to plantations, Jim Crow societies, and prisons. At specific times, these "spaces of confinement" have been used to oppress African Americans socially, politically, and spiritually. Contributors examine the related experiences of Malcolm X, Bigger Thomas of Native Son, and Angela Davis.
Author: Beverly I. Watson
Publisher:
ISBN:
Category : American fiction
Languages : en
Pages :
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Book Description
Author: Alvin J. Henry
Publisher: U of Minnesota Press
ISBN: 1452964440
Category : Literary Criticism
Languages : en
Pages : 296
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Book Description
A groundbreaking examination of how twentieth-century African American writers use queer characters to challenge and ultimately reject subjectivity Black Queer Flesh reinterprets key African American novels from the Harlem Renaissance to Black Modernism to contemporary literature, showing how authors have imagined a new model of black queer selfhood. African American authors blame liberal humanism’s model of subjectivity for double consciousness and find that liberal humanism’s celebration of individual autonomy and agency is a way of disciplining Black queer lives. These authors thus reject subjectivity in search of a new mode of the self that Alvin J. Henry names “black queer flesh”—a model of selfhood that is collective, plural, fluctuating, and deeply connected to the black queer past. Henry begins with early twentieth-century authors such as Jessie Redmon Fauset and James Weldon Johnson. These authors adapted the Bildungsroman, the novel of self-formation, to show African Americans gaining freedom and agency by becoming a liberal, autonomous subjects. These authors, however, discovered that the promise of liberal autonomy held out by the Bildungsroman was yet another tool of antiblack racism. As a result, they tentatively experimented with repurposing the Bildungsroman to throw off subjectivity and its attendant double consciousness. In contrast, Nella Larsen, Henry shows, was the first author to fully reject subjectivity. In Quicksand and Passing, Larsen invented a new genre showing her queer characters—characters whose queerness already positioned them on the margins of subjectivity—escaping subjectivity altogether. Using Ralph Ellison’s archival drafts, Henry then powerfully rereads Invisible Man, revealing that the protagonist as a queer, disabled character taught by the novel’s many other queer, disabled characters to likewise seek a selfhood beyond subjectivity. Although Larsen and Ellison sketch glimpses of this selfhood beyond subjectivity, only Saidiya Hartman’s Wayward Lives, Beautiful Experiments shows a protagonist fully inhabiting black queer flesh—a new mode of selfhood that is collective, plural, always evolving, and no longer alienated from the black past. Black Queer Flesh is an original and necessary contribution to black literary studies, offering new ways to understand and appreciate the canonical texts and far more.
Author: Dwight A. McBride
Publisher: NYU Press
ISBN: 0814756174
Category : Literary Criticism
Languages : en
Pages : 437
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Book Description
White fantasies of desire : Baldwin and the racial identities of sexuality / Marlon B. Ross -- Now more than ever : James Baldwin and the critique of white liberalism / Rebecca Aanerud -- Finding the words : Baldwin, race consciousness, and democratic theory / Lawrie Balfour -- Culture, rhetoric, and queer identity : James Baldwin and the identity politics of race and sexuality / William J. Spurlin -- Of mimicry and (little man little) man : toward a queersighted theory of black childhood / Nicholas Boggs -- Sexual exiles : James Baldwin and Another country / James A. Dievler -- Baldwin's cosmopolitan loneliness / James Darsey -- "Alas, poor Richard!" : transatlantic Baldwin, the politics of forgetting, and the project of modernity / Michelle M. Wright -- The parvenu Baldwin and the other side of redemption : modernity, race, sexuality, and the Cold War / Roderick A. Ferguson -- (Pro)creating imaginative spaces and other queer acts : Randal Kenan's A visitation of spirits and its revival of James Baldwin's absent black gay man in Giovanni's room / Sharon Patricia Holland -- "I'm not entirely what I look like" : Richard Wright, James Baldwin, and the hegemony of vision, or, Jimmy's FBEye blues / Maurice Wallace -- Life according to the beat : James Baldwin, Bessie Smith, and the perilous sounds of love / Josh Kun -- The discovery of what it means to be a witness : James Baldwin's dialectics of difference / Joshua L. Miller -- Selfhood and strategy in notes of a Native son / Lauren Rusk
Author: Simon Cooper
Publisher: Springer Nature
ISBN: 3030351955
Category : Literary Criticism
Languages : en
Pages : 338
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Book Description
This book tests critical reassessments of US radical writing of the 1930s against recent developments in theories of modernism and the avant-garde. Multidisciplinary in approach, it considers poetry, fiction, classical music, commercial art, jazz, and popular contests (such as dance marathons and bingo). Relating close readings to social and economic contexts over the period 1856–1952, it centers in on a key author or text in each chapter, providing an unfolding, chronological narrative, while at the same time offering nuanced updates on existing debates. Part One focuses on the roots of the 1930s proletarian movement in poetry and music of the nineteenth and early twentieth centuries. Part Two analyzes the output of proletarian novelists, considered alongside contemporaneous works by established modernist authors as well as more mainstream, popular titles.
Author: Ymitri Mathison
Publisher: Univ. Press of Mississippi
ISBN: 1496815076
Category : Literary Criticism
Languages : en
Pages : 252
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Book Description
Contributions by Hena Ahmad, Linda Pierce Allen, Mary J. Henderson Couzelis, Sarah Park Dahlen, Lan Dong, Tomo Hattori, Jennifer Ho, Ymitri Mathison, Leah Milne, Joy Takako Taylor, and Traise Yamamoto Often referred to as the model minority, Asian American children and adolescents feel pressured to perform academically and be disinterested in sports, with the exception of martial arts. Boys are often stereotyped as physically unattractive nerds and girls as petite and beautiful. Many Americans remain unaware of the diversity of ethnicities and races the term Asian American comprises, with Asian American adolescents proving to be more invisible than adults. As a result, Asian American adolescents are continually searching for their identity and own place in American society. For these kids, being or considered to be American becomes a challenge in itself as they assert their Asian and American identities; claim their own ethnic identity, be they immigrant or American-born; and negotiate their ethnic communities. The contributors to Growing Up Asian American in Young Adult Fiction focus on moving beyond stereotypes to examine how Asian American children and adolescents define their unique identities. Chapters focus on primary texts from many ethnicities, such as Chinese, Korean, Filipino, Japanese, Vietnamese, South Asian, and Hawaiian. Individual chapters, crossing cultural, linguistic, and racial boundaries, negotiate the complex terrain of Asian American children's and teenagers" identities. Chapters cover such topics as internalized racism and self-loathing; hyper-sexualization of Asian American females in graphic novels; interracial friendships; transnational adoptions and birth searches; food as a means of assimilation and resistance; commodity racism and the tourist gaze; the hostile and alienating environment generated by the War on Terror; and many other topics.
Author: Elizabeth Abel
Publisher: University of Chicago Press
ISBN: 0226832678
Category : Language Arts & Disciplines
Languages : en
Pages : 304
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Book Description
"For decades, Virginia Woolf's work has been seen as part of the "women's writing" canon. Elizabeth Abel extracts Woolf from this women's tradition to position her in a different light, one that shows Woolf's role in a far-reaching modernist genealogy. Abel traces the strong echoes of Woolf in the work of four major writers from diverse cultural contexts: Nella Larsen, James Baldwin, Roland Barthes, and W. G. Sebald. As Abel shows, what Woolf called the "odd affinities" between herself and these successors give us an altogether different picture of the development of transnational modernism, with Woolf as a shadowy but important connection among disparate writers. By charting new pathways of twentieth-century literary transmission, Odd Affinities will appeal to students and scholars working in New Modernist studies, comparative literature, and African American studies"--
Author: John C. Charles
Publisher: Rutgers University Press
ISBN: 0813554349
Category : Literary Criticism
Languages : en
Pages : 279
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Book Description
Abandoning the Black Hero is the first book to examine the postwar African American white-life novel—novels with white protagonists written by African Americans. These fascinating works have been understudied despite having been written by such defining figures in the tradition as Richard Wright, Zora Neale Hurston, James Baldwin, Ann Petry, and Chester Himes, as well as lesser known but formerly best-selling authors Willard Motley and Frank Yerby. John C. Charles argues that these fictions have been overlooked because they deviate from two critical suppositions: that black literature is always about black life and that when it represents whiteness, it must attack white supremacy. The authors are, however, quite sympathetic in the treatment of their white protagonists, which Charles contends should be read not as a failure of racial pride but instead as a strategy for claiming creative freedom, expansive moral authority, and critical agency. In an era when “Negro writers” were expected to protest, their sympathetic treatment of white suffering grants these authors a degree of racial privacy previously unavailable to them. White writers, after all, have the privilege of racial privacy because they are never pressured to write only about white life. Charles reveals that the freedom to abandon the “Negro problem” encouraged these authors to explore a range of new genres and themes, generating a strikingly diverse body of novels that significantly revise our understanding of mid-twentieth-century black writing.
