Author: Adrian H. Jaffe
Publisher:
ISBN:
Category : Prose literature
Languages : en
Pages : 672
Book Description
Pt. 1. Basic elements of fiction -- Most dangerous game / Richard Connell ; And the rock cried out / Ray Bradbury ; The Manhunt / Daniel Curley ; The last day in the field / Caroline Gordon ; A Tree, a rock, a cloud / Carson McCullers -- pt. 2. Point of view -- The Horse Dealer's Daughter / D.H. Lawrence ; What we don't know hurts us / Mark Schorer ; Rain / W. Somerset Maugham ; The girls in their summer dresses / Irwin Shaw -- pt. 3. Honesty and dishonesty in fiction --De Mortuis / John Collier ; The Lottery / Shirley Jackson ; Necklace / Guy de Maupassant -- pt. 4. Symbol -- Girl / Meridel Le Sueur ; Portable phonograph / Walter Van Tilburg Clark ; Good country people / Flannery O'Connor ; Flowering Judas / Katherine Anne Porter -- Pt. 5. Humor, satire, and fantasy -- Catbird seat / James Thurber ; First Confession / Frank O'Connor ; Forks / J.F. Powers ; Other side of the hedge / E.M. Forster ; Adam and Eve and Pinch me ; A.E. Coppard -- pt. 6. Theme and variation -- Leader of the people / John Steinbeck ; That evening sun / William Faulkner ; Absolution / F. Scott Fitzgerald ; Short happy life of Francis Macomber / Ernest Hemingway -- pt. 7. More stories for study -- Tell-tale heart / Edgar Allen Poe ; My Kinsman, Major Molineux / Nathaniel Hawthorne ; Bartleby / Herman Melville ; Lament / Anton Chekhov ; Real Thing / Henry James; Herart of Darkness/ Joseph Conrad ; Open Boat / Stephen Crane; Gentleman from San Francisco / Ivan Bunin ; Little Cloud / James Joyce ; Petrified man / Eudora Welty ; Goodbye, my brother / John Cheever; Unspoiled reaction / Mary McCarthy ; Patented gate and the mean hamburger / Robert Penn Warren ; Who made yellow roses yellow? / John Updike ; Defender of the faith / Philip Roth.
Studies in the Short Story
Author: Adrian H. Jaffe
Publisher:
ISBN:
Category : Prose literature
Languages : en
Pages : 672
Book Description
Pt. 1. Basic elements of fiction -- Most dangerous game / Richard Connell ; And the rock cried out / Ray Bradbury ; The Manhunt / Daniel Curley ; The last day in the field / Caroline Gordon ; A Tree, a rock, a cloud / Carson McCullers -- pt. 2. Point of view -- The Horse Dealer's Daughter / D.H. Lawrence ; What we don't know hurts us / Mark Schorer ; Rain / W. Somerset Maugham ; The girls in their summer dresses / Irwin Shaw -- pt. 3. Honesty and dishonesty in fiction --De Mortuis / John Collier ; The Lottery / Shirley Jackson ; Necklace / Guy de Maupassant -- pt. 4. Symbol -- Girl / Meridel Le Sueur ; Portable phonograph / Walter Van Tilburg Clark ; Good country people / Flannery O'Connor ; Flowering Judas / Katherine Anne Porter -- Pt. 5. Humor, satire, and fantasy -- Catbird seat / James Thurber ; First Confession / Frank O'Connor ; Forks / J.F. Powers ; Other side of the hedge / E.M. Forster ; Adam and Eve and Pinch me ; A.E. Coppard -- pt. 6. Theme and variation -- Leader of the people / John Steinbeck ; That evening sun / William Faulkner ; Absolution / F. Scott Fitzgerald ; Short happy life of Francis Macomber / Ernest Hemingway -- pt. 7. More stories for study -- Tell-tale heart / Edgar Allen Poe ; My Kinsman, Major Molineux / Nathaniel Hawthorne ; Bartleby / Herman Melville ; Lament / Anton Chekhov ; Real Thing / Henry James; Herart of Darkness/ Joseph Conrad ; Open Boat / Stephen Crane; Gentleman from San Francisco / Ivan Bunin ; Little Cloud / James Joyce ; Petrified man / Eudora Welty ; Goodbye, my brother / John Cheever; Unspoiled reaction / Mary McCarthy ; Patented gate and the mean hamburger / Robert Penn Warren ; Who made yellow roses yellow? / John Updike ; Defender of the faith / Philip Roth.
Publisher:
ISBN:
Category : Prose literature
Languages : en
Pages : 672
Book Description
Pt. 1. Basic elements of fiction -- Most dangerous game / Richard Connell ; And the rock cried out / Ray Bradbury ; The Manhunt / Daniel Curley ; The last day in the field / Caroline Gordon ; A Tree, a rock, a cloud / Carson McCullers -- pt. 2. Point of view -- The Horse Dealer's Daughter / D.H. Lawrence ; What we don't know hurts us / Mark Schorer ; Rain / W. Somerset Maugham ; The girls in their summer dresses / Irwin Shaw -- pt. 3. Honesty and dishonesty in fiction --De Mortuis / John Collier ; The Lottery / Shirley Jackson ; Necklace / Guy de Maupassant -- pt. 4. Symbol -- Girl / Meridel Le Sueur ; Portable phonograph / Walter Van Tilburg Clark ; Good country people / Flannery O'Connor ; Flowering Judas / Katherine Anne Porter -- Pt. 5. Humor, satire, and fantasy -- Catbird seat / James Thurber ; First Confession / Frank O'Connor ; Forks / J.F. Powers ; Other side of the hedge / E.M. Forster ; Adam and Eve and Pinch me ; A.E. Coppard -- pt. 6. Theme and variation -- Leader of the people / John Steinbeck ; That evening sun / William Faulkner ; Absolution / F. Scott Fitzgerald ; Short happy life of Francis Macomber / Ernest Hemingway -- pt. 7. More stories for study -- Tell-tale heart / Edgar Allen Poe ; My Kinsman, Major Molineux / Nathaniel Hawthorne ; Bartleby / Herman Melville ; Lament / Anton Chekhov ; Real Thing / Henry James; Herart of Darkness/ Joseph Conrad ; Open Boat / Stephen Crane; Gentleman from San Francisco / Ivan Bunin ; Little Cloud / James Joyce ; Petrified man / Eudora Welty ; Goodbye, my brother / John Cheever; Unspoiled reaction / Mary McCarthy ; Patented gate and the mean hamburger / Robert Penn Warren ; Who made yellow roses yellow? / John Updike ; Defender of the faith / Philip Roth.
The United Stories of America
Author: Rolf Lundén
Publisher: Rodopi
ISBN: 9789042006928
Category : American fiction
Languages : en
Pages : 212
Book Description
This book discusses the American short story composite, or short story cycle, a neglected form of writing consisting of autonomous stories interlocking into a whole. The critical work done on this genre has so far focused on the closural strategies of the composites, on how unity is accomplished in these texts. This study takes into consideration, to a greater degree than earlier criticism, the short story composite as an open work, emphasizing the tension between the independent stories and the unified work, between the discontinuity and fragmentation, on the one hand, and the totalizing strategies, on the other. The discussion of the genre is illustrated with references to numerous American short story composites.
Publisher: Rodopi
ISBN: 9789042006928
Category : American fiction
Languages : en
Pages : 212
Book Description
This book discusses the American short story composite, or short story cycle, a neglected form of writing consisting of autonomous stories interlocking into a whole. The critical work done on this genre has so far focused on the closural strategies of the composites, on how unity is accomplished in these texts. This study takes into consideration, to a greater degree than earlier criticism, the short story composite as an open work, emphasizing the tension between the independent stories and the unified work, between the discontinuity and fragmentation, on the one hand, and the totalizing strategies, on the other. The discussion of the genre is illustrated with references to numerous American short story composites.
Talma Gordon
Author: Pauline E. Hopkins
Publisher: Graphic Arts Books
ISBN: 1513298496
Category : Fiction
Languages : en
Pages : 18
Book Description
Talma Gordon (1900) is a short story by Pauline E. Hopkins. Recognized as the first African American mystery story, Talma Gordon was originally published in the October 1900 edition of The Colored American Magazine, America’s first monthly periodical covering African American arts and culture. Combining themes of racial identity and passing with a locked room mystery plot, Hopkins weaves a masterful tale of conspiracy, suspicion, and murder. “When the trial was called Jeannette sat beside Talma in the prisoner’s dock; both were arrayed in deepest mourning, Talma was pale and careworn, but seemed uplifted, spiritualized, as it were. [...] She had changed much too: hollow cheeks, tottering steps, eyes blazing with fever, all suggestive of rapid and premature decay.” When Puritan descendant Jonathan Gordon is discovered murdered under suspicious circumstances, the ensuing trial implicates his own daughter Talma. Despite being declared innocent, the townsfolk are determined to believe that Talma conspired to have her father killed after he discovered her mixed racial heritage. Freed from the prospect of imprisonment, Talma is left with only her sister’s protection against the anger and violence of her neighbors. With this thrilling tale of murder and racial tension, Hopkins proves herself as a true pioneer of American literature, a woman whose talent and principles afforded her the vision necessary for illuminating the injustices of life in a nation founded on slavery and genocide. With a beautifully designed cover and professionally typeset manuscript, this edition of Pauline E. Hopkins’ Talma Gordon is a classic work of African American literature reimagined for modern readers.
Publisher: Graphic Arts Books
ISBN: 1513298496
Category : Fiction
Languages : en
Pages : 18
Book Description
Talma Gordon (1900) is a short story by Pauline E. Hopkins. Recognized as the first African American mystery story, Talma Gordon was originally published in the October 1900 edition of The Colored American Magazine, America’s first monthly periodical covering African American arts and culture. Combining themes of racial identity and passing with a locked room mystery plot, Hopkins weaves a masterful tale of conspiracy, suspicion, and murder. “When the trial was called Jeannette sat beside Talma in the prisoner’s dock; both were arrayed in deepest mourning, Talma was pale and careworn, but seemed uplifted, spiritualized, as it were. [...] She had changed much too: hollow cheeks, tottering steps, eyes blazing with fever, all suggestive of rapid and premature decay.” When Puritan descendant Jonathan Gordon is discovered murdered under suspicious circumstances, the ensuing trial implicates his own daughter Talma. Despite being declared innocent, the townsfolk are determined to believe that Talma conspired to have her father killed after he discovered her mixed racial heritage. Freed from the prospect of imprisonment, Talma is left with only her sister’s protection against the anger and violence of her neighbors. With this thrilling tale of murder and racial tension, Hopkins proves herself as a true pioneer of American literature, a woman whose talent and principles afforded her the vision necessary for illuminating the injustices of life in a nation founded on slavery and genocide. With a beautifully designed cover and professionally typeset manuscript, this edition of Pauline E. Hopkins’ Talma Gordon is a classic work of African American literature reimagined for modern readers.
Raymond Carver
Author: Ewing Campbell
Publisher: Macmillan Reference USA
ISBN:
Category : Literary Criticism
Languages : en
Pages : 204
Book Description
"Perhaps the most significant and influential figure in this century's wave of American realism, Raymond Carver (1938-1988) is credited not only with reviving the short story as an artistically legitimate form, but also with perfecting minimalist fiction. His 1981 collection, What We Talk about When We Talk about Love, remains the standard against which minimalist literature is measured, and his numerous prize-winning and frequently anthologized stories have established him as the extender of a modernist tradition stretching from Chekhov through Joyce and Hemingway. In his later collections, such as Cathedral (1983) and Where I'm Calling From (1988), Carver surpasses even his own great achievement, setting a bold new path for his short fiction and intensifying the scholarly attention he'd first inspired with "Will You Please Be Quiet, Please?" (anthologized in Best American Short Stories of 1967)." "Moving chronologically through Carver's complete short fiction canon and examining key stories in depth, Ewing Campbell traces the author's development through and beyond literary minimalism, into the tradition of tragic allegory. He explores Carvers persistent use of myth and archetype; motifs of the grotesque; religious iconography; and oppressed, spiritually paralyzed characters. From the earliest stories through the latest, Campbell illuminates Carvers constant fascination with the way individuals connect or fail to connect with one another."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Publisher: Macmillan Reference USA
ISBN:
Category : Literary Criticism
Languages : en
Pages : 204
Book Description
"Perhaps the most significant and influential figure in this century's wave of American realism, Raymond Carver (1938-1988) is credited not only with reviving the short story as an artistically legitimate form, but also with perfecting minimalist fiction. His 1981 collection, What We Talk about When We Talk about Love, remains the standard against which minimalist literature is measured, and his numerous prize-winning and frequently anthologized stories have established him as the extender of a modernist tradition stretching from Chekhov through Joyce and Hemingway. In his later collections, such as Cathedral (1983) and Where I'm Calling From (1988), Carver surpasses even his own great achievement, setting a bold new path for his short fiction and intensifying the scholarly attention he'd first inspired with "Will You Please Be Quiet, Please?" (anthologized in Best American Short Stories of 1967)." "Moving chronologically through Carver's complete short fiction canon and examining key stories in depth, Ewing Campbell traces the author's development through and beyond literary minimalism, into the tradition of tragic allegory. He explores Carvers persistent use of myth and archetype; motifs of the grotesque; religious iconography; and oppressed, spiritually paralyzed characters. From the earliest stories through the latest, Campbell illuminates Carvers constant fascination with the way individuals connect or fail to connect with one another."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
The Classic Short Story, 1870-1925
Author: Florence Goyet
Publisher: Open Book Publishers
ISBN: 1909254754
Category : Fiction
Languages : en
Pages : 199
Book Description
The ability to construct a nuanced narrative or complex character in the constrained form of the short story has sometimes been seen as the ultimate test of an author's creativity. Yet during the time when the short story was at its most popular - the late nineteenth and early twentieth centuries - even the greatest writers followed strict generic conventions that were far from subtle. This expanded and updated translation of Florence Goyet's influential La Nouvelle, 1870-1925: Description d'un genre à son apogée (Paris, 1993) is the only study to focus exclusively on this classic period across different continents. Ranging through French, English, Italian, Russian and Japanese writing - particularly the stories of Guy de Maupassant, Henry James, Giovanni Verga, Anton Chekhov and Akutagawa Ry?nosuke - Goyet shows that these authors were able to create brilliant and successful short stories using the very simple 'tools of brevity' of that period. In this challenging and far-reaching study, Goyet looks at classic short stories in the context in which they were read at the time: cheap newspapers and higher-end periodicals. She demonstrates that, despite the apparent intention of these stories to question bourgeois ideals, they mostly affirmed the prejudices of their readers. In doing so, her book forces us to re-think our preconceptions about this 'forgotten' genre.
Publisher: Open Book Publishers
ISBN: 1909254754
Category : Fiction
Languages : en
Pages : 199
Book Description
The ability to construct a nuanced narrative or complex character in the constrained form of the short story has sometimes been seen as the ultimate test of an author's creativity. Yet during the time when the short story was at its most popular - the late nineteenth and early twentieth centuries - even the greatest writers followed strict generic conventions that were far from subtle. This expanded and updated translation of Florence Goyet's influential La Nouvelle, 1870-1925: Description d'un genre à son apogée (Paris, 1993) is the only study to focus exclusively on this classic period across different continents. Ranging through French, English, Italian, Russian and Japanese writing - particularly the stories of Guy de Maupassant, Henry James, Giovanni Verga, Anton Chekhov and Akutagawa Ry?nosuke - Goyet shows that these authors were able to create brilliant and successful short stories using the very simple 'tools of brevity' of that period. In this challenging and far-reaching study, Goyet looks at classic short stories in the context in which they were read at the time: cheap newspapers and higher-end periodicals. She demonstrates that, despite the apparent intention of these stories to question bourgeois ideals, they mostly affirmed the prejudices of their readers. In doing so, her book forces us to re-think our preconceptions about this 'forgotten' genre.
Ethnicity and the American Short Story
Author: Julie Brown
Publisher: Routledge
ISBN: 1134822294
Category : Literary Criticism
Languages : en
Pages : 276
Book Description
How do different ethnic groups approach the short story form? Do different groups develop culture-related themes? Do oral traditions within a particular culture shape the way in which written stories are told? Why does "the community" loom so large in ethnic stories? How do such traditional forms as African American slave narratives or the Chinese talk-story shape the modern short story? Which writers of color should be added to the canon? Why have some minority writers been ignored for such a long time? How does a person of color write for white publishers, editors, and readers? Each essay in this collection of original studies addresses these questions and other related concerns. It is common knowledge that most scholarly work on the short story has been on white writers: This collection is the first work to specifically focus on short story practice by ethnic minorities in America, ranging from African Americans to Native Americans, Chinese Americans to Hispanic Americans. The number of women writers discussed will be of particular interest to women studies and genre studies researchers, and the collections will be of vital interest to scholars working in American literature, narrative theory, and multicultural studies.
Publisher: Routledge
ISBN: 1134822294
Category : Literary Criticism
Languages : en
Pages : 276
Book Description
How do different ethnic groups approach the short story form? Do different groups develop culture-related themes? Do oral traditions within a particular culture shape the way in which written stories are told? Why does "the community" loom so large in ethnic stories? How do such traditional forms as African American slave narratives or the Chinese talk-story shape the modern short story? Which writers of color should be added to the canon? Why have some minority writers been ignored for such a long time? How does a person of color write for white publishers, editors, and readers? Each essay in this collection of original studies addresses these questions and other related concerns. It is common knowledge that most scholarly work on the short story has been on white writers: This collection is the first work to specifically focus on short story practice by ethnic minorities in America, ranging from African Americans to Native Americans, Chinese Americans to Hispanic Americans. The number of women writers discussed will be of particular interest to women studies and genre studies researchers, and the collections will be of vital interest to scholars working in American literature, narrative theory, and multicultural studies.
The Oxford Book of American Short Stories
Author: Joyce Carol Oates
Publisher: Oxford University Press, USA
ISBN: 9780195092622
Category : Fiction
Languages : en
Pages : 788
Book Description
This volume offers a survey of American short fiction in 59 tales that combine classic works with 'different, unexpected gems', which invite readers to explore a wealth of important pieces by women and minority writers. Authors include: Amy Tan, Alice Adams, David Leavitt and Tim O'Brien.
Publisher: Oxford University Press, USA
ISBN: 9780195092622
Category : Fiction
Languages : en
Pages : 788
Book Description
This volume offers a survey of American short fiction in 59 tales that combine classic works with 'different, unexpected gems', which invite readers to explore a wealth of important pieces by women and minority writers. Authors include: Amy Tan, Alice Adams, David Leavitt and Tim O'Brien.
The Short Story
Author: Ailsa Cox
Publisher: Cambridge Scholars Publishing
ISBN: 1443807524
Category : Fiction
Languages : en
Pages : 200
Book Description
Long regarded as an undervalued and marginalised genre, the short story is undergoing a renaissance. The Short Story celebrates its unique appeal. Practitioners and scholars address the issues facing short story criticism in the 21st century. Author A.L. Kennedy shares the pleasures and frustrations of writing the short story in the literary marketplace. This is followed by an assessment of recent attempts to promote short story readership in the UK. Other contributors look at forms such as the short-short and the short story sequence. The range of authors discussed includes Martin Amis, Anita Desai, Salman Rushdie and James Joyce. The short story is the most international of genres; this is reflected in chapters on Jorge Luis Borges and Italo Calvino and on Japanese short fiction. Postcolonial and translation theory are combined with the close reading of specific texts. Neglected authors, such as the Welsh writer Dorothy Edwards and the colonial figure Frank Swettenham, are re-evaluated and we also consider genre writing, with chapters on crime fiction and Ray Bradbury’s Martian Chronicles. Integrating theory and practice, The Short Story will appeal both to writers and to students of literary criticism.
Publisher: Cambridge Scholars Publishing
ISBN: 1443807524
Category : Fiction
Languages : en
Pages : 200
Book Description
Long regarded as an undervalued and marginalised genre, the short story is undergoing a renaissance. The Short Story celebrates its unique appeal. Practitioners and scholars address the issues facing short story criticism in the 21st century. Author A.L. Kennedy shares the pleasures and frustrations of writing the short story in the literary marketplace. This is followed by an assessment of recent attempts to promote short story readership in the UK. Other contributors look at forms such as the short-short and the short story sequence. The range of authors discussed includes Martin Amis, Anita Desai, Salman Rushdie and James Joyce. The short story is the most international of genres; this is reflected in chapters on Jorge Luis Borges and Italo Calvino and on Japanese short fiction. Postcolonial and translation theory are combined with the close reading of specific texts. Neglected authors, such as the Welsh writer Dorothy Edwards and the colonial figure Frank Swettenham, are re-evaluated and we also consider genre writing, with chapters on crime fiction and Ray Bradbury’s Martian Chronicles. Integrating theory and practice, The Short Story will appeal both to writers and to students of literary criticism.
Representative Short Story Cycles of the Twentieth Century
Author: Forrest L. Ingram
Publisher: Walter de Gruyter
ISBN: 3110888548
Category : Literary Criticism
Languages : en
Pages : 236
Book Description
Publisher: Walter de Gruyter
ISBN: 3110888548
Category : Literary Criticism
Languages : en
Pages : 236
Book Description
American Short Story Cycle
Author: Jennifer J. Smith
Publisher: Edinburgh University Press
ISBN: 1474423957
Category : Literary Criticism
Languages : en
Pages : 238
Book Description
Explores the contradictory position of Arabic being both the official language and marginalized in Israel
Publisher: Edinburgh University Press
ISBN: 1474423957
Category : Literary Criticism
Languages : en
Pages : 238
Book Description
Explores the contradictory position of Arabic being both the official language and marginalized in Israel