Author: Ricky Riccardi
Publisher: Oxford University Press
ISBN: 0197614485
Category : Biography & Autobiography
Languages : en
Pages : 489
Book Description
In Stomp Off, Let's Go, author Ricky Riccardi offers a fresh take on the most widely discussed period of Louis Armstrong's life. Tracing the trumpeter's meteoric rise to fame from childhood in New Orleans all the way to Chicago, where he changed the course of music with the Hot Five and Hot Seven recordings, Riccardi foregrounds the voices of Armstrong and his contemporaries to explore Armstrong's path and relationships more intimately, in turn providing essential insights into how Armstrong rose to become one of America's most beloved icons.
Stomp Off, Let's Go
Author: Ricky Riccardi
Publisher: Oxford University Press
ISBN: 0197614485
Category : Biography & Autobiography
Languages : en
Pages : 489
Book Description
In Stomp Off, Let's Go, author Ricky Riccardi offers a fresh take on the most widely discussed period of Louis Armstrong's life. Tracing the trumpeter's meteoric rise to fame from childhood in New Orleans all the way to Chicago, where he changed the course of music with the Hot Five and Hot Seven recordings, Riccardi foregrounds the voices of Armstrong and his contemporaries to explore Armstrong's path and relationships more intimately, in turn providing essential insights into how Armstrong rose to become one of America's most beloved icons.
Publisher: Oxford University Press
ISBN: 0197614485
Category : Biography & Autobiography
Languages : en
Pages : 489
Book Description
In Stomp Off, Let's Go, author Ricky Riccardi offers a fresh take on the most widely discussed period of Louis Armstrong's life. Tracing the trumpeter's meteoric rise to fame from childhood in New Orleans all the way to Chicago, where he changed the course of music with the Hot Five and Hot Seven recordings, Riccardi foregrounds the voices of Armstrong and his contemporaries to explore Armstrong's path and relationships more intimately, in turn providing essential insights into how Armstrong rose to become one of America's most beloved icons.
Stomp Off, Let's Go!
Author: John Chilton
Publisher:
ISBN:
Category : Big bands
Languages : en
Pages : 292
Book Description
Publisher:
ISBN:
Category : Big bands
Languages : en
Pages : 292
Book Description
Jazz and Ragtime Records, 1897-1942
Author: Brian Rust
Publisher: Denver, Colo. : Mainspring Press
ISBN:
Category : Music
Languages : en
Pages : 1024
Book Description
Reinforced cloth library binding, no dust jacket, individual shrinkwrap
Publisher: Denver, Colo. : Mainspring Press
ISBN:
Category : Music
Languages : en
Pages : 1024
Book Description
Reinforced cloth library binding, no dust jacket, individual shrinkwrap
The American Dance Band Discography 1917-1942: Irving Aaronson to Arthur Lange
Author: Brian Rust
Publisher: New Rochelle, N.Y. : Arlington House
ISBN:
Category : Music
Languages : en
Pages : 1030
Book Description
Publisher: New Rochelle, N.Y. : Arlington House
ISBN:
Category : Music
Languages : en
Pages : 1030
Book Description
Jazz and Ragtime Records (1897-1942): L-Z, index
Author: Brian Rust
Publisher:
ISBN:
Category : Jazz
Languages : en
Pages : 992
Book Description
Publisher:
ISBN:
Category : Jazz
Languages : en
Pages : 992
Book Description
Weldon Kees and the Midcentury Generation
Author: Weldon Kees
Publisher: U of Nebraska Press
ISBN: 9780803278080
Category : Literary Collections
Languages : en
Pages : 298
Book Description
Before he vanished in the fog of San Francisco, Weldon Kees (1914?55) was a poet, storyteller, critic, painter, musician, and filmmaker. What remains is a body of work and a large collection of letters that shed light on Kees?s complex personality. Robert E. Knoll traces the odyssey of a Nebraska boy who made his way in a fiercely competitive national scene, befriending the movers and shakers of the art worlds on both coasts. Kees?s letters?satirical, witty, poetic, gossipy, intensely individual?provide the feel of lives being lived, of a career going forth, and finally, of the darkness that engulfed him when, in Knoll's phrase, he was "ten minutes from triumph."
Publisher: U of Nebraska Press
ISBN: 9780803278080
Category : Literary Collections
Languages : en
Pages : 298
Book Description
Before he vanished in the fog of San Francisco, Weldon Kees (1914?55) was a poet, storyteller, critic, painter, musician, and filmmaker. What remains is a body of work and a large collection of letters that shed light on Kees?s complex personality. Robert E. Knoll traces the odyssey of a Nebraska boy who made his way in a fiercely competitive national scene, befriending the movers and shakers of the art worlds on both coasts. Kees?s letters?satirical, witty, poetic, gossipy, intensely individual?provide the feel of lives being lived, of a career going forth, and finally, of the darkness that engulfed him when, in Knoll's phrase, he was "ten minutes from triumph."
Swing, that Modern Sound
Author: Kenneth J. Bindas
Publisher: Univ. Press of Mississippi
ISBN: 1578063825
Category : Music
Languages : en
Pages : 230
Book Description
How America invented swing, how swing energized America. It was for stage bands, for dancing, and for a jiving mood of letting go. Throughout the nation swing resounded with the spirit of good times. The swing era was America's segue into modernity. But this pop genre, for a decade America's favorite, arose during the worst of times, the Great Depression. From its peak in the 1930s until bebop, rhythm and blues, and country swamped it after World War II, swing defined an American generation and measured America's musical heartbeat. In its heyday swing reached a mass audience of very disparate individuals and united them. They perceived in the tempers and tempos of swing the very definition of modernity. What fed the music? And, in turn, what did the music feed? What social structures encouraged swing's creation, acceptance, and popularity? This book analyzes the cultural and historical significance of swing and tells how and why swing achieved its audience, unified its fans, defined its generation, and, after World War II, fell into decline. As it examines the role of race, class, and gender in the creation of this music, this book tells how the genre came to symbolize the modernist revolution taking place in America. The author was associate professor of history at Kent State University, Trumbull Campus, in Warren, Ohio, and the author of "All of This Music Belongs to the Nation: The WPA's Federal Music Project and American Society, 1935-1939."
Publisher: Univ. Press of Mississippi
ISBN: 1578063825
Category : Music
Languages : en
Pages : 230
Book Description
How America invented swing, how swing energized America. It was for stage bands, for dancing, and for a jiving mood of letting go. Throughout the nation swing resounded with the spirit of good times. The swing era was America's segue into modernity. But this pop genre, for a decade America's favorite, arose during the worst of times, the Great Depression. From its peak in the 1930s until bebop, rhythm and blues, and country swamped it after World War II, swing defined an American generation and measured America's musical heartbeat. In its heyday swing reached a mass audience of very disparate individuals and united them. They perceived in the tempers and tempos of swing the very definition of modernity. What fed the music? And, in turn, what did the music feed? What social structures encouraged swing's creation, acceptance, and popularity? This book analyzes the cultural and historical significance of swing and tells how and why swing achieved its audience, unified its fans, defined its generation, and, after World War II, fell into decline. As it examines the role of race, class, and gender in the creation of this music, this book tells how the genre came to symbolize the modernist revolution taking place in America. The author was associate professor of history at Kent State University, Trumbull Campus, in Warren, Ohio, and the author of "All of This Music Belongs to the Nation: The WPA's Federal Music Project and American Society, 1935-1939."
Early Jazz
Author: Fumi Tomita
Publisher: State University of New York Press
ISBN: 1438496397
Category : Music
Languages : en
Pages : 195
Book Description
Early Jazz is an overview of the beginnings of jazz from its nineteenth-century roots through 1929, when elements of the Swing Era began to emerge. It is the first book on early jazz history in over fifty years and fills a compelling need for an update that reflects recent research. With a broad definition of jazz that encompasses the artistic and the commercial, the book's inclusive tone allows for a wide spectrum of musicians, including not only pioneering African American and white musicians but also those who are commonly skipped or skimmed over in jazz history textbooks—lesser-known sidemen, prominent instrumentalists, entertainers or novelty performers, women, vocalists, and American jazz musicians who introduced jazz on their travels around the world. Nineteen songs are analyzed in depth, but no musical knowledge is required to understand or to read Early Jazz. The book is written as an introduction for fans, students, musicians, historians, scholars, and anyone who is interested in this fascinating era of jazz history.
Publisher: State University of New York Press
ISBN: 1438496397
Category : Music
Languages : en
Pages : 195
Book Description
Early Jazz is an overview of the beginnings of jazz from its nineteenth-century roots through 1929, when elements of the Swing Era began to emerge. It is the first book on early jazz history in over fifty years and fills a compelling need for an update that reflects recent research. With a broad definition of jazz that encompasses the artistic and the commercial, the book's inclusive tone allows for a wide spectrum of musicians, including not only pioneering African American and white musicians but also those who are commonly skipped or skimmed over in jazz history textbooks—lesser-known sidemen, prominent instrumentalists, entertainers or novelty performers, women, vocalists, and American jazz musicians who introduced jazz on their travels around the world. Nineteen songs are analyzed in depth, but no musical knowledge is required to understand or to read Early Jazz. The book is written as an introduction for fans, students, musicians, historians, scholars, and anyone who is interested in this fascinating era of jazz history.
From Jazz to Swing
Author: Thomas J. Hennessey
Publisher: Wayne State University Press
ISBN: 9780814321799
Category : Music
Languages : en
Pages : 228
Book Description
Black jazz musicians transformed their art - a series of regional musics - into America's most popular music. From Jazz to Swing examines the historical context of jazz within the changing situation of the African-American community and notes the tensions created by the structures of segregation, stereotypes, and prejudice. Making use of the files of African-American newspapers, such as the Chicago Defender, as well as published and archival oral history interviews, Thomas Hennessey explores the contradictions that musicians often faced as African Americans, as trained professional musicians, and as the products of differing regional experiences. From Jazz to Swing follows jazz from its beginnings in the regional black musics of the turn of the century in New Orleans, Chicago, New York, and the territories that make up the rest of the country. Superstars of jazz such as Louis Armstrong, Coleman Hawkins, and Duke Ellington come to life, as do James Reese Europe, King Oliver, Don Redman, Fletcher Henderson, and others.
Publisher: Wayne State University Press
ISBN: 9780814321799
Category : Music
Languages : en
Pages : 228
Book Description
Black jazz musicians transformed their art - a series of regional musics - into America's most popular music. From Jazz to Swing examines the historical context of jazz within the changing situation of the African-American community and notes the tensions created by the structures of segregation, stereotypes, and prejudice. Making use of the files of African-American newspapers, such as the Chicago Defender, as well as published and archival oral history interviews, Thomas Hennessey explores the contradictions that musicians often faced as African Americans, as trained professional musicians, and as the products of differing regional experiences. From Jazz to Swing follows jazz from its beginnings in the regional black musics of the turn of the century in New Orleans, Chicago, New York, and the territories that make up the rest of the country. Superstars of jazz such as Louis Armstrong, Coleman Hawkins, and Duke Ellington come to life, as do James Reese Europe, King Oliver, Don Redman, Fletcher Henderson, and others.
Black Recording Artists, 1877-1926
Author:
Publisher: McFarland
ISBN: 0786472383
Category : Music
Languages : en
Pages : 499
Book Description
This annotated discography covers the first 50 years of audio recordings by black artists in chronological order, music made in the "acoustic era" of recording technology. The book has cross-referenced bibliographical information on recording sessions, including audio sources for extant material, and appendices on field recordings; Caribbean, Mexican and South American recordings; piano rolls performed by black artists; and a filmography detailing the visual record of black performing artists from the period. Indexes contain all featured artists, titles recorded and labels.
Publisher: McFarland
ISBN: 0786472383
Category : Music
Languages : en
Pages : 499
Book Description
This annotated discography covers the first 50 years of audio recordings by black artists in chronological order, music made in the "acoustic era" of recording technology. The book has cross-referenced bibliographical information on recording sessions, including audio sources for extant material, and appendices on field recordings; Caribbean, Mexican and South American recordings; piano rolls performed by black artists; and a filmography detailing the visual record of black performing artists from the period. Indexes contain all featured artists, titles recorded and labels.