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Author: Molly Loberg
Publisher: Cambridge University Press
ISBN: 1108284868
Category : History
Languages : en
Pages : 341
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Book Description
Who owns the street? Interwar Berliners faced this question with great hope yet devastating consequences. In Germany, the First World War and 1918 Revolution transformed the city streets into the most important media for politics and commerce. There, partisans and entrepreneurs fought for the attention of crowds with posters, illuminated advertisements, parades, traffic jams, and violence. The Nazi Party relied on how people already experienced the city to stage aggressive political theater, including the April Boycott and Kristallnacht. Observers in Germany and abroad looked to Berlin's streets to predict the future. They saw dazzling window displays that radiated optimism. They also witnessed crime waves, antisemitic rioting, and failed policing that pointed toward societal collapse. Recognizing the power of urban space, officials pursued increasingly radical policies to 'revitalize' the city, culminating in Albert Speer's plan to eradicate the heart of Berlin and build Germania.
Author: Molly Loberg
Publisher: Cambridge University Press
ISBN: 1108284868
Category : History
Languages : en
Pages : 341
Get Book Here
Book Description
Who owns the street? Interwar Berliners faced this question with great hope yet devastating consequences. In Germany, the First World War and 1918 Revolution transformed the city streets into the most important media for politics and commerce. There, partisans and entrepreneurs fought for the attention of crowds with posters, illuminated advertisements, parades, traffic jams, and violence. The Nazi Party relied on how people already experienced the city to stage aggressive political theater, including the April Boycott and Kristallnacht. Observers in Germany and abroad looked to Berlin's streets to predict the future. They saw dazzling window displays that radiated optimism. They also witnessed crime waves, antisemitic rioting, and failed policing that pointed toward societal collapse. Recognizing the power of urban space, officials pursued increasingly radical policies to 'revitalize' the city, culminating in Albert Speer's plan to eradicate the heart of Berlin and build Germania.
Author: A. Stephan Hamilton
Publisher:
ISBN: 9781912866137
Category :
Languages : en
Pages :
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Book Description
On April 16th, 1945 the Red Army launched their fourth largest offensive along the Eastern Front during World War II. The objective was to seize Berlin before the Western Allies.Sixteen days later, the former capital of the Third Reich fell to the conquering armies of Generals Georgi Zhukov and his rival Ivan Koniev. The cost to capture the largest urban complex on mainland Europe from a handful of understrength Heer and Waffen-SS divisions, supported by Volkssturm and Hitlerjugend formations armed mainly with Panzerfaust anti-armour rockets, was exceptionally high. The Red Army suffered more casualties among its soldiers than during the six month siege of Stalingrad, and it lost more armoured vehicles than during the Battle of Kursk.Total losses among the defenders and civilian population remain unknown. Central Berlin was left a wasteland. The scars of the street fighting are still visible today, seventy-five years after the battle.When Bloody Streets was first published in 2008 it detailed the tactical street fighting in Berlin day-by-day for the first time through vivid first person accounts and period aerial imagery of the city. Ten years later this ground breaking study is back in print completely revised. Previously unpublished first person accounts from both the German and Soviet perspectives supplement archival documents that include new data from the operational war diaries of the 1st Belorussian and 1st Ukrainian Fronts. The book is highly illustrated throughout with period images of the city, aerial overviews, and wartime photos.Building on more than 15 years of research, the second edition of Bloody Streets is a capstone to the author's prior works on the final climatic battles along the Eastern Front. It will remain a benchmark study of the Battle of Berlin for years to come.
Author: Brian Ladd
Publisher: University of Chicago Press
ISBN: 0226467600
Category : Political Science
Languages : en
Pages : 284
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Book Description
In this compelling work, Brian Ladd examines the ongoing conflicts radiating from the remarkable fusion of architecture, history, and national identity in Berlin. Ladd surveys the urban landscape, excavating its ruins, contemplating its buildings and memorials, and carefully deconstructing the public debates and political controversies emerging from its past. "Written in a clear and elegant style, The Ghosts of Berlin is not just another colorless architectural history of the German capital. . . . Mr. Ladd's book is a superb guide to this process of urban self-definition, both past and present."—Katharina Thote, Wall Street Journal "If a book can have the power to change a public debate, then The Ghosts of Berlin is such a book. Among the many new books about Berlin that I have read, Brian Ladd's is certainly the most impressive. . . . Ladd's approach also owes its success to the fact that he is a good storyteller. His history of Berlin's architectural successes and failures reads entertainingly like a detective novel."—Peter Schneider, New Republic "[Ladd's] well-written and well-illustrated book amounts to a brief history of the city as well as a guide to its landscape."—Anthony Grafton, New York Review of Books
Author: Deborah Wye
Publisher: The Museum of Modern Art
ISBN: 9780870707414
Category : Architecture
Languages : en
Pages : 148
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Book Description
Ernst Ludwig Kirchner's remarkable series of paintings known as the Berlin Street Scenes is a highpoint of the artist's work and a milestone of German Expressionism, widely seen as a metaphor for modernity itself through their depiction of life in a major metropolis. Kirchner moved from Dresden to Berlin in 1911, and it was in this teeming city, immersed in its vitality, decadence and underlying sense of danger posed by the imminent World War I, that he created the Street Scenes in a sustained burst of creative energy and ambition between 1913 and 1915. As the most extensive consideration of these paintings in English, this richly illustrated volume examines the creative process undertaken by the artist as he explores his theme through various mediums, and presents the major body of related charcoal drawings, pen-and-ink studies, pastels, etchings, woodcuts and lithographs he created in addition to the paintings. The volume also investigates the significance of the streetwalker as a primary motif, and provides insight on the series in the context of Kirchner's wider oeuvre.
Author: Joshua Parker
Publisher: BRILL
ISBN: 9004312099
Category : Literary Criticism
Languages : en
Pages : 436
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Book Description
Of all European cities, Americans today are perhaps most curious about Berlin, whose position in the American imagination is an essential component of nineteenth-century, postwar and contemporary transatlantic imagology. Over various periods, Berlin has been a tenuous space for American claims to cultural heritage and to real geographic space in Europe, symbolizing the ultimate evil and the power of redemption. This volume offers a comprehensive examination of the city’s image in American literature from 1840 to the present. Tracing both a history of Berlin and of American culture through the ways the city has been narrated across three centuries by some 100 authors through 145 novels, short stories, plays and poems, Tales of Berlin presents a composite landscape not only of the German capital, but of shifting subtexts in American society which have contextualized its meaning for Americans in the past, and continue to do so today.
Author: Nicolas Whybrow
Publisher: Intellect (UK)
ISBN:
Category : Literary Criticism
Languages : en
Pages : 248
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Book Description
Always the focal point in modern times for momentous political, social and cultural upheaval, Berlin has continued, since the fall of the Wall in 1989, to be a city in transition. As the new capital of a reunified Germany it has embarked on a journey of rapid reconfiguration, involving issues of memory, nationhood and ownership. Bertolt Brecht, meanwhile, stands as one of the principal thinkers about art and politics in the 20th century. The "Street Scene" model, which was the foundation for his theory of an epic theatre, relied precisely on establishing a connection between art's functioning and everyday life. His preoccupation with the ceaselessness of change, an impulse implying rupture and movement as the key characteristics informing the development of a democratic cultural identity, correlates resonantly with the notion of an ever-evolving city. Premised on an understanding of performance as the articulation of movement in space, Street Scenes interrogates what kind of "life" is permitted to "flow" in the "new Berlin." Central to this method is the flaneur figure, a walker of streets who provides detached observations on the revealing "detritus of modern urban existence." Walter Benjamin, himself a native of Berlin as well as friend and seminal critic of Brecht, exercised the practice in exemplary form in his portrait of the city One-Way Street. Street Scenes offers various points of entry for the reader, including those interested in: theatre, performance, visual art, architecture, theories of everyday life and culture, and the politics of identity. Ultimately, it is an interdisciplinary book, which strives to establish the 'porosity' of areas of theory and practice rather than hard boundaries.
Author: Andrew Webber
Publisher: Cambridge University Press
ISBN: 1107062004
Category : Literary Criticism
Languages : en
Pages : 303
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Book Description
This book provides an informative overview of literary developments in Berlin since 1750, with more detailed readings of exemplary key texts.
Author: Brian Ladd
Publisher: University of Chicago Press
ISBN: 022667813X
Category : History
Languages : en
Pages : 314
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Book Description
“This is a sensory history and a sensual story told from street level . . . a clear and powerful account of the transformation of street life in Europe.” —Leora Auslander, author of Taste and Power Merchants’ shouts, jostling strangers, aromas of fresh fish and flowers, plodding horses, and friendly chatter long filled the narrow, crowded streets of the European city. As they developed over many centuries, these spaces of commerce, communion, and commuting framed daily life. At its heyday in the 1800s, the European street was the place where social worlds connected and collided. Brian Ladd recounts a rich social and cultural history of the European city street, tracing its transformation from a lively scene of trade and crowds into a thoroughfare for high-speed transportation. Looking closely at four major cities—London, Paris, Berlin, and Vienna—Ladd uncovers both the joys and the struggles of a past world. The story takes us up to the twentieth century, when the life of the street was transformed as wealthier citizens withdrew from the crowds to seek refuge in suburbs and automobiles. As demographics and technologies changed, so did the structure of cities and the design of streets, significantly shifting our relationships to them. In today’s world of high-speed transportation and impersonal marketplaces, Ladd leads us to consider how we might draw on our history to once again build streets that encourage us to linger. By unearthing the vivid descriptions recorded by amused and outraged contemporaries, Ladd reveals the changing nature of city life, showing why streets matter and how they can contribute to public life. “[A] dazzlingly kaleidoscopic overview of city life, city living, and city dying.” —Judith Flanders, author of The Invention of Murder
Author: Alison Young
Publisher: Routledge
ISBN: 1135143595
Category : Art
Languages : en
Pages : 181
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Book Description
What is street art? Who is the street artist? Why is street art a crime? Since the late 1990s, a distinctive cultural practice has emerged in many cities: street art, involving the placement of uncommissioned artworks in public places. Sometimes regarded as a variant of graffiti, sometimes called a new art movement, its practitioners engage in illicit activities while at the same time the resulting artworks can command high prices at auction and have become collectable aesthetic commodities. Such paradoxical responses show that street art challenges conventional understandings of culture, law, crime and art. Street Art, Public City: Law, Crime and the Urban Imagination engages with those paradoxes in order to understand how street art reveals new modes of citizenship in the contemporary city. It examines the histories of street art and the motivations of street artists, and the experiences both of making street art and looking at street art in public space. It considers the ways in which street art has become an integral part of the identity of cities such as London, New York, Berlin, and Melbourne, at the same time as street art has become increasingly criminalised. It investigates the implications of street art for conceptions of property and authority, and suggests that street art and the urban imagination can point us towards a different kind of city: the public city. Street Art, Public City will be of interest to readers concerned with art, culture, law, cities and urban space, and also to readers in the fields of legal studies, cultural criminology, urban geography, cultural studies and art more generally.
Author: Haim Gordon
Publisher: Waxmann Verlag
ISBN: 3830971753
Category : Education
Languages : en
Pages : 162
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Book Description
This book has two aims. The first aim is a modest attempt to help to overcome the neglect to which German expressionist paintings have been condemned by historians and art critics. The second aim is more difficult from an educational perspective. The book points out that a moving beauty and worthy truths call out from many German expressionist paintings. At times, this beauty and these truths may be comprehended straightforwardly. To complement the direct encounter with these paintings, the book suggests learning from concepts, ideas, and insights presented by existentialist philosophers. The book shows that these concepts, ideas, and insights can assist in harkening to the call of beauty and truth that calls out from the paintings of the six German expressionist painters which are discussed here: Max Beckmann, Otto Dix, Ernst Ludwig Kirchner, Otto Mueller, Karl Schmidt-Rottluff, and Erich Heckel. Thus, they can assist the educator in showing the grandeur of the works of the six painters. The book points to the educational value of the personal and existential encounter with the beauty and truths that call out from the paintings of these artists. Haim Gordon is professor emeritus at Ben Gurion University of the Negev in Israel. He has published, at times in collaboration with colleagues, 26 books and more than 150 papers in professional journals and books on philosophical, educational and political topics. He resides with his wife in Eilat, Israel.
