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Author: John Addington Symonds
Publisher:
ISBN:
Category : Greek poetry
Languages : en
Pages : 444
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Book Description
Author: John Addington Symonds
Publisher:
ISBN:
Category : Greek poetry
Languages : en
Pages : 444
Get Book Here
Book Description
Author: John Addington Symonds
Publisher: BoD – Books on Demand
ISBN: 3752429976
Category : Fiction
Languages : en
Pages : 342
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Book Description
Reproduction of the original: Studies of the Greek Poets (Vol I of 2) by John Addington Symonds
Author: John Addington Symonds
Publisher: BoD – Books on Demand
ISBN: 3752430044
Category : Fiction
Languages : en
Pages : 313
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Book Description
Reproduction of the original: Studies of the Greek Poets (Vol II of 2) by John Addington Symonds
Author: John Addington Symonds
Publisher: e-artnow
ISBN:
Category : Literary Criticism
Languages : en
Pages : 761
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Book Description
"Studies of the Greek Poets" in 2 volumes is one of the best-known works by the English poet and literary critic John Addington Symonds that features a comprehensive survey of Greek poetry. This carefully crafted e-artnow ebook is formatted for your eReader with a functional and detailed table of contents._x000D_ Contents:_x000D_ The Periods of Greek Literature_x000D_ Mythology_x000D_ Achilles_x000D_ The Women of Homer_x000D_ Hesiod_x000D_ Parmenides_x000D_ Empedocles_x000D_ The Gnomic Poets_x000D_ The Satirists_x000D_ The Lyric Poets_x000D_ Pindar_x000D_ Aeschylus_x000D_ Sophocles_x000D_ Greek Tragedy and Euripides_x000D_ The Fragments of Aeschylus, Sophocles, and Euripides_x000D_ The Fragments of the Lost Tragic Poets_x000D_ Ancient and Modern Tragedy_x000D_ Aristophanes_x000D_ The Comic Fragments_x000D_ The Idyllists_x000D_ The Anthology_x000D_ Hero and Leander_x000D_ The Genius of Greek Art_x000D_ Conclusion
Author: John Addington Symonds
Publisher:
ISBN: 9783337490553
Category :
Languages : en
Pages : 436
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Book Description
Author: John Addington Symonds
Publisher: HARPER & BROTHERS
ISBN:
Category : Drama
Languages : en
Pages : 241
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Book Description
Example in this ebook CHAPTER XIV. GREEK TRAGEDY AND EURIPIDES. The chapters on Æschylus and Sophocles have already introduced the reader to some of the principal questions regarding Attic tragedy in general. Yet the opening of a new volume justifies the resumption of this subject from the beginning, while the peculiar position of Euripides, in relation to his two great predecessors, suggests the systematic discussion of the religious ideas which underlay this supreme form of national art, as well as of the æsthetical rules which it obeyed in Greece. Critics who are contented with referring the origin of the Greek drama to the mimetic instinct inherent in all humanity are apt to neglect those circumstances which render it an almost unique phenomenon in literature. If the mimetic instinct were all that is requisite for the origination of a national drama, then we might expect to find that every race at a certain period of its development produced both tragedy and comedy. This, however, is far from being the case. A certain rude mimesis, such as the acting of descriptive dances or the jesting of buffoons and mummers, is indeed common in all ages and nations. But there are only two races which can be said to have produced the drama as a fine art originally and independently of foreign influences. These are the Greeks and the Hindoos. With reference to the latter, it is even questionable whether they would have composed plays so perfect as their famous Sakountala without contact with Hellenic civilization. All the products of the modern drama, whether tragic or comic, must be regarded as the direct progeny of the Greek stage. The habit of play-acting, continued from Athens to Alexandria, and from Rome to Byzantium, never wholly expired. The "Christus Patiens," attributed to Gregory of Nazianzus, was an adaptation of the art of Euripides to Christian story; and the representation of "Mysteries" during the Middle Ages kept alive the dramatic tradition, until the discovery of classic literature and the revival of taste in modern Europe led to the great works of the English, Spanish, French, and subsequently of the German theatre. Something more than the mere instinct of imitation, therefore, caused the Greeks to develop their drama. Like sculpture, like the epic, the drama was one of the artistic forms through which the genius of the Greek race expressed itself—by which, to use the language of philosophical mysticism, it fulfilled its destiny as a prime agent in the manifestation of the World-Spirit. In their realization of that perfect work of art for which they seem to have been specially ordained, the drama was no less requisite than sculpture and architecture, than the epic, the ode, and the idyl. Two conditions, both of which the Greeks enjoyed in full perfection at the moment of their first dramatic energy, seem to be requisite for the production of a great and thoroughly national drama. These are, first, an era of intense activity or a period succeeding immediately to one of excitement, by which the nation has been nobly agitated; secondly, a public worthy of the dramatist spurring him on by its enthusiasm and intelligence to the creation of high works of art. A glance at the history of the drama in modern times will prove how necessary these conditions are. To be continue in this ebook
Author: Symonds John Addington 1840-1893
Publisher: Hardpress Publishing
ISBN: 9781314537093
Category :
Languages : en
Pages : 446
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Book Description
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Author: John Addington Symonds
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: John Addington Symonds
Publisher: Forgotten Books
ISBN: 9780365011972
Category : Drama
Languages : en
Pages : 436
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Book Description
Excerpt from Studies of the Greek Poets, Vol. 2 of 2 Two conditions, both of which the Greeks enjoyed in full per fection at the moment of their first dramatic energy, seem to be requisite for the production of a great and thoroughly national drama. These are, first, an era of intense activity or a period succeeding immediately to one of excitement, by which the na tion has been nobly agitated; secondly, a public worthy of the damatist 'spurring him on by its enthusiasm and intelligence to the creation of high works of art. A glance at the history of the drama in modern times will prove how necessary these con ditions are. It was the gigantic effort which we English people made in our struggle with Rome and Spain, it was the rousing of our keenest thought and profoundest emotion by the Reforma tion, which prepared us for the Elizabethan drama, by far the greatest, next to the Greek, in literature. The nation lived in ao tion, and delighted to see great actions imitated. Races in repose or servitude, like the Hebrews under the Roman empire, may, in their state of spiritual exaltation and by effort of pondering on the mysteries cf God and man, give birth to new theosophies; but it requires a free and active race, in Which young and turbulent blood is flowing, to produce a drama. In England, again, at that time, there was a great public. All classes crowded to the thea tres. London, in whose streets and squares martyrs had been burned, on whose quays the pioneers of the Atlantic and Pacific, after disputing the Indies with Spain, lounged and enjoyed their leisure, supplied an eager audience, delighting in the dreams of poets which recalled to mind the realities of their own lives, ap preciating the passion of tragedy, enjoying the mirth of comic in eident. _the men who listened to Othello had both done and suf fered largely; their own experience was mirrored in the scenes of blood and struggle set before them. These two things, therefore - the awakening of the whole English nation to activity, and the presence of a free and haughty audience - made our drama great. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: John Addington Symonds
Publisher: Nabu Press
ISBN: 9781294381723
Category :
Languages : en
Pages : 436
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Book Description
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Studies Of The Greek Poets; Volume 2 Of Studies Of The Greek Poets, By John Addington Symonds; John Addington Symonds; Studies Of The Greek Poets; John Addington Symonds 3 John Addington Symonds A. and C. Black, 1893 Greek poetry