Author: Sabine Baring-Gould
Publisher: Library of Alexandria
ISBN: 1465608311
Category : Fiction
Languages : en
Pages : 338
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All over the north of Europe the greatest aversion is felt to be the first to enter a new building, or to go over a newly erected bridge. If to do this is not everywhere and in all cases thought to entail death, it is considered supremely unlucky. Several German legends are connected with this superstition. The reader, if he has been to Aix-la-Chapelle, has doubtless had the rift in the great door pointed out to him, and has been told how it came there. The devil and the architect made a compact that the first should draw the plans, and the second gain the Kudos; and the devil’s wage was to be that he should receive the first who crossed the threshold of the church when completed. When the building was finished, the architect’s conscience smote him, and he confessed the compact to the bishop. “We’ll do him,” said the prelate; that is to say, he said something to this effect in terms more appropriate to the century in which he lived, and to his high ecclesiastical office. When the procession formed to enter the minster for the consecration, the devil lurked in ambush behind a pillar, and fixed his wicked eye on a fine fat and succulent little chorister as his destined prey. But alas for his hopes! this fat little boy had been given his instructions, and, as he neared the great door, loosed the chain of a wolf and sent it through. The evil one uttered a howl of rage, snatched up the wolf and rushed away, giving the door a kick, as he passed it, that split the solid oak. The castle of Gleichberg, near Rönskild, was erected by the devil in one night. The Baron of Gleichberg was threatened by his foes, and he promised to give the devil his daughter if he erected the castle before cockcrow. The nurse overheard the compact, and, just as the castle was finished, set fire to a stack of corn. The cock, seeing the light, thought morning had come, and crowed before the last stone was added to the walls. The devil in a rage carried off the old baron—and served him right—instead of the maiden. We shall see presently how this story works into our subject. At Frankfort may be seen, on the Sachsenhäuser Bridge, an iron rod with a gilt cock on the top. This is the reason: An architect undertook to build the bridge within a fixed time, but three days before that on which he had contracted to complete it, the bridge was only half finished. In his distress he invoked the devil, who undertook the job if he might receive the first who crossed the bridge. The work was done by the appointed day, and then the architect drove a cock over the bridge. The devil, who had reckoned on getting a human being, was furious; he tore the poor cock in two, and flung it with such violence at the bridge that he knocked two holes in it, which to the present day cannot be closed, for if stones are put in by day they are torn out by night. In memorial of the event, the image of the cock was set up on the bridge.
Author: Folklore Society (Great Britain)
Publisher:
ISBN:
Category : Folklore
Languages : en
Pages : 612
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Author: Leeds (England). Public Libraries, Art Gallery and Museum
Publisher:
ISBN:
Category :
Languages : en
Pages : 578
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Author:
Publisher:
ISBN:
Category : English periodicals
Languages : en
Pages : 564
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 560
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Author: David Atkinson
Publisher: Cambridge Scholars Publishing
ISBN: 1527502759
Category : History
Languages : en
Pages : 387
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For centuries, street literature was the main cheap reading material of the working classes: broadsides, chapbooks, songsters, prints, engravings, and other forms of print produced specifically to suit their taste and cheap enough for even the poor to buy. Starting in the sixteenth century, but at its chaotic and flamboyant peak in the nineteenth, street literature was on sale everywhere – in urban streets and alleyways, at country fairs and markets, at major sporting events and holiday gatherings, and under the gallows at public executions. For this very reason, it was often despised and denigrated by the educated classes, but remained enduringly popular with the ordinary people. Anything and everything was grist to the printers’ mill, if it would sell. A penny could buy you a celebrity scandal, a report of a gruesome murder, the last dying speech of a condemned criminal, wonder tales, riddles and conundrums, a moral tale of religious danger and redemption, a comic tale of drunken husbands and shrewish wives, a temperance tract or an ode to beer, a satire on dandies, an alphabet or “reed-a-ma-daisy” (reading made easy) to teach your children, an illustrated chapbook of nursery rhymes, or the adventures of Robin Hood and Jack the Giant Killer. Street literature long held its own by catering directly for the ordinary people, at a price they could afford, but, by the end of the Victorian era, it was in terminal decline and was rapidly being replaced by a host of new printed materials in the shape of cheap newspapers and magazines, penny dreadful novels, music hall songbooks, and so on, all aimed squarely at the burgeoning mass market. Fascinating today for the unique light it shines on the lives of the ordinary people of the age, street literature has long been neglected as a historical resource, and this collection of essays is the first general book on the trade for over forty years.
Author: Ross Cole
Publisher: Univ of California Press
ISBN: 0520383753
Category : Music
Languages : en
Pages : 275
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Who are "the folk" in folk music? This book traces the musical culture of these elusive figures in Britain and the US during a crucial period of industrialization from 1870 to 1930, and beyond to the contemporary alt-right. Drawing on a broad, interdisciplinary range of scholarship, The Folk examines the political dimensions of a recurrent longing for folk culture and how it was called upon for radical and reactionary ends at the apex of empire. It follows an insistent set of disputes surrounding the practice of collecting, ideas of racial belonging, nationality, the poetics of nostalgia, and the pre-history of European fascism. Deeply researched and beautifully written, Ross Cole provides us with a biography of a people who exist only as a symptom of the modern imagination, and the archaeology of a landscape directing flows of global populism to this day.
Author: Clara Willett
Publisher:
ISBN:
Category :
Languages : en
Pages : 182
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Author: Society of Antiquaries of Scotland
Publisher:
ISBN:
Category : Archaeology
Languages : en
Pages : 282
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Includes List of members.
Author: Library Company of Philadelphia
Publisher:
ISBN:
Category : Classified catalogs
Languages : en
Pages : 756
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