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Author:
Publisher:
ISBN:
Category : Folklore
Languages : en
Pages : 100
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Author:
Publisher:
ISBN:
Category : Folklore
Languages : en
Pages : 100
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Author: Dennis McNally
Publisher: Catapult
ISBN: 1619025817
Category : Music
Languages : en
Pages : 497
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Book Description
On Highway 61 explores the historical context of the significant social dissent that was central to the cultural genesis of the sixties. The book is going to search for the deeper roots of American cultural and musical evolution for the past 150 years by studying what the Western European culture learned from African American culture in a historical progression that reaches from the minstrel era to Bob Dylan. The book begins with America's first great social critic, Henry David Thoreau, and his fundamental source of social philosophy:–––his profound commitment to freedom, to abolitionism and to African–American culture. Continuing with Mark Twain, through whom we can observe the rise of minstrelsy, which he embraced, and his subversive satirical masterpiece Huckleberry Finn. While familiar, the book places them into a newly articulated historical reference that shines new light and reveals a progression that is much greater than the sum of its individual parts. As the first post–Civil War generation of black Americans came of age, they introduced into the national culture a trio of musical forms—ragtime, blues, and jazz— that would, with their derivations, dominate popular music to this day. Ragtime introduced syncopation and become the cutting edge of the modern 20th century with popular dances. The blues would combine with syncopation and improvisation and create jazz. Maturing at the hands of Louis Armstrong, it would soon attract a cluster of young white musicians who came to be known as the Austin High Gang, who fell in love with black music and were inspired to play it themselves. In the process, they developed a liberating respect for the diversity of their city and country, which they did not see as exotic, but rather as art. It was not long before these young white rebels were the masters of American pop music – big band Swing. As Bop succeeded Swing, and Rhythm and Blues followed, each had white followers like the Beat writers and the first young rock and rollers. Even popular white genres like the country music of Jimmy Rodgers and the Carter Family reflected significant black influence. In fact, the theoretical separation of American music by race is not accurate. This biracial fusion achieved an apotheosis in the early work of Bob Dylan, born and raised at the northern end of the same Mississippi River and Highway 61 that had been the birthplace of much of the black music he would study. As the book reveals, the connection that began with Thoreau and continued for over 100 years was a cultural evolution where, at first individuals, and then larger portions of society, absorbed the culture of those at the absolute bottom of the power structure, the slaves and their descendants, and realized that they themselves were not free.
![American Folk Songs [2 volumes] PDF](https://books.google.com/books/content/images/frontcover/0xbOEAAAQBAJ?fife=w80-h100)
Author: Norman Cohen
Publisher: Bloomsbury Publishing USA
ISBN: 0313088101
Category : Music
Languages : en
Pages : 774
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Book Description
This state-by-state collection of folksongs describes the history, society, culture, and events characteristic of all fifty states. Unlike all other state folksong collections, this one does not focus on songs collected in the particular states, but rather on songs concerning the life and times of the people of that state. The topics range from the major historical events, such as the Boston Tea Party, the attack on Fort Sumter, and the California Gold Rush, to regionally important events such as disasters and murders, labor problems, occupational songs, ethnic conflicts. Some of the songs will be widely recognized, such as Casey Jones, Marching Through Georgia, or Sweet Betsy from Pike. Others, less familiar, have not been reprinted since their original publication, but deserve to be studied because of what they tell about the people of these United States, their loves, labors, and losses, and their responses to events. The collection is organized by regions, starting with New England and ending with the states bordering the Pacific Ocean, and by states within each region. For each state there are from four to fifteen songs presented, with an average of 10 songs per state. For each song, a full text is reprented, followed by discussion of the song in its historical context. References to available recordings and other versions are given. Folksongs, such as those discussed here, are an important tool for historians and cultural historians because they sample experiences of the past at a different level from that of contemporary newspaper accounts and academic histories. These songs, in a sense, are history writ small. Includes: Away Down East, The Old Granite State, Connecticut, The Virginian Maid's Lament, Carry Me Back to Old Virginny, I'm Going Back to North Carolina, Shut up in Cold Creek Mine, Ain't God Good to Iowa?, Dakota Land, Dear Prairie Home, Cheyenne Boys, I'm off for California, and others.
Author: American Folklife Center
Publisher:
ISBN:
Category : Folklore
Languages : en
Pages : 88
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Accompanying CD includes music and spoken word from the Archive of Folk Culture. Full track listing and production credits on p. 80-84.
Author: Sara Grimes
Publisher: Ohio Univ Ctr for International Studies
ISBN: 9780821419434
Category : Biography & Autobiography
Languages : en
Pages : 188
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Book Description
Stories from the Anne Grimes Collection of American Folk Music is a treasury of American traditional music and Ohio's folklife heritage. Traveling along the highways and byways of Ohio in the 1950s as a folksinger and collector of traditional music, Anne Grimes encountered people from many different backgrounds who opened up their homes to her to share their most precious family heirlooms--their songs. She recorded these treasures for posterity and further preserved them through her lectures and recitals. After years of performance and research on her material, Anne Grimes decided to write about it all. This beautiful book presents her lively portraits of the major contributors with photographs taken by her husband, James W. Grimes; lyrics and extensive notes on the songs; and a CD sampler that includes performances by her contributors, most of whom had not been previously recorded. It also contains selections from Bob Gibson, Carl Sandburg, Pete Seeger, Jenny Wells Vincent, as well as Grimes herself. The Anne Grimes Collection is preserved in the Library of Congress. Besides songs, Anne Grimes also collected dulcimers, and portraits of these folk instruments and their players--including Anne Grimes herself--are featured throughout the book and on the CD. Photographsinclude some of the forty-two rare vintage dulcimers and other instruments collected by Anne Grimes that are now preserved at the National Museum of American History at the Smithsonian Institution. Songs and Dulcimer Playing CD Selections from the Anne Grimes Collection: Reuben Allen, Bertha Bacon, Sarah Basham/Bertha Basham Wright, Henry Lawrence Beecher, John Bodiker, Dolleah Church, Walter W. Dixon, Ken Ward, Blanche Wilson Fullen, Bob Gibson, Brodie F. Halley, Perry Harper, Anne Grimes, Donald Langstaff, Bascom Lamar Lunsford, W.E. Lunsford, Jane Jones McNerlin, May Kennedy McCord, Jenny Wells Vincent, Pete Seeger, Neva Randolph, Babe Reno/Arbannah Reno, Branch Rickey, Carl Sandburg, Bessie Weinrich, Faye Wemmer, Okey Wood
Author: Anne Warner
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 536
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Book Description
![American Folk Songs [2 volumes] PDF](https://books.google.com/books/content/images/frontcover/RycJAQAAMAAJ?fife=w80-h100)
Author: Norman Cohen
Publisher: Greenwood
ISBN: 9780313340475
Category : Music
Languages : en
Pages : 376
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Book Description
This state-by-state collection of folksongs describes the history, society, culture, and events characteristic of all fifty states. Unlike all other state folksong collections, this one does not focus on songs collected in the particular states, but rather on songs concerning the life and times of the people of that state. The topics range from the major historical events, such as the Boston Tea Party, the attack on Fort Sumter, and the California Gold Rush, to regionally important events such as disasters and murders, labor problems, occupational songs, ethnic conflicts. Some of the songs will be widely recognized, such as "Casey Jones," "Marching Through Georgia," or "Sweet Betsy from Pike." Others, less familiar, have not been reprinted since their original publication, but deserve to be studied because of what they tell about the people of these United States, their loves, labors, and losses, and their responses to events. The collection is organized by regions, starting with New England and ending with the states bordering the Pacific Ocean, and by states within each region. For each state there are from four to fifteen songs presented, with an average of 10 songs per state. For each song, a full text is reprented, followed by discussion of the song in its historical context. References to available recordings and other versions are given. Folksongs, such as those discussed here, are an important tool for historians and cultural historians because they sample experiences of the past at a different level from that of contemporary newspaper accounts and academic histories. These songs, in a sense, are history writ small.
Author:
Publisher:
ISBN:
Category : Folklore
Languages : en
Pages : 540
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Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 480
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Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 36
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Book Description
