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Author: Gerald Edward Wade
Publisher:
ISBN:
Category : Spanish literature
Languages : en
Pages : 262
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Book Description
Author: Gerald Edward Wade
Publisher:
ISBN:
Category : Spanish literature
Languages : en
Pages : 262
Get Book Here
Book Description
Author: Gerald Edward Wade
Publisher:
ISBN:
Category : Spanish literature
Languages : en
Pages : 264
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Book Description
Author: Mónica Díaz
Publisher: University of Arizona Press
ISBN: 0816538492
Category : History
Languages : en
Pages : 248
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Book Description
Sometime in the 1740s, Sor María Magdalena, an indigenous noblewoman living in one of only three convents in New Spain that allowed Indians to profess as nuns, sent a letter to Father Juan de Altamirano to ask for his help in getting church prelates to exclude Creole and Spanish women from convents intended for indigenous nuns only. Drawing on this and other such letters—as well as biographies, sermons, and other texts—Mónica Díaz argues that the survival of indigenous ethnic identity was effectively served by this class of noble indigenous nuns. While colonial sources that refer to indigenous women are not scant, documents in which women emerge as agents who actively participate in shaping their own identity are rare. Looking at this minority agency—or subaltern voice—in various religious discourses exposes some central themes. It shows that an indigenous identity recast in Catholic terms was able to be effectively recorded and that the religious participation of these women at a time when indigenous parishes were increasingly secularized lent cohesion to that identity. Indigenous Writings from the Convent examines ways in which indigenous women participated in one of the most prominent institutions in colonial times—the Catholic Church—and what they made of their experience with convent life. This book will appeal to scholars of literary criticism, women’s studies, and colonial history, and to anyone interested in the ways that class, race, and gender intersected in the colonial world.
Author: Sandra J. Schumm
Publisher: Bucknell University Press
ISBN: 9780838754009
Category : Literary Criticism
Languages : en
Pages : 236
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Book Description
The codes of conduct imposed on females by Spain's dictator Francisco Franco after the Spanish Civil War (1936-39) created a stifling environment for women until his death in 1975. Beginning with Carmen Laforet's 1944 Nadal Prize-winning novel Nada, novels by women - many of which explore female identity - began to proliferate in Spain. The works examined in this study - Nada, Primera memoria (1960) by Ana Maria Matute, La placa del Diamant (1962) by Merce Rodoreda, Julia (1969) by Ana Maria Moix, El cuarto de atras (1978) by Carmen Martin Gaite, El amor es un juego solitario (1979) by Esther Tusquets, and Questio d'amor propi (1987) by Carme Riera - feature female protagonists struggling for self-realization and, by extension, for change in a restrictive Spanish society. Schumm's analysis of the seven novels demonstrates how examination of metaphoric tropes and mirror images provides insight into the protagonists' development.
Author: Nicholas Spadaccini
Publisher: U of Minnesota Press
ISBN: 9780816629114
Category : Literary Criticism
Languages : en
Pages : 434
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Book Description
Printbegrænsninger: Der kan printes 10 sider ad gangen og max. 40 sider pr. session
Author: Horacio Chiong Rivero
Publisher: Peter Lang
ISBN: 9780820471327
Category : History
Languages : en
Pages : 324
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Book Description
Fray Antonio de Guevara (1482-1545), the most prolific writer of pseudo-historical prose in sixteenth-century Spain, was named official chronicler by Emperor Charles V in 1526. Despite his title, Guevara never wrote a conventional history. A master of fictional semblance, Guevara self-fashioned his own literary personae or masks - among them those of friar, bishop, chronicler, courtier, imperial counselor, and court buffoon. In his pseudo-historical prose, Guevara resoundingly uses the voices of both the novelist and the court buffoon, entertaining the reader with humor, wit, satire, and irony. Artistically manipulating both classical and contemporary history, Guevara innovatively creates a vast and labyrinthine web in which history and fiction form an inseparable hybrid: a pseudo-historical narrative that heralds the essay and the modern novel.
Author: James A. Parr
Publisher: Edition Reichenberger
ISBN: 9783937734217
Category : Discourse analysis, Literary
Languages : en
Pages : 312
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Book Description
Author: Leticia Alvarez Recio
Publisher:
ISBN: 1487539002
Category : LITERARY CRITICISM
Languages : en
Pages : 297
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Book Description
"This collection of original essays examines the publication and reception history of sixteenth-century Iberian books of chivalry in English translation and explores the impact of that literary corpus on Elizabethan culture as well as its connections with other contemporary genres such as native English fiction, chronicle, and epistolary writing. The essays focus mainly on Anthony Munday's work as the leading translator as well as the two main Spanish sixteenth-century cycles-Le., Amadis and Palmerin-from a variety of critical approaches, including cultural studies, book history and reception, material history, translation, post-colonial criticism, and early modern Qender studies."--
Author: Robert L. Fiore
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 262
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Book Description
Author: Louise Fothergill-Payne
Publisher: Cambridge University Press
ISBN: 052132212X
Category : Literary Criticism
Languages : en
Pages : 194
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Book Description
This book examines the reason and intent behind the many Senecan and pseudo-Senecan quotations in Fernando de Rojas' masterpiece Celestina (1499), which enjoyed enormous popularity in sixteenth-century Europe. The author considers the importance attached to Senecan thought in the oral, scholarly and literary traditions of fifteenth-century Spain and demonstrates how readers' tastes and sensibilities were shaped by it. The main themes of Celestina, such as self-seeking friendship and love, pleasure and sorrow, gifts and riches, greed, suicide and death, are shown to be rooted in this intellectual background. The Senecan tradition, albeit treated in a satirical vein, is also seen as underlying the later additions and interpolations to the text, with a shift towards Seneca's tragedies in response to changes in fashion; Professor Fothergill-Payne reveals that even the Petrarchan quotations in Celestina have Senecan sources. Seneca and Celestina thus offers a fresh perspective on the literary and intellectual sources that shaped this famous book.
