Author: Lucy Adele Whitsel
Publisher:
ISBN:
Category : Greek drama (Comedy)
Languages : en
Pages : 94

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Book Description

Author: George E. Duckworth
Publisher: Princeton University Press
ISBN: 1400872375
Category : Literary Criticism
Languages : en
Pages : 526

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Book Description
This book provides the most complete and definitive study of Roman comedy. Originally published in 1952. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Author: Keith Preston
Publisher:
ISBN:
Category : Latin drama
Languages : en
Pages : 76

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Book Description

Author: Michael Fontaine
Publisher: Oxford University Press
ISBN: 0199743541
Category : Drama
Languages : en
Pages : 913

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Book Description
The Oxford Handbook of Greek and Roman Comedy marks the first comprehensive introduction to and reference work for the unified study of ancient comedy. From its birth in Greece to its end in Rome, from its Hellenistic to its Imperial receptions, no topic is neglected. The 41 essays offer cutting-edge guides through comedy's immense terrain.

Author: Alison Sharrock
Publisher: Cambridge University Press
ISBN: 1139482645
Category : History
Languages : en
Pages : 334

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Book Description
For many years the domain of specialists in early Latin, in complex metres, and in the reconstruction of texts, Roman comedy is now established in the mainstream of Classical literary criticism. Where most books stress the original performance as the primary location for the encountering of the plays, this book finds the locus of meaning and appreciation in the activity of a reader, albeit one whose manner of reading necessarily involves the imaginative reconstruction of performance. The texts are treated, and celebrated, as literary devices, with programmatic beginnings, middles, ends, and intertexts. All the extant plays of Plautus and Terence have at least a bit part in this book, which seeks to expose the authors' fabulous artificiality and artifice, while playing along with their differing but interrelated poses of generic humility.

Author: Martin T. Dinter
Publisher: Cambridge University Press
ISBN: 1107002109
Category : Drama
Languages : en
Pages : 449

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Book Description
Provides a comprehensive critical engagement with Roman comedy and its reception presented by leading international scholars in accessible and up-to-date chapters.

Author: University of Wisconsin
Publisher:
ISBN:
Category :
Languages : en
Pages : 852

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Book Description
Some nos. include Announcement of courses.

Author:
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 712

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Book Description

Author: American Philological Association
Publisher:
ISBN:
Category : Classical philology
Languages : en
Pages : 432

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Book Description
Bibliographical record of works published by members of the Association, in v. 28- 1897-

Author: Mathias Hanses
Publisher: University of Michigan Press
ISBN: 0472132253
Category : History
Languages : en
Pages : 427

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Book Description
The Life of Comedy after the Death of Plautus and Terence documents the ongoing popularity of Roman comedies, and shows that they continued to be performed in the late Republic and early Imperial periods of Rome. Playwrights Plautus and Terence impressed audiences with stock characters as the young-man-in-love, the trickster slave, the greedy pimp, the prostitute, and many others. A wide range of spectators visited Roman theaters, including even the most privileged members of Roman society: orators like Cicero, satirists like Horace and Juvenal, and love poets like Catullus and Ovid. They all put comedy’s varied characters to new and creative uses in their own works, as they tried to make sense of their own lives and those of the people around them by suggesting comparisons to the standard personality types of Roman comedy. Scholars have commonly believed that the plays fell out of favor with theatrical audiences by the end of the first century BCE, but The Life of Comedy demonstrates that performances of these comedies continued at least until the turn of the second century CE. Mathias Hanses traces the plays’ reception in Latin literature from the late first century BCE to the early second century CE, and shines a bright light on the relationships between comic texts and the works of contemporary and later Latin writers.