Author: Hans Peter L'Orange
Publisher: Aristide D. Caratzas, Publisher
ISBN:
Category : Art
Languages : en
Pages : 216
Book Description
Studies on the Iconography of Cosmic Kingship in the Ancient World
Author: Hans Peter L'Orange
Publisher: Aristide D. Caratzas, Publisher
ISBN:
Category : Art
Languages : en
Pages : 216
Book Description
Publisher: Aristide D. Caratzas, Publisher
ISBN:
Category : Art
Languages : en
Pages : 216
Book Description
Studies on the Iconography of Cosmic Kingship in the Ancient World, by H. P. L'Orange
Author: H. P. L'Orange
Publisher:
ISBN:
Category :
Languages : en
Pages : 205
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 205
Book Description
Studies on the iconography of cosmic kingship in the ancient world
Author: H. P. L'orange
Publisher:
ISBN:
Category :
Languages : no
Pages : 210
Book Description
Publisher:
ISBN:
Category :
Languages : no
Pages : 210
Book Description
Recensione . H. P. L'Orange: Studies on the Iconography of Cosmic Kingship in the Ancient World. Oslo: Aschehoug 1953
Author: Domenico Mustilli
Publisher:
ISBN:
Category :
Languages : en
Pages : 4
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 4
Book Description
Studies on the Iconography of Cosmic Kingship
Author: Hans Peter L'Orange
Publisher:
ISBN:
Category :
Languages : en
Pages : 205
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 205
Book Description
Studies in the History Ofr Religions
Author:
Publisher: Brill Archive
ISBN:
Category :
Languages : en
Pages : 784
Book Description
Publisher: Brill Archive
ISBN:
Category :
Languages : en
Pages : 784
Book Description
Expressions of Cosmic Kingship in the Ancient World
Author: Hans Peter L'Orange
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Cosmos and Community in Early Medieval Art
Author: Benjamin Anderson
Publisher: Yale University Press
ISBN: 0300219164
Category : Art
Languages : en
Pages : 213
Book Description
In the rapidly changing world of the early Middle Ages, depictions of the cosmos represented a consistent point of reference across the three dominant states--the Frankish, Byzantine, and Islamic Empires. As these empires diverged from their Greco-Roman roots between 700 and 1000 A.D. and established distinctive medieval artistic traditions, cosmic imagery created a web of visual continuity, though local meanings of these images varied greatly. Benjamin Anderson uses thrones, tables, mantles, frescoes, and manuscripts to show how cosmological motifs informed relationships between individuals, especially the ruling elite, and communities, demonstrating how domestic and global politics informed the production and reception of these depictions. The first book to consider such imagery across the dramatically diverse cultures of Western Europe, Byzantium, and the Islamic Middle East, Cosmos and Community in Early Medieval Art illuminates the distinctions between the cosmological art of these three cultural spheres, and reasserts the centrality of astronomical imagery to the study of art history.
Publisher: Yale University Press
ISBN: 0300219164
Category : Art
Languages : en
Pages : 213
Book Description
In the rapidly changing world of the early Middle Ages, depictions of the cosmos represented a consistent point of reference across the three dominant states--the Frankish, Byzantine, and Islamic Empires. As these empires diverged from their Greco-Roman roots between 700 and 1000 A.D. and established distinctive medieval artistic traditions, cosmic imagery created a web of visual continuity, though local meanings of these images varied greatly. Benjamin Anderson uses thrones, tables, mantles, frescoes, and manuscripts to show how cosmological motifs informed relationships between individuals, especially the ruling elite, and communities, demonstrating how domestic and global politics informed the production and reception of these depictions. The first book to consider such imagery across the dramatically diverse cultures of Western Europe, Byzantium, and the Islamic Middle East, Cosmos and Community in Early Medieval Art illuminates the distinctions between the cosmological art of these three cultural spheres, and reasserts the centrality of astronomical imagery to the study of art history.
Ottonian Imperial Art and Portraiture
Author: Eliza Garrison
Publisher: Routledge
ISBN: 1351555405
Category : Art
Languages : en
Pages : 237
Book Description
Ottonian Imperial Art and Portraiture represents the first art historical consideration of the patronage of the Ottonian Emperors Otto III (983-1002) and Henry II (1002-1024). Author Eliza Garrison analyzes liturgical artworks created for both rulers with the larger goal of addressing the ways in which individual art objects and the collections to which they belonged were perceived as elements of a material historical narrative and as portraits. Since these objects and images had the capacity to stand in for the ruler in his physical absence, she argues, they also performed political functions that were bound to their ritualized use in the liturgy not only during the ruler's lifetime, but even after his death. Garrison investigates how treasury objects could relay officially sanctioned information in a manner that texts alone could not, offering the first full length exploration of this central phenomenon of the Ottonian era.
Publisher: Routledge
ISBN: 1351555405
Category : Art
Languages : en
Pages : 237
Book Description
Ottonian Imperial Art and Portraiture represents the first art historical consideration of the patronage of the Ottonian Emperors Otto III (983-1002) and Henry II (1002-1024). Author Eliza Garrison analyzes liturgical artworks created for both rulers with the larger goal of addressing the ways in which individual art objects and the collections to which they belonged were perceived as elements of a material historical narrative and as portraits. Since these objects and images had the capacity to stand in for the ruler in his physical absence, she argues, they also performed political functions that were bound to their ritualized use in the liturgy not only during the ruler's lifetime, but even after his death. Garrison investigates how treasury objects could relay officially sanctioned information in a manner that texts alone could not, offering the first full length exploration of this central phenomenon of the Ottonian era.
A Companion to Hellenistic Literature
Author: James J. Clauss
Publisher: John Wiley & Sons
ISBN: 1118782909
Category : Literary Criticism
Languages : en
Pages : 578
Book Description
Offering unparalleled scope, A Companion to Hellenistic Literature in 30 newly commissioned essays explores the social and intellectual contexts of literature production in the Hellenistic period, and examines the relationship between Hellenistic and earlier literature. Provides a wide ranging critical examination of Hellenistic literature, including the works of well-respected poets alongside lesser-known historical, philosophical, and scientific prose of the period Explores how the indigenous literatures of Hellenized lands influenced Greek literature and how Greek literature influenced Jewish, Near Eastern, Egyptian, and Roman literary works
Publisher: John Wiley & Sons
ISBN: 1118782909
Category : Literary Criticism
Languages : en
Pages : 578
Book Description
Offering unparalleled scope, A Companion to Hellenistic Literature in 30 newly commissioned essays explores the social and intellectual contexts of literature production in the Hellenistic period, and examines the relationship between Hellenistic and earlier literature. Provides a wide ranging critical examination of Hellenistic literature, including the works of well-respected poets alongside lesser-known historical, philosophical, and scientific prose of the period Explores how the indigenous literatures of Hellenized lands influenced Greek literature and how Greek literature influenced Jewish, Near Eastern, Egyptian, and Roman literary works