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Author: John Elderfield
Publisher: ABRAMS
ISBN:
Category : Art
Languages : en
Pages : 192
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Book Description
Author: John Elderfield
Publisher: ABRAMS
ISBN:
Category : Art
Languages : en
Pages : 192
Get Book
Book Description
Author: John Elderfield
Publisher: ABRAMS
ISBN:
Category : Art
Languages : en
Pages : 192
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Book Description
Author: Herschel Browning Chipp
Publisher: Univ of California Press
ISBN: 9780520014503
Category : Art
Languages : en
Pages : 692
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Book Description
Author: H.H. Arnason
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: William Rubin
Publisher: ABRAMS
ISBN:
Category : Art
Languages : en
Pages : 290
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Book Description
"This painting, Les Demoiselles d'Avignon, was painted in 1907 and is the most famous example of cubism painting. In this painting, Picasso abandoned all known form and representation of traditional art. He used distortion of female's body and geometric forms in an innovative way, which challenge the expectation that paintings will offer idealized representations of female beauty. It also shows the influence of African art on Picasso."--Pablopicasso.org.
Author: Jennifer Anna Gosetti-Ferencei
Publisher: Penn State Press
ISBN: 0271045833
Category : Philosophy
Languages : en
Pages : 280
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Book Description
Fascination with quotidian experience in modern art, literature, and philosophy promotes ecstatic forms of reflection on the very structure of the everyday world. Gosetti-Ferencei examines the ways in which modern art and literature enable a study of how we experience quotidian life. She shows that modernism, while exhibiting many strands of development, can be understood by investigating how its attentions to perception and expectation, to the common quality of things, or to childhood play gives way to experiences of ecstasis&—the stepping outside of the ordinary familiarity of the world. While phenomenology grounds this study (through Husserl, Heidegger, Merleau-Ponty, and Bachelard), what makes this book more than a treatise on phenomenological aesthetics is the way in which modernity itself is examined in its relation to the quotidian. Through the works of artists and writers such as Benjamin, C&ézanne, Frost, Klee, Newman, Pollock, Ponge, Proust, Rilke, Robbe-Grillet, Rothko, Sartre, and Twombly, the world of quotidian life can be seen to harbor a latent ecstasis. The breakdown of the quotidian through and after modernism then becomes an urgent question for understanding art and literature in its capacity to further human experience, and it points to the limits of phenomenological explications of the everyday.
Author: David Britt
Publisher:
ISBN: 9780500238417
Category : Art
Languages : en
Pages : 416
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Book Description
With over 400 color illustrations, this authoritative introduction covers every major development in the visual arts, from Impressionism to Post-Modernism.
Author: Mary Acton
Publisher: Psychology Press
ISBN: 9780415238113
Category : Art
Languages : en
Pages : 392
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Book Description
This companion text to the author's Learning to Look at Paintings addresses some of the questions most commonly asked about modern art, covering key movements of the modern and postmodern periods in a richly illustrated and engaging volume.
Author: Jennifer Dyer
Publisher: LIT Verlag Münster
ISBN: 3643900775
Category : Art
Languages : en
Pages : 159
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Book Description
This book argues that in the works of Degas, Mondrian, Bacon, Schiele and Warhol, serial iteration articulates a process of free, constructive becoming which they interpret in different ways. Not only does the serially iterative structure of the images show that activity and novelty are primary concerns, but it involves the viewer in the activity presented in the images. For these reasons, serial iteration is fundamentally connected both to modernist aspects of the work and to other concerns such as the structure of subjectivity and the movement of history. Serially iterative structure opens up the meaning of these five artists images by relating them to concerns in contemporary art and thought.
Author: Linda Dalrymple Henderson
Publisher: MIT Press
ISBN: 0262536552
Category : Art
Languages : en
Pages : 759
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Book Description
The long-awaited new edition of a groundbreaking work on the impact of alternative concepts of space on modern art. In this groundbreaking study, first published in 1983 and unavailable for over a decade, Linda Dalrymple Henderson demonstrates that two concepts of space beyond immediate perception—the curved spaces of non-Euclidean geometry and, most important, a higher, fourth dimension of space—were central to the development of modern art. The possibility of a spatial fourth dimension suggested that our world might be merely a shadow or section of a higher dimensional existence. That iconoclastic idea encouraged radical innovation by a variety of early twentieth-century artists, ranging from French Cubists, Italian Futurists, and Marcel Duchamp, to Max Weber, Kazimir Malevich, and the artists of De Stijl and Surrealism. In an extensive new Reintroduction, Henderson surveys the impact of interest in higher dimensions of space in art and culture from the 1950s to 2000. Although largely eclipsed by relativity theory beginning in the 1920s, the spatial fourth dimension experienced a resurgence during the later 1950s and 1960s. In a remarkable turn of events, it has returned as an important theme in contemporary culture in the wake of the emergence in the 1980s of both string theory in physics (with its ten- or eleven-dimensional universes) and computer graphics. Henderson demonstrates the importance of this new conception of space for figures ranging from Buckminster Fuller, Robert Smithson, and the Park Place Gallery group in the 1960s to Tony Robbin and digital architect Marcos Novak.