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Author: Stephen Nepa
Publisher: Xlibris Corporation
ISBN: 1462858031
Category : Fiction
Languages : en
Pages : 205
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Book Description
Dorothy Gillis along with her son Ray move to a new town. Dorothy wants a change in her life. Ray is just along for the ride. What the town of Lodi has to offer them is definitely life changing. In Footsteps of Nevermore a mother is haunted by the ghost of her son. Is she going insane or is there really a ghost calling her name? In Tonight's Main event an eccentric comedian gets more than he bargains for when he challenges Academy Award winning actor Sean Penn to a fight. In Your Honor is about a fallen soldier who leaves a story behind for his son to read. A lonely girl in the back roads of America meets a zombie in Page Seventeen. The stories in this book are a tribute to The Twilight Zone and Tales from the Crypt. A new generation in horror has begun.
Author: Stephen Nepa
Publisher: Xlibris Corporation
ISBN: 1462858031
Category : Fiction
Languages : en
Pages : 205
Get Book Here
Book Description
Dorothy Gillis along with her son Ray move to a new town. Dorothy wants a change in her life. Ray is just along for the ride. What the town of Lodi has to offer them is definitely life changing. In Footsteps of Nevermore a mother is haunted by the ghost of her son. Is she going insane or is there really a ghost calling her name? In Tonight's Main event an eccentric comedian gets more than he bargains for when he challenges Academy Award winning actor Sean Penn to a fight. In Your Honor is about a fallen soldier who leaves a story behind for his son to read. A lonely girl in the back roads of America meets a zombie in Page Seventeen. The stories in this book are a tribute to The Twilight Zone and Tales from the Crypt. A new generation in horror has begun.
Author: Michael Downes
Publisher: Faber & Faber
ISBN: 0571372015
Category : Music
Languages : en
Pages : 242
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Book Description
A colourful and concise telling of the fascinating story behind Richard Wagner's extraordinary masterpiece, Ring of the Nibelung. The Ring is one of the most epic and compelling stories of the nineteenth century, created by a composer who was, alongside Dickens, Tolstoy and Victor-Hugo, also one of the century's master storytellers. But the story of how Wagner created the work is one full of intrigue and triumphs against unlikely odds - as well as controversy, due to the composer's anti-semitic views and popularity with the Nazi party. In Story of the Century, Michael Downes combines cultural history and biography to offer this accessible and insightful introduction to The Ring and its mythology. He tells the story of how and why this extraordinary masterpiece came into being, why it takes the form it does, why it fascinates and obsesses so many and horrifies others, and why it matters.
Author: Elizabeth A. Wells
Publisher: Rowman & Littlefield
ISBN: 0810876663
Category : Biography & Autobiography
Languages : en
Pages : 327
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Book Description
Wells presents a scholarly study of the American musical West Side Story, viewing the work from cultural, historical, and musical perspectives. --from publisher description.
Author: Misha Berson
Publisher: Applause Theatre & Cinema
ISBN: 155783766X
Category : Performing Arts
Languages : en
Pages : 299
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Book Description
A critical and comprehensive exploration of the influential Broadway musical analyzes West Side Story against a backdrop of its cultural period while considering its reflection of both classical Shakespeare conflicts and modern youth issues. Original.
Author: Julie Jaffee Nagel
Publisher: Routledge
ISBN: 0415692784
Category : Music
Languages : en
Pages : 157
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Book Description
In this book, Nagel invites us to take a journey on an aural and oral road that explores music and emotion, and their links to the unconscious.
Author: Dr. Yasser Mattar
Publisher: Marshall Cavendish International Asia Pte Ltd
ISBN: 981508478X
Category : Self-Help
Languages : en
Pages : 180
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Book Description
Personal branding is a key factor in career success in the digital world today. It distinguishes us from other industry professionals, makes us stand out to employers, clients and collaborators, and gives us a competitive advantage in getting jobs, connections and sideline hustles. But what exactly is a personal brand? How do we go about creating one? And for those of us who are looking to pivot to new opportunities, how do we refresh our branding? (Re)brand Yourself, (Re)tell Your Story is your indispensable guide to the journey of personal branding. Author Yasser Mattar shows that skills and competencies are the unique value-add that we bring to an enterprise – but they are in danger of being overlooked if not communicated clearly. That is why we need to craft a memorable brand persona, and use storytelling techniques to structure a compelling brand story, in order to highlight our winning attributes. A personal brand is the best investment you can make for your career. If you do it right, you’ll find that you’re never just an employee of a company anymore – you’re a brand in your own right.
Author: Dominic Pedler
Publisher: Omnibus Press
ISBN: 0857123467
Category : Music
Languages : en
Pages : 713
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Book Description
Thirty years after The Beatles split up, the music of Lennon, McCartney, Harrrison and Starkey lives on. What exactly were the magical ingredients of those legendary songs? Why are they still so influential for today's bands? This ground-breaking book sets out to explore The Beatles' songwriting techniques in a clear and readable style. It is aimed not only at musicians but anyone who has ever enjoyed the work of one of the most productive and successful songwriting parterships of the 20th Century. Author Dominic Pedler explores the chord sequences, melodies, harmonies, rhythms and structures of The Beatles' self-penned songs, while challenging readers to enhance their appreciation of the lyrics themselves with reference to the musical context. Throughout the book the printed music and lyrics of The Beatles' songs appear alongside the text, illustrating the author's explanations. The Songwriting Secrets Of The Beatles is an essential addition to Beatles literature - a new and perceptive analysis of both the music and the lyrics written and performed by what Paul McCartney still calls 'a really good, tight little band'.
Author: Dmitrij Dobrovol'skij
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110702533
Category : Language Arts & Disciplines
Languages : en
Pages : 503
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Book Description
The book develops a Theory of the Figurative Lexicon. Units of the figurative lexicon (conventional figurative units, CFUs for short) differ from all other elements of the language in two points: Firstly, they are conventionalized. That is, they are elements of the mental lexicon – in contrast to freely created figurative expressions. Secondly, they consist of two conceptual levels: they can be interpreted at the level of their literal reading and at the level of their figurative meaning – which both can be activated simultaneously. New insights into the Theory of Figurative Lexicon relate, on the one hand, to the metaphor theory. Over time, it became increasingly clear that the Conceptual Metaphor Theory in the sense of Lakoff can only partly explain the conventional figurativeness. On the other hand, it became clear that “intertextuality” plays a far greater role in the CFUs of Western cultures than previously assumed. The book’s main target audience will be linguists, researchers in phraseology, paremiology and metaphor, and cultural studies. The data and explanations of the idioms will provide a welcome textbook in courses on linguistics, culture history, phraseology research and phraseodidactics.
Author: Nigel Simeone
Publisher: Routledge
ISBN: 1351560387
Category : Music
Languages : en
Pages : 192
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Book Description
One of the Broadway musicals that can genuinely claim to have transformed the genre, West Side Story has been featured in many books on Broadway, but it has yet to be the focus of a scholarly monograph. Nigel Simeone begins by exploring the long process of creating West Side Story, including a discussion of Bernstein's sketches, early drafts of the score and script, as well as cut songs. The core of the book is a commentary on the music itself. West Side Story is one of the very few Broadway musicals for which there is a complete published orchestral score, as well as two different editions of the piano-vocal score. The survival of the original copied orchestral score, and the reminiscences of Sid Ramin and Irwin Kostal, reveal details of the orchestration process, and the extent to which Bernstein was involved in this. Simeone's commentary considers: musical characteristics and compositional techniques used to mirror the drama (for example, the various uses of the tritone), motivic development, the use and reinvention of Broadway and other conventions, the creation of dramatic continuity in the score through the use of motifs and other devices, the unusual degree of dissonance and rhythmic complexity (at least for the time), and the integration of Latin-American dance forms (Mambo, Huapango and so on). Simeone also considers the reception of West Side Story in the contemporary press. The stir the show caused included the response that it was the angular, edgy score that made it a remarkable achievement. Not all reviews were uncritical. Finally, the book looks in detail at the making of the original Broadway cast recording, made in just one day, included on the accompanying downloadable resources.
Author: Linda Sabo
Publisher: Outskirts Press
ISBN: 1977205828
Category : Performing Arts
Languages : en
Pages : 241
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Book Description
Musical theatre choreography has indisputably evolved over the years and choreographers develop methods of working and philosophical approaches that should be documented but rarely are. Textual information is limited, and what has been written is generally more practical than theoretical, and is minimal compared to those books written for choreographers of modern and contemporary dance. By pointing out the similarities and dissimilarities between concert dance genres and theatre dance, and by identifying the specialized demands of crafting artistic and script-serving theatre dance and staging, this text differentiates musical theatre choreography as a separate and bona fide art form and suggests that 1) universities recognize it as such by offering training possibilities for future musical theatre choreographers, and 2) established choreographers of musicals begin to write down their own artistic processes to help fill the choreographic toolbox for young choreographers wanting to work in this field. In 1943, a light switch was flipped with the musical Oklahoma! when Rodgers' and Hammerstein's mission to keep the book absolutely central to the making of a musical was established. After that, other musical theatre artists followed suit causing standards to change. Now, no other artistic element in a musical makes a move without first ensuring that it serves the script. By creating original material that is integral to the telling of a story, composers and lyricists came to be thought of as dramatists. Likewise, Oklahoma! choreographer Agnes de Mille seamlessly integrated her dances and staging into the action and created character and situation-specific movement that actually helped forward the plot. Because of her groundbreaking advances, choreographers are now also expected to create dances that serve the script and help to tell the playwright's story. The choreographer, like the librettist, composer, and lyricist, is now positioned as dramatist, as well. In Part 1, the choreographer as dramatist is stressed as the author uses each chapter to reflect upon ways she analyzes librettos and scores to determine the function of each song in a musical and the stories that should be told through dances and staging created for each song. Drawing from her own experiences as a musical theatre director/choreographer, she reflects upon and shares her artistic process, not in a linear way, but anecdotally, to illustrate the kind of thinking that will lead her to effectively tackle the job at hand. At the end of each chapter, assignments are suggested that may be useful to aspiring choreographers and directors of musicals. This text is a valuable resource for teachers designing a course in theatre choreography on either the undergraduate or graduate level, as well as for professional directors and choreographers who want to think more deeply about their own work. Students of choreography will be asked to reflect upon and to work with techniques that are sometimes similar to, but also often oppositional to those learned in modern dance choreography courses. Part Two offers an overview of the scope of literature and representative articles that have been published on both topics, modern dance composition and musical theatre choreography, as it concisely traces the history of modern dance choreographic pedagogy, aligning it with concurrent trends happening within the American musical theatre since the mid-19th century.
