Author: David Banash
Publisher: Bloomsbury Publishing USA
ISBN: 1628923687
Category : Literary Criticism
Languages : en
Pages : 345
Book Description
Steve Tomasula's work exists at the cutting edges of scientific knowledge and literary techniques. As such, it demands consideration from multiple perspectives and from critics who can guide the reader through the formal innovations and multimedia involutions while providing critical scientific, aesthetic, historical, and technical contexts. This book, the first of its kind, provides this framework, showing readers the richness and relevance of the worlds Tomasula constructs. Steve Tomasula's work is redefining the form of the novel, reinventing the practice of reading, and wrestling with the most urgent questions raised by massive transformations of media and biotechnologies. His work not only charts these changes, it formulates the problems that we have making meaning in our radically changing technological contexts. Vast in scope, inventive in form, and intimate in voice, his novels, short stories, and essays are read and taught by a surprisingly diverse array of scholars in fields ranging from contemporary experimental writing and literary criticism to the history of science, biotechnology and bioart, book studies, and digital humanities.
Steve Tomasula: The Art and Science of New Media Fiction
Author: David Banash
Publisher: Bloomsbury Publishing USA
ISBN: 1628923687
Category : Literary Criticism
Languages : en
Pages : 345
Book Description
Steve Tomasula's work exists at the cutting edges of scientific knowledge and literary techniques. As such, it demands consideration from multiple perspectives and from critics who can guide the reader through the formal innovations and multimedia involutions while providing critical scientific, aesthetic, historical, and technical contexts. This book, the first of its kind, provides this framework, showing readers the richness and relevance of the worlds Tomasula constructs. Steve Tomasula's work is redefining the form of the novel, reinventing the practice of reading, and wrestling with the most urgent questions raised by massive transformations of media and biotechnologies. His work not only charts these changes, it formulates the problems that we have making meaning in our radically changing technological contexts. Vast in scope, inventive in form, and intimate in voice, his novels, short stories, and essays are read and taught by a surprisingly diverse array of scholars in fields ranging from contemporary experimental writing and literary criticism to the history of science, biotechnology and bioart, book studies, and digital humanities.
Publisher: Bloomsbury Publishing USA
ISBN: 1628923687
Category : Literary Criticism
Languages : en
Pages : 345
Book Description
Steve Tomasula's work exists at the cutting edges of scientific knowledge and literary techniques. As such, it demands consideration from multiple perspectives and from critics who can guide the reader through the formal innovations and multimedia involutions while providing critical scientific, aesthetic, historical, and technical contexts. This book, the first of its kind, provides this framework, showing readers the richness and relevance of the worlds Tomasula constructs. Steve Tomasula's work is redefining the form of the novel, reinventing the practice of reading, and wrestling with the most urgent questions raised by massive transformations of media and biotechnologies. His work not only charts these changes, it formulates the problems that we have making meaning in our radically changing technological contexts. Vast in scope, inventive in form, and intimate in voice, his novels, short stories, and essays are read and taught by a surprisingly diverse array of scholars in fields ranging from contemporary experimental writing and literary criticism to the history of science, biotechnology and bioart, book studies, and digital humanities.
Collage in Twenty-First-Century Literature in English
Author: Wojciech Drag
Publisher: Routledge
ISBN: 1000760677
Category : Literary Criticism
Languages : en
Pages : 308
Book Description
Collage in Twenty-First-Century Literature in English: Art of Crisis considers the phenomenon of the continued relevance of collage, a form established over a hundred years ago, to contemporary literature. It argues that collage is a perfect artistic vehicle to represent the crisis-ridden reality of the twenty-first-century. Being a mixture of fragmentary incompatible voices, collage embodies the chaos of the media-dominated world. Examining the artistic, sociopolitical and personal crises addressed in contemporary collage literature, the book argues that the 21st Century has brought a revival of collage-like novels and essays.
Publisher: Routledge
ISBN: 1000760677
Category : Literary Criticism
Languages : en
Pages : 308
Book Description
Collage in Twenty-First-Century Literature in English: Art of Crisis considers the phenomenon of the continued relevance of collage, a form established over a hundred years ago, to contemporary literature. It argues that collage is a perfect artistic vehicle to represent the crisis-ridden reality of the twenty-first-century. Being a mixture of fragmentary incompatible voices, collage embodies the chaos of the media-dominated world. Examining the artistic, sociopolitical and personal crises addressed in contemporary collage literature, the book argues that the 21st Century has brought a revival of collage-like novels and essays.
Steve Tomasula: The Art and Science of New Media Fiction
Author: David Banash
Publisher: Bloomsbury Publishing USA
ISBN: 1628923695
Category : Literary Criticism
Languages : en
Pages : 345
Book Description
Steve Tomasula's work exists at the cutting edges of scientific knowledge and literary techniques. As such, it demands consideration from multiple perspectives and from critics who can guide the reader through the formal innovations and multimedia involutions while providing critical scientific, aesthetic, historical, and technical contexts. This book, the first of its kind, provides this framework, showing readers the richness and relevance of the worlds Tomasula constructs. Steve Tomasula's work is redefining the form of the novel, reinventing the practice of reading, and wrestling with the most urgent questions raised by massive transformations of media and biotechnologies. His work not only charts these changes, it formulates the problems that we have making meaning in our radically changing technological contexts. Vast in scope, inventive in form, and intimate in voice, his novels, short stories, and essays are read and taught by a surprisingly diverse array of scholars in fields ranging from contemporary experimental writing and literary criticism to the history of science, biotechnology and bioart, book studies, and digital humanities.
Publisher: Bloomsbury Publishing USA
ISBN: 1628923695
Category : Literary Criticism
Languages : en
Pages : 345
Book Description
Steve Tomasula's work exists at the cutting edges of scientific knowledge and literary techniques. As such, it demands consideration from multiple perspectives and from critics who can guide the reader through the formal innovations and multimedia involutions while providing critical scientific, aesthetic, historical, and technical contexts. This book, the first of its kind, provides this framework, showing readers the richness and relevance of the worlds Tomasula constructs. Steve Tomasula's work is redefining the form of the novel, reinventing the practice of reading, and wrestling with the most urgent questions raised by massive transformations of media and biotechnologies. His work not only charts these changes, it formulates the problems that we have making meaning in our radically changing technological contexts. Vast in scope, inventive in form, and intimate in voice, his novels, short stories, and essays are read and taught by a surprisingly diverse array of scholars in fields ranging from contemporary experimental writing and literary criticism to the history of science, biotechnology and bioart, book studies, and digital humanities.
Divergent Trajectories
Author: Flore Chevaillier
Publisher:
ISBN: 9780814213438
Category : Literary Criticism
Languages : en
Pages : 230
Book Description
R.M. Berry -- Debra Di Blasi -- Percival Everett -- Thalia Field -- Renee Gladman -- Bhanu Kapil -- Michael Martone -- Carole Maso -- Joseph McElroy -- Christina Milletti -- Lance Olsen -- Alan Singer -- Steve Tomasula
Publisher:
ISBN: 9780814213438
Category : Literary Criticism
Languages : en
Pages : 230
Book Description
R.M. Berry -- Debra Di Blasi -- Percival Everett -- Thalia Field -- Renee Gladman -- Bhanu Kapil -- Michael Martone -- Carole Maso -- Joseph McElroy -- Christina Milletti -- Lance Olsen -- Alan Singer -- Steve Tomasula
Once Human
Author: Steve Tomasula
Publisher: University of Alabama Press
ISBN: 1573661767
Category : Fiction
Languages : en
Pages : 320
Book Description
A stunning new collection of stories by a master fictionist, Once Human shows the ways to go beyond standard maps of simple understanding
Publisher: University of Alabama Press
ISBN: 1573661767
Category : Fiction
Languages : en
Pages : 320
Book Description
A stunning new collection of stories by a master fictionist, Once Human shows the ways to go beyond standard maps of simple understanding
Subversion and Conformity of Literary Collage
Author: Magda Dragu
Publisher: Taylor & Francis
ISBN: 104002212X
Category : Literary Criticism
Languages : en
Pages : 158
Book Description
Subversion and Conformity of Literary Collage: Between Cut and Glue fills a gap in the current scholarship on literary collage, by addressing how different the interpretations of the concept are, depending on the author who uses the concept and the material and writers surveyed. The book studies writers who employed literary collage during the twentieth and twenty-first centuries, some whose works have been intensely analyzed from this perspective (William S. Burroughs and Walter Benjamin), but also some whose collage-writing style has recently been investigated by writers, being usually placed under the umbrella term of artist books (Stelio Maria Martini).
Publisher: Taylor & Francis
ISBN: 104002212X
Category : Literary Criticism
Languages : en
Pages : 158
Book Description
Subversion and Conformity of Literary Collage: Between Cut and Glue fills a gap in the current scholarship on literary collage, by addressing how different the interpretations of the concept are, depending on the author who uses the concept and the material and writers surveyed. The book studies writers who employed literary collage during the twentieth and twenty-first centuries, some whose works have been intensely analyzed from this perspective (William S. Burroughs and Walter Benjamin), but also some whose collage-writing style has recently been investigated by writers, being usually placed under the umbrella term of artist books (Stelio Maria Martini).
Thinking Past ‘Post-9/11’
Author: Jayana Jain
Publisher: Taylor & Francis
ISBN: 100042345X
Category : Literary Criticism
Languages : en
Pages : 247
Book Description
This book offers new ways of constellating the literary and cinematic delineations of Indian and Pakistani Muslim diasporic and migrant trajectories narrated in the two decades after the 9/11 attacks. Focusing on four Pakistani English novels and four Indian Hindi films, it examines the aesthetic complexities of staging the historical nexus of global conflicts and unravels the multiple layers of discourses underlying the notions of diaspora, citizenship, nation and home. It scrutinises the “flirtatious” nature of transnational desires and their role in building glocal safety valves for inclusion and archiving a planetary vision of trauma. It also provides a fresh perspective on the role of Pakistani English novels and mainstream Hindi films in tracing the multiple origins and shifts in national xenophobic practices, and negotiating multiple modalities of political and cultural belonging. It discusses various books and films including The Reluctant Fundamentalist, Burnt Shadows, My Name is Khan, New York, Exit West, Home Fire, AirLift and Tiger Zinda Hai. In light of the twentieth anniversary of 9/11 attacks, current debates on terror, war, paranoid national imaginaries and the suspicion towards migratory movements of refugees, this book makes a significant contribution to the interdisciplinary debates on border controls and human precarity. A crucial work in transnational and diaspora criticism, it will be of great interest to researchers of literature and culture studies, media studies, politics, film studies, and South Asian studies.
Publisher: Taylor & Francis
ISBN: 100042345X
Category : Literary Criticism
Languages : en
Pages : 247
Book Description
This book offers new ways of constellating the literary and cinematic delineations of Indian and Pakistani Muslim diasporic and migrant trajectories narrated in the two decades after the 9/11 attacks. Focusing on four Pakistani English novels and four Indian Hindi films, it examines the aesthetic complexities of staging the historical nexus of global conflicts and unravels the multiple layers of discourses underlying the notions of diaspora, citizenship, nation and home. It scrutinises the “flirtatious” nature of transnational desires and their role in building glocal safety valves for inclusion and archiving a planetary vision of trauma. It also provides a fresh perspective on the role of Pakistani English novels and mainstream Hindi films in tracing the multiple origins and shifts in national xenophobic practices, and negotiating multiple modalities of political and cultural belonging. It discusses various books and films including The Reluctant Fundamentalist, Burnt Shadows, My Name is Khan, New York, Exit West, Home Fire, AirLift and Tiger Zinda Hai. In light of the twentieth anniversary of 9/11 attacks, current debates on terror, war, paranoid national imaginaries and the suspicion towards migratory movements of refugees, this book makes a significant contribution to the interdisciplinary debates on border controls and human precarity. A crucial work in transnational and diaspora criticism, it will be of great interest to researchers of literature and culture studies, media studies, politics, film studies, and South Asian studies.
The Moral Worlds of Contemporary Realism
Author: Mary K. Holland
Publisher: Bloomsbury Publishing USA
ISBN: 150136264X
Category : Literary Criticism
Languages : en
Pages : 313
Book Description
Literature has never looked weirder--full of images, colors, gadgets, and footnotes, and violating established norms of character, plot, and narrative structure. Yet over the last 30 years, critics have coined more than 20 new “realisms” in their attempts to describe it. What makes this decidedly unorthodox literature “realistic”? And if it is, then what does “realism” mean anymore? Examining literature by dozens of writers, and over a century of theory and criticism about realism, The Moral Worlds of Contemporary Realism sorts through the current critical confusion to illustrate how our ideas about what is real and how best to depict it have changed dramatically, especially in recent years. Along the way, Mary K. Holland guides the reader on a lively tour through the landscape of contemporary literary studies--taking in metafiction, ideology, posthumanism, postmodernism, and poststructuralism--with forays into quantum mechanics, new materialism, and Buddhism as well, to give us entirely new ways of viewing how humans use language to make sense of--and to make--the world.
Publisher: Bloomsbury Publishing USA
ISBN: 150136264X
Category : Literary Criticism
Languages : en
Pages : 313
Book Description
Literature has never looked weirder--full of images, colors, gadgets, and footnotes, and violating established norms of character, plot, and narrative structure. Yet over the last 30 years, critics have coined more than 20 new “realisms” in their attempts to describe it. What makes this decidedly unorthodox literature “realistic”? And if it is, then what does “realism” mean anymore? Examining literature by dozens of writers, and over a century of theory and criticism about realism, The Moral Worlds of Contemporary Realism sorts through the current critical confusion to illustrate how our ideas about what is real and how best to depict it have changed dramatically, especially in recent years. Along the way, Mary K. Holland guides the reader on a lively tour through the landscape of contemporary literary studies--taking in metafiction, ideology, posthumanism, postmodernism, and poststructuralism--with forays into quantum mechanics, new materialism, and Buddhism as well, to give us entirely new ways of viewing how humans use language to make sense of--and to make--the world.
Traversals
Author: Stuart Moulthrop
Publisher: MIT Press
ISBN: 0262339021
Category : Language Arts & Disciplines
Languages : en
Pages : 291
Book Description
An exercise in reclaiming electronic literary works on inaccessible platforms, examining four works as both artifacts and operations. Many pioneering works of electronic literature are now largely inaccessible because of changes in hardware, software, and platforms. The virtual disappearance of these works—created on floppy disks, in Apple's defunct HyperCard, and on other early systems and platforms—not only puts important electronic literary work out of reach but also signals the fragility of most works of culture in the digital age. In response, Dene Grigar and Stuart Moulthrop have been working to document and preserve electronic literature, work that has culminated in the Pathfinders project and its series of “Traversals”—video and audio recordings of demonstrations performed on historically appropriate platforms, with participation and commentary by the authors of the works. In Traversals, Moulthrop and Grigar mine this material to examine four influential early works: Judy Malloy's Uncle Roger (1986), John McDaid's Uncle Buddy's Phantom Funhouse (1993), Shelley Jackson's Patchwork Girl (1995) and Bill Bly's We Descend (1997), offering “deep readings” that consider the works as both literary artifacts and computational constructs. For each work, Moulthrop and Grigar explore the interplay between the text's material circumstances and the patterns of meaning it engages and creates, paying attention both to specificities of media and purposes of expression.
Publisher: MIT Press
ISBN: 0262339021
Category : Language Arts & Disciplines
Languages : en
Pages : 291
Book Description
An exercise in reclaiming electronic literary works on inaccessible platforms, examining four works as both artifacts and operations. Many pioneering works of electronic literature are now largely inaccessible because of changes in hardware, software, and platforms. The virtual disappearance of these works—created on floppy disks, in Apple's defunct HyperCard, and on other early systems and platforms—not only puts important electronic literary work out of reach but also signals the fragility of most works of culture in the digital age. In response, Dene Grigar and Stuart Moulthrop have been working to document and preserve electronic literature, work that has culminated in the Pathfinders project and its series of “Traversals”—video and audio recordings of demonstrations performed on historically appropriate platforms, with participation and commentary by the authors of the works. In Traversals, Moulthrop and Grigar mine this material to examine four influential early works: Judy Malloy's Uncle Roger (1986), John McDaid's Uncle Buddy's Phantom Funhouse (1993), Shelley Jackson's Patchwork Girl (1995) and Bill Bly's We Descend (1997), offering “deep readings” that consider the works as both literary artifacts and computational constructs. For each work, Moulthrop and Grigar explore the interplay between the text's material circumstances and the patterns of meaning it engages and creates, paying attention both to specificities of media and purposes of expression.
The Book of Portraiture
Author: Steve Tomasula
Publisher: F2c
ISBN:
Category : Fiction
Languages : en
Pages : 344
Book Description
"The Book of Portraiture "is a postmodern epic in writing and images. A desert nomad struggles at the close of the ancient world to inscribe himself into life, and centuries later a Renaissance artist attempts to overcome his lowly origins by painting nobility. Throughout Steve Tomasula's arresting tour de force, human beings seek to become what they are by representing it. An early twentieth-century psychoanalyst in search of a cure for sexual neurosis discovers the reflection of his own yearning in a female client, and an accidental community of twenty-first century image-makers connects the pixels to bring their group portrait into focus. Across a canvas that spans centuries, the several narrators of this novel look through the lens of their own time and portray objects of desire in paint, dreams, photography, electronic data, and genetic code. Together their portraits comprise a collage of styles and habits of mind. "The Book of Portraiture" is a novel about the irrepressible impulse to picture ourselves, and how, through this picturing, we continually re-create what it means to be human. "Once again, Steve Tomasula has fabricated an incisive and sly commentary on art's way of being in the world, and the manner in which it intersects, and conflicts, with our perceptions. Virtuosic in its execution, and sublime in its discernment, "The Book of Portraiture" is an able continuation of Tomasula's ongoing project to redraw the boundaries of contemporary fiction."--Christopher Sorrentino "Tomasula's five interlocking chapters cross continents and centuries and aesthetic sensibilities to build to a dazzling and dizzying whole. "The Book of Portraiture" is one of those rare books that manage to be at once emotionally and theoretically satisfying."--Brian Evenson "Think of Swift, Groddeck, Lautreamont, and George Carlin conversing together in a large wastebin--up to their chins in 21st century sweepings--and you will begin to have an idea of Tomasula's very funny, very smart and downright scary epic vision."--Rikki Ducornet Steve Tomasula is the author of the acclaimed novels IN & OZ "(Ministry of Whimsy)" and "VAS: An Opera in Flatland." Among the venues where his short fiction has appeared are "McSweeney's" and "The Iowa Review, " where he received the distinguished Iowa Prize. His writings on body art and culture have appeared in "Leonardo" and numerous arts journals.
Publisher: F2c
ISBN:
Category : Fiction
Languages : en
Pages : 344
Book Description
"The Book of Portraiture "is a postmodern epic in writing and images. A desert nomad struggles at the close of the ancient world to inscribe himself into life, and centuries later a Renaissance artist attempts to overcome his lowly origins by painting nobility. Throughout Steve Tomasula's arresting tour de force, human beings seek to become what they are by representing it. An early twentieth-century psychoanalyst in search of a cure for sexual neurosis discovers the reflection of his own yearning in a female client, and an accidental community of twenty-first century image-makers connects the pixels to bring their group portrait into focus. Across a canvas that spans centuries, the several narrators of this novel look through the lens of their own time and portray objects of desire in paint, dreams, photography, electronic data, and genetic code. Together their portraits comprise a collage of styles and habits of mind. "The Book of Portraiture" is a novel about the irrepressible impulse to picture ourselves, and how, through this picturing, we continually re-create what it means to be human. "Once again, Steve Tomasula has fabricated an incisive and sly commentary on art's way of being in the world, and the manner in which it intersects, and conflicts, with our perceptions. Virtuosic in its execution, and sublime in its discernment, "The Book of Portraiture" is an able continuation of Tomasula's ongoing project to redraw the boundaries of contemporary fiction."--Christopher Sorrentino "Tomasula's five interlocking chapters cross continents and centuries and aesthetic sensibilities to build to a dazzling and dizzying whole. "The Book of Portraiture" is one of those rare books that manage to be at once emotionally and theoretically satisfying."--Brian Evenson "Think of Swift, Groddeck, Lautreamont, and George Carlin conversing together in a large wastebin--up to their chins in 21st century sweepings--and you will begin to have an idea of Tomasula's very funny, very smart and downright scary epic vision."--Rikki Ducornet Steve Tomasula is the author of the acclaimed novels IN & OZ "(Ministry of Whimsy)" and "VAS: An Opera in Flatland." Among the venues where his short fiction has appeared are "McSweeney's" and "The Iowa Review, " where he received the distinguished Iowa Prize. His writings on body art and culture have appeared in "Leonardo" and numerous arts journals.